A beautiful little album, very different than Wayne Shorter's other work, and sort of a "return of the favor" to the nation of Brazil for the country's rich musical influence on his music! Milton Nascimento sings vocals on most cuts, and if anything, the album resembles Nascimento's work of the mid 70s quite strongly – with similar airy arrangements and a very full, polished sound. Brazilian jazz musicians Airto, Roberto Silva, and Wagner Tiso play on the record – which also features work by Herbie Hancock. Titles include "Ponta De Areia", "Tarde", "Miracle Of The Fishes", "From The Lonely Afternoon", and "Ana Maria". LP, Vinyl record album

A wonderful album from George Duke – and one of our favorite records from his legendary years at Columbia! George Duke's always had plenty of Brazilian elements in his music – but this album really brings them all together – offering up a perfect blend of Duke's keyboards and Cali soul with some key additions from the Rio scene of the time – a mix of singers and musicians who really help round out the sound and authenticate George's ears for Brazilian music! The album was actually recorded down in Rio – and features great contributions from Simone, Milton Nascimento, Roberto Silva, Toninho Horta, and Airto – all working beautifully under Duke's leadership, on cuts that include "Brazilian Love Affair", "Cravo E Canela", "Brazilian Sugar", "Sugarloaf Mountain", "Ao Que Vai Nascer", and "I Need You Now". LP, Vinyl record album

A batch of samba tracks assembled by Herminio Bello De Carvalho – and performed by artists that include Roberto Silva, Paulao, Cristina Buarque, Mariana Bernardes, and Pedro Paulo. The set's got the same great overall look and feel of some of the best of the titles on the Biscoito Fino label – and the 2CD package features a large number of tracks, many of which are performed in kind of a pot-pourri mode. CD

A beautiful little album, very different than Wayne Shorter's other work, and sort of a "return of the favor" to the nation of Brazil for the country's rich musical influence on his music! Milton Nascimento sings vocals on most cuts, and if anything, the album resembles Nascimento's work of the mid 70s quite strongly – with similar airy arrangements and a very full, polished sound. Brazilian jazz musicians Airto, Roberto Silva, and Wagner Tiso play on the record – which also features work by Herbie Hancock. Titles include "Ponta De Areia", "Tarde", "Miracle Of The Fishes", "From The Lonely Afternoon", and "Ana Maria". CD

One of the best American recordings of Brazilian keyboardist Jose Roberto Bertrami – even better than his work of the time with Azymuth! The set's got a freer feel than some of the Azymuth sides – allowing Bertrami the sort of freedom he rarely expressed so strongly (at least not until some of his recent albums for the Far Out label.) Tunes dance along on a mix of Brazilian rhythms and west coast fusion – all the while featuring some killer organ and electric piano from Jose, plus drums by Robertinho Silva, sax and flute from Jose Carlos, guitar from Helio Demiro, and guest vocals on one track by Aleuda. Titles include "Partido Alto #2", "Sheds & Weeds", "Parati", "Shot On Goal", and "Bye Bye Brazil". LP, Vinyl record album

The legendary Azymuth rises from the ashes – on this, their first record after the passing of keyboardist Jose Roberto Bertrami – with a sound that takes us back to the amazing cosmic funk of their first few albums in the 70s! The new keyboardist, Kiko Continentino, has a sound that's really wonderful – the same sort of spare approach to Fender Rhodes that made Bertrami so great back in the day – but also maybe a bit more edge than Jose had in recent years, which gives the group a really refreshed sound, and a lean groove that's completely sublime! The trio are joined by percussionist Robertinho Silva and keyboardist Daniel Maunick at some points – and Maunick also produced the record. Titles include "Orange Clouds", "Neptunians", "Fenix", "Villa Mariana", "Papa Samba", and "Rio Doce". LP, Vinyl record album

The legendary Azymuth rises from the ashes – on this, their first record after the passing of keyboardist Jose Roberto Bertrami – with a sound that takes us back to the amazing cosmic funk of their first few albums in the 70s! The new keyboardist, Kiko Continentino, has a sound that's really wonderful – the same sort of spare approach to Fender Rhodes that made Bertrami so great back in the day – but also maybe a bit more edge than Jose had in recent years, which gives the group a really refreshed sound, and a lean groove that's completely sublime! The trio are joined by percussionist Robertinho Silva and keyboardist Daniel Maunick at some points – and Maunick also produced the record. Titles include "Orange Clouds", "Neptunians", "Fenix", "Villa Mariana", "Igarape", "Papa Samba", and "Rio Doce". CD