Two killer cuts from the late 60s Latin soul years at Columbia Records – both great! Sonny Bravo takes on Archie Bell's "Tighten Up", but in a way that's even harder and funkier than the original – thanks to some heavy conga at the bottom, and a very badass East Harlem sort of presentation! "We Got Latin Soul" is one of the heaviest Mongo Santamaria cuts from the time – a track that's drenched in the Latin Soul of the title, with killer percussion, and mighty nice vocals! 7-inch, Vinyl record

The cover's a bit goofy, but the record's one of those great back to basics Latin jazz sides that Tito Puente cut in the 80s – with a group that has Tito on vibes, plus the great Sonny Bravo on piano, Bobby Rodriguez on bass, Jose Maderas on congas, and Mario Rivara on a variety of saxes and flute! LP, Vinyl record album

One of the freshest groups on the New York scene of the 70s – really cooking on this firey set for Inca Records! There's some slight funky currents that really make the record stand out – a bit of keyboards from Sonny Bravo, and some sweet wah-wah guitar lines that don't seem to be credited on the cover, but which give the whole thing even more of a groove than previous albums! The mix of modern and classic is sublime throughout – handled by key arrangers who include Louie Ramirez, Sonny Bravo, Marty Sheller, and Luiz Perico Ortiz – and the album also features lead vocals from Camilo Azuquita and Jose Alberto, violin from Alberto De La Fe, and drums and timbales from Nicky Marrero. Titles include "Los Campeones De La Salsa", "Xiomara", "Baila Que Baila", "Tina Tinoso", "Si No Eres Tu", "Somos Dos", and "La Mujer Dominicana". LP, Vinyl record album

With Frank Morgan on alto, Sonny Bravo on piano, Bobby Rodriguez on bass, Tito Puente and Orestes Vilato on timbales, Johnny Rodriguez on bongos and percussion, and Joe Madera on congas and percussion. LP, Vinyl record album

Johnny Pacheco's working here with vocalist Luis Angel Silva Nava – also known as "Melon", hence the title and cover! The album's a crackling batch of straight samba from the 70s – played by a sharp little group with Sonny Bravo on piano, Luiz Perico Ortiz on trumpet, Luis Mangual on bongos, Charlie Rodriguez on tres, and Pacheco himself on both flute and percussion – both of which are handled with a slightly classic vibe. Production is nice and clean – like the best Vaya dates from the time – and the album does a great job of balancing Latin roots with the more youthful energy of the 70s New York scene. Titles include "Don Toribio Carambola", "Compay Anton", "Solo Estoy", "Vera Cruz", "Jicamo y Salsa", and "Nuestra Cita". LP, Vinyl record album

A late date from Tito Puente, but a great one too – one of his sublime sessions for Concord Records during the 80s – done with a rock-solid approach to Latin jazz! Puente really hits on all burners during these years – free of gimmicks, or any need to sound too modern – and instead moving back into a jazzy style that's almost more classic than any of his records from years back! Of course, the recording style is more modern – but never with any 80s gimmicks at all, just in ways that let the players open up even more than usual on their solos – a good thing, given that the lineup features Mitch Frohman on reeds, Robbie Kwock on trumpet, Sam Burtis on trombone, and Sonny Bravo on piano – and we're also guessing some arrangements too. Titles include "Airegin", "Pent Up House", "Picadillo A Lo Puente", "All Blues", "Lambada Timbales", and "Ode To Cachao". CD