A really groundbreaking set, and one that goes past all the southern rock cliches you might know – to find that special place in southern music where elements of soul, rock, funk, and country all come together – served up here in the hands of some key artists from the end of the 60s and the start of the 70s! Given that the Soul Jazz label usually digs deep into the worlds of reggae, soul, and global styles, we can really trust them on a musical journey like this – one that almost completely rewrites this generation of southern rock as you may know it from a mainstream perspective – especially the sort put forth in music magazines and classic rock radio! As usual, the presentation and notes are great – and titles include "If Love Was Money" by Dan Penn, "Out In The Woods" by Leon Russell, "Be What You Want To" by Link Wray, "Please Be With Me" by Cowboy, "Stone Fox Chase" by Area Code 615, "Hush" by Joe South, "Smokies" by Barefoot Jerry, "I Walk On Guilded Splinters" by Cher, "Ain't Wasting No Time" by The Allman Brothers, "Papa Won't You Let Me Go To Town" by Bobbie Gentry, "Thirteen" by Big Star, "Big D" by Waylon Jennings, "I'm Leaving Here Tomorrow Mama" by Billy Vera, "I Forgot To Remember To Forget" by Travis Wammack, and "Polk Salad Annie" by Tony Joe White. LP, Vinyl record album

Fantastic work from Delta 5 – one of our favorite groups from the UK post-punk years, and a group whose funky, dubby approach to punk rivals the best work by groups like The Slits or Gang Of Four! Like both groups, they have smart songs with interesting lyrics – but focused down right into the groove, with lots of heavy interplay between bass and guitar – captured with a razor-sharp sound, and that inherent sense of darkness we love in so many productions from the time! Female singer Ros Allen is in the lead, really belting out the tunes with a great sort of edge – and the set includes the group's three rare singles on Rough Trade, plus BBC sessions and live material – making for an overdue full length collection from these years. Titles include their classic "Mind Your Own Business" – plus "Now That You've Gone", "Try", "Colour", "Make Up", "Triangle", "Innocenti", "Train Song", "Anticipation", "Final Scene", "Shadow", "Circuit", and "Journey". LP, Vinyl record album

A stunning tribute to the wonderful Bobbie Gentry – and maybe the first package to really show the world how much she has to offer past her one classic crossover hit! Bobbie started out like a rocket with the country gem "Ode To Billie Joe" – a tune she wrote herself, and followed with lots of other great music on the original debut album here – which then set the scene for a great expansion into other modes, as Capitol Records really opened up their resources for Gentry to record in the late 60s! This huge package features everything that Bobbie ever recorded for the label – not just some great full albums, but also some rare singles, demos, and alternate takes – plus 75 unreleased tracks (!) – and then a full incredible album Live At The BBC – which features 26 tracks of Gentry really knocking it out of the park. The BBC material has these really dark, brooding orchestrations – almost like Bobbie's getting some Scott Walker late 60s backings – and the whole box set might be worth it alone for that double-length album! The package is a very cool 10" slipcover – with a huge booklet of notes, postcards, lyric inserts, and more – 177 tracks in all, with albums that include Ode To Billie Joe, The Delta Sweete, Local Gentry, Bobbie Gentry & Glen Campbell, Touch Em With Love, Fancy, Patchwork, and Live At The BBC. CD

There's an island on the cover, but the music is all-soul, all the way through – a great collection of classic mellow moments from years back, plus a few excellent choices from more recent years as well! Still, the island's a great image for the sound of the set – as the music has this kicked-back vibe that provides a nice sort of escape from the everyday world – heavenly soul sounds that come both from rare classics, and some of the best of the current underground – brought together with the kind of care and class we've come to expect from the folks at Expansion Records. A wonderful mix of tunes – with titles that include "Remember To Remember" by Rick Holmes, "Under The Moon & Over The Sky" by Angela Bofil, "Living So Fast" by Novocento with Danni Gottlieb & Dave Liebman, "I Choose You" by Paris, "You Are My Starship" by Norman Connors, "It Should Be you" by Ashanti Munir & Neil Letendre, "He Mandu (mother mix)" by Mouth Music, "Far Beyond" by Joey Negro & The Sunburst Band, "It's Like Air" by Sunny Hawkins, "Blending Colors" by Debra Debs, "Unconditional Love" by Greg Dean with Chantae Cann & Jarrod Lawson, "Mississippi Delta Blues" by Lamar Thomas with Carrie K Thomas, and "Peace In The Middle East" by Miri Ben-Ari & Kerri Chandler. CD

Includes selections by The Belle Stars, Johnny Clegg & Savuka, Delta Rhythm Boys, Etta James, Ian Gillie & Roger Glover, Bananarama, Hans Zimmer, Rob Wasserman & Aaron Neville, and Lou Christie. Cassette

A wonderful collection of obscure solo acoustic guitar tunes from the mid 60s up to the dawn of the 80s – beautiful work from a slew of players we've never heard of – but we'd put right up there with Fahey and Basho in the way they reach from the back porch to the cosmos with just their fingers and some strings! One thing we love about this set, and the Numero Group releases to date, is how deep they dig and what beauty they unearth, somehow with impeccable sound quality. Some tunes are starkly beautiful, some chime on fairly intently, some do both those things and more – and it's very heartening and instantly appealing stuff – wordless tunes that carry a lot of sensitivity and emotion! The 40 page booklet features detailed notes and bio material for each track, plus an introduction by Numero's Rob Sevier and essays by Dan Lambert and Jim Ohlschmidt. Titles include "Beginning" by Dana Westover", "Raga In D" by Ted Lucas, "Sailor's Dream" by Scotte Witte, "Flight" by George Cromarty, "Diagonal" by Richard Crandell, "Baha Dream Songs" by Daniel Hecht, "Delta Freeze" by Jim Ohlschmidt, "No More School" by Stephen Cohen, "Strawberry Man" by Mark Lang, "Warm River" by Bread Chequer, "One Forty Eight" by Swayne Canna and more. CD

A wonderful collection of obscure solo acoustic guitar tunes from the mid 60s up to the dawn of the 80s – beautiful work from a slew of players we've never heard of – but we'd put right up there with Fahey and Basho in the way they reach from the back porch to the cosmos with just their fingers and some strings! One thing we love about this set, and the Numero Group releases to date, is how deep they dig and what beauty they unearth, somehow with impeccable sound quality. Some tunes are starkly beautiful, some chime on fairly intently, some do both those things and more – and it's very heartening and instantly appealing stuff – wordless tunes that carry a lot of sensitivity and emotion! The 40 page booklet features detailed notes and bio material for each track, plus an introduction by Numero's Rob Sevier and essays by Dan Lambert and Jim Ohlschmidt. Titles include "Beginning" by Dana Westover", "Raga In D" by Ted Lucas, "Sailor's Dream" by Scotte Witte, "Flight" by George Cromarty, "Diagonal" by Richard Crandell, "Baha Dream Songs" by Daniel Hecht, "Delta Freeze" by Jim Ohlschmidt, "No More School" by Stephen Cohen, "Strawberry Man" by Mark Lang, "Warm River" by Bread Chequer, "One Forty Eight" by Swayne Canna and more. CD

An amazing legacy in music from Mike Cooper – a British musician who started out in the world of folk blues, but never ended up moving towards some of the rockish modes of his contemporaries – instead finding his very own sort of special space in the freedom allowed by the Dawn Records label! The set begins with the very spare Oh Really – a set that has Mike Cooper mostly on guitar and vocals, in a style that's part Piedmont, part Delta blues – but also given a more folksy spin, and graced with Cooper's unusual vocals – almost making the whole thing feel like a spare acoustic version of Canned Heat territory – with titles that include "Maggie Campbell", "Saturday Blues", "Electric Chair", "Crow Jane", and "You're Gonna Be Sorry". Do I Know you is a record that follows up with a sound that's maybe a bit fuller than Mike Cooper's debut, but still relatively spare – with Mike on acoustic guitar and slide guitar, Harry Miller on bass (really great bass, by the way!), and Poor Little Anne on a bit of vocals. Miller brings these deep tones to the record that really transform things – and titles include "Do I Know You", "Start Of A Journey", "First Song", "Theme In C", and "The Link". Trout Steel is a beautiful set from the British scene at the start of the 70s – a record that's got a fairly folksy tone, but lots of jazzy currents as well! The set was issued on the seminal Dawn Records label – and really shows that imprint's commitment to the left side of the spectrum – as Mike Cooper's vocals and acoustic guitar come into play with more guitar from Stefan Grossman – plus alto sax from Mike Osborne, tenor and soprano from Alan Skidmore, piano from John Taylor, and bass from the late Harry Miller – all key players on the UK avant jazz scene of the time! The mix of these players with Cooper's core inspiration is not unlike some of the most progressive material coming from Island Records – or, even better, the special jazzy moments on records by Tim Buckley or Tim Hardin – company that Cooper could very easily keep, given the strength of his songwriting. Titles include "Don't Talk Too Fast", "On My Way", "Hope You See", "Weeping Rose", "Trout Steel", "I've Got Mine", "That's How", and "Pharoah's March". Places I Know blends Cooper's acoustic guitar and rootsy vocals with some very compelling arrangements from Mike Gibbs – the British jazz talent who was already known for his larger ensemble creations at the time, but who works here in these really subtle ways – to inflect Cooper's core inspirations with just some slight instrumental colors, tones, and phrases on most numbers – while Cooper brings in the core Machine Gun Co group on a few more. The result is a record that's way more than familiar folk – and arguably a lot hipper than most of the British acid folk of the time, too – on titles that include "Night Journey", "Paper & Smoke", "Country Water", "Time To Time", "Goodbye Blues Goodbye", and "Places I Know". The Machine Gun Co album is a partner record to Places I Know – recorded in the same sessions, but with tracks that are longer, and even more openly expressive – all with backings from the sweet Machine Gun Co quartet, a group with some especially nice electric piano from Alan Cook! Heavy use of that instrument really works against some of the folksier elements in Cooper's music – with these blocks of warm sound and color that really illuminate the tunes, and almost unlock a new level in the vocals. Cooper plays a bit of electric guitar at times – and titles include "So Glad That I Found You", "Lady Anne", "Midnight Words", and "Song For Abigail". CD also features songs from singles – "Your Lovely Ways (parts 1 & 2)", "Time In Hand", and "Schaabisch Hall". CD

Fender Rhodes and tight arrangements from the great David Matthews – a solo set that works in the same sort of vibe as his bigger backings for 70s artists on the CTI/Kudu label! The group's largeish, but still has a nice open vibe – as Matthews works a lot of care into his charts to give some of the stars plenty of room to shine – especially guitarist Earl Klugh, who works on the record in a group that also include Burt Collins and Joe Sheppley on trumpets, and George Young, David Tofani, and Ronnie Cuber on saxes and flute! Titles include "Funky Turkey", "Spanish Heat", "Gosman's Gazebo", and "Westlake Drive". CD

Howlin Wolf sings the blues, and comes across in a way that influences an entire generation too – with that raw, raspy sound that made the singer a perfect blend of delta roots and contemporary sounds that were bubbling up in the postwar years! These tracks have a spare, simple, stark style that's still a lot more powerful than most of the records that tried to copy Wolf's modes in later years – mindblowing guitar work from Willie Johnson, harmonica lines that weave the whole thing together, and tremendous vocals that would shake the paint off your walls, even without any other instrumentation! Titles include "Crying At Daybreak", "Twisting & Turning", "Brown Skin Woman", "Morning At Midnight", "Backslide Boogie", "House Rockin Boogie", "Keep What You Got", and "Worried About My Baby". LP, Vinyl record album

One of Joe McPhee's strongest early albums – and a real breakthrough from his sound on Nation Time (also issued as part of the Unheard Music Series.) The group here is a trio – with Mike Kull on electric and acoustic piano, and Harold E Smith on percussion – and the lack of a bass player gives the group an incredible sense of freedom, letting them wail away on long tracks with a strong bent for musical and spatial exploration. The two most marked examples of this are "Astral Spirits" and "Delta" – both searching numbers that start with an electric piano/tenor sound that you might have heard on a Joe Henderson album on Milestone from the same time, but which take that sound to unheard of limits, pushing the keys and the sax to full capacity. The album also includes the longer track "Ionization", which is a fiercely jamming number with a slightly straighter bent. CD

Rootsy blues from the 78rpm years – a collection of well-recorded Specialty Records material by Frankie Lee Sims – an artist who was born in New Orleans, but was also a Texas-raised cousin of Lightnin Hopkins too! Sims' music here has lots of the styles we love in Hopkins' work of the time – kind of an evolution of blues past the delta years, but not too far either – mostly acoustic instrumentation, including bold lines by Sims that accompany his lyrics – and a stark sense of recording that really lets the simple elements come through. Titles include "Married Woman", "Lucy Mae Blues", "Don't Take It Out On Me", "I'm So Glad", "Jelly Roll Baker", and "Wine & Gin Bounce". LP, Vinyl record album

With selections by Pearl & The Deltars, The Topps, The Charts, The Channels, The Du Mauriers, The Du-Droppers, The Federals, The Logics, The Empires, The Scarlets, The Skylarks, The Sequins, and Jackie & The Starlites. LP, Vinyl record album

Howlin Wolf sings the blues, and comes across in a way that influences an entire generation too – with that raw, raspy sound that made the singer a perfect blend of delta roots and contemporary sounds that were bubbling up in the postwar years! These tracks have a spare, simple, stark style that's still a lot more powerful than most of the records that tried to copy Wolf's modes in later years – mindblowing guitar work from Willie Johnson, harmonica lines that weave the whole thing together, and tremendous vocals that would shake the paint off your walls, even without any other instrumentation! Titles include "Crying At Daybreak", "Twisting & Turning", "Brown Skin Woman", "Morning At Midnight", "Backslide Boogie", "House Rockin Boogie", "Keep What You Got", and "Worried About My Baby". LP, Vinyl record album