Stormin soul – and a killer set of upbeat 60s numbers! The package was put together for the UK mod scene, but it's a great batch of American tracks from the classic years of soul – not really Northern, not really southern – but kind of a hard-swinging approach to the music that makes for a really lively package overall! The set's got 20 tracks in all, all thumpin, bumpin, and gruntin-type numbers – with titles that include "Do The Whoo Pee" by Sugar Pie Desanto, "Lay This Burden Down" by Mary Love, "Make Me Yours" by Bettye Swann, "I Keep Forgetting" by Chuck Jackson, "I've Got Papers On You Baby" by BB King, "Hole in The Wall" by George Stone, "Have Love Will Travel" by Richard Berry & The Pharoahs, "Keep My Woman Home" by Danny White, "Mama Julie" by Terry & Jerry, and "I Got A Woman" by Billy Hawks. CD

A great lost album from Jerry – and a key link in the hip Chicago scene that produced Terry Callier and Oscar Brown Jr! Sure, you might think of the album as a silly "cash in on the folk craze" effort – but Jerry keeps it soulful throughout, and thanks to some wonderful arrangements by Phil Moore III, the record stands out as one of the most compelling in Butler's early years. Jerry sings with a sophisticated style that turns the simple folk songs into compelling vocal numbers with a nice jazzy finish – and the backings are suitably varied from track to track, in a way that really spices up the album wonderfully. The album's got a bit of Terry Callier, a bit of Nina Simone, and a wonderfully large dose of Iceman soul! Titles include "Strawberries", "Eighteen Hammers", "Red Dress", "Who's Gonna Be Your Man", "Little Ole Lite", "When I Lost My Baby", and "Such A Feelin". LP, Vinyl record album

A great little album by Jerry – recorded during a period where he was using his fame (and cash!) to showcase younger talents in soul music. In this case, the younger talents include Terry Callier – who contributed two songs to this album, including his semi-hit "Ordinary Joe", which Jerry does in a nice groovy style. Other tracks include "You & Me", "Real Good Man", "Life's Unfortunate Sons", "No Money Down", and "Winter Of A Loving Heart". LP, Vinyl record album

Terry Callier's first album for Cadet – and the kickoff of one of the greatest three album runs that any soul artist ever recorded! This one's got a different feel than the later two, as it takes songs by Terry, and structures them with these little musical "segue" tracks in between every song, done in a sparer folksy style that recalls Terry's roots in the Old Town scene in Chicago. At the time, Terry was making the transition from folk artist to soul singer – and he'd been picked up by Jerry Butler and The Dells as a promising young songwriter, one of the best talents of the second generation of Chicago soul stars. The record's a stripped-down affair that features a small group with Charles Stepney on harpsichord and organ, Callier on guitar, and backing vocals by Minnie Riperton, Shirley Wahls, and Kitty Haywood. The album kicks off with Terry's great little pop ditty "Ordinary Joe" – probably the catchiest song he ever wrote – then rolls into more somber titles like "Occasional Rain", "Do You Finally Need A Friend", "Golden Circle", and "Blues For Marcus". A totally unique album – and a prime example of the genius that was coming out of Chicago at the time! CD

An easy album to overlook, but not without some nice moments! Johnny Bristol produced the record, and he gives it a nice sweet 70s soul groove, similar to what he was using in his own work from the time. And typical of Jerry's albums from the early 70s, there's lots of nice original material, including stuff by Terry Callier, Johnny Bristol, Billy Butler, and Jerry himself. Includes "What Do You Do On A Sunday Afternoon?", one of our secret faves, plus "Memories Don't Leave Like People Do", "Whatever Goes Around", "Whatever's Fair", and "Too Many Danger Signs". LP, Vinyl record album

Very interesting soul material from this enigmatic singer. Ralph had a righteous approach that mixed larger arrangements with a folksy style – in an overall effect that was a few parts Terry Callier, a few parts late Jerry Butler, and a few parts Grady Tate – but which had an approach that was really all its own. The record is almost heading into the folk-funk realm, but the orchestrations are a bit too lush – although nice! Some tracks were produced by Clayton Ivey, and titles include "Stay On The Good Side", "Differently", "I Don't Want To Play This Game", "My Love Goes With You", and "Ain't No Need". LP, Vinyl record album

A very cool little set – maybe not the deepest dive into the decade of the 70s, in that the package isn't full of unissued tracks or super-rare singles – but it does represent a great look at the decade that goes way past the hits, and much farther than the charts – including the sort of material that was slightly ignored at the time, but has gone on to be really appreciated in more recent years! The book-style set is filled with great choices and unusual tunes – work from both the US and UK scenes, some of it by bigger names represented here by more unusual cuts – some by others who barely cracked the mainstream, but did some great work at the time. There's one full CD of female artists, and a pretty unusual mix of titles – 71 titles in all, by artists who include Murray Head, The Records, Ronnie Lane, Terry Reid, Sandy Denny, Wendy Waldman, Freddie King, Montrose, Tim Buckley, Don Nix, Jerry Williams, Big Star, Tony Joe White, Delaney & Bonnie, John Prine, Michael Franks, Bobby Charles, Andy Pratt, Hirth Martinez, Robert Palmer, Jess Roden, Roy Harper, Patto, Sharks, The Roches, Linda Lewis Valerie Carter, and many others! CD

2 jazzy gems from Michel Legrand – back to back on a single CD! Michel Legrand Big Band Plays Richard Rodgers is a pretty wonderful album by Legrand – way better than you'd guess from the title! Sure, the tunes are mostly numbers by Richard Rodgers, but Legrand handles them here with the best of his soundtrack skills – really opening them up with some amazingly deft arrangements, and working with a stellar set of American jazz players to give the tunes a sound that's as jazzy as possible – and swinging them with the inherent lyricism that always makes us love his music! Players are a great lineup – with Clark Terry and Ernie Royal on trumpets, Urbie Green and Bob Brookmeyer on trombones, Paul Gonsalves on tenor, Jerry Dodgion and Phil Woods on alto, Julious Watkins on French horn, Gary Burton on vibes, and Tommy Flanagan and Hank Jones on piano. Titles include "This Can't Be Love", "Falling In Love With Love", "Bali Hai", "Have You Met Miss Jones", "There's A Small Hotel", and "The Lady Is A Tramp". On the second album, Broadway is the beat, but the sound has plenty of Parisian touches, too – thanks to arrangements from the mighty Michel Legrand! Legrand's in a mode here that's somewhere between his earliest soundtracks, and the European-themed records he cut for Columbia in the late 50s – styles that are a bit more warm and sentimental than in later years, with evocative elements designed to coax the Broadway-based listener out on a voyage across the Atlantic! Strings are relatively full, and sometimes used with great dynamic energy – and titles include "Bewitched", "There's A Boat Dat's Leavin Soon For New York", "Old Devil Moon", "With A Little Bit Of Luck", "Smoke Gets In Your Eyes", and "Yesterdays". CD

One of the great albums of trippy soul that Jerry Butler cut with his Fountain Productions group of players, arrangers, and engineers – a group that borrowed a lot of talent from the Chess/Cadet studios of the late 60s. Jerry produced with Gerald Sims, and the arrangements were handled by Sims, James Mack, and Donny Hathaway (who also played piano on the record.) Tracks include "Ain't Understanding Mellow", "Windy City Soul", "True Love Don't Come Easy", and a lesser known Terry Callier/Billy Butler track called "Sail Away". LP, Vinyl record album

An amazingly soulful set of folk tunes from the late 60s – the only album we've ever seen from singer Jerry Moore, and a real rarity from the ESP label! Moore's got a style that's somewhere between Terry Callier and Tim Buckley – earthy and acoustic one minute, but stepping out with some hipper rock-influenced touches the next – in a style that makes the album way more than just a conventional folk set. There's a strong political undercurrent to many of the tunes – and Moore is backed by a quartet that includes Eric Gale on electric guitar and Ralph McDonald on percussion. Titles include "Ballad Of Birmingham", "Drugged", "This Is My Time", "Let Go Reach Out", and "Anti Bellum Sermon". LP, Vinyl record album

A lost little gem from Jerry – recorded towards the end of his years with Mercury. The record's got Jerry working in a much hipper style than before, drawing off the pool of younger Chicago soul talents that he'd begun to collect on some of his earlier albums for Mercury – and the album features tracks by Leroy Hutson, Terry Callier, Marvin Yancey, and the team of Hanks and Grey. Richard Evans handled the arrangements, and they're a good extension of his work at Cadet – with strong bass-heavy soul grooves, augmented by strings and some great funky clavinet work. Titles include the funky classics "I'm Your Mechanical Man" and "You've Been Around Too Long" – plus "High Stepper", "Start Living It Up", "Sing To Me", "Take The Time To Tell Her", and "Playing On You". LP, Vinyl record album

Four of the more obscure RCA albums from the great Bobby Bare – all brought together here in a single set! First up is the very unusual English Countryside album – a special set that has the vocals of Bobby Bare paired with a group from the UK – Liverpool's Hillsiders, who sing with a style that's a bit folk, and a bit rock – but which takes on a very distinct country vibe amidst the RCA production of Chet Atkins! Both Bare and The Hillsiders sing solo on the record – but most of the set has them paired together, and the presence of all those voices on the tracks create a nice sense of spontaneity – maybe a hint at the more relaxed recording approach that Bobby would use on his big albums of the mid 70s! Titles include "Sweet Dreams", "Six Days On The Road", "Find Out What's Happening", "Love's Gonna Live Here", "Goin Home", "Blue Is My Lonely Room", and "I Washed My Face In The Mountain Dew". Margie's At The Lincoln Park Inn is a seminal album in the career of Bobby Bare – and the record that really has him turning from a young smiling country singer to the kind of more adult, mature talent that would really send him over the top! The album's promise of "controversial country songs" is certainly apt – as in addition to the great Tom T Hall title cut, the album also features Bare taking on great material from Kris Kristoffersen, Mel Tillis, and even the team of Spooner Oldham and Dan Penn – all set to arrangements that are nicely more sophisticated than those used on the more pop productions of some of Bobby's earlier albums. Titles include "Margie's At The Lincoln Park Inn,", "The Law Is For The Protection Of The People", "Watching The Trains Go By", "Skip A Rope", "Rainy Day In Richmond", "Cincinnati Jail", "Wild As The Wind", and "Drink Up & Go Home". I Hate Goodbyes is the record that marked the return of Bobby Bare to RCA Records in the early 70s – and one that also marks the start of a very different phase in Bare's career! This time around, Bobby's handling the production himself – working with the kind of thoughtful, mature material that would really let him open up – songs from Billy Joe Shaver, Mickey Newbury, the team of Bill Rice and Jerry Foster, and even an early tune from Shel Silverstein – who would soon become one of the biggest contributors to Bobby's records. The vibe is very different than his RCA material of the mid 60s, and in a great way – on titles that include "I Hate Goodbyes", "Restless Wind", "Ride Me Down Easy", "Send Tomorrow To The Moon", "You Know Who", "An Offer She Couldn't Refuse", "What's Your Mama's Name Child", and "Poison Red Berries". Last up is Cowboys & Daddys – an overlooked gem in the mid 70s RCA years of the great Bobby Bare – and a set that really shows the dedication that Bare had during these years to finding the most sophisticated material of the new country generation! The list of songwriters alone is great – as the set features tracks from Terry Allen, Shel Silverstein, David Hickey, and Tom T Hall – plus an early contribution from Bob McDill, with whom Bare would soon record a lot more material on albums to come. There's a mature, laidback vibe to the whole set – different than some of the more playful Bobby Bare albums of the time – and titles include "Chester", "The Cowboy & The Poet", "Amarillo Highway", "Speckled Pony", "Calgary Snow", "Last Dance At The Old Texas Moon", "Pretty Painted Ladies", and "The Stranger". CD

The title's no lie – as this sweet little set features 101 Northern Soul classics – a treasure trove of upbeat soul from the 60s – with lots of rare cuts, obscure groovers, and the kinds of tracks that always got more play on UK dancefloors than back home here in the US! For the price, the set is a hell of a collection – and features killer classics from labels that include Motown, Chess, Philips, MGM, and other vintage imprints – with a nice degree of overlooked cuts that have only been discovered by the northern scene in more recent years. Titles include "Til You Were Gone" by Frank Wilson, "Love Love Love" by Bobby Hebb, "Stop Her On Sight" by Edwin Starr, "What More Could A Boy Ask For" by The Spinners, "Can't Satisfy" by The Impressions, "I'm The One Who Loves You" by Darrell Banks, "Why Am I Lovin You" by Debbie Dean, "The Night" by Frankie Valli & The Four Seasons, "I Got A Feelin" by Barbara Randolph, "Heaven Must Have Sent You" by The Elgins, "Dr Love" by Bobby Sheen, "Trampoline" by Spencer Davis Group, "Nothing Left To Give" by Thelma Houston, "Baby I Miss You" by Tommy Good, "I've Been Blessed" by Bobby Taylor, "Look What You Done Boy" by The Lollipops, "Friday Night" by Johnny Taylor, "Baby I Love You" by Howard Tate, "Helpless" by Kim Weston, "Moody woman" by Jerry Butler, "There's A Ghost In My House" by R Dean Taylor, "Ordinary Joe" by Terry Callier, "Wade In The Water" by Marlena Shaw, "Drop In The Bucket" by Mary Wells, "Baby A Go Go" by Barbara McNair, "Love's Gone Bad" by Chris Clark, "Run For Cover" by The Dells, "Battened Ships" by Odyssey, "Nothing But A Heartache" by The Flirtations, "Sure Is A Lotta Woman" by The Isley Brothers, and "Keep On Lovin Me" by Francis Nero. CD