A goofy title and cover – but a really unique session of two-piano jazz, recorded with Russ Freeman and Andre Previn on the keys, plus only the drums of Shelly Manne to provide additional support! The sound is really great – and Previn's especially wonderful here, really stretching out to meet the harder style of Freeman. Both players also seem really inspired by Manne's drum work – and in a way, it almost feels like Shelly's directing the piano from the drum kit, especially on the more uptempo numbers. The notes do a very detailed job of breaking down the piano work, so that you can figure out who's soloing when – and titles include "Who's On First", "In The Cellar Blues", "Called On Account Of Rain", "Fungo", "Safe At Home", and "Double Play". Baseball, anyone? LP, Vinyl record album

A great discovery in the lost catalog of Arthur Russell – material from the same mid 80s stretch as his excellent World Of Echo album, and done with a very similar sound! Most of the instrumentation here is spare drum programs, keyboards, and processed cello – all handled by Russell, who also vocalizes slightly, often in a processed way as well – so that there's a particularly electric feel to the tunes, which goes along with the skittishly funky rhythms! Most tracks here are in an upbeat mode – partly post-disco dancefloor funk, but also a bit more experimental at times – and in a way, this record may be the strongest one to link together the two sides of Russell's career in both the galleries and the clubs. Titles include "Springfield", "See My Brother He's Jumping Out (Let's Go Swimming #1)", "Corn #3", "Hiding Your Present From You", "You Have Did The Right Thing When You Put That Skylight In", and "Springfield (DFA rmx)". CD

One of John Barry's earliest scores for Bond – when his style was nice and raw, and when the Bond theme couldn't be heard enough throughout the course of the movie! Matt Munro sings the lyrics to the forgotten title hit – and other tracks include "James Bond Theme", "Tania Meets Klebb", "Guitar Lament", "Spectre Island", "Stalking", "Death Of Kerin", and "007 Takes The Lektor". Plus, the CD contains bonus cuts – for a total of 25 tracks in all! CD

An incredible chapter in the Arthur Russell story – and one that's not nearly as well-known as his club singles and art rock work of the 80s! The 2CD package presents some long-lost longer form work by Russell – instrumental pieces composed and recorded in the 70s and early 80s, most of which have a decidedly minimalist feel! In addition to being a dancefloor artist in the post-disco years, Russell was also music director of The Kitchen, and had ties to the more experimental side of the New York scene – and worked in a world that included Philip Glass, Laurie Anderson, Rhys Chatham, and many others from time. There's echoes of all 3 on this collection, and a large number of tracks that recall the brighter, more optimistic years of modern music – the almost DIY style that hit composition and performance in the stretch after early minimalism, conveyed beautifully on these recordings done for smaller ensembles, often in a mix of electric and acoustic instrumentation. A number of the titles here have never been released at all, and even those that did see the light of day did so only briefly – and often not under optimal conditions. The 2CD package features full notes on the music, and titles that include "Instrumentals Vol 1", "Instrumentals Vol 2", "Reach One – With Two Fender Rhodes (1973)", "Tower Of Meaning", and "Sketch For The Face Of Helen". CD

A mindblowing moment on the Chicago avant scene of the 80s – a key flowering of the talents of Hal Russell – a musician who'd been working the Windy City since the early 60s, yet who really came into his own in these later years! Hal challenges both the AACM and the European underground with this smoking little set – opening up with unbridled energy on a range of instruments – including drums, vibes, C melody sax, cornet, and even zither – and working with equally energetic younger players who include Chuck Burdelik on tenor, alto, clarinet, and flute; Brian Sandstrom on bass, trumpet, and gong; Curt Bley on bass; and Steve Hunt on vibes and drums, alternating the instruments with Russell from track to track. All tunes are originals, and sound incredibly fresh all these many years later – with titles that include "Uncontrollable Rages", "Kit Kat", "Linda Jazz Princess", and "Seven Spheres". CD features two previously unreleased tracks – "Lost Or" and "C Melody Mania". CD

A tremendous soundtrack – nearly perfect in every way, and put together with a heck of a lot more care than the Russ Meyer film it was recorded to accompany! We honestly have never heard another Bill Loose score before, but with this one we'd rank him right up there with our favorites of the time – on both sides of the Atlantic! The main theme has some great electric harpsichord over sweeping strings and a brooding rhythm – and the harpsichord comes back on other tracks of the album – joining some really skittish drums, oddly-tuned guitar, and rolling basslines that give some of the best tracks an almost funky sort of feel. There's also a great sax player who brings in some wonderfully soulful undercurrents on some tracks – making for a really odd mix of modes, but which really sounds great. Titles include "Vixen Gets Excited", "Niles Threatens Vixen", "Janet's Theme", "Obanion's Theme", "Conversation Piece", and "Canadian Romp". CD

A collection of recordings by the Duke Ellington big band from late 1947, with sidemen that include Ray Nance, Lawrence Brown, Tyree Glenn, Russell Procope, Johnny Hodges, Al Sears, Harry Carney, Oscar Pettiford, and Sonny Greer. 22 titles total, including "How High The Moon", "Lady Of The Lavendar Mist", "It's Mad Mad Mad!", "H'ya Sue", "Kitty", "Air Conditioned Jungle", "Three Cent Stomp", "Stomp Look And Listen", and more. LP, Vinyl record album

Poll winners from the Japanese scene of the late 50s – stepping out in a special live performance from the time! The album's almost got a Verve Records sort of feel – especially from the all-star tip – and tunes are more swing than bop, although there's definitely a few modern touches from time to time. Notes are all in Japanese, so it's hard to say who's on which cut – but the set features work from Eji Kitamura, Jimmy Takeuchi, Seiji Hiraoka, Akio Nagata, and others – on titles that include "Someday Sweetheart", "Moonglow", "Shine", "Sweet Lorraine", "Tendery", "Russo", and "Padam Padam". LP, Vinyl record album

The Brazilian vibe continues to spread worldwide, as a host of French and European producers go to town on a great set of tracks tinged with the sound of Brazil! This one's a lot more open-ended than some of the other sets on the market with a similar approach, in that the tracks don't necessarily focus on the dancefloor, so much as they expand the groove for a wider variety of experiences. Of course, there's still more than a few toe-tappers on the set – very much in the best style of work on Compost in a similar vein. Titles include "Brazil.com" by Isolee, "Non Fatiguing Natural Silk" by WR, "Ibis Vermelho" by Rom, "My Little Brazilian Pony" by Dr Rockit, "Tridade" by Alex Kid feat Jerome Badini, "Jelba" by Russ Gabriel, "Obrigado" by The Deal, "Bahia Blues" by DJ Spinna, "Tiu Ba La Quieba" by Boyz From Brazil, and "Kotu Rete" by Mental Remedy. CD

A wonderful follow up to one of our favorite compilations in recent years! London Is The Place For Me compiles the stylistically varied music coming from the emergent West Indian and African communities of 50s and 60s London – far more than just the topical, and often quite whimsical calypso tunes of the era! Calypso is well represented, but the set includes strains of jazz, percussive instrumentals that veer towards native Trinidad and Nigeria, and loads of Caribbean grooves! It's all exceptionally bright – with some lovingly, and knowingly, naive vocals that are as sweet as they are wise. A truly wonderful compilation. Essential! 20 tracks in all: "Calypso Be" by Young Tiger, "Yolanda" by Ambrose Campbell, "Calypso Blues" by Mona Baptiste, "My Wife's Nightie" by Lord Kitchener, "Ominara" by West African Rhythm Brothers, "Gerrard Street" by King Timothy, "ET Mensah's Rolling Ball" by West African Swing Stars, "West Indian Drums" by Russ Henderson, "Gbonimawo" by Rans Boi's Ghana Highlife Band and more! LP, Vinyl record album

There's a subtle sort of majesty going on here – music that's maybe trying to slightly elevate its game, while also never forcing any sort of agenda too much – rising proud and nicely loud, and standing as one of the strongest musical statements from Ransom! The set features work from Freddie Gibbs, Simone Pash, Raekown, and others – but there's no denying who's at the helm, soaring strongly over production from Eight Bars, Mud, and Dark Night – on titles that include "Road To Perdition", "Kites", "Can't Complain", "Russian", "Sincerely Yours", "Can't Have", "Fallin", "Make A Deal", and "Demise". LP, Vinyl record album

The first two volumes in this legendary series – back to back in one set! Volume 1 is an amazing collection – and one that really helped completely revise our understanding of Caribbean music! The collection features a fair bit of artists with roots in the West Indies, but who made a huge impact on London's postwar immigrant population – the new rise of non-native residents who were swelling the ranks of the city in the years after the way – bringing with them new cultures, new sounds, and new traditions – with all the requisite ideas and politics that might imply! The work here often has a subtle social agenda – working through themes important to these new Londoners, yet still echoing modes of the homeland as well – often with great musical backings that's heavy on percussion, jazzy instrumentation, and very upbeat rhythms. Titles include "London Is The Place For Me" by Lord Kitchener, "I Was There" by Young Tiger, "Some Girl Something" by The Lion, "No Carnival In Britain" by Mighty Terror, "Jamaica Hurricane" by Lord Beginner, "Birth Of Ghana" by Lord Kitchener, "Victory Test Match" by Lord Beginner, "Spanish Calypso" by The Lion, "Bulldog Don't Bite Me" by Timothy, "My Landlady" by Lord Kitchener, "If You're Not White You're Black" by Lord Kitchener, and "Aguiti" by Lord Invader. Volume 2 compiles the stylistically varied music coming from the emergent West Indian and African communities of 50s and 60s London – far more than just the topical, and often quite whimsical calypso tunes of the era! Calypso is well represented, but the set includes strains of jazz, percussive instrumentals that veer towards native Trinidad and Nigeria, and loads of Caribbean grooves! It's all exceptionally bright – with some lovingly, and knowingly, naive vocals that are as sweet as they are wise. A truly wonderful compilation. Essential! 20 tracks in all: "Calypso Be" by Young Tiger, "Yolanda" by Ambrose Campbell, "Calypso Blues" by Mona Baptiste, "My Wife's Nightie" by Lord Kitchener, "Ominara" by West African Rhythm Brothers, "Gerrard Street" by King Timothy, "ET Mensah's Rolling Ball" by West African Swing Stars, "West Indian Drums" by Russ Henderson, "Gbonimawo" by Rans Boi's Ghana Highlife Band and more! CD