A whimsical set of tracks – penned by Walter Rizzati for this 1979 comedy starring the duo of Bud Spencer and Terence Hill as two nice guys fighting hunters on the African scene! The work's a strange blend of 70s styles and more playful tracks – with instrumentation that varies between wah wah guitar, keyboards, brassy horns, and a few more serious orchestral bits – not necessarily funky overall, but done in a way that uses plenty of the modes that would show up in a funky soundtrack of the time. The production is especially nice – tightly compressed to bring out the best elements of these slightly goofy tunes! LP, Vinyl record album

A cool jazzy spy soundtrack from the end of the 60s – much more obscure than some of the James Bond records, and a lot groovier too! The duo of Walter Rizzati and Roberto Pregadio do a good job of mixing together exotic elements to set the locale, and some of the mod elements that you might expect to find in such a film score – so that the tunes move between jazzy riffing numbers, with instrumentation that includes guitar, flute, and trumpet – and others that almost seem to evoke an earlier exotica mode, with lots of nice "eastern" touches in the instrumentation! This is the first we've ever seen of the soundtrack as a reissue – and this version features 20 tracks in all, and notes in English and Italian. CD

A whole new world of grooves we've never heard before – music from a short stretch on the Italian scene when local artists were really taken with the new developments in Afro Funk, and started to serve up some fresh styles of their own! The music here is maybe a blend of West African sounds and sound library modes – often leaner than the large group ensembles of Fela and some of his contemporaries, which also makes the tracks perfect for the clubs as well – but with a vibe that's sharper and tighter than some of the Afro/disco crossover cuts of the time! The selection of tracks is wonderful, and the whole thing is very revelatory – with titles that include "Why O" by Beryl Cunningham, "Kumbayero" by Weyman Corporation, "L'Unica Chance" by Walter Rizzati, "Amore" by Chrisma, "Tabu Tuba (part 1)" by I Robots, "Africa Sound" by Jean Paul & Angelique, "Contrabbando Di Fagioli" by Ramasandiran Somusundaram, "MAAGO" by Prognosi Riservata, "The Voodoo Lady" by Lara Saint Paul, and "Soul Makossa" by African Revival. LP, Vinyl record album

A whole new world of grooves we've never heard before – music from a short stretch on the Italian scene when local artists were really taken with the new developments in Afro Funk, and started to serve up some fresh styles of their own! The music here is maybe a blend of West African sounds and sound library modes – often leaner than the large group ensembles of Fela and some of his contemporaries, which also makes the tracks perfect for the clubs as well – but with a vibe that's sharper and tighter than some of the Afro/disco crossover cuts of the time! The selection of tracks is wonderful, and the whole thing is very revelatory – with titles that include "Why O" by Beryl Cunningham, "Kumbayero" by Weyman Corporation, "L'Unica Chance" by Walter Rizzati, "Amore" by Chrisma, "Tabu Tuba (part 1)" by I Robots, "Africa Sound" by Jean Paul & Angelique, "Contrabbando Di Fagioli" by Ramasandiran Somusundaram, "MAAGO" by Prognosi Riservata, "The Voodoo Lady" by Lara Saint Paul, and "Soul Makossa" by African Revival. CD