Mike Longo on piano, Santi Debriano on bass, and Ray Mosca on drums. CD

One of the few albums ever cut by Native American saxophonist Jim Pepper – a great player whose ethnicity has always ensured him a strong reputation – but whose work on tenor sax should be enough! This outing is a relatively straight jazz session – a quartet date with Kirk Lightsey on piano, Santi Debriano on bass, and John Betsch on drums – but all players come together nicely in support of Pepper's lead – hitting fluid notes that bristle with some good 80s soul jazz sorts of modes, and which occasionally hit some more adventurous moments. Pepper's tone is nice and edgey throughout, even on the mellower tunes – and titles include "Jumpin Gemini", "3/4 Gemini", "Dakota Song", "Comme Il Faut", and "Mercer Street Blues". CD

A pretty great session – if only for the work of the sax players! The "stablemates" on the session are a host of older spiritual and soul jazz players – including Nathan Davis, Sam Rivers, Chico Freeman, and Arthur Blythe – alternating solos and coming together in some angular ensemble parts that really sound wonderful. The "Stablemates" reference is well chosen, as there's a lot of Benny Golson influences on the album – especially in the rhythm section of Don Pullen, Santi Debriano, and Idris Muhammad, who groove together with the crackling tightness that Golson would have used on a classic early 60s album, keeping the pace with a soulful swing, so that the horn players can cut loose in some modernist inflections. Titles include "Walkin", "I Remember Eric Dolphy", "Stolen Moments", "Linden Boulevard", and "Stablemates". CD

An overlooked treasure from Archie Shepp – a set recorded for the Enja label with a profile that's not as bold as some of his other albums, but a great later session that has some surprisingly wonderful moments! Perhaps the best of these is the album's long workout on "Mama Rose" – done here as a free-flowing modal number with some great soprano sax lines from Archie – blown beautifully over soaring rhythms from Kenny Werner on piano, Santi DeBriano on bass, and the great Marvin Smitty Smith on drums. The track really cooks wonderfully – and is followed by the more sensitive "Soul Song", the hard-blown tenor cut "Geechee", and a laidback take on "My Romance". Both "Geechee" and "Mama Rose" dominate the record – and are perfect examples of the later soulful sound of Shepp in the post-Impulse years! CD

Sonny Fortune on soprano, alto, and tenor saxophone – with John Hicks on piano, Santi Debriano on bass, and Ronnie Burrage on drums. Tracks include "In The Spirit", "For John", "Africa", "Trane and Things", "Ole", and "Hangin' Out With JC". CD

One of the most hard-edged albums we've ever heard from pianist Kirk Lightsey – thanks to the presence of Jerry Gonzalez on congas, which really adds a nice extra bite to the record! The whole lineup is great – and includes Santi Debriano on bass and Eddie Gladden on drums – but it really seems to be Jerry's percussion that kicks the whole album into gear – bringing up a bit more bottom than usual in Lightsey's work on the keys, and giving even the mellower moments a Latin current that really keeps things fresh – and which we would have liked to hear more from Kirk over the years. Titles include "Habiba", "For Albert", "One Finger Snap", "Blues On The Corner", and "Eighty One". CD