One of the coolest combos so far on the mighty Ricky Tick Records – a trio arranged and produced by Teddy Rok, and one with a cracklingly lean approach to rhythm! Instrumentation is heavy on vibes, percussion, and keyboards – and the tunes have a style that's a bit funkier than other work on Ricky Tick – still with plenty of influences from classic jazz of the 60s and 70s, but put together with a bit more production, and a slightly more cut-up feel! There's plenty of breaks throughout – and in a way, the whole thing almost feels like Madlib's trip into the Blue Note archives a few years back – classic-styled enough to preserve the warmth and soul of the original inspirations, but with a leaner groove that has plenty of contemporary appeal. Titles include "Bright Moments", "Dynamite", "Roll Call", "Steve McQueen", "Blow Back", "Mean Spirit", "She May Be Moody", "Cool Hand/Turmoil", and "Jay's Lament". Japanese CD also features the bonus track "Currents". CD

A wonderful bit of spiritual soul jazz from a barely-recorded saxophonist – one known for a rare debut album on Blue Note! This sweet little record was recorded out of the same energy that produced Larry Young's Lawrence of Newark LP for Perception Records, and it's a strange session by Tyrone Washington – a young player from the Newark scene who'd previously cut a straighter album for Blue Note, but who was working here in kind of a messed-up grab bag of styles that fit well with the stoned-out approach of the Perception label. Hubert Eaves plays piano, Stafford James plays bass, Clifford Barconadhi is on drums, and the album's a mix of funk, modal jazz grooving, and a bit of outside activity. In a way, the album's earnestness reminds us of some of Roland Kirk's work from the same time – except that Tyrone's backing group is incredible, with a tight rhythmic sound that gets funky at just the right moments. Titles include "War Is Not For Men", "1980", "Submission", and "Spiritual Light Of The Universe". CD

A crossover classic from the Michael Zager Band – a record that played big in the clubs at the end of the 70s, and got plenty of spins on the homefront too! The title track is a massive classic – with its instantly-memorable "Let's All Chant" groove – and unique rhythm that was perfect for the period's move from straight disco to some bouncier styles of 80s club – particularly the roller skating mode! Yet there's also some other great disco material on the set too – tunes that bounce along with trademark female chorus vocals – mostly sounding pretty darn great on numbers like "Soul To Soul", "Love Express", "Freak", and "Music Fever" – and faltering slightly on the offbeat "Dancin Disney" medley – a batch of Disney tunes set to disco grooves! CD features bonus tracks – "Freak (12" version)", "Let's All Chant (12" version)", "Soul To Soul (7" version)", and "Love Express (7" version)". CD

Smooth soul from Cliff Dawson – a singer as classy as his look on the cover, and definitely a cut above most of the mainstream soul artists of his time! The album's an overlooked gem that's very nicely put together – well recorded, arranged with a subtle flair, and usually done with a warmer sound than you might guess for the vintage of the set – almost like some late 70s underground modern soul set, which is saying plenty to ears like ours! Thor Baldursson did most of the arrangements, but in ways that are much more restrained than his disco years – and titles include "It's Not Me You Love", "Waiting For Your Love", "Betcha Didn't Know", "I Can Love You Better", "Ocean Green Eyes", and "Never Say I Do". CD

Warmly lyrical piano work, done in that best Japanese style of the 70s – long tracks that are full of plenty of imagination, and a really easygoing yet inventive mode that's quite different than American trio material of the time! Sadayasu Fujii has a great touch on the keys – clearly accomplished, but never overblown or overstated – as is the rhythm work from Osamu Kawakami on bass and Hiroshi Murakami on drums! The set was recorded live, and titles include long takes on "Black Orpheus", "Old Folks", "Sam Speaks", and "Prelude To A Kiss". CD

The only full album ever cut by General Crook – a great soul talent from Chicago who's best known for his earlier funky 45s! This album's great, though, and it has Crook moving past the hard funk of earlier days – into a sweet mellow soul vein that's somewhere in the territory of Leroy Hutson or Bobby Wilson, but a little bit funkier at times. Many tracks have keyboards (moog, clavinet, Fender Rhodes) in the lead, always played by Crook – but the real treat is the vocals, which are extremely soulful on the best cuts, in an honest indie early 70s mode that's rarely duplicated! In fact, the ballad cuts are really the best on the album – and even though we dig Crook's funk work, we're really sent by the mellower cuts on the LP, like "The Best Years Of My Life", "I'm Satisfied", "Tell Me What'cha Gonna Do", and his sweet remake of "If This World Were Mine", which starts with a great monologue! Other cuts include "Reality", "Fever In The Funkhouse", and "Lyin Cheatin Woman". CD features bonus tracks – single mixes of "Testing" and "Fever In The Funkhouse". CD

No need to think it over here – as the album's so groovy, we jump right in – thanks to plenty of upbeat disco arrangements from arranger Michael Zager! Zager worked previously with Cissy Houston, but here he really takes her out to the clubs – mixing strings and rhythms into some sweetly soaring backings that really work well with Houston's gospel-trained voice! There's a nice sense of drama to some of the grooves, but never too much to be campy – and titles include "Warning Danger", "An Umbrella Song", "Somebody Should Have Told Me", "Think It Over", "I Won't Be The One", and "Love Don't Hurt People". CD features the bonus tracks "Warning Danger (ext disco mix)", "An Umbrella Song (ext disco mix)", "Somebody Should Have Told Me (ext disco mix)", and "Think It Over (ext disco mix)". CD

There's a keyboard on the cover, but that's only part of the appeal here – as Lonnie Jordan really steps out as a fully-formed soul artist on his own – with this sweet vocal approach that's just right for the 80s-styled grooves on the set! The record's nicely different than some of Jordan's material from the previous decade – different than his work in War, with a lean quality that really fits in well with the album's placement on 80s soul powerhouse Boardwalk Records! Titles include "The Affair", "My Little Debby", "Fine Foxy Lady", "Paco Taco", "Ain't Nuthin To It", "I Don't Really Know", "I Do Love You", and "Just Be Faithful". CD

Early 80s trio material from pianist Fumio Karashima – a splendid set of extended original compositions, played with a sense of grace and majesty that few other players can match! The trio on the set is beautifully balanced – with regular member George Ohtsuka on drums and guest player Richard Davis on bass – all working together as one unit to paint magical pictures of sound over the structure of Karashima's originals "Child In The Wind", "Cycle Of Time", "His Mother", and "Portrait". As always, there's a wonderfully evocative sound to Fumio's piano – a boldness that might be traced back to McCoy Tyner, but also a sense of space and placement that's more European in origin. Really great stuff – and one of the best albums ever by this wonderful player! CD

An unusual little turn for the Ohio Players – a record that's almost completely written and totally produced by Richard Dimples Fields – running here at the height of his early 80s fame! The record's still funky enough overall – but in the style of some of Fields' indie work from the 70s – slightly sharp edged, but also moving into some of the more compressed hook territory that mainstream funk acts were hitting in the early 80s. The best Fields cuts are actually the more laidback ones, which have some southern soul influences – but the real standout here is actually a remake of Charles Wright's "Do Your Thing", which comes off with all the rough vocals and funky rhythms of the original! Other tracks include "I'd Better Take A Coffee Break", "Devoted", "My Baby Gets The Best Of My Love", "Just Me", "Sweet Lil Lady", and "Star Of The Party". CD

The one and only album from Sunrize – a cool little group who get some heavy help on production and arrangements from the Isley Brothers and Chris Jasper! The groove here is a nice extension of the Isley vibe of the time – a bit more bassy at points, clearly going for the ensemble funk style of the time – but also a bit smoother and mellow at different points too, with that gentle glide we love so much in later Isleys material. Our favorite cuts are actually these more laidback numbers – which still seem to manage a nicely slinky groove, even when slow – and titles include "Come & Get My Lovin", "Who's Stickin It?", "I Need You More Than Words Can Say", "Someone's Taken My Hand", and "You Are The One". CD

Incredible stuff from the jazz underground of Newark! This is one of the rarest albums ever recorded by jazz organist Larry Young – cut for the tiny Perception label during the early 70s, and featuring some of the cream of the New Jersey jazz underground. The album's got playing that bridges a number of Young's different styles – from his straighter soul jazz work at Blue Note, to his harder jamming with Santana and John McLaughlin, to his more fusion oriented albums for Arista. James Blood Ulmer's on guitar, but there's also a large ensemble of excellent players, and lots of other percussion and cool instrumentation that really gives the album an "out there" sound! Titles include "Sunshine Fly Away", "Saudia", "Hello Your Quietness", and "Khalid Of Space". CD

Well-crafted mainstream disco from Michael Zager – really hitting his stride in the late 70s era. The album's got a core group of studio musicians that features lots of nice keyboards from Zager, plus a chorus of female singers that handle all of the lyrics. The sound's nothing fancy, but it comes across better than you might think – and titles include "Love Love Love", "Still Not Over", "On & On", "Using You", and "Life's A Party". CD

A mighty deep dive into the music of the Private Stock label of the 70s – a short-lived but important imprint in the disco generation, and one who did a lot to bridge the worlds of soul, rock, and pop in the clubs! PS maybe didn't go as deep as Salsoul or some other contemporaries, but they did turn out some great cuts that managed to balance polish and groove in a really great way – qualities that really come out strongly here on the collection, which does a mighty nice job of getting past bigger hits to focus on more obscure Private Stock tunes from the time! The set's got 21 titles in all – and titles include "I'll See You In My Dreams" by The Pearls, "Gotta Find A Way" by Wild Honey, "Love Connection" by The Mob, "Think It Over" by Cissy Houston, "Good Bread Alley" by Soul Mate, "Disco Satisfaction Medley" by Tommi, "Jig A Boogie" by Tightrope, "Let's Get Crazy Tonight" by Rupert Holmes, "I Can't Help Myself" by Franklin Micare, "This Old Man" by Purple Reign, "More" by Toga, and "Sunshine Of My Love" by Rosetta Stone. CD

Incredible work by Willie Bobo – a slamming record of hard funky instrumentals, one that sounds different than any of his other albums! The record's a killer all the way through – a mixture of Latin and deep 70s funk, one of the few perfect fusions of the styles, held up beautifully all the way through the set. We've always liked Willie a lot, but honestly, we don't know how he managed to make a record this funky – but we're also not arguing, just enjoying the grooves with tremendous delight and surprise. Great all the way through, and includes the break cuts "Do What You Want to Do", "Broasted or Fried", and "Soul Foo Young" – plus a version of "Dindi", which, for some reason, Willie seemed to record every chance he got! Other titles include "Shut Up & Pay Attention", "Come Together", and "Never You Mind". CD

Keyboardist Julius Brockington really takes off here – in a style that's not quite funk, not quite jazz – and which has some of the unique sophisticated changes that Gene Harris was bringing to his Blue Note records in the mid 70s! Like Gene, Julius already has a strong background on the keys – and here, he's able to open up and create all sorts of new rhythms in his music – working on organ, piano, and even a bit of Arp – in a combo that features Steve Turner on alto and flute, Jim Wilson on trumpet, and Garry Langston on guitar! The vibe is great – sophisticated, but funky too – and very unusual compared to other albums of the time. All the material is original – and titles include "Gettin' Into It", "Lost Tribe", "Jaded Jackie", and "In the Back of the Churchyard". CD

A seminal record in the transition from the funky 45 underground to the world of the full length LP – a record we'd put right up there with early classics by The JBs and Kool & The Gang! As with the latter, Fatback Band grew up first getting some great play on instrumental 45s – and right out of the gate, they set this on fire with the same sort of energy – impeccable instrumentation that needs to be heard to be believed – all live, all pre-sampling, but with a quality that's gone on to transform the worlds of funk, soul, and hip hop over the decades! Every cut is great, and the album's a non-stop party – with titles that include "Nija Walk", "Fatbackin", "Soul March", "Soul Man", "Kiba", "Clap Your Hands", "Gotta Have You", and "Baby Doll". CD

Rob DeBoer on keyboards, bass and guitar, Tony Grace on percussion, Jon Stewart on tenor saxophone, and Ivana Santilli on trumpet. CD

An incredible record from the southern scene of the 70s – a really unique set that's filled with righteous soul touches, and which really stands out from most other southern soul of the time! The feel here is often in a cosmic mode with plenty of jazz at the bottom – a sound that's influenced by Earth Wind & Fire, but which is also carried off here in a more laidback mode that seems to get equal inspiration from soulful fusion of the mid 70s. The group has both male and female singers trading things back and forth nicely and sometimes coming together on the choruses – creating an overall feel that's almost like Roy Ayers at times. And as with Ayers' best work, there's a tightness and focus to the whole record that's really wonderful – a cohesive groove that's way more than just a few ensemble funk tracks cut in the studio, and which really displays a wide musical vision! Titles include "My Queen", "Clock In", "Fantasy Garden", "Clap Song", "Love & Affection", "My Dreams", and "Magnificent Choo Choo". LP, Vinyl record album

Mighty righteous work from Zulema – a singer who steps right out of the gate with a rich, full sound on this tremendous debut album – the kind of record that makes it seem as if she's going to become one of the most powerful forces in female soul for the 70s! Zulema draws on the new generation of soul styles that was coming from artists like Roberta Flack and Aretha Franklin, and serves up a style that's very much her own – vocals that soar with the energy of soul that goes back to the gospel roots, but nicely sophisticated arrangements that showcase the new level of pride and power that was bubbling over in the 70s! Titles include the great "American Fruit African Roots", plus "I Leave It Up To You", "This Child Of Mine", "If I Loved You", "Don't Be Afraid", "Ain't It Sad", and a surprisingly great version of "Maybe I'm Amazed". CD

Organist Julius Brockington did plenty of work in the church – but he's really at his best in a secular setting like this – where his work on keyboards is able to really open up and groove! The album's got a cool and groovy style that's a bit like the Rueben Wilson albums of the early 70s – funky, but also not straight organ funk either – as there's all these cool changes and more sophisticated elements in the music – served up by a small combo that features guitar, bass, drums, and percussion – but with a quality that feels very different than a group like this might have done in the 60s! Titles include a great cover of "Rock Steady", plus "Let's Stay Together", "Cold Water", "Got To Be There", "If You Really Love Me", and an 8 minute take of "Do Your Thing". CD

Beautiful material by one of our favorite soul vocalists of all-time – a hell of a singer in the 60s, but one who's never gotten her full due as the years went on – able to be heartbreaking and strong at the same time, with a quality that's still amazing all these many years later! Maxine Brown has a voice that's deep, but mature – wonderfully well-suited to the uptown soul production of her label Wand Records – poised with a sense of richness and class that foreshadows so much other soul work to come! The set brings together some of her best singles and some equally great album material that's a lot more obscure – and titles include her amazing song "Oh No Not My Baby", plus "I Cry Alone", "Gotta Find A Way", "You Upset My Soul", "Yesterday's Kisses", "Since I Found You", and "It's Gonna Be Alright". CD features lots of bonus tracks – 11 more cuts that include "One Step At A Time", "If You Gotta Make A Fool Of Somebody", "One In A Million", "We Can Work It Out", "The Secret Of Lovin", and "You're In Love". CD

A key classic from the earliest years of the Fatback Band – one of the group's funkiest albums, and part of their original trilogy for the Perception label! The groove here is mighty raw throughout – but a bit more complicated than some of their funky 45 releases – a mixture of funky vamps and some more soul-styled tunes – showing the group evolving a bit from the start, yet still losing none of their funky edge – sounding surprisingly nice on a few of the album's mellower instrumentals. Titles include the massive "Goin' To See My Baby", with a classic break on the intro – plus "Street Dance", "Free Form", "Give Me One More Chance", "Green Green Grass Of Home", "Baby I'm A Want You", and "Take a Ride (On The Soul Train)". Features the bonus track "Dance Girl". CD

Really fantastic work from Dizzy Gillespie – proof that of all the original boppers, he was maybe the one who really continued to experiment over the years – as he comes across here with a great blend of electric funk and jazz! The whole album has a sly sweet funky sound that's part CTI/part Latin-tinged Dizzy – and the real strength is the great Mike Longo, who plays some amazing stretched out piano lines, which work perfectly with the basslines on the record as a foil for Dizzy's sparkling trumpet solos. The instrumentation also features great use of Latin percussion too, and the album's got 4 long cuts – including the excellent "Me N Them", plus "Olinga", "Timet", and "Diddy Wa Diddy". CD

The Incredible Bongo Band returns – with a second super-tasty batch of funky instrumentals! As before, the group seek to rework older echoes of music with some tight 70s funk percussion – played by a lineup that includes lots of drums from Jim Gordon, and loads of sweet percussion from the legendary King Errison – who cut a fair bit of funky records under his own name too. Many of the tracks are older numbers, but mixed with new tunes here – co-penned by arranger/producers Michael Viner and Perry Botkin – and the rhythms here are even more offbeat and complex than the first time around. Titles include the classic "When The Bed Breaks Down I'll Meet You In the Spring" – plus "Sing Sing Sing", "Pipeline", "Wipe Out", "Topsy", "Satisfaction", "Kiburi", and "Sharp Nine" – and with the bonus track "Ohkey Dokey Part I". CD

Funky madness from the legendary Rhythm Makers – a dancefloor combo with a really incredible groove! The group has an approach that's a lot like Kool & The Gang at their best, or like some of the best mid 70s albums by the Kay Gees or Fatback – lots of bass at the bottom, very tight vamping by the band, and a wikki-wikki funky sound that's totally great! Many of the tracks on the set make good use of moog or keyboards – never too much, but just the right dose to spook things up a bit – and although many of the cuts have vocals, the overall focus is still in the instrumentation – which always comes across pretty darn great, and which is played with incredible precision throughout! The combo later morphed into GQ, but they've got a much rawer sound here – and titles include "Can You Feel It (parts 1 & 2)", "You Better Believe It", "Soul On Your Side", "Zone", "Funk N You", and "Street Dreamin". CD features an insane number of bonus tracks – 10 in all – with the unreleased cuts "Position", "Wonderful", and "Lover's Lane" – plus "Can You Feel It (orig special disco 12")", "You're Never Too Old (single)", "Prime Cut (single)", "Touch (single)", and "How Much I Love You (single)". CD

Excellent early work by Zulema – high-minded and righteous soul, with a really expansive sound that's in keeping with the best on Sussex at the time! The arrangements are nicely complicated – arranged by Bobby Taylor and Gene Page with a good blend of funk, righteous soul, and some heavier themes – and even Zulema herself throws in some "special arrangements" for a few tracks. The tunes are mostly originals, sung in a heartfelt and rich style – and titles include "Giving Up", "Tree", "I Was There", "I'm Watching You", "Love Train", "You Changed On Me", and "Telling The World Good Bye". CD

Erroll Garner at the start of the 60s – but still sounding wonderfully unique, and coming across with a timeless vibe that makes the record every bit as great as his classics from the 50s! The format is simple – just Garner on piano, with Eddie Calhoun on bass and Kelly Martin on drums – but the sound is sublime, and in that special Garner-like approach that nobody else could match – very rhythmic, with a gritty pulse at the core – yet topped with these explosive lines on the keys that all make complete sense – not showoffy pyrotechnics, but sublime lyrical lines that never fail to blow us away. Titles include "All Of Me", "No More Shadows", "You Do Something To Me", "The Best Things In Life Are Free", and "El Papa Grande" – a nice number with a bit of a Latin pulse! CD features the bonus track "Octave 103". CD

Killer work by Astrud Gilberto – very different than her Verve sides of the 60s! The album was produced by Astrud, arranged by Deodato – and has that wonderful warm full jazz feel of her classic album on CTI, but also a bit more like some of the funky work of Jorge Ben at the time – choppy at the bottom, with a sound that's a bit samba, and a bit funky at times. Mike Longo and Deodato play keyboards on the session, giving it an electric groove that works perfectly with Astrud's soaring vocals – and the whole album really holds together wonderfully! There's a nice bit of funk on the cut "Take it Easy My Brother Charlie" – and other tracks include "Zigy Zigy Za", "Baiao", "Gingele", "Bridges", and "Where Have You Been?". CD

An amazing collection of grooves – all pulled from the legendary P&P Records family of labels from the New York underground – hand-selected by Japanese DJ/collectors Ken Hidaka and Frankie Valentine! If you don't know the P&P groove, this is a great place to start – as the label had a really unique, really wonderful sound – tracks from the disco era, but stripped down to their core – so that the rhythms are really raw, instrumentation is nice and funky, and most of the music has this searing power that's kept the P&P tracks on the hippest of dancefloors for decades! A number of the cuts have really cool electronics, some others bring in some old school modes, and there's an equal balance between vocals and instrumentals that really keeps things exciting. Titles include "I Got You Dancing" by Karisma with Jocelyn Brown, "Ain't It Time (inst)" by Queen Yahna, "Magic Carpet" by High Fidelity, "Pound For Pound" by Le'o Roy, "Spank Me (voc)" by Bobby Mann, "Smooth Talk (inst)" by Mr Fox, "Johnson Jumpin (12" mix)" by Johnson Products, "Got To Get Your Love (voc)" by Clyde Alexander & Sanction, "Death Rap" by Margo's Kool Out Crew, "Dance Freak" by Chain Reaction, "African Rock" by Licky, "Stomp Your Feet & Dance (voc)" by Kim Taylor, "Roller Rink Funk" by Shift, "New York's Movin" by Ahzz, "Shake Off That Dream (disco)" by Eddie Owen, and "Freaktime" by Scott Davis & The Movements. CD