Fantastic grooves from the UK scene – most of them created during the better-known punk and post-punk years of the country – which might be why so many of them have remained so obscure over the decades! Yet taken together, these cuts represent a fantastic legacy in soul
– upbeat grooves created by British artists who were clearly inspired by the hippest American jazz
funk of the late 70s – working hard to create magical music with their own sort of voice, one that also occasionally borrowed elements from the unique post-colonial scene that was having an impact on other sides of English music. Many of the productions here are a bit less slick or smooth than American work of a similar nature – almost like some of the indie funky club 12" singles of the post-disco years – which is also when many of these cuts were created. As with the first fantastic volume, there's a great choice of cuts going on here – music that really illuminates the funkier side of the UK scene in the years before acid jazz
, drum n bass, and other bigger global waves of grooves. Titles include "Stop & Think" by Paradise, "I Can't Turn Away" by Savanna, "Closer To Your Love" by Rare Moods, "We're Funkin" by Proton, "Never Let Go" by Eastbound Expressway, "Brazelia" by Brazelia, "All Night Long" by Cloud, "Watching You" by Powerline, "I've Got To Have You" by The Antilles, "Potion" by Rick Clarke, "Starlight" by Index, "Love Time Machine" by AD 2000, "What Are We Gonna Do About It" by Mercy Mercy, "Eternally Grateful (unreleased dub mix)" by Janet Kay, "Ease Your Mind" by Touchdown, "Jazz
in & Crusin" by Cache, "Girls Girls Girls" by Kandidate, and "Take A Walk In The Moonlight" by Paul Bailey Sound.