Post-Mingus work from reedman George Adams and pianist Don Pullen – three albums in a single set! Decisions is one of those key records that has George Adams and Don Pullen reinventing expectations of jazz for the 80s – both musicians with plenty of ear for the outside, but also coming back home with a well-rounded, deeply-rooted approach that's crucial in taking the American jazz legacy another step forward! Like some of their similar contemporaries, who could also be avant at times, and straight at others – Adams and Pullen have no concern with setting themselves in one camp or another – and not only flesh out the spirit of the record with both of those aspects of their playing, but also have some surprisingly bluesy undercurrents at times. The group features George Adams on tenor, Don Pullen on piano, Cameron Brown on bass, and Dannie Richmond on drums – and titles include "Decisions", "Triple Over Time", "I Could Really For You", "Message Urgent", and "Trees & Grass & Things". Life Line is a strong outing from this key post-Mingus collaboration – and a record that really shows both Don Pullen and George Adams really coming into their own! Pullen's piano can have plenty of edges, as can Adams' tenor – but there's also some warmer, lyrical moments that really round things out – kind of a balance between righteous energy and deeper quietude that the musicians might have learned during their time with Charles Mingus – taken to a logical small group extension here. Adams also plays a bit of flute, which is especially nice – and the group also includes Cameron Brown on bass and Dannie Richmond on drums. Titles include "The Great Escape Or Run John Henry Run", "Seriously Speaking", "Soft Seas", and "Protection". Live At Montmartre is solidly soaring work from tenorist George Adams – recording live here with pianist Don Pullen, one of his best musical partners during the 80s! The album's got a bit more of a bite than some of the pair's studio sessions – a bit straighter overall, but recorded with a nice degree of energy, and some long tracks that really let both players open up nicely – in a combo that also features John Scofield on guitar, Cameron Brown on bass, and Dannie Richmond on drums. The inclusion of Scofield's guitar changes up the group's sound in a nice way – adding in some more chromatic elements that really stand out – and titles include "IJ", "Flame Games", "Song Everlasting", and "Forever Lovers". CD

A beautiful musical gift from Mammal Hands – and, like their previous records, a set that's instrumental, but only partly in the world of jazz – as the group have a fantastic ear for a melody, and and create this really magical flow that illuminates the lovely tunes at the core! Drummer Jesse Barret is light and cyclical on the kit – never bombasting, but creating these cascading lines that are woven with these warm piano lines from Nick Smart, then balanced with nicely angular saxophone parts from Jordan Smart. The approach is great – hypnotic and lovely, and titles include "Nightingale", "Riser", "The Spinner", "Kernel", "Dimu", and "Deep Within Mountains". CD

A beautiful musical gift from Mammal Hands – and, like their previous records, a set that's instrumental, but only partly in the world of jazz – as the group have a fantastic ear for a melody, and and create this really magical flow that illuminates the lovely tunes at the core! Drummer Jesse Barret is light and cyclical on the kit – never bombasting, but creating these cascading lines that are woven with these warm piano lines from Nick Smart, then balanced with nicely angular saxophone parts from Jordan Smart. The approach is great – hypnotic and lovely, and titles include "Nightingale", "Riser", "The Spinner", "Kernel", "Dimu", and "Deep Within Mountains". LP, Vinyl record album

A pair of really unusual albums from Mike Cooper – presented here in a single package! The core set, Life & Death In Paradise, is one of the last in a run of classics that Cooper gave the world at the start of his career – and has really unusual collaborations with members of the London jazz scene – including bassist Harry Miller, saxophonist Mike Osborne, and drummer Louis Moholo! The jazz component of the record is small – this is definitely acoustic singer/songwriter material, not the work the musicians might have issued on the Ogun label – but the set does represent a really nice shift for Cooper, and a great setting for the kind of offbeat songs he does so well. Titles include "Critical Incidents", "OMM Coda", "Suicide De Luxe", "Black Night Crash", "Rocket Summer", and the long "Life & Death In Paradise" suite. The package also features material from many years later – a live acoustic set recorded in Milan in 2018, showing Cooper still as a hell of a talent, with an even more complex understanding of the acoustic guitar – matched by his own unique vocalizations on some of the best tracks. Titles include "Peach Trees", "In Moments Of Reverie", "Lord Franklin", "Sage & Thyme", and "Industrial Hazard". CD

The female voice found a whole new way to flower in the world of folk music during the 60s – a style that helped women get past some of the more standard sultry modes of postwar pop, and hit the kind of righteous currents and deeper themes that helped transform a generation! The moment began with early folkies like Joan Baez and Odetta, then expanded by the end of the 60s to include incredible young talents who were carving out new styles of their own – singers who were inspired by the freedoms and deeper intellectual currents of folk, but who moved into styles that changed strongly with the heady times! This wonderful box set is a great examination of the moment, and really charts its growth – pulling together well-known artist and some lesser-knowns who include some great female singers from the UK. Titles include "Flying Away" by Serpent Power, "Foolish Seasons" by Dana Gillespie, "Light Flight" by The Pentangle, "Please" by Eclection, "Jesus Was A Cross Maker" by Judee Sill, "Who Has Seen The Wind" by The Simon Sisters, "Red Wine & Promises" by Norma Winstone, "Mr Fox" by Mr Fox, "By The Sea" by Wendy & Bonnie, "Come Into The Garden" by Chimera, "Early Morning Blues & Greens" by Diane Hildebrand, "Autumn Lullaby" by Bridget St John, "The Lonely" by Design, "If Not By Fire" by Mandy More, "Autie Aviator" by Beverley & John Martyn, "Mr Rubin" by Lesley Duncan, "Morgan The Pirate" by Mimi Farina, and "Murdoch" by Trees. CD

A pair of really unusual albums from Mike Cooper – presented here in a single package, one record on vinyl, one on CD! The core set, Life & Death In Paradise, is one of the last in a run of classics that Cooper gave the world at the start of his career – and has really unusual collaborations with members of the London jazz scene – including bassist Harry Miller, saxophonist Mike Osborne, and drummer Louis Moholo! The jazz component of the record is small – this is definitely acoustic singer/songwriter material, not the work the musicians might have issued on the Ogun label – but the set does represent a really nice shift for Cooper, and a great setting for the kind of offbeat songs he does so well. Titles include "Critical Incidents", "OMM Coda", "Suicide De Luxe", "Black Night Crash", "Rocket Summer", and the long "Life & Death In Paradise" suite. The LP package also features a bonus CD with material from many years later – a live acoustic set recorded in Milan in 2018, showing Cooper still as a hell of a talent, with an even more complex understanding of the acoustic guitar – matched by his own unique vocalizations on some of the best tracks. Titles include "Peach Trees", "In Moments Of Reverie", "Lord Franklin", "Sage & Thyme", and "Industrial Hazard". LP, Vinyl record album

The final third of Jackie DeShannon's legendary run for Imperial Records in the 60s – a smashing batch of singles that really represent some great musical growth at the time! On these sides, Jackie's even more soulful than before – definitely taking inspiration from the generation of singers who were singing her songs – and from the growing wave of girl vocalists who were working with more soulful styles too – especially those from the Brill Building scene. The result is a great blend of New York uptown and LA sunshine – a superb batch of tunes that really sums up the unique place that Jackie DeShannon had in modern music. Many tunes are originals by Jackie – and the set also features great tunes penned by Jimmy Holiday and Bobby Womack too – titles that include "Changin My Mind", "I Keep Wanting You", "What Is This", "Nicole", "Nobody's Home To Go Home To", "You Keep Me Hangin On/Hurt So Bad", "Brighton Hill", "Christmas", "Keep Me In Mind", "Bird On The Wire", "What Was Your Day Like", "Put A Little Love In Your Heart", "Always Together", and "Do You Know How Christmas Trees Are Grown". CD

One of the most comprehensive collections of work we've ever seen on Eddie Bo – a really well-done set that finally gets at the full range of his massive funky talents – including a host of rare singles done for a variety of other artists as well! Despite the dates in the title, most of the music here is from the 60s and 70s – music from those glorious years of New Orleans soul and funk – when it seemed like the Crescent City groove could never stop, thanks to the efforts of Eddie and some of his contemporaries! There's a massively heavy groove to most of the numbers here – an emphasis on the funkiest side of Eddie Bo's sound, especially when he's working in the studio with other singers in the lead – and even if you've got some other Eddie Bo reissues in your collection, there's plenty fresh stuff here that makes this one well worth owning. LP notes are great too – a full history of Eddie's long career and all its different chapters. 30 tracks in all – including "Funky Yeah" and "Shelly's Rubber Band" by Curley Moore & The Cool Ones, "What's Good To You (part 1)" and "The La La Man (part 1)" by Oliver Morgan, "Horse With A Freeze (part 1)" by Roy Ward, "Timber (parts 1 & 2)" by Candy Phillips, "Can I Be Your Main Squeeze" by Chuck Carbo, "I'm A Carpenter (part 1)" by David Robinson, "Garden Of Our Trees" by The Explosions, "Reborn" by Marilyn Barbarin, "Live It Up" by James K-Nine, "Mama Here Comes The Preacher" by Doug Anderson, ""Something You Got" by Barbara George" – and the tracks "Chained", "When The Fingers On The Funk", "Rubber Band", "Getting To The Middle", "Check Your Bucket", "Lover & Friend", "Can You Handle It", "Fallin In Love Again", "Gotta Have More", and "We Like Mambo" all by Eddie Bo. LP, Vinyl record album

A record that seemed to open the music of Peter Brotzmann up for a whole new generation of listeners – in part because it features the European legend on an American label that got him some of the widest circulation he'd enjoyed here in years – and also in part because drummer Hamid Drake provides a very different foil for his music! The sound is almost an imaginary 70s meeting between the FMP and loft jazz scenes – with Hamid offering up these beautifully rich tones on standard drums, frame drum, and tablas – while Brotzmann blows tenor, alto, tarogato, and e flat clarinet – often with a sound that's searing, but more soulful than usual too – especially on some of the more spacious, open moments on the record. Titles include "It's An Angel On The Door", "Trees Have Roots In The Earth", "The Uninvited Entertainer", and "Dark Wings Carry Off The Sky". CD

A treasure trove of greatness from British folk rock legend John Renbourn – all of his late 60s solo work, done before moving on to greater fame in Pentangle! First up is There You Go – a rare one from singer Dorris Henderson and future Pentangle founder John Rensbourn! Florida born, LA raised singer Dorris Henderson moved to London in 1965 and was soon singing London's folk clubs, where she met Rensbourn. A solid mix of traditionals and then contemporary folk songs – stripped down and honest takes on "Saly Free And Easy", "Cotton Eyed Joe", "Mr Tamborine Man", "Going To Memphis", Something Lonesome", "Mist On The Mountain" and more. This edition includes bonus tracks from a rare 45 – "Hangman" and "Leaves That Are Green". Next is the self-titled John Renbourn from 1965 – a set that would not only establish John's legacy for years to come, but also have a very strong impact upon the role of the guitar on the British scene too! The album's definitely in a mode that owes something to an American folk legacy – but it also really breaks from the past with unusual phrasings and colorings in Renbourn's guitar – certainly with an ear towards ancient English modes, but also at once very fresh and contemporary – a strong precursor to the waves of new acoustic talents that would flow from the UK a few years later, but maybe even more revolutionary – given that John's mostly just working here with his guitar and voice. Bert Jansch adds guitar to a few tracks – and titles include "Song", "Down On The Barge", "Plainsong", "Judy", "Beth's Blues", "Blue Bones", "Train Tune", "Winter Is Gone", and "Noah & Rabbit". Bert & John is a hell of a collaboration between British legends Bert Jansch and John Renbourn – both working here together to completely redefine the sound of their music for the generation to come! This one album may well hold all the sense of subtle power and possibility that was about to flower in the Brit movement often known as "acid folk" – that reworking of older aesthetics with modern conceptions, and doing so mostly with their work on acoustic guitar – quite a feat, given the stripped-down instrumentation of the set! Bert sings a bit – in that incredible style of his – but the real attraction here is the guitar interplay, which is always fresh, never hokey, neither familiar American folk nor forced singer-songwriter backup material. Titles include a wonderful reworking of Charles Mingus' "Goodbye Pork Pie Hat" – plus "Red's Favourite", "Orlando", "Soho", "Piano Tune", "East Wind", "After The Dance", and "The Time Has Come". Another Monday is maybe the most obscure album in the collection – a set that is mostly instrumental, with some completely fantastic work by Renbourn on guitar – but which also features a bit of guest vocals from singer Jacqui McShee – whose warmer presence next to John really makes for a nice pairing. The album's as powerful as it is subtle, really beautiful in its sense of variety – with titles that include "Buffalo", "One For William", "Lost Lover Blues", "Another Monday", "Day At The Seaside", "Nobody's Fault But Mine", and "Waltz". Watch The Stars is another great collaboration with Dorris Henderson – an American singer, but one who moved to London in the 60s – where she cut this rare gem with guitarist John Renbourn! The album's got a righteous vibe that's hipper than the usual folk set – with some traditional tunes and some contemporary material – recorded with that amazing phrasing that made Renbourn's guitar so distinct right from the start, with lots of those jazzy currents we love so much – and which really fit the creative vocal approach of Henderson! Dorris also plays some autoharp, and there's a bit of bass in the backings – although overall the main focus here is on Renbourn's guitar and Henderson's vocals. Titles include "Come Up Horsey", "God Bless The Child", "Watch The Stars", "30 Days In Jail", "Mosaic Patterns", "Tomorrow Is A Long Time", and "There's Anger In This Land". Sir John A Lot Of is perhaps one of the best-known albums from British guitar legend John Renbourn – as it was issued widely in the US, and kept in print for a surprisingly long time over the years! The approach here is slightly different than Renbourn's previous records – a bit in the image presented by the cover, although with maybe not as slavish a sound – as John just uses the whole thing to go a bit more ancient than before, in ways that echo the time travel that the whole British folk scene was taking as the 70s approached. The tunes are done in ways that are really beautiful – still lots of the incredible guitar work that made Renbourn such a standout on the scene – plus flute from jazzman Ray Warleigh, who's very different here than usual – and spare use of finger cymbals, African drums, and glockenspiel by Terry Cox. Titles include "Morgana", "Transfusion", "The Trees They Do Grow High", "Sweet Potato", "Seven Up", and "White Fishes". 6CD box features all records in original artwork sleeves, with a booklet of notes – and bonus tracks that include "Message To Pretty", "The Waggoner's Lad", "Lucky Thirteen", "Blues Run The Game", "The Wildest Pig In Captivity (alt)", "Can't Keep From Crying", "Transfusion (alt)", and "The Leaves Are Green". CD

Country music Christmas in all its glory – served up here in a whole host of tracks that mix bigger names with lesser-knowns, familiar songs with some unusual numbers that really keep things interesting! The themes here have a lot more to do with just daddy and drinking – and the package features a massive 30 tracks in all – with titles that include "Twisting Santa Claus" by Del Reeves, "Christmas At The Opry" by George Owens, "We Must Be Having One" by Tammy Wynette, "Gonna Wrap My Heart In Ribbons" by Hank Thompson, "Christmas Doll" by Reno & Smiley, "One Of You" by Marty Robbins, "Truckin Trees For Christmas" by Red Simpson, "Nuttin Fer Christmas" by Homer & Jethro, "It Won't Seem Like Christmas" by Loretta Lynn, "Merry Christmas Anyway" by Louise Johnson, "Mr & Mrs Santa Claus" by George Jones & Tammy Wynette, "Lonely Christmas Call" by Tamm Wynette, "Jingle Bells" by Johnny Paycheck, and "Christmas Greeting" by Liz Anderson, CD