Amazing sounds from Lee Hazlewood – some of his most offbeat, unbridled recordings ever – and that's saying a lot if you've already heard his classics for Mercury, MGM, and Reprise! The package here brings together rare work from Lee's own LHI label – packaged beautifully with a rich set of notes, session details, and some amazing photos that follow in the spirit of the nutty-looking cover image! Hazlewood's voice is sublime throughout – that deeper-than-deep quality that always leaves us breathless – perfect for the sly wit and and "aw shucks" sensibility of the tunes – and also for unlocking the growing adult sensuality that Lee was letting into his work at the time. A few female singers step forth in that great Hazlewood duet mode – Nina Lizell, Suzi Jane Hokom, and Ann Margret – who each sing on a few tracks – but Lee's in the lead on most numbers, and titles include the previously unreleased "I Just Learned To Run" – plus "The Bed", "Sleep In The Grass", "The Night Before", "If It's Monday Morning", "Won't You Tell Your Dreams", "Hey Cowboy", "No Train To Stockholm", "What's More I Don't Need Her", "Trouble Maker", and "Nobody Like You". LP, Vinyl record album

Afro-psychedelia from Chrissy Zebby Tembo – a set recorded in the Zambian scene of the early 70s, and served up in a blend of fuzzy guitar, funky drums, and some really unusual vocals! At times, Chrissy's voice almost sounds like it's being processed – filtered down nicely amidst the fuzzy guitar and bass, which themselves are kicked along by some especially great drums – not conventionally funky in the familiar Afro 70s mode, but really finding a heavy groove that's totally great! Some numbers get mighty dark, given the heavy use of fuzz – and titles include "Fisherman", "I've Been Losing", "Gone Forever", "Feeling Good", "My Ancestors", and "Trouble Maker". LP, Vinyl record album

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A classic compilation that was a key primer on punk rock and new wave for the mainstream in the US – one that pulls together some of the best late 70s tracks from both sides of the Atlantic, into one package that's overstuffed with great work! Most of these numbers have gone onto be classics, but a few are ones that didn't stand the test of time – and titles include "Subways" by Urban Verbs, "Map Reference 41 N 93 W" by Wire, "Temper" by John Cale, "Social Fools" by Devo, "I'm Straight" by Modern Lovers, "Busy Little B Side" by Pearl Harbor & The Explosions, "Swan Lake" by Public Image, "Anthrax" by Gang Of Four, "No Fun" by Sex Pistols, "Video Killed The Radio Star" by Buggles, and "Nervous Breakdown" by Brian Briggs. LP, Vinyl record album

Tracks from Alex Gopher, Thievery Corporation, Deadbeats, I:Cube, Gotan Project, Troublemakers, Pablo, Butti 49, Elak, Schmoov!, Beanfield, and Samia Farah. CD

The only full album ever cut by The Majors – a hell of a vocal group from the Philly scene of the early 60s, and one with a fantastic approach that's a bit unlike anyone else we can think of! The group sports soaring lead vocals from singer Ricky Cordo – a singer with a range that's really amazing, and used in these ways that can be really dynamic, even on the mellow cuts – as he's backed by the group's three guys and one gal, who sometimes get a bit more spotlight in the lead – amidst this wonderful palette of instrumental touches, which includes bits of vibes, organ, and other nice touches that really keep things interesting. Titles include "Oh Wee Baby", "Time Will Tell", "She's A Troublemaker", "Don't You Lose Your Cool", "Come One Come On", "What In The World", "A Wonderful Dream", and "Anything You Can Do". LP, Vinyl record album

Excellent early work from Little Johnny Taylor – not to be confused with the bigger-name singer on Stax! The title's a bit of a misnomer, given that Little Johnny Taylor wasn't the biggest hitmaker of the 60s – but the album's a killer batch of his best work for the Galaxy label – work that's definitely the "soul full of blues" promised in the title! The style here's a bit like Bobby Blue Bland at his best – bluesy, but with a much more sophisticated feel overall, and certainly some jazz phrasing that comes in from time to time – all to push Johnny much more into the soul side of the spectrum for the 60s. There's almost an Otis Redding feel at times – and the backings by Ray Shanklin certainly show a Memphis influence. Titles include "Part Time Love", "Help Yourself", "If You Love Me Like You Say", "One More Chance", "I Smell Trouble", and "Somebody's Got To Pay". LP, Vinyl record album

A dozen tracks from The Dining Rooms, Troublemakers, J-Walk, Alex Cortiz, J-Walk, Kinobe, Brace, Butti 49, Thievery Corporation, Soulstance, Sidewinder, and Brother Of Soul. CD