Maybe the only 12" single we've ever seen from Ennio Morricone! Features two very groovy themes. 12-inch, Vinyl record
Possible matches: 10
5
Art Ensemble Of Chicago —
Les Stances A Sophie ... LP Pathe/Play Loud (Germany), 1970. New Copy (reissue)...
$27.9929.99
Probably the greatest album ever by the Art Ensemble of Chicago – and also one of their rarest! The album was cut for PatheMarconi in Paris in 1970, and was the soundtrack to a film that was as obscure as the album. The group's never been finer – and plays with a creative tightness that you'll be hard pressed to find on other record. Some tracks are almost straight jazz – but there's all these wonderful little breakdowns and burst of creative energy that keep the AACM spirit alive and true. The centerpiece of the album is the massive "Theme De Yoyo", a righteous powerful groover that features vocals by Fontella Bass (wife of Lester Bowie of the group), and which has become an all-time jazz dance classic! Other tracks have a sparer soundtracky feel, and a few more are in the experimental vein of the Art Ensemble's other Paris work at the time. Wonderful overall though – and an incredibly righteous album filled with power and imagination! Titles include "Theme De Celine", "Proverbes", "Theme Libra", and "Variations Sur Un Theme De Monteverdi". Very hard to find original French pressing – with different cover image! LP, Vinyl record album
Titles include "Unforgettable", "Mona Lisa", "Too Young", "Red Sails In The Sunset", "Portrait Of Jennie", and "Answer Me My Love". LP, Vinyl record album
(80s French pressing on Pathe Marconi. Cover has light ringwear, edge wear, yellowing from age, and is lightly bent at the edges.)
One of our favorite albums by Nat King Cole – done with a bit more depth and feeling than some of his other Capitol sets of the time – and some great jazzy backings, too! Arrangements are by Dave Cavanaugh, but there's almost a Basie-like quality to the group at times – never too hard-swinging, but definitely that slow-burning quality the Count could hit so well with a singer, especially on the horns! The group is awash with Basie-ites – and saxes are by Marshall Royal, Frank Foster, Billy Mitchell, and Frank Wess; trumpets include Joe Newman and Thad Jones; trombones feature Al Grey, Henry Coker, and Benny Powell; and rhythm features guitar from Freddie Greene, piano from Gerald Wiggins, and drums from Sonny Payne – definitely a swinging lineup. Titles include the great "Welcome To The Club" – plus "Anytime Anyday Anywhere", "The Late Late Show", "Wee Baby Blues", "Avalon", "She's Funny That Way", and "The Blues Don't Care". LP, Vinyl record album
(80s French pressing on Pathe Marconi. Cover has light wear, some aging, and a bent portion at the top of the spine.)
Bud's second LP for Blue Note – a firey batch of trio tracks that feature George Duvivier on bass and Art Taylor on drums – some of Powell's best work from the time, and a nearly all-classic set of bop piano tracks! The album's nothing fancy on the outset, but Powell and the trio really make magic happen on the best of moments – lighting fire underneath old standards, while also unveiling some hip new originals that are really worth the price of the set. Titles include "I've Got You Under My Skin", "Sure Thing", "Reets & I", "Glass Enclosure", and "Collard Greens & Black Eyed Peas", "Audrey", and "Autumn In New York". LP, Vinyl record album
(Early 80s French pressing on Pathe Marconi. Cover has some ringwear, edge wear, some aging, and is chewed at the top left corner, with a small portion missing from the back.)
An amazing set from altoist Sonny Red – a player who hardly ever got to make any albums as a leader, and who really burns brightly on this Blue Note classic! Red's got a tone on alto that's as deep and sharp as most tenorists of his generation – extremely soulful, but with a really raspy edge that's almost modern at times – a combination that's quite unique, and which makes his playing on a few key albums well worth tracking down. This album's one of the best of Sonny's few dates on record – and it features the saxophonist working with two different groups – both headed by Wynton Kelly on piano, and with either Sam Jones or Paul Chambers on bass, and either Roy Brooks or Jimmy Cobb on drums – a hell of a great rhythm lineup, no matter how you slice it! Both groups are right on the money, and the whole album swings very nicely – and titles include "Alone Too Long", "The Lope", "Nadia", "Bluesville", and "Blues In the Pocket". LP, Vinyl record album
(80's French reissue on Pathe Marconi. Cover has a LARGE upper cut corner, but looks nice otherwise.)
Probably the greatest album ever by the Art Ensemble of Chicago – and also one of their rarest! The album was cut for PatheMarconi in Paris in 1970, and was the soundtrack to a film that was as obscure as the album. The group's never been finer – and plays with a creative tightness that you'll be hard pressed to find on other records. Some tracks are almost straight jazz – but there's all these wonderful little breakdowns and burst of creative energy that keep the AACM spirit alive and true. The lead track of the album is the massive "Theme De Yoyo", a righteous powerful groover that features vocals by Fontella Bass (wife of Lester Bowie of the group), and which has become an all-time jazz dance classic! Other tracks have a sparer soundtracky feel, and a few more are in the experimental vein of the Art Ensemble's other Paris work at the time. Wonderful overall though – and an incredibly righteous album filled with power and imagination! Titles include "Theme De Celine", "Proverbes", "Theme Libre", and "Variations Sur Un Theme De Monteverdi". CD
(Includes slipcase.)
11
Art Ensemble Of Chicago —
Les Stances A Sophie ... CD Nessa/Universal Sound (UK), 1970. Used ...
Out Of Stock
Probably the greatest album ever by the Art Ensemble of Chicago – and also one of their rarest! The album was cut for PatheMarconi in Paris in 1970, and was the soundtrack to a film that was as obscure as the album. The group's never been finer – and plays with a creative tightness that you'll be hard pressed to find on other records. Some tracks are almost straight jazz – but there's all these wonderful little breakdowns and burst of creative energy that keep the AACM spirit alive and true. The centerpiece of the album is the massive "Theme De Yoyo", a righteous powerful groover that features vocals by Fontella Bass (wife of Lester Bowie of the group), and which has become an all-time jazz dance classic! Other tracks have a sparer soundtracky feel, and a few more are in the experimental vein of the Art Ensemble's other Paris work at the time. Wonderful overall though – and an incredibly righteous album filled with power and imagination! Titles include "Theme De Celine", "Proverbes", "Theme Libra", and "Variations Sur Un Theme De Monteverdi". CD
One of the fantastic early Capitol albums from the young Wanda Jackson – music cut when she was much more of a rockabilly artist than a country singer – with a raw vibe that maybe set a whole new standard for female work in postwar pop music! Jackson's as bold here as any of her male contemporaries – but is also able to match raspy charmp with some sweeter elements – balancing things out beautifully, as she storms with her own tunes, and also transforms others. A young Roy Clark is in the group on some sweet electric guitar – and titles include "There's A Party Goin On", "It Doesn't Matter Anymore", "Lonely Week-Ends", "Kansas City", "Fallin", "Hard Headed Woman", "Tongue Tied", "Sparkling Brown Eyes", and "Man We Had A Party". LP, Vinyl record album
An unusual UK-only set from Ernestine Anderson – done at a time when she wasn't making many records over here in the US! Backings are from Johnnie Scott – who you might know from other great records of the time – and titles include nice versions of "On A Clear Day", "Feeling Good", "Tears Have To Fall", and "So Nice". LP, Vinyl record album
14
Nelson Riddle —
Joy Of Living ... LP Capitol, Late 50s. Near Mint- ...
Out Of Stock
... LP, Vinyl record album
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