Mid 70's album of funky soul tracks cut by ex-Gator Willie Tee, with a number of other members of the Gators, for United Artists. Don't go thinking that it's raw New Orleans soul, though, because the sound is a lot more polished, with more of a 70's modern groove to it. Willie's still got some nice moments on keyboards though, but most of the cuts also have some vocals. Tracks include "Anticipation", "Come To Me", "I Can Feel It", "Liberty Bell", and "Moment Of Truth". LP, Vinyl record album

One of the only albums ever from Willie Tee – an artist who's usually known best for his funky 45s, but who really shines here in the space of a full-length record! Willie's got a killer vocal style, with a warm raspy style that reminds us a bit of Tyrone Davis – but he's produced here with a swinging soul vibe by David Axelrod, and he sings to some spectacular arrangements by HB Barnum that are in his best style of the late 60s! The tracks are a wonderful mix of raw soul vocals and sophisticated production, and the album's the kind of rare soul album that we only ever turn up once in a while! Includes a great vocal version of Cannonball Adderley's "Walk Tall", plus the tracks "Bring On The Heartaches", "I'm Only A Man", "Mirror", and "Take Your Time". Excellent stuff! CD

Remember Beach music? Once upon a time we might have argued that was a more contemporary term for an older genre, like northern soul, but this mighty fine collection from the late 60s on Atlantic shows you the sound's been around for quite some time! A great soundtrack for the beach from the Carolina scene – sweetly loping grooves that got heavy play at summer resorts on the southern shores of the Atlantic! While not all the groups originated in the south, the music's gained a special place in the hearts of folks in the Carolinas, who've come to consider the music their own because of it's slightly stepping beat and gentle kind of groove! A dozen numbers in all, including "One Mint Julep" by the Clovers, "Searchin" and "Zing Went The tings Of My Heart" by the Coasters, "Think A Little Sugar" by Barbara Lewis, "CC Rider" by Chuck Willis, "Money Honey" and "Honey Love" by Clyde McPhatter & The Drifters, "Walking Up A One way Street" and "Thank You John" by Willie Tee,"There Goes My Baby" by the Drifters, "Just One Look" by Doris Troy and "Drinkin' Wine Spo Dee O Dee" by Stick McGhee. LP, Vinyl record album

Loads of killers that played big in the Carolina scene – including "Te Ta Te Ta Ta" by Ernie K Doe, "Across The Street" by Lenny O'Henry, "Fat Boy" by Billy Stewart, "39 21 46" by Showmen, "Thank You John" by Willie Tee, "Quiet Place" by Garnett Mims, "You Keep Telling Me Yes" by Cannonball, "Would You Believe" by Tempests, "Ms Grace" by Tymes, "Shaggin" by Band Of Oz, "Hey Hey Baby" by Swinging Medallions, and "Summertime's Callin Me" by Catalinas. LP, Vinyl record album

A killer collection of rare 60s soul – very different than you might expect from the title and cover! Remember Beach music? Once upon a time we might have argued that was a more contemporary term for an older genre, like northern soul, but this mighty fine collection from the late 60s on Atlantic shows you the sound's been around for quite some time! A great soundtrack for the beach from the Carolina scene – sweetly loping grooves that got heavy play at summer resorts on the southern shores of the Atlantic! While not all the groups originated in the south, the music's gained a special place in the hearts of folks in the Carolinas, who've come to consider the music their own because of it's slightly stepping beat and gentle kind of groove! A dozen numbers in all, including "Searching For My Love" by Bobby Moore & The Rhythm Aces, "Teasin' You" by Willie Tee, "Hello Stranger" by Barbara Lewis, "Fat Boy" by Billy Stewart, "Memphis Soul Stew" by King Curtis, "May I" by Maurice Williams & The Zodiacs, "Across The Street" by Lenny O'Henry, "Without Love (There Is Nothing)" by Clyde McPhatter, "Idol With The Golden Hand" by the Coasters, "The Entertainer" by Tony Clarke, "Nip Sip" by the Clovers, and "I (Who Have Nothing)" by Ben E King. LP, Vinyl record album

With selections by The Showmen, The O'Kaysions, Garnet Mimms & The Enchanters, The Tams, Leon Haywood, The Drifters, Willie Tee, The Astors, Brenton Wood, The Globetrotters, The Swingin' Medallions, The Dominoes, Darrell Banks, Arthur Alexander, Jackie Moore, Deon Jackson, Jackie Wilson, JJ Jackson, Bruce Channel, The Embers, Archie Bell & The Drells, and The Platters. LP, Vinyl record album

An essential bit of funkiness from this obscure New Orleans funk combo! The Gaturs' frontman was keyboardist Willie Tee – who went on to greater fame as a jazz and session player – but we like him best at this early point, when he was wailing away on organ in a tight choppy small group setting. The Gaturs clearly deserve any praise you could heap on them – and their work on this album's a perfect match with the New Orleans funk of Eddie Bo and The Meters. Most of the material was recorded in New Orleans, but only ever issued on 7" singles – and this is the first LP that the group have ever had under their name. Titles include "Cold Bear", "Booger Man", "Gatur Bait", "Hunk Of Funk", "Funky Funky Twist", "Wasted", and "Yeah, You Right". LP, Vinyl record album

Here it is, the mother of them all! The set's got 8CDs worth of killer soul, funk, and Rhythm & Blues – all culled from the rich history of the Atlantic records label, and lovingly put together with great notes and everything! Although this sort of set usually tends to be a bit simplistic, this box actually features a beautiful mix of tracks, lots of which are hard to get in any format. It's a lot to go through, but it's worth the trip! We can't even begin to list the tracks here, there's 203(!) of them in all, but some of the artists include the Bar Kays, the Beginning of the End, Archie Bell & The Drells, Ruth Brown, Solomon Burke, the Capitols, Clarence Carter, the Chords, the Cookies, Don Covay, King Curtis, Tyrone Davis, the Drifters, Roberta Flack, King Floyd, Aretha Franklin, Major Harris, Donny Hathaway, the Ikettes, Willis Jackson, Nat Kendricks & The Swans, Barabra Lewis,the Mar-keys, Les McCann & Eddie Harris, Stick McGhee, Otis & Carla, the Persuaders, Percy Sledge, The Spinners, Willie Tee, Joe Tex, Chuck Willis, Betty Wright and loads more! CD

The funky side of New Orleans soul – from a series that has been giving us some of the best underground nuggets for many years, and at a level that goes farther than most of the 60s-centric collections of Crescent City funk! This time around, there's a great rare unissued track from Robert Parker – the excellent instrumental take of "The Hiccup", paired with his vocal version of the tune too – next to titles that include "What's His Name Black Samson" by Willie West, "Stink Bomb" by Eddie Bo, "Tweedie Pie" by Raymond Winnfield, "Da Boys From Across The Tracks" by George Porter's Joy Ride, "Accept What You Expect" by Louisiana Purchase, "Water Hole" by Sam & The Soul Machine, "Things Could Be Better" by Raymond Winnfield, and "Sweet Thing" by Willie Tee. LP, Vinyl record album

A great look at the huge influence on 60s soul from Burt Bacharach – a rich legacy that goes way beyond the big hits from Dionne Warwick, to include a wealth of work from artists you might not expect! Back in the early days, Burt was the tall white guy running around the Brill Building – where he made key connections to a range of different artists, and was able to already hit the ground running – with a huge legacy that would go onto inform soul singers for years to come! In fact, we'd almost say that Bacharach's music sounds even better in the hands of these singers than in more mainstream pop artists – and although a few of these cuts are well-known hits, you'll find plenty more great ones here to discover. Titles include "Alfie" by The Delfonics, "Reach Out For Me" by Willie Tee, "Message To Martha" by Jerry Butler, "Long After Tonight Is All Over" by Irma Thomas, "Another Tear Falls" by Marv Johnson, "Walk On By" by Gloria Gaynor, "Anyone Who Had A Heart" by The Orlons, "The Look Of Love" by Nina Simone, "Forgotten Man" by Gene McDaniels, "A House is Not A Home" by Mavis Staples, "Don't Make Me Over" by Brenda & The Tabulations, "This Empty Place" by Cissy Houston, and "My Little Red Book" by Tony Middleton with Bacharach himself! CD

A set with "modernity" as the title, but a batch of tracks that sound plenty old all the way through – mostly the kind of upbeat soul tracks that played big with the 60s mod scene in London! Yet this isn't the usual collection of mod classics – as the work here is very obscure, and served up in the mix of rare singles and unreleased material that we totally love on other Ace/Kent Records collections – presented with great sound, and very detailed notes that are as fun to read as the songs are to hear! All the artists are American, and look very different than the dapper British gents on the cover – soaring out in a set list that includes "Deuces Wild" by Gary & Gary, "Just Can't Help Myself" by Birdlegs & Pauline, "Oh Lady Be Good" by Charles Hodges, "The Hawg (part 2)" by Eddie Kirk, "See See Rider" by Byrdie Green, "Walk Home With Me" by Ike & Tina Turner, "Sundown" by The Merced Blue Notes, "Go Away With Me" by Hollis Dixon & The Keynotes, "I Found A Little Girl" by Eddie Bo, "The Bounce" by Jackie Lee, "Earthquake" by The Fashionettes, "Air Travel" by Ray & Bob, "That's All I Want" by King Carl, "The Warm Up (part 1)" by Clifton White & His Royal Knights, "Soul Grabber" by Willis Jackson, and "Who Knows" by Willie Tee. CD

An essential bit of funkiness from this obscure New Orleans funk combo! The Gaturs' frontman was keyboardist Willie Tee – who went on to greater fame as a jazz and session player – but we like him best at this early point, when he was wailing away on organ in a tight choppy small group setting. The Gaturs clearly deserve any praise you could heap on them – and their work on this album's a perfect match with the New Orleans funk of Eddie Bo and The Meters. Most of the material was recorded in New Orleans, but only ever issued on 7" singles – and this is the first LP that the group have ever had under their name. Titles include "Cold Bear", "Booger Man", "Gatur Bait", "Hunk Of Funk", "Funky Funky Twist", "Wasted", and "Yeah, You Right". Plus, the CD contains 5 great bonus cuts, including "Sweet Thing"! CD

Killer soul from the 60s – a wonderfully rich array of hard soul grooves – all with a superb pedigree! The "At" here is short for "Atlantic" – as in Atlantic Records, the source of all the very groovy cuts on this set – as well as some from the early years of Stax Records too! But if you're thinking the collection's just another batch of overplayed Atlantic soul hits from the 60s, then think again – because the track selection is wonderful, and the compilation goes out of its way to pick lesser-known gems and rare singles – including some by artists we didn't even realize recorded for Atlantic! There's definitely a few familiar cuts on here, but there's lots more that were only briefly issued as 45s – as you'll hear on titles that include "Holding On With Both Hands" by Eddie Floyd, "Able Mable" by Mable John, "Walking Up A One Way Street" by Willie Tee, "At The Club" by The Drifters, "It Ain't What You Got" by Jimmy Hughes, "Help Me Get The Feeling" by Ray Sharpe, "Some Other Guy" by Richie Barrett, "I'm Gonna Run Away From You" by Tami Lynn, "Que Sera Sera" by The High Keys, "Keep Lookin" by Solomon Burke, and the amazing "Some Kind Of Wonderful" by Soul Brothers Six, a monster track that is worth the price of the CD alone! CD

Featuring Bo Dollis, Champion Jack Dupree, Dr. John, Earl Turbinton, Jr, John Mooney, Monk Boudreaux, Rebirth Brass Band, The Golden Eagles, The Wild Magnolias and Willie Tee. CD

With selections by Barbara Lewis, The Drifters, Lavern Baker & Jimmy Ricks, The Trammps, The Coasters, Willie Tee, The Tymes, Doris Troy, The Clovers, Mary Wells, Clyde McPhatter, Archie Bell & The Drells, Clarence Carter, Stick McGhee, Lenny O'Henry, Sam & Dave, and Ruth Brown. LP, Vinyl record album

A rare soul treasure – previously unissued work from Little Willie John, cut for Capitol Records by the mighty David Axelrod! The pairing is quite unique, but it's a great one – and if anything, Little Willie John sparkles here even more than on his later King sides – finding a hipper 60s groove that moves way past older R&B modes! Willie's vocals are still wonderful, and they're set up here with arrangements from HB Barnum – who brings in plenty of bounce, snap, and vamp to the grooves – similar to his more famous Axelrod productions for Lou Rawls, but rougher and grittier here in the company of John. A few cuts bring in more ambitious backings – taking Little Willie into the same space as his longtime fan and supporter James Brown – at least in the way Brown hit ballads during the 60s – and given Axelrod's hand in the studio, there's a clarity here that the singer hardly would have found at King Records, who blocked the initial release of this material back in the 60s. CD features 20 tracks in all – a number of alternates, and the master takes – with tunes that include "Crying Over You", "Country Girl", "Suffering With The Blues", "Never Let Me Go", "I Had A Dream", "In The Dark", "Welcome To The Club", "I Need Someone", and "Early In The Morning". CD

A rare soul treasure – previously unissued work from Little Willie John, cut for Capitol Records by the mighty David Axelrod! The pairing is quite unique, but it's a great one – and if anything, Little Willie John sparkles here even more than on his later King sides – finding a hipper 60s groove that moves way past older R&B modes! Willie's vocals are still wonderful, and they're set up here with arrangements from HB Barnum – who brings in plenty of bounce, snap, and vamp to the grooves – similar to his more famous Axelrod productions for Lou Rawls, but rougher and grittier here in the company of John. A few cuts bring in more ambitious backings – taking Little Willie into the same space as his longtime fan and supporter James Brown – at least in the way Brown hit ballads during the 60s – and given Axelrod's hand in the studio, there's a clarity here that the singer hardly would have found at King Records, who blocked the initial release of this material back in the 60s. CD features 20 tracks in all – a number of alternates, and the master takes – with tunes that include "Crying Over You", "Country Girl", "Suffering With The Blues", "Never Let Me Go", "I Had A Dream", "In The Dark", "Welcome To The Club", "I Need Someone", and "Early In The Morning". CD

Late recordings by Willie "The Lion" Smith, done in Paris in the mid 60s – at a time when he was enjoying quite a bit of fame on the European scene! The set features solo work by Willie – only piano, in a style that's drenched in bluesy chord work, but which also has some surprisingly modern moments too – that great combination of modes you'd often get when a player was set loose with the new freedoms of the European scene. A number of the tracks are original compositions by Smith, and ttitles include "Steeplechase", "Dinah", "Sparklets", "Sharps & Flats", "Summertime", "Steeplechase", "Shine", "H&M Blues", "In A Minor Groove", and "The Stuff Is Here". Also features 3 bonus tracks – "Music On My Mind", "Polonaise", and "All Out Of Breath" – two of which feature a bit of vocals, too! CD

A fascinating look at musical modes in London during the big years of postwar immigration – a time when former residents of the crumbling British Empire were flooding to London for jobs and a better way of life – often bringing along a huge amount of cultural experience in the process! This set follows wonderfully in the spirit of previous volumes of the series – bringing together a range of different sonic styles that were originally recorded in London as 78rpm singles – where a new wave of Caribbean and West African immigrants were fusing older styles with a newly modern sensibility, and often a fair bit of jazz as well! The set list is wonderful – a great array of well-chosen material – and titles include "Wa Sise" by Willie Payne & The Starlite Tempos, "The Emperor Of Africa" by The Mighty Terror, "Royal Wedding" by The Lion, "Modern Telephone" by Dai Dai Simba, "Sons & Daughters Of Africa" by Lord Beginner, "Caroline" by Trinidad Steel Band, "Ema Foju Ana Woku" by West African Rhythm Brothers, "Kana Kana" by Billy Sholanke, "Boul Ve Se" by Calypso Rhythm Kings, and "My Handy Man" by Marie Bryant. LP, Vinyl record album

A really fantastic album from guitarist Grant Green – a set that's every bit as great as his other Blue Note funk albums from the time – but in a very different way! First off, the group has vibes – played by the more obscure Willie Bivens, sometimes with this hard chromatic sound that's really wonderful – especially when combined by the organ work on the set by Ronnie Foster and Neal Creque – both very cool players with an unusual conception – which sends the whole thing off in very hip territory! The mighty Idris Muhammad plays drums – ensuring a very tight bottom – and the group also features Claude Bartee on tenor, who has a strong, soulful vibe. The set includes a fantastic live version of "Down Here On the Ground" – famously sampled by Tribe Called Quest – and other highlights include heavy funk takes on "Let The Music Take Your Mind" and "Sookie Sookie", and the Creque original "Time To Remember". LP, Vinyl record album

One of Grant Green's late great funky albums for Blue Note! Carryin' On is a solid groover with heavy jazz funk grooves that won't stop, and that vibe carries all the way throughout – in the same mode as some of Lou Donaldson's classic sounds from the time! The group features Idris Muhammad on drums, playing his trademark funky breakbeat sound from the late 60s – plus Jimmy Lewis on bass, Willie Bivens on vibes, Claude Bartee on tenor sax and Clarence Palmer on keys. Titles include a great versions of James Brown's "I Don't Want Nobody To Give Me Nothin", The Meters' "Ease Back", and Neal Creque's "Cease The Bombing" (featuring Creque on electric piano) plus Green's own "Upshot". CD

A stone classic from Chip Taylor – a very hip cat who was raised in New York, wrote a number of big pop hits in the 60s, but was always much more comfortable with country music in the end! The album's not straight country – but instead that perfect blend of rock roots and Nashville inspiration that was bubbling up in the American underground in the wake of the Byrds and Burrito Brothers – tried by many, but delivered by only a rare few like Chip at a level this good! The tunes are great – very thoughtful songwriting that puts Taylor on a par with Willie Nelson and Kris Kristofferson – and the backup group features some great steel guitar from Pete Drake, who really helps set the mood. Titles include "I Read It In Rolling Stone", "Son Of A Rotten Gambler", "The Real Thing", "101 In Cashbox", "Last Chance", and "I Wasn't Born In Tennessee". LP, Vinyl record album

The birth of Miami soul, and a beautifully done document of the rare Deep City label – home to Willie Clarke, Clarence Reid, and Betty Wright in the years before Alston and TK Records! Way before Miami soul started cracking the charts at the start of the 70s, Deep City was already putting the best parts in place – working with a tight roster of artists and an equally tight in-house band that rose from the ranks of Florida A&M's Marching 100 band – razor-sharp instrumentalists who helped forge a groove worthy to rival the sounds of Memphis, Muscle Shoals, and even the best of Detroit at the time – given that some of the work here has a much sweeter soul sound than other 60s southern soul. As usual, the Numero team have done an incredible job with the package – pulling out rare photos, personal stories, and just the right amount of information to breathe new life into the Deep City label and help it live anew. CD features 17 tracks in all – including "Paralyzed" and "Good Lovin" by Betty Wright, "Am I A Good Man" by Them Two, "Someone To Fulfill My Needs" and "I Love You Baby" by The Moovers, "I Am Controlled By Your Love" and "Willing & Able" by Helene Smith, "Good Thing (part 1)" by Frank Williams & The Rocketeers, "It's My Baby" and "The Upset" by Paul Kelly, and "Stay Away From My Johnny" by Freda Gray & The Rocketeers. CD

The fingersnap here is the key – as all the cuts here have a nicely romping kind of groove – a sweet sense of rhythm that's bound to get your toes tapping as much as your fingers are snapping – thanks to a nice sense of space between the notes! The music is from a variety of different genres – late 50s/early 60s country, pop, jazz, and R&B – all brought together here with the usual great Bear Family sense of an inventive tracklist, and definite panache for putting together a collection! The set features 31 tracks in all – and titles include "Tremblin" by Byrdie Green, "Love Charms" by Sanford Clark, "Lookout Mountain" by Chuck Miller, "Walk With Me Lord" by Ruth Brown, "King Of The Road" by Roger Miller, "My Nerves" by Little Willie John, "Coal Miner" by Nappy Brown, "Fever" by Peggy Lee, "Tale Of Woe" by Wynonie Harris, "Hawk" by Bill Haley & The Comets, "Jack That Cat Was Clean" by Dr Horse, "Chills & Fever" by Ronnie Love, "Sixteen Tons" by Jimmy Dean, "Tiny Tim" by LaVern Baker, "Satan Is Her Name' by Steve King & The Echelons, and "Heartbeat" by The Collins Kids. CD

A really fantastic album from guitarist Grant Green – a set that's every bit as great as his other Blue Note funk albums from the time – but in a very different way! First off, the group has vibes – played by the more obscure Willie Bivens, sometimes with this hard chromatic sound that's really wonderful – especially when combined by the organ work on the set by Ronnie Foster and Neal Creque – both very cool players with an unusual conception – which sends the whole thing off in very hip territory! The mighty Idris Muhammad plays drums – ensuring a very tight bottom – and the group also features Claude Bartee on tenor, who has a strong, soulful vibe. The set includes a fantastic live version of "Down Here On the Ground" – famously sampled by Tribe Called Quest – and other highlights include heavy funk takes on "Let The Music Take Your Mind" and "Sookie Sookie", and the Creque original "Time To Remember". CD

One of Grant Green's late great funky albums for Blue Note! Carryin' On is a solid groover with heavy jazz funk grooves that won't stop, and that vibe carries all the way throughout – in the same mode as some of Lou Donaldson's classic sounds from the time! The group features Idris Muhammad on drums, playing his trademark funky breakbeat sound from the late 60s – plus Jimmy Lewis on bass, Willie Bivens on vibes, Claude Bartee on tenor sax and Clarence Palmer on keys. Titles include a great versions of James Brown's "I Don't Want Nobody To Give Me Nothin", The Meters' "Ease Back", and Neal Creque's "Cease The Bombing" (featuring Creque on electric piano) plus Green's own "Upshot". LP, Vinyl record album

Although Exodus to Jazz was probably the biggest album of Eddie's career, we've always been a bit more partial to the excellent LP Mighty Like A Rose, which is combined here with Exodus for a very nice 2-fer CD of Eddie's work from his early days on the Chicago jazz scene. Both CDs feature Eddie's good early group with Willie Pickens on piano, Jo Dorio on guitar, and Harold Jones on drums. The sound is a nice mix of soul jazz, hard bop, and slightly more exotic themes, with the kind of tinges that Yusef Lateef was putting into his work at the time. Cuts include "Velocity", "A.T.C.", "There Is No Time", "W.P.", and "Gone Home". Nice package, and a great remastering job, too. CD

A killer collection of cuts, and one that looks at one of the coolest musical hybrids of the postwar years – work that's very strongly R&B at the core, but which also bears a surprising influence from Latin music in the rhythms – all of which makes for a very unusual groove! There's been other collections of this nature, but this one not only stacks the deck with a huge number of tracks – 62 in all – but also includes material that you might not normally associate with this mode, but which fits into the track list surprisingly well! Titles include "The Crawl" by Guitar Junior, "Got Love If You Want It" by Slim Harpo, "Mary Ann" by Texas Ray, "Girl That Radiates Charm" by Arthur Alexander, "Where's My Money" by Willie Jones, "Hurricane" by Dave Cortez, "Shoo Doo" by Andre Williams, "Night Train To Memphis" by Bobby Hebb, "Only Sixteen" by Tal Miller, "Voodoo Woman" by Curtis Knight, "Yours Truly" by Ford Eaglin, "Tell Me Pretty Baby" by Screamin Joe Neal, "Pig Tails & Ribbons" by Leonard Carbo, and "Wicked Old Fever" by Charles Sheffield. CD

Bob Dylan takes on the American songbook once again – revisiting the territory of classic 20th century songwriters that he touched on the Fallen Angels album, but in an overstuffed mode that definitely warrants the Triplicate title! The triple-length format really has Dylan going to town on the material – and maybe doing a lot more than just trying to ape an older singer like Frank Sinatra – as the arrangements are often surprisingly fresh, and almost hit the kind of country/standard mode that Willie Nelson hit with his Stardust recording. In fact, given the rasp and world-heavy tone of Dylan's voice, and the strong use of both acoustic and steel guitar on some of the tunes, the whole thing maybe feels more like a vision of midcentury, seen through a lens that gives the sound of Nashville a lot more importance in the canon. The set was recorded at the Capitol Studios, which seems a great place to capture this vibe – and titles include, not surprisingly, "Stardust", plus "This Nearly Was Mine", "Stormy Weather", "Once Upon A Time", "The Best Is Yet To Come", "As Time Goes By", "Imagination", "Day In Day Out", "There's A Flaw In My Flue", "These Foolish Things", and "You Go To My Head". LP, Vinyl record album

Sonny Stitt goes Latin – and the results are tremendous! The set's still got all the soulful feel of the best Stitt sessions for Roost, but it brings in some nice Latin rhythms too – inflecting things with that blend of soul jazz and congas you might find over at Prestige or Blue Note, yet also taking things further, too – given the Roost/Roulette connection to the New York Latin scene! Sonny plays both alto and tenor, and gets jazzy accompaniment from Thad Jones on trumpet – but the rhythm section is the real charmer here – and features a young Chick Corea on piano, Larry Gales on bass, and the trio of Willie Bobo, Patato Valdes, and Chihuaua Martinez on percussion! Most tunes are originals – a great change from the usual Latinized standards you might find on a set like this – and Stitt's got this nicely exotic tone in his reeds which is a further highlight of the record – almost a Yusef Lateef inflection at points. Titles include "Are You Listening", "I Told You So", "Chic", "Senor Jones", "Amigos", and "Ritmo Bobo". LP, Vinyl record album

The birth of Miami soul, and a beautifully done document of the rare Deep City label – home to Willie Clarke, Clarence Reid, and Betty Wright in the years before Alston and TK Records! Way before Miami soul started cracking the charts at the start of the 70s, Deep City was already putting the best parts in place – working with a tight roster of artists and an equally tight in-house band that rose from the ranks of Florida A&M's Marching 100 band – razor-sharp instrumentalists who helped forge a groove worthy to rival the sounds of Memphis, Muscle Shoals, and even the best of Detroit at the time – given that some of the work here has a much sweeter soul sound than other 60s southern soul. As usual, the Numero team have done an incredible job with the package – pulling out rare photos, personal stories, and just the right amount of information to breathe new life into the Deep City label and help it live anew. CD features 17 tracks in all – including "Paralyzed" and "Good Lovin" by Betty Wright, "Am I A Good Man" by Them Two, "Someone To Fulfill My Needs" and "I Love You Baby" by The Moovers, "I Am Controlled By Your Love" and "Willing & Able" by Helene Smith, "Good Thing (part 1)" by Frank Williams & The Rocketeers, "It's My Baby" and "The Upset" by Paul Kelly, and "Stay Away From My Johnny" by Freda Gray & The Rocketeers. CD

A killer record from bassist Paul Brusger – a set that features plenty of great work from Eric Alexander on tenor and alto – the latter an instrument that he's really begun to embrace in recent years! The rest of the group is wonderful too – Steve Davis on trombone, Rick Germanson on piano, and Willie Jones III on drums – a combo with a hard-swinging energy, and lots of individual identity in the way each member expresses themselves within the group – no egos getting in the way of the groove, even though the musicians themselves are an all-star group! Yet credit should really be given to Brusger for not only pulling the whole thing together, but also composing most of the material for the set – really great tunes that bristle with fresh life and vision, on selections that include "A Slice Of Gryce", "Just A Tadd More Please", "Do Dreams Really Matter", "The Sugar Glider", and "Blues For Another Time". CD

Composed and arranged by trumpeter Orbert Davis and performed by the Chicago Jazz Philharmonic featuring Nicole Mitchell, Ari Brown, and special guest Willie Pickens. CD

A jam-packed soundtrack for this 80s teen sex romp – with selections by Rod Stewart, Earl Klugh, Air Supply, Randy Van Warmer, John Cougar, Earth Wind & Fire, Crazy Horse, and Willie Nile. LP, Vinyl record album

Music from Carl Perkins, Fats Domino, the Five Satins, Shirley & Lee, the Teen Queens, Chuck Berry, the Platters, Little Richard, the Cadets, Sonny James, Little Willie John, Ivory Joe Hunter & more. CD