A late 50s session, but an album that captures Lighnin Hopkins in a rootsy style that could well hearken back to the 78rpm blues records of the 30s – thanks to production by Samuel B Charters, who captured Hopkins alone making music in his apartment in Houston! The tracks have that beautifully spare, yet indescribably rich sound of Hopkins at his best – wonderfully expressive through just a few vocal inflections and deft changes on the guitar – augmented here by one track that also features Lighnin just speaking, recalling his meeting with Blind Lemon Jefferson. Titles include "Bad Luck & Trouble", "Penitentiary Blues", "See That My Grave Is Kept Clean", "Tell Me Baby", "Fan It", "Goin Back To Florida", "Trouble Stay Way From My Door", and "Come Go Home With Me". LP, Vinyl record album

Seminal sounds from Joseph Spence – a groundbreaking Bahamian artist whose style was an equal mixture of calypso and blues! The rhythms here are certainly Caribbean, as is the style of the lyrics on many numbers – but the spotlight often shines most strongly on the acoustic guitar work by Spence, which often echoes styles that you'd find much more in the rural south in the postwar years – particularly in the strength of its phrasing! No surprise, the set was recorded by Folkways blues historian Samuel B Charters – and titles include "Brownskin Girl", "Coming In On A Wing & Prayer", "There Will Be A Happy Meeting In Glory", "Jump In The Line", "I'm Going To Live That Life", and "Face To Face That I Shall Know Him". LP, Vinyl record album

A great early album from Junior Wells – and one that really opens up that more soulful side of his talents that was becoming a Chicago hallmark at the time! The set was produced by Samuel Charters, but has none of the rootsy vibe of his earlier work on Folkways – and instead matches the harmonica and raw vocals of Wells with a bit of horn backings on a few tunes by the great Ed Bland (of previous Sun Ra cinema fame, and later funk arrangements) – blown by the unlikely mix of Tom McIntosh on trombone, with trumpets by Clark Terry, Wallace Davenport, and Jimmy Owens! The core group has the mighty Buddy Guy on guitar, with Walter Williams on rhythm guitar and Douglas Fagan on tenor – and Junior knocks it out of the park, on tunes that include "So Sad This Morning", "When My Baby Left Me", "Stop Breakin Down", "Somebody's Tippin In", "You Don't Love Me", "Little By Little", and "I'm Your Hoochie Coochie Man". CD

A seminal set of Chicago blues – the first volume in a series of classic recordings done by Vanguard Records in an effort to show the rest of the world all the hip new sounds that were coming out of the Windy City in the 60s! The approach here is a bit like some of the rural blues sets from years past – in that Samuel Charters headed to Chicago, booked studio time, and managed to get some key groups at their best – all at a level that would soon be picked up by the Delmark label as they helped to document the scene! Junior Wells sings and plays harmonica in a quartet with Buddy Guy on guitar, on titles that include "Messin With The Kid", "Vietcong Blues", "All Night Long", and "It Hurts Me So". JB Hutto plays guitar and sings in his Hawks trio – on titles that include "Too Much Alcohol", "That's The Truth", "Going Ahead", and "Please Help". And Otis Spann plays piano and sings, with help from SP Leary on drums – on titles that include "Spann's Stomp", "Marie", "Burning Fire", and "SP Blues". CD