One of the greatest albums we've ever heard from organist Joey DeFrancesco – a record that burns with strongly soulful work by Bobby Hutcherson! Hutcherson really helps Joey really flesh out his standard Hammond groove for the set – pushing the organ into broad new colors on both the ballads and uptempo numbers – and almost creating a sound that brings back echoes of some of the Johnny Hammond Smith and Lem Winchester collaborations back in the early 60s! George Coleman plays tenor solos on 2 tracks in the set, but the real sax credit here goes go Ron Blake – who plays tenor, soprano, and flute throughout – sparking the most driving tracks with a searing edge that's really great. DeFrancesco takes off on some Larry Young-ish riffs at times, but keeps things in check overall – and titles include a great remake of Hutcherson's classic "Little B's Poem", plus the originals "Down The Hatch", "Colleen", and "The Tackle" – and a nice take on "Somewhere In The Night", one of those tracks that never lets us down! CD

One of the true giants from the Harvest Records prog years – a masterpiece of a trio album, and one that has even more power than most fuller groups of the time! The core lineup features John Gustafson on bass and vocals, Pete Robinson on keyboards, and Mick Underwood on drums – and the trio do a fantastic job of shifting modes from track to track, really keeping things interesting as the subject matter and song length shifts. There's also some nice use of additional strings – arranged by Robinson, handled by Paul Buckmaster – and titles include "Gemini", "Laughin Tackle", "Entropy", "Black Sheep Of The Family", "Good Lord Knows", and "Up On The Ground". LP, Vinyl record album

A strange record, and pretty darn goofy – but proof that the Jimmy Smith/Oliver Nelson team could tackle just about anything and make it come up hard and swinging! The album has Nelson arranging a jazz version of Prokofiev's Peter & The Wolf, with Smith soloing out front on most tracks, and lots of nice players in the group, like Billy Butler, Grady Tate, Richard Williams, and Richard Davis. The reed players really stand out, as they play the voices of the characters in the piece, and the album includes some very deft work by Jerome Richardson, Jerry Dodgion, Phil Woods, and Bob Ashton. Titles include "Duck Theme", "Jimmy & The Duck", "Cat In A Tree", and "Elegy For A Duck". LP, Vinyl record album

The team of Jackie & Roy have a charm that never seems to go away – even on later recordings like these which you might imagine to be suspect! The pair fit together so perfect vocally – and after decades of swinging together on a range of jazzy material they seem better equipped than ever to tackle a range of musical challenges. As usual, Jackie dominates on the gentler tunes, but the best numbers have Roy coming up with strong and warm support. Backing is by a trio led by Roy on piano, plus additional horns, strings, and guest instrumentalists that vary from track to track. Highlights include the Annie Ross tune "Music Is Forever", Jackie's own "Fred Astaire", and the lovely Fran Landesman tune "Through The Windows Of Cars" – and the album also features new versions of Jackie & Roy classics "Cheerful Little Earful" and "Spring Can Really Hang You Up The Most" – and the tracks "I Know That You Know", "You Didn't Tell Me It Was Wrong", and "The Duke". CD

One of the true giants from the Harvest Records prog years – a masterpiece of a trio album, and one that has even more power than most fuller groups of the time! The core lineup features John Gustafson on bass and vocals, Pete Robinson on keyboards, and Mick Underwood on drums – and the trio do a fantastic job of shifting modes from track to track, really keeping things interesting as the subject matter and song length shifts. There's also some nice use of additional strings – arranged by Robinson, handled by Paul Buckmaster – and titles include "Gemini", "Laughin Tackle", "Entropy", "Black Sheep Of The Family", "Good Lord Knows", and "Up On The Ground". LP, Vinyl record album

Groovy late 60s work from Diana Ross & The Supremes – a record that has them breaking the Motown mold a bit, and hooking up with a nice variety of modder soul and pop modes! Tracks on the set include a few Motown-penned numbers, but the trio also tackle hits like "Everyday People", "Hey Western Union Man", "Let The Music Play", and a great Hair-inspired medley of "Aquarius/Let The Sunshine In"! But the Motown material here is almost even better – and titles include the slightly funky "No Matter What Sign You Are", which has a nice kick in the bottom – as well as "Discover Me", "The Composer", and "What Becomes Of The Brokenhearted". LP, Vinyl record album

An insanely fantastic book on one of our favorite record labels of all time – the All Platinum family of labels from the New Jersey scene of the late 60s/early 70s – a precursor to the later Sugar Hill hip hop empire, and home to The Moments, Whatnauts, and countless other great groups! The book is way more than just the story of the label – as it's super-heavy, weighs as much as a stack of records – and features hundreds of pages with full color images, both of rare records and artists who recorded for All-Platinum too – all in support of chapters that approach the label and its related imprints in a range of different ways. The book not only looks at the big stars, but tackles the lesser-known acts too – and traces all the many sub-labels like Stang, Vibration, A1, Turbo, and Astroscope – then looks at the company's relationship to Chess Records too. The book features an illustrated discography of all the related labels after the main content – with color images of labels and covers – and the whole thing is 532 heavy, glossy pages – well worth the price! Book

A legendary album of spoken word and spiritual jazz – put together by The Institute of Positive Education in Chicago, and featuring wisdom and knowledge from the legendary Haki R Madhubuti! The album alternates shorter vocal/musical tracks with longer ones that are pure post-Coltrane jazz – played by a group that includes Wallace Roney on trumpet, Byron Harrison on guitar, and Rufus Wright on piano – all working with saxophonist Agyei Akoto, who's also the music director of the set. There's an incredibly positive feel to the set – one that tackles the issues of the time, but which does so with a sense of optimism that's extremely rare today – and which is part of the real charm of the album. Titles include "Talking Stick", "Rise Vision Coming", "Black Man", and "Walk The Way Of The New World". CD

A legendary album of spoken word and spiritual jazz – put together by The Institute of Positive Education in Chicago, and featuring wisdom and knowledge from the legendary Haki R Madhubuti! The album alternates shorter vocal/musical tracks with longer ones that are pure post-Coltrane jazz – played by a group that includes Wallace Roney on trumpet, Byron Harrison on guitar, and Rufus Wright on piano – all working with saxophonist Agyei Akoto, who's also the music director of the set. There's an incredibly positive feel to the set – one that tackles the issues of the time, but which does so with a sense of optimism that's extremely rare today – and which is part of the real charm of the album. Titles include "Talking Stick", "Rise Vision Coming", "Black Man", and "Walk The Way Of The New World". LP, Vinyl record album

Very cool work from Henson Cargill – a lesser-known talent from the Nashville scene at the start of the 70s! The set revolves kind of loosely around the Great Depression, but goes further back and forward in time for other tunes that echo the sentiments, and the sound rolls from dusty country ballads to sweeter 60s style grooves with female backup singers, to country rock and folk. He tackles some famous tunes like Merle Haggard's "Daddy Frank" and The Band's "The Night They Drove Old Dixie Down" with a surprising stylistic twists (the latter is done in a blue eyed country soul style), and all of it's pretty great! LP, Vinyl record album

Kanye West's & Kid Cudi's joint debut as Kids See Ghosts! Each looks inward and tackles existential personal issues on the lyrical front, with kind of a spacey melancholy vibe to the production, and with cool synths and fuzz-steeped production with some really interesting samples in the mix – from Mr Chop to Kurt Cobain. Officially billed as an album, but with 7 tracks and a 23 minute length, it's straddling the line between EP and full length when it comes to running time – but that's not a knock as it's a tight, filler free effort. Includes "Feel The Love", "Fire", "4th Dimension", "Freeee (Ghost Town Pt 2)", "Reborn", "Kids See Ghosts" & "Cudi Montage". LP, Vinyl record album

The first 5 issues of the legendary Wax Poetics – the one-and-only genius publication dedicated to the art of crate-digging, aka funky soul & hip hop vinyl archeology – collected in this massive hardcover tome! Anthology Vol 1 tackles the essential chore of bringing those earliest Wax Poetics issues – which are for the most part long out of print and as tough to track down as some of the wax the mag covers – available once again with some additional illustrations, to boot! All of those great pieces– from the groundbreaking debut issue of December 2001 up to issue 5 in summer 2003 – covering Idris Muhammad, Pretty Purdie, Weldon Irvine, Manzel, Fania Records, King Tubby, Prince Paul, RZA, Louis Vega and so much more! The photos and illustrations pop even more in this larger scare format – with loads of period photography, shots in the studio, and all of those delicious dust jacket photo discoveries. Beautiful, essential, and long overdue! Hardcover, 241 pages, and bursting with beautiful images and illustrations! Book

A never-heard third Dusty Springfield album for Atlantic Records – issued here for the first time ever, and very much in the same soulful spirit as her other records for the label! Springfield tackled Memphis and Philly soul on her previous two albums for Atlantic – and here, she hits a New York groove with producer Jeff Barry – who is equally well-suited to carry that special balance that Dusty brings to her music – that mix of British pop roots with a real understanding of the American scene – a quality that Springfield never had as strongly after these early years. Titles are a varied lot, but all come together with a really unified feel, thanks to Dusty's strengths as a performer – and tunes include "Haunted", "Someone Who Cares", "Natchez Trace", "You've Got A Friend", "All The King's Horses", and "I'll Be Faithful". CD

A surprisingly deep batch of pop soul from Joss Stone – one that manages to live up to the title! Joss goes way out with her strong, deeply 70s influenced vocal histrionics on a batch of tunes that stretch all over the songwriting landscape. She tackles tunes by as far-reaching a group of writers as Harlan Howard on the opening "The Chokin' Kind" to the Isley Brothers' "For The Love Of You" and many points in between, with the same extroverted approach. She kind of comes off as a female equivalent of Remy Shand – and she's enlisted an all star cast of support players and producers including ?uestlove, Angie Stone, Little Beaver and others. Other tracks include "Super Duper Love", "Dirty Man", "I've Fallen In Love With You", "Victim Of A Foolish Heart", "I Had A Dream", "Some Kind Of Wonderful" and others. CD