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Motown 
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Exact matches: 37
1
Motown/
A fantastic collection of work from Sondra "Blinky" Williams – a hell of a soul singer who recorded a fair bit for Motown Records at the end of the 60s and start of the 70s – but an artist whose music ended up mostly spending the next few decades in the label's vaults! Yet Blinky never let the lack of success stop her from giving her best – as she's a fantastic vocalist, and one with an expressive range that easily matches some of the Motown greats of her generation – a list that would include Martha Reeves or Gladys Knight – but who also has these deeper, more righteous currents that make her a perfect singer for a Motown move into the 70s! Blinky only saw one full album issued at the time – a duo with Edwin Starr titled Just The Two Of Us – but this package features a fully conceived, yet never-released album – plus other singles, unissued tracks, live material, and lots more – a wealth of fully-cooked, powerfully-produced singles that finally give the singer her due. The whole thing is an amazing Motown discovery – 46 tracks in all, 28 of which appear here for the first time ever – with titles that include "Don't Leave Your Baby", "Heart Full Of Soul", "How Can I Go On", "Inside", "I'll Make It Up To You", "One Half Of Love", "Shine On Me", "For Once In My Life", "I Wouldn't Change The Man He Is", "I Can't Turn You Loose", "People Make The World Go Round", "T'Ain't Nobody's Business If I Do", "I've Gotta Get You Back", "Mr Soul Brother", "You're The Loser Now", "One Half Of Love", and lots lots more. CD
2
Contours —
Dance With The Contours – Unissued Motown Recordings 1963/Motown/
The legendary unreleased Motown recordings by The Contours – material that should have been issued as a full length LP in 1964 – but all but a couple tunes have languished in the vaults until now! The group simply kills on on these dancefloor ready stormers, with raucous, charismatic lead vocals and tight harmony backup – on a set of numbers that were no doubt ready and set to slay live audiences. We're sure The Contours were unbeatable live, but these recordings really should have made it out at the time. Better late than never, to say the very least! Includes the 60s singles "Can You Do It" and "Can You Jerk Like Me", plus the unreleased "Do The See Saw", "Foot Stomping Time", "Party Groove", "Okey Dokey", "Love Is Uncertain", "Wanted", "Boy Meets Girl", "You Hurt Me So", "Throw You Out Of My Mind", "Giant Steps", "Let's Do The Uncle Willie", "Tonight", "Nobody Fine As Dinah", "Somebody's Daughter Outta", "Let's Do The Uncle Willie" and more. 26 tracks in all! CD
3
Contours & Dennis Edwards —
Just A Little Misunderstanding – Rare & Unissued Motown 1965 to 1968 ... CD Motown/
Just when you think you know everything there is to know about Motown, here comes a set to open your ears and blow your mind all over again! The set unearths a huge amount of rare work by The Contours – the rollicking group who gave Motown a sweet album and handful of singles in the 60s, but who also recorded a lot of other work that was never issued at the time – including a sweet array of tracks that feature a young Dennis Edwards as their lead vocalist! Edwards is best known for his work in the Temptations – but these tracks predate that time, when Dennis was brought in to give fresh focus to the ailing Contours – and lent his strong lead vocals to their massively grooving sound. The package features a whopping 26 tracks – 14 issued here for the first time ever, and a lot more pulled from only collections of rare Motown releases – and titles include "Determination", "I'll Turn To Stone", "I Like Everything About You", "Can't Do Without Your Love", "Come See About Me", "I Grow Deeper In Love Every Day", "Our Last Rendezvous", "Which Way To My Baby", "Need Your Lovin", "What's So Good About Goodbye", "Sunny", and "I'm Here Now That You Need Me". CD
4
2019. New Copy ... About June 1, 2020 (delayed)
... Book
5
Motown, 1960s/
47 tracks on 2CDs!! CD
(Slipcase and book are in great shape.)
6
Motown, 1995. Very Good+ ... $1.99
... LP, Vinyl record album
(Promo in a stickered sleeve, with some wear.)
7
Monitors —
Say You – The Motown Anthology 1963 to 1968 (Greetings! We're The Monitors plus previously unissued material and B-Sides) ... CD Motown/
A real lost gem from Motown – and a whole lot more! Greetings! We're The Monitors is the only full album ever cut by The Monitors – a 3-man, 1-woman vocal group who were in a popular Motown mixed harmonies mode. The quartet had a wonderfully strong vocal presence – blasting away at most tracks with a strength that groups like The Miracles or Gladys Knight & The Pips could never match – and like those groups, they bridge that key period between late doo wop-oriented harmonies, and tighter 60s group soul. The LP brings together singles the Monitors cut for Motown during the previous few years, but it also works extremely well as a unified album – and it's a refreshing change from some of the oft-heard Motown material. Titles include "Greetings (This Is Uncle Sam)", "Number One In Your Heart", "Bring Back The Love", "Step By Step (Hand In Hand)", and "Baby Make Your Own Sweet Music". This incredible anthologogy from Kent starts off with that album and includes 12 unissued tracks – a whole album's worth – plus 2 B-Sides. Unissued tracks include "Too Busy Thinking About My Baby" , "The Letter", "Poor Side Of Town", "Anything", "Guilty" and more. 26 tracks in all! CD
8
Diana Ross —
Boss (Motown Compact Classic) ... CD Motown, 1979. Used ... $4.99
Diana Ross gets some great assistance on this set – the club classic team of Ashford & Simpson, who help give Diana a groove that's very much like their own great work of the time! Tunes are long and clubby, but never throwaway pop disco – and with Ashford & Simpson at the helm, Diana Ross sounds better here than on most of her other late 70s work! There's a tight-stepping groove to most numbers – never too fast, and exploding with that fuller soulful undercurrent we love so much in Ashford & Simpson. Titles include "No One Gets The Prize", "The Boss", "All For One", "I Ain't Been Licked", "It's My House", "Sparkle", and "Once In The Morning". CD
(Motown Compact Classic pressing – cover image has a red border.)
9
Tamla/
The complete Tamla and Motown singles of The Satintones – the soul, R&B & popular music juggernaut's first male vocal group – and a treasure trove of rare post doo wop from the end of the 50s/
(Limited edition of 3000 copies.)
10
Motown/
The first Motown full length record by the Spinners – Original Spinners from '67 – followed by an impeccably well-chosen collection of bonus material! It's excellent stuff – an overlooked album with some very hard to find Motown work by this early version of the legendary Spinners – with lead vocals by Bobby Smith and Edgar Edwards. The tracks have a mixture of sweet and raw harmonies – crafted with an elegantly soulful sound that would later take the group way over the top during the 70s, and which here sounds sublime next to some of the group's Motown contemporaries! The first 12 tracks on this excellent Kent compilation are the Original Spinners tracklist – including "Sweet Thing", "I Cross My Heart", "I'll Always Love You", "Truly Yours", "Like A Good Man Should", "For All We Know", "How Can I", "It Hurts To Be In Love", "Nobody Else But You", "Where Is That Girl", "Tomorrow May Never Come" and "That's What Girls Are Made For". Most of the 14 bonus tracks are previously unreleased masters – revelatory stuff from earlier in the 60s – formative, yet beautifully realized recordings with productions by Harvey Fuqua and Ivy Joe Hunter! Titles include "Darling", "Words Can't Describe", "12 O'Clock", "Just Another Guy", "We're Gonna Be More More Than Friends" and more. CD
11
Motown/
A legendary studio musician finally gets his due – as keyboardist Earl Van Dyke steps out in a massive collection of 60s work for Motown – one that features two full albums, 21 bonus tracks, and some very detailed notes! First up on CD 1 is the excellent That Motown Sound album – heavy batch of Motown soul instrumentals that features backings that are often very similar to the vocal versions on Motown – but which are topped with sweet organ solo work from Earl – who has this lean, mean style that's mighty nice – kind of a Jimmy McGriff groove that really fits the soul of the recordings! Most of the backings are exactly the same ones used for vocal hits, but the use of Hammond really transforms them nicely – making the whole record a sweet popcorn soul version of Motown – almost a bit grittier, with a nice sort of backroom jukebox flavor. Titles include "Try It Baby", "Can You Jerk Like Me", "Money", "Can I Get A Witness", "Come See About Me", and "All For You". Then, CD 1 continues with a huge amount of added bonus tracks – some compilation tracks, singles, and more rare bits – with titles that include "Soul Stomp (live)", "Opus & Funk", "6 By 6", "There Is No Greater Love", "You Name It (live)", "He Was Really Sayin Somethin", "Hot N Tot", "Mobile Lil The Dancing Witch", and a massive four-part version of "The Flick"! CD 2 starts with Earl Of Funk – a set that's overflowing with great original tracks, plus some sweet funky covers too! The style here is quite different than Earl's previous work – and quite different from most of Motown too – with a hard-edged approach to the grooves that's much more like the work going on in the funky 45 underground on other labels – especially on the drums, which often snap nicely and give the album a great breaking sort of sound! The set was recorded live at the Hi Chapparal club in Detroit, with audience noise dubbed in later – and titles include "The Flick", "Cissy Strut", "Thank You Falletinme Be Mice Elf Again", "Fuschia Moods", "The Stingray", "The Whip a Rang", "Someday We'll Be Together", and "Na Na Hey Hey Kiss Him Goodbye". CD 2 then moves on to include another 8 bonus tracks – a few core instrumentals with vocals stripped off and Van Dyke's organ added in – and a few singles too! Titles include "Ode To Benny B"," Gonn Give Her All The Love I've Got", "Fever In The Funk House", "Greedy Green", "Behold", "Up On Your Feet", and "Runaway Child Running Way". The set features 45 tracks in all – and full notes to finally unlock the mystery of this music! CD
(Out of print, mark through digipack barcode.)
12
Motown (Japan), 1965. New Copy ... $9.99
A heavy batch of Motown soul instrumentals – headed up by Funk Brother Earl Van Dyke! The set features backings that are often very similar to the vocal versions on Motown – but are topped with sweet organ solo work from Earl – who has this lean, mean style that's mighty nice – kind of a Jimmy McGriff groove that really fits the soul of the recordings! Most of the backings are exactly the same ones used for vocal hits, but the use of Hammond really transforms them nicely – making the whole record a sweet popcorn soul version of Motown – almost a bit grittier, with a nice sort of backroom jukebox flavor. Titles include "Try It Baby", "Can You Jerk Like Me", "Money", "Can I Get A Witness", "Come See About Me", and "All For You". CD
(Part of the Motown Did It First Series!)
13
Ace (UK), 1960s. New Copy ... $14.99 19.98
A stunning selection of female soul from Motown – all of it rare, and much of it previously unreleased! The set is a great reminder not only of how much we still have to learn about the biggest soul label in the motor city – but also of the exceptional quality that Motown brought to their recordings – so much so that even long-unissued tracks like these can easily stand with the biggest hits from other 60s soul labels! The package is wonderful if you dig female soul – and maybe even if you just like vintage soul in general – and in addition to rare cuts by big Motown names, you'll also hear some lesser-knowns that show the way the company was always trying to reach out for new talent in the fertile world of Detroit music. As usual, Ace has provided very detailed notes that offer as much history as information on the music – and the CD features 24 titles that include "It's Been A Long Time Happenin" by Rita Wright, "There Are Things" by Ann Bogan, "It's Crazy Baby" by Liz Lands, "Baby I've Got It" by Brenda Holloway, "Honey Don't Leave Me" by The Lewis Sisters, "It's All Right" by LaBrenda Ben, "When Someone's Good To You" by Oma Page, "In My Heart I Know It's Right" by Gladys Knight & The Pips, "Sweet Talkin Guy" by The Marvelettes, "Cookie Boy" by Thelma Brown, "I Up & Think Of You" by Kim Weston, "There Was" by The Lollipops, "Keep Away" by Little Lisa, "Playboy (first version)" by The Marvelettes, "I Know You Don't Love Me No More (orig mix)" by Yvonne Fair, "In Your Heart" by Patrice Holloway, "You've Got Possibilities" by Barbara McNair, and "Bad News" by LaBrenda Ben. CD
14
Various —
Blue Note Salutes Motown ... CD Blue Note, 1998. Used ... $6.99
Covers from Dave Koz, Dianne Reeves, Richard Elliot, Eliane Elias, Ray Barretto, Earl Klug, Stanley Turrentine, Charlie Hunter, John Patton , Everett Harp & Bobbi Humphrey. CD
(Out of print. Mark through barcode, disc has a promotional stamp.)
15
Motown, 1960s/
Way more than just a "cellarful" of Motown – a wealth of great tracks, all of which are previously unreleased! This incredible 2CD set is a landmark in the history of both Motown and Northern Soul – as it brings together 40 tracks that were recorded in the glory days of the Detroit scene, but never issued at the time. A number of cuts on the set have risen to fame over the years as bootlegs floating around the UK club scene, and they're issued properly here for the first time ever, along side other lost gems that will soon become new classics to a generation of soul fans – all wrapped up in one great package filled with notes on the music, and listing the origins of the tunes! Titles include "My Sugar Baby" by Frank Wilson, "Baby A Go Go" by Barbara McNair, "How Can I" by Brenda Holloway, "He Was Really Sayin Somethin" by Earl Van Dyke, "Until You Came Along" by Carolyn Crawford, "Before It's Over" by Sammy Ward, "Long Gone Lover" by Velvelettes, "If You Ever Get Your Hands On Me" by Gladys Knight & The Pips, "Lucky Lucky Me" by Jimmy Ruffin, "I Wish I Liked You" by Marvin Gaye, "You Made Me Feel Like" by Syreeta, "Don't Let Me Down" by Kim Weston, "Don't Put Off Till Tomorrow What You Can Do Today" by The Monitors, and "It Must Be Love Baby" by Chuck Jackson & Yvonne Fair. Lots lots more, and filled with wonderful tunes! CD
(Out of print.)
16
Ace (UK), Mid 60s. New Copy ... $12.99 19.99
Female Motown, way past the hits – a wonderful selection of rare cuts from the 60s, including a dozen previously unissued tracks! The collection is a real discovery, even for Motown fans – and the set is filled with gems that go way past the obvious – some real Detroit soul treasures that make the whole thing a delight! Lots of the work is from that key early Motown stretch, when the label was really coming into its own, but still trying out a lot of new ideas too – and as such, were really willing to move past some obvious hit modes of the time. And make no mistake – these cuts aren't leftovers, or half-baked – as all of them have top-shelf production and arrangements – further proof that the Motown approach never dimmed at all. Titles include "Do You Know What I'm Talkin About" by LaBrenda Ben, "Don't Turn Your Back On Me" by Brenda Holloway, "Build Him Up" by Martha & The Vandellas, "Like A Nightmare" by The Andantes, "Dance Yeah Dance" by Thelma Brown, "When Somebody Loves You" by Gladys Knight & The Pips, "My Black Belt" by Hattie Littles, "It's Too Soon To Know" by Kim Weston, "I Gotta Right To Sing The Blues" by Liz Lands, "If Wishes Came True" by Anita Knorl, and "So Let Them Laugh At Me" by Linda Griner. CD
17
Motown, Late 50s/
An early entry into the CD box set format – and a classic collection that features 104 tracks by 36 key artists from Motown Records! CD
(Out of print.)
18
Now Again, Late 60s/
An overdue look at the lost Lamp Records – a crucially important indie soul label on the Indy scene of the late 60s and early 70s – a company that was never as big as Chess or Motown, but did a similar job of documenting its city's musical scene! Indianapolis was always a very diverse city – and gave the world bigger funk and jazz luminaries like Wes Montgomery or Funk Inc – but like most cities of its size, Indy also sported a rich underground of great singers and bands who were really trying to make it big – all really great artists who were captured in deep detail by the Lamp Records label! Now Again/
(Hand-numbered limited edition of 1000 – includes download with bonus tracks!)
19
Motown, 1960s/
An amazing package – one that comes in a tiny replica of the original home of Motown Records in Detroit! As you'd guess from the title, the 11CD set features every single Motown track that ever hit #1 on the charts – almost 200 classic songs, running from the early 60s right up through the 90s – with work by The Temptations, Four Tops, Diana Ross, Boyz II Men, The Contours, Rockwell, The Originals, Marvin Gaye, The Marvelettes, Stevie Wonder, High Inergy, The Dazz Band, Rick James, Commodores, and lots more! The package also includes a photo book with classic images and notes – but man, what we dig most of all is that tiny house of hits packaging – a really amazing thing! Plus, this version of the set also features a bonus CD that wasn't in the original version – with 12 more tracks whose cover versions charted at #1! CD
20
Motown, 1975. Near Mint- ... $7.99
Second UK volume in this series of Motown compilations aimed at the dancefloor – and in spite of the tile, the material here is more soul than disco, but definitely more in the dance vein than the get your groove on side of things. Not exactly disco, but solid all the way through, with 12 numbers in all, including "Slippery When Wet" by the Commodores, "Don't Knock My Love" by Diana Ross & Marvin Gaye, "Keep On Truckin'" by Eddie Kendricks, "Forever Came Today" by the Jackson 5, "Glasshouse" by the Temptations, "Love Power" by Willie Hutch, "Where Do I Go From Here" by the Supremes, "Virgin Man" by Smokey Robinson, and "Do It Baby" by the Miracles. LP, Vinyl record album
21
Motown, Mid 60s-Early 70s. New Copy ... $29.99
A treasure trove of rare Motown from some of legendary label's most classic acts – Smokey Robinson & The Miracles, Four Tops, Brenda Holloway, Martha & The Vandellas, The Supremes, The Originals, Bobby Taylor, The Marvelettes, Marvin Gaye & The Jackson 5 – prime vintage late 60s to early 70s recordings that have barely if ever seen light of day! Motown recording artists put a lot of work into the recording side of their artistry back in the day, so there was a lot classic level material that didn't come out right away, some finding release on later compilations or on box sets, some STILL just now seeing release. Half of this dozen song collection have never come out in any form until now – including "If I Ever Lose This Heaven" by The Originals and stereo mixes of "For Once In My Life" by Diana Ross & The Supremes, "Pretty Little Brown Skin Girl" by The Temptations and "Touched By Love" by Bobby Taylor and more – plus the rarities "You're Walking Out With My Heart" by Brenda Holloway, "Which Way Is The Sky" by the Four Tops, "Let's Have A Party" by the J5, "The Boy From Crosstown" (Version 1) by The Marvelettes and more. LP, Vinyl record album
(Opaque blue colored vinyl.)
22
Motown/
The first ever compilation of the best music made for MoWest – the eclectic, but still soulful cuts made when Berry Gordy Jr. relocated from Motown to the west coast in the early 70s – releasing cool and sometimes strange music with a soul background, yet toasted by LA sunshine! The MoWest subsidiary lasted just a few years, and gets overlooked in the canonization of Motown at it's most classic and revolutionary – but the legacy is pretty incredible. Funk, sunshine rock and soul fused adventurously by a stunningly diverse roster – late period Frankie Vallie & The Four Seasons (who's comp-opening track is a slept on sunshine pop-soul classic), breezy-jazzy-soul from Odyssey, the sister funk of Sisters Love, a stunning solo left turn from Spinners singer GC Cameron and more great stuff from Syreeta, The Commodores, Suzee Ikeda, Thelma Houston and others. We've been dying for a well selected MoWest comp like this for years, and Light In The Attic stepped to the plate and knock it right out of the park. The songs choices are great, the notes are great. . .everything about it is a win. Essential! Includes "You're A Song (That I Can't Sing)" and "The Night" by Frankie Valli & The Four Seasons, "Our Lives Are Shaped By What We Love" and "Broken Road" by Odyssey, "Don't You Be Worried" by The Commodores, "A Heart Is A House" Nu Page, "I Ain't Going Nowhere" by Thelma Houston, "I Can't Give Back The Love I Feel For You" by Suzee Ikeda, "You've Got To Make The Choice" and "Give Me Your Love" by The Sisters Love and more. CD
23
Tamla (Germany), 1960s. Near Mint- Gatefold ... $24.99
Featuring Marvin Gaye, Jackson 5, Four Tops, Supremes, Temptations, Stevie Wonder, Spinners, Smokey Robinson & The Miracles, and more! LP, Vinyl record album
24
Peter Benjaminson —
Mary Wells – The Tumultuous Life Of Motown's First Superstar (hardcover) ... Book Chicago Review Press, 2012. New Copy ... Temporarily Out Of Stock
A stunning look at the great Mary Wells – one of Motown's first female acts of the 60s, and one of the decade's most important early soul figures as well! Mary's work on record is very well-known, but the story behind the music is completely different, and surprisingly dark at times – a tale of a talented artist often caught between larger corporate forces, and personal antagonists as well – not to mention her own personal demons. Peter Benjaminson does a great job of getting at all these details without being overly sensational – and he works in lots of wonderful personal recollections from friends and colleagues who really help illuminate the more private moments. The book is over 300 pages, hardcover, with some black and white photos. Book
25
Fantastic Four —
Lost Motown Album – How Sweet He Is – With Bonus Tracks From The Vault ... CD Motown/
A never-heard album from this excellent Detroit vocal group – recorded for Motown at the end of the 60s, but appearing here for the first time ever – and compiled with lots of bonus tracks from the vaults! The Fantastic Four never hit the bigger heights of some of the big Motown male groups of the 60s – but in some way, especially at this time in the label's history, they were a much more cohesive, organic ensemble – one that's a bit like The Originals in their strong commitment to great harmonies, and ability to always hold onto their own sort of personality, even amidst the larger Motown production machine. As with most great "lost" projects, we're not sure why this record never saw the light of day – because every aspect is great, from the vocals down through the arrangements and instrumentation – and although a few shorter singles came out over the years the rest of the set is wonderful – and matched here by another 13 rare bonus tracks, including many other unreleased singles! Titles include "A Little Too Much", "We Can Work It Out", "Take Him Back If It Makes You Happy", "You Turn Me Around", "I Feel Like I'm Falling In Love Again", "How Big Is Your Heart", "It Keeps Raining Down Tears", "In A Bad Way", "Fan The Flame", "I Shall Not Be Moved", "Double Cross", and "Loving You Is Hurting Me". CD
26
Marvin Gaye —
In Our Lifetime – The Final Motown Sessions ... CD Tamla, 1981. Used ... Temporarily Out Of Stock
Marvin Gaye's last album for Motown – and a wonderful cap to a great run of sexy soul for the 70s – filled with great mellow grooves that rival the genius of his earlier work in the decade! There's a glowing, slow-burning feel to some of the best numbers here – a vibe that's right out of the I Want You era, with touches of Let's Get It On too. But there's also a slightly more mature approach too – a bit more cautious, even when confident – no doubt informed by the struggles of his Here My Dear album, which also echoes somewhat in this set. The record's more proof that even when not coming across with a classic hit, Marvin's still very much at the top of his game – an artist that stands head and shoulders above his contemporaries – with none of the too-commercial or too-dated modes that held other folks back! Titles include "Ego Tripping Out", "Life Is For Learning", "Praise", "Funk Me", "Far Cry", "Love Party", and "Love Me Now Or Love Me Later". CD
(Out of print.)
27
Jr Walker & The All Stars —
Walk In The Night – The Motown 70s Studio Albums (A Gasssss/Motown/
6 Motown albums from Jr Walker & The All Stars – all long overdue for reissue! First up is A Gasssss – a gas of a record from Jr Walker & The All Stars – a set that has the magical Johnny Bristol producing – giving the group this really warm, soaring sound that's totally great! Walker still serves up plenty of strong tenor solos, but there's also some vocal currents in the mix – strong leads at times, but also some nice backups too – all of which really helps to keep things soaring! Titles a nice mix of Motown covers and original material – and titles include "I Was Made To Love Her", "Do You See My Love", "And When I Die", "Honey Come Back", "Holly Holy", "Riding High On Love", "At A Saturday Matinee", and "Groove & Move". Next up is Rainbow Funk – a record that definitely has Jr Walker & The All Stars picking up a bit of funk – but in a groove that still mixes things with that warmly soulful glow the group had right from the start! The basslines are definitely up a bit from before – although not rumbling in Norman Whitfield territory – and the sax solos get a bit more space to stretch out and bite on the longer numbers, but often with a bit of backing vocals to warm things up around the edges! Jr is great all the way through – Motown's very strong answer to King Curtis – and titles include "Right On Brothers & Sisters", "Way Back Home", "Feeling Alright", "Psychedelic Shack", "Pieces Of A Man", and "Teach Them To Pray". Moody Jr is a sweet early 70s groover from Jr Walker & The All Stars – a set that reunites the group with producer Johnny Bristol, who always has a great way of helping them set fire to their sound! Walker and company may have shot from the gate with a mix of R&B tenor and Motown soul – but the sound here is much more in the latter, more matured mode of the label – with strong deep soul lyrics on a number of cuts, which are balanced out nicely by Bristol's fuller production. There's plenty of sax solos too, of course – and titles include "Way Back Home", "Bristol's Way", "Don't Blame The Children", "Me & My Family", "Still Water Medley", and "Groove Thang". Peace & Understanding is a record that has Jr Walker and the group stepping out with some of the righteous touches promised in the title – partly in the choice of songs on the set, which are all nicely tucked into that strong mix of deep soul vocals and saxophone lines that had become the Jr Walker groove! The set features work from a number of different arrangers – all the hipper side of Motown in the early 70s, as the list includes, Willie Hutch, Gene Page, and James Carmichael – and tunes include two great originals, one by Hutch, one by Leon Ware. Tracks include "It's Alright Do What You Gotta Do", "Soul Clappin'", "Gimme that Beat (parts 1 & 2)", "It's Too Late", and "Peace & Understanding Is Hard To Find". The self-titled Jr Walker & The All Stars album is maybe the rarest in the bunch – an obscure UK-only record from 1974, and one that has the group's usual approach warmed up by some more ambitious arrangements – a bit like the direction some of the vocal acts of the 70s were taking at the time! The production on most of the set is by Clarence Paul – and there's mostly a focus on the saxophone, not any vocals at all – which makes the set feel a bit like some of the Willis Jackson or Lou Donaldson work for Atlantic around the same time – or maybe even a bit like Hank Crawford on Kudu. Titles include "Boogie Down", "All In Love Is Fair", "You Are The Sunshine Of My Life", "Break Down & Sing", and "Dancin Like They Do On Soul Train". Hot Shot is a mid-70s stormer from Jr Walker & The All Stars – a set that glides along on a fuller set of backdrops than before, with Holland-Dozier-Holland production from Brian Holland returning to Motown – but in a hip 70s style that has strings and funk dancing along in a great way beneath the strong sax solos in the lead! There's a bit of vocals on the record, but the real strength lies in the instrumentation – especially some of the weirder, fuzzier guitar lines and keyboards. Titles include "Why Can't We Be Lovers", "Hot Shot", "Probe Your Mind", "I Need You Right Now", and "You Ain't No Ordinary Woman". CD
28
Various —
From The Vaults – Never Before Released Recordings By Motown Stars Of The 60s ... LP Motown/
Tracks include "Nobody But You" by the Temptations, "Take Me Where You Go" by Diana Ross & The Supremes, "Cry" by the Monitors, "Sweeter As The Days Go By" by Marvin Gaye, "I Should Have Known Better" by the Marvelettes, "What Could A Boy Ask For" by the Spinners, "It's Fantastic" by Smokey Robinson & The Miracles, "Drop In The Bucket" by Mary Wells, "The Lonely Hearts & Lonely Eyes Of Lonely Me" by Gladys Knight & The Pips, and "Undecided Lover" by Martha Reeves & The Vandellas. LP, Vinyl record album
(80s EU pressing.)
29
Various —
Motown Instrumentals ... LP Natural Resources, Mid 70s. Near Mint- ... Temporarily Out Of Stock
A collection of instrumentals either recorded for Motown by groups like the San Remo Golden Strings, the Crusaders or Junior Walker, or the instrumental backing tracks used by their vocalists, released here on their short lived Natural Resources subsidiary. 9 tracks in all: "Hungry For Love" and "Festival time" by the San Remo Golden Strings, "You Are The Sunshine Of My Life" and "Cleo's Back" by Junior Walker, 'Rapid Fire" by the Commodores, "Papa Was A rolling Stone" by the Temptations, "Way Back Home" by the Crusaders, "Erucu" by Jermaine Jackson and "Get Ready" by Rare Earth. LP, Vinyl record album
30
Various —
Motown Story – The First Decade Vols 1 through 5 (5LP box set) ... LP Motown, 1960s. Near Mint- 5LP Box Set ... Temporarily Out Of Stock
Includes early selections from the Motown catalogue, with titles by Barrett Strong, The Miracles, Marvelettes, Marvin Gaye, Stevie Wonder, Martha Reeves & The Vandellas, Junior Walker & The All Stars, Four Tops, The Temptations, The Supremes, The Originals, and Jackson 5. LP, Vinyl record album
(Box has some wear and split corners.)
31
Regal Funkharmonic Orchestra —
Strung Out On Motown ... LP Motown, 1982. Near Mint- ... Out Of Stock
How can you go wrong with a name like the Royal Funkharmonic Orchestra? Motown medleys performed by a large, string laden group, in a very disco style. Too bad the Commodores Medley's made up of all sappy ballads, but the Rick James Medley's some good fun. 6 tracks: "Strung Out On Motown", "Strung Out On The Supremes", "Strung Out On The Temptations", "Strung Out On Four Tops", "Strung Out On Commodores" and ""Strung Out On Rick James". LP, Vinyl record album
(Cover has light wear.)
32
Temptations with Four Tops/Motown, 1983. Near Mint- (pic cover)... Out Of Stock
... 12-inch, Vinyl record
33
Earl Van Dyke & The Soul Brothers —
That Motown Sound ... LP Motown, 1964. Very Good ... Out Of Stock
A heavy batch of Motown soul instrumentals – headed up by Funk Brother Earl Van Dyke! The set features backings that are often very similar to the vocal versions on Motown – but are topped with sweet organ solo work from Earl – who has this lean, mean style that's mighty nice – kind of a Jimmy McGriff groove that really fits the soul of the recordings! Most of the backings are exactly the same ones used for vocal hits, but the use of Hammond really transforms them nicely – making the whole record a sweet popcorn soul version of Motown – almost a bit grittier, with a nice sort of backroom jukebox flavor. Titles include "Try It Baby", "Can You Jerk Like Me", "Money", "Can I Get A Witness", "Come See About Me", and "All For You". LP, Vinyl record album
Also available That Motown Sound ... CD 9.99(Original pressing. Cover has a few peeled spots on the front.)
34
Various —
Lord Finesse Presents Motown State Of Mind (7 x 7 inch single set) ... 7-inch 
Motown, 2020. New Copy 7 x 7 inch set ... Out Of Stock
The mighty talents of Lord Finesse take on the sound of Motown – as the man himself picks seven key cuts from the legendary soul music label – then serves them up on new mixes in this special set of 7" singles! Every single features the original on the b-side, and a new Finesse mix on the a-side – and the sound and presentation is great – really a cut above, and far more than just a few simple knob twists on the classics! Titles include "I Wanna Be Where You Are (Underboss rmx)" by Michael Jackson, "Now Is The Time (Mack Revisited mix inst)" by Sisters Love, "Jackson Five Tribute Medley (Underboss rmx)" by Jackson 5, "There'll Never Be (Solidified Soul mix)" by Switch, "I Want You (Underboss rmx)" by Marvin Gaye, "I Like It (Soul Synopsis mix)" by DeBarge, "Body Talk (TBG mix)" by Eddie Kendricks, and "Now Is The Time (Mack revisited mix voc)" by Sisters Love. 7-inch, Vinyl record
35
Various —
Motown Disco – Selected By Muro & T-Groove ... CD Motown (Japan), 1970s/
A fantastic look at the funkier side of Motown in the 70s – and a collection that's not just straight disco, thanks to the mighty selection talents of DJ Muro and T-Groove! Muro handles all of CD1 – and mixes in some excellent soundtrack numbers with more familiar soul tracks – and also presents a few classic cuts in remixed versions too! T-Groove is on CD2 – which has cuts that are maybe a bit more iconic in the Motown club sound of the 70s, but still pretty darn great when heard together in this set. Neither CD appears to be mixed – tracks all appear discrete and standalone – and the package features 37 titles that include "You Made Your Bed" by Reuben Howell, "Books & Basketball" by David Shire & James Di Pasquale, "T Plays It Cool (unedited version)" by Marvin Gaye, "Erucu" by Jermaine Jackson, "Mirrors Of My Mind" by Jackson 5, "Date With The Rain (DJ Spinna refreak)" by Eddie Kendricks, "Ego" by Ozone, "Big Time (M+M big time 2016 mix)" by Rick James, "Treat Her Like A Lady" by The Temptations, "Brothers Gonna Work It Out (Joey Negro return of the mac mix)" by Willie Hutch, "He's A Friend" by Eddie Kendricks, "Down To Love Town" by The Originals, "Go For It" by Billy Preston & Syreeta, "Full Speed Ahead" by Tata Vega, "Let's Be Young Tonight" by Jermaine Jackson, "Heaven Must Have Sent You" by Bonnie Pointer, "Shoulda Gone Dancin" by High Energy, "Saturday Night Sunday Morning" by Thelma Houston, "Star Love" by Three Ounces Of Love, "Tailgate" by 21st Creation, "Scratchin" by Magic Disco Machine, "Standing On The Verge" by Platinum Hook, and "I Need Your Lovin (M+M lovin all night long mix)" by Teena Marie. CD
36
Blinky —
Heart Full Of Soul – The Motown Anthology ... CD Motown/
A fantastic collection of work from Sondra "Blinky" Williams – a hell of a soul singer who recorded a fair bit for Motown Records at the end of the 60s and start of the 70s – but an artist whose music ended up mostly spending the next few decades in the label's vaults! Yet Blinky never let the lack of success stop her from giving her best – as she's a fantastic vocalist, and one with an expressive range that easily matches some of the Motown greats of her generation – a list that would include Martha Reeves or Gladys Knight – but who also has these deeper, more righteous currents that make her a perfect singer for a Motown move into the 70s! Blinky only saw one full album issued at the time – a duo with Edwin Starr titled Just The Two Of Us – but this package features a fully conceived, yet never-released album – plus other singles, unissued tracks, live material, and lots more – a wealth of fully-cooked, powerfully-produced singles that finally give the singer her due. The whole thing is an amazing Motown discovery – 46 tracks in all, 28 of which appear here for the first time ever – with titles that include "Don't Leave Your Baby", "Heart Full Of Soul", "How Can I Go On", "Inside", "I'll Make It Up To You", "One Half Of Love", "Shine On Me", "For Once In My Life", "I Wouldn't Change The Man He Is", "I Can't Turn You Loose", "People Make The World Go Round", "T'Ain't Nobody's Business If I Do", "I've Gotta Get You Back", "Mr Soul Brother", "You're The Loser Now", "One Half Of Love", and lots lots more. CD
Also available Heart Full Of Soul – The Motown Anthology ... CD 29.9937
Various —
Motown's Love Songs Vol 2 – Broken Hearted ... LP Motown/
... LP, Vinyl record album
Close matches: 211
38
A+ —
It's On You (clean, album)/Motown, 1999. Near Mint- ... $1.99
... 12-inch, Vinyl record
39
Motown, 1988. Near Mint- ... $4.99
Brilliant solo work from Gerald Alston – the first album issued under his own name, after a strong legacy of work with The Manhattans! Alston's vocals are wonderful here – beautifully crafted, with a sense of maturity and feeling that most of his younger soul contemporaries couldn't match – polished with the kind of class that kept The Manhattans strong well into the 80s – but updated nicely with some of the more adult soul modes of the latter part of the decade. Production is by Stan Sheppard and James Varner, who know to keep things laidback to keep Alston at his best – and titles include "Stay A Little While", "You Laid Your Love On Me", "I've Waited All Night", "Activated", "We've Only Just Begun", and "I Come Alive When I'm With You". LP, Vinyl record album
(Cover has a promo stamp and hype sticker.)
40
Motown, 2000. Sealed 2 X 12" (pic cover)... $11.99
A cool 4 track sampler of mellow spare neo classic soul off India Arie's debut LP. Wrapped up in a really cool envelope styled picture sleeve – and you get 2 copies of the 12" in the package! Sweet! 12-inch, Vinyl record
(In the original fold-over envelope sleeve, which is still sealed! Sleeve has some light wear in one spot on the front, and a very light stain in another corner – but this is a great copy overall.)
41
Motown, 2001. Near Mint- ... $0.99
... 12-inch, Vinyl record
(Promo.)
42
Motown, 2001. Near Mint- ... $1.99
... 12-inch, Vinyl record
(Promo in a stickered sleeve.)
43
Motown, 2002. Used ... $1.99
A great second album from India Arie – sweet, smooth, soulful, and one we like even better than the first! The style is wonderful – a mix of warm vocals, spare production, and acoustic guitar – which gives the set a folksy quality that really offsets the smooth backings nicely. Songs are very well written, and linked together with a sensuous musical approach that makes the whole album drift nicely along – beating with the heart of underground soul set, but handled with a high level of class! Titles include "Beautiful Surprise", "Little Things", "Growth", "Talk To Her", "Headed In The Right Direction", "Good Man", "Complicated Melody", and "The One". Limited CD features the bonus track "Interested". CD
(BMG Direct pressing.)
44
Motown, 2000. Near Mint- ... $6.99
... 12-inch, Vinyl record
(Promo.)
45
Motown, 2000. Used ... $4.99
4 track promo – with instrumentals. CD
(Out of print.)
46
Motown, 2008. New Copy 2LP Gatefold ... $16.99 24.98
Badu is back with some of the deepest, funkiest and best music of her career – a mindblowing treatise for a New Amerykah – and what we'll consider an instant classic whether the world at large catches on or not! Erykah steps up this time with a set that balances the wilder impulses of her criminally underappreciated Worldwide Underground and more of a hip hop based, righteously grooving style – but still bursts with a freshness that's unrivaled to say the least. From free spirited soul, to sparse hip hop funk this record is both blunt and beautiful – with a slow-building emotional resonance that'll reach the most jaded souls. Modern soul music of the first order that gives us goosebumps from the first spin to the last beat! The album kicks off with Erykah riffing on and remixing Ramp's "American Promise" as an intro – and it just gets deeper from there. Producers/
47
Motown, 1976. Very Good+ ... $6.99
... 7-inch, Vinyl record
(White label promo.)
48
Black Forum/
An amazing record that's as powerful as the political message of the title – the hippest record ever cut by Amiri Baraka, and that's saying a heck of a lot! Baraka delivers a long and complex set of poetic reflections on the state of Black America, spiritual awakening, and political redemption – set to musical backings that shift from funky, to jazz, to avant, and back again. Players on the set include Gary Bartz, Lonnie Liston Smith, Idris Muhammad, and Reggie Workman – and there's a host of additional players, percussionists, and vocalists that join Amiri in the delivery of his message. Titles include "Answers In Progress", "Peace In Place", "Bad News For Your Highness", "Was Gon Happen", "All In The Street", "Pamoja Tutashinda", and "Pull The Covers Off". One to listen to when you get past your Last Poets records! LP, Vinyl record album
49
Motown, 2002. Near Mint- ... $2.99
... 12-inch, Vinyl record
(Promo in a plain sleeve. Vinyl has small stickers on the deadwax.)
50
Motown, 1974. Very Good+ ... $0.99
... 7-inch, Vinyl record
(Sleeve has small tears at the opening and a bit of pen.)
51
Motown, 1989. Near Mint- ... $6.99
... LP, Vinyl record album
(US pressing, including a promo bio and glossy photo! Cover has a hype sticker, some marks from sticker removal, and a promo stamp.)
52
Motown, 1977. Near Mint- ... $2.99
Proof that Jerry Butler could always be great, no matter what the setting – and that even an overlooked album like this can still be pretty darn great! The album's got less of a focus than Jerry's earlier Mercury work or later sides for Philly – but it's also got a subtle and sometimes spare approach that really lets Jerry's voice come to the forefront of the set – dominating the whole thing in a great batch of mellow tunes that really show the shift from younger Iceman to confident adult soul that Jerry worked in the 70s. Butler produced, and arrangements are by Paul David Wilson and James Mack. Titles include "Just You & Me Forever", "Everything's Cool", "Living My Life Just For You", "I'm Music I'm Your Friend", "How It Used To Feel", "It All Comes Out In My Song", and "I've Got To Make It On My Own". LP, Vinyl record album
(Cover has some edge wear.)
53
Motown, 1976. Very Good+ ... $2.99
An overlooked sleeper from Jerry Butler – the kind of record that follows nicely off of his best strengths for Mercury in the early 70s – and which has him furthering the level of mature soul that was his greatest contribution to music in the decade! As before, the best tunes here are often the mellower ones – sung in a mode that's warmly soulful, and which often raises the bar for mainstream soul – to a level that would allow a lot more work to come from other singers a few years later. The title cut – "Love's On The Menu Tonight" – is a perfect illustration of this style – and other cuts include "The Devil In Mrs Jones", "Thank You Early Bird", "I'm Goin Left", "Don't Let This Smile Fool You", "I Don't Want Nobody To Know", and "This Is Your Life". LP, Vinyl record album
(Cover has some wear and aging.)
54
Motown/
A tremendous solo act from GC Cameron – a singer who first rose to fame in The Spinners, but who really sounds wonderful on his own! GC's moved away from The Spinners here – into a wide range of styles that show him ready to take on most of the rest of the competition! He's working here with the best of the best of Motown – production from Stevie Wonder and Willie Hutch – and arrangements by both, plus Paul Riser, Gene Page, James Carmichael, and Frank Wilson – all of whom really give their best to the record, and show that Motown was putting plenty of effort into making GC one of the next big stars of the 70s. We're not sure why things never took off as strongly for Cameron, but whatever the case, the album's a great step for the solo artist – on cuts that include "If You Don't Love Me", "Tippin", "All In Love Is Fair", "If You're Ever Gonna Love Me", "Come Get This Thang", "I'm Gonna Give You Respect", and "Let Me Down Easy". CD features an insane amount of bonus tracks – 13 more tracks that include "Act Like A Shotgun", "Girl I Really Love You", "I'm Gonna Get You (parts 1 & 2)", "Don't Wanna Play Pajama Games", "You Are That Special One", "Have I Lost You", "Time", "Topics", and "No Matter Where". CD
55
Motown, 1982. Near Mint- ... $0.99
... 7-inch, Vinyl record
56
Motown, 2020. New Copy ... $10.99
The tremendous return of The Clark Sisters – a fantastic female quartet who were one of the first groups to take gospel sounds to the dancefloors in the clubs – and who really continue that legacy wonderfully here! The music isn't as strongly disco as the group at their start – but there's definitely a funky core, and a strongly secular approach to the rhythms and instrumentation – which, mixed with the deeply spiritual message in the lyrics, makes the whole thing a really wonderful mix of modes! As always, the Clarks have a way of delivering an upbeat sound that can appeal to everyone, no matter what your creed – on titles that include "Masterpiece", "Victory", "More", "He Can", "Give It To Him", "Been So Good", "Good Favor", "Power", and "You Shall Receive". CD
57
Motown, 1974. Near Mint- ... $16.99
... 7-inch, Vinyl record
(Small hole promo.)
59
Motown, 1981. Near Mint- ... $3.99
An album that definitely lives up to the title promised by The Commodores – a record that takes all their raw funky energy of the early years, and fuses it into a new groove that would catapult the sextet to superstardom! The sound is commercial, but still has a pretty fresh sort of feel too – that quality the group brought to their work when breaking down so many boundaries in mainstream music – and finding fans in corners that few other funk groups might have touched! There's plenty of upbeat funk tracks in the mix, and even the mellower moments are still balanced nicely enough to avoid any of the cliches that Lionel Richie might have had during his solo years. Titles include "Why You Wanna Try Me", "This Love", "Been Loving You", "Lucy", "Saturday Night", "Lady (You Bring Me Up)", and "Oh No". LP, Vinyl record album
(Cover has an unglued bottom seam.)
60
Motown (Japan), 1978. New Copy ... $13.99
A pivotal album for The Commodores – still very funky here, with a sound that stays true to their roots – yet also able to reach out into some of the mature mellow ballads that would make them a huge crossover act in years to come! James Carmichael arranges and produces here – really helping the group to find that key focus, and make some important use of the vocals of Lionel Richie. Mr R steps out strongly on the crossover hit "Three Times A Lady" – but the whole group more than holds their own on the funky killers "X Rated Movie", "Fire Girl", and "I Like What You Do" – as well as the great mellow groover "Say Yeah". CD
(Part of the Motown Did It First Series!)
61
Motown, 1978. Near Mint- ... Just Sold Out!
A pivotal album for The Commodores – still very funky here, with a sound that stays true to their roots – yet also able to reach out into some of the mature mellow ballads that would make them a huge crossover act in years to come! James Carmichael arranges and produces here – really helping the group to find that key focus, and make some important use of the vocals of Lionel Richie. Mr R steps out strongly on the crossover hit "Three Times A Lady" – but the whole group more than holds their own on the funky killers "X Rated Movie", "Fire Girl", and "I Like What You Do" – as well as the great mellow groover "Say Yeah". LP, Vinyl record album
Also available Natural High ... CD 13.9962
Motown, 1970s/
... CD
(Out of print, BMG music club pressing.)
63
Motown, 1962/
An 80s collection of the hits off of one of the earliest albums on Motown – featuring some killer hard soul numbers! The Contours have a deeper R&B sound than some of their smoother Motown contemporaries – a great bridge between earlier group soul styles of the 50s, and the Motown modes to come – produced here with some wicked piano and guitar lines that ring out strongly in the middle. Vocals are wonderfully raspy – often peaking out into the red as they reach for a lead lyric – and titles include the classic "Do You Love Me" – plus "Shake Sherrie", "Just A Little Misunderstanding", "Whole Lotta Woman", and "It's So Hard Being A Loser". LP, Vinyl record album
(German pressing. Cover has light wear.)
64
Dazz Band —
Funkology – The Definitive Dazz Band ... CD Motown, Early 80s. Used ... $11.99
... CD
(Out of print, BMG Direct pressing.)
65
Dazz Band —
Hot Spot ... LP Motown, 1985. Near Mint- ... Just Sold Out!
The Dazz Band are in a definite hot spot here – the group's final album for Motown, and a record that's filled with the kind of catchy crossover funk they did better than most! The set snaps into a groove right from the very first note – with that electro funk that Motown served up big in the wake of Rick James, and which the Dazz Band only improve with their rock-solid sound on the set – a mode that has all the instrumental elements coming down sharp on the rhythms, topped by some back/
66
Motown, 1979. Near Mint- ... $2.99
... LP, Vinyl record album
(Cover is lightly bent near the opening.)
67
Motown, 1994. Near Mint- 2LP ... $4.99
Not actually a group, but a compilation of acts, mostly contemporary soul with some hip hop, produced by Eddie F, who played a role in those days that Puffy Combs would in a few years time. Lots of forgettable radio fodder here, but there is the early Mykill Myers track "Hardcore 4 Eva", Pete Rock & CL Smooth's "In The House" off the Main Ingredient and a posse cut, "Let's Get It On", with Heavy D, Grand Puba, Spunk Bigga plus Biggie & 2Pac when they were still getting along. LP, Vinyl record album
(In a stickered gatefold sleeve.)
68
Motown, 1966. Very Good- ... $3.99
... 7-inch, Vinyl record
(Label has a drill hole and marker.)
69
Motown, 1967. Near Mint- ... $6.99
The Four Tops weren't the first of the Motown groups to get the broadway treatment, but they do a pretty nice job with it! Thanks to some swinging help from producer Frank Wilson, the quartet manage to still shine even though they're shackled with a set of tunes from over-blown broadway shows of the late 50s and 1960s. Tracks include "I Want To Be With You", "On The Street Where You Live", "What Did I Have That I Don't Have", "For Once In My Life", and "Make Someone Happy". Also features "Hello Broadway". LP, Vinyl record album
(Original pressing with deep groove. Cover has some edge wear.)
70
Motown, Mid 60s. Very Good- ... $1.99
... 7-inch, Vinyl record
(White label promo, with some wear and marker on side 2.)
71
Motown/
Why did Motown ever let the Four Tops get away? This album was their last for the label – and it's an excellent one, filled with soul, sweetness, and some of the best arrangements the group had in their later years! The soul component is super-high – with tight group instrumentation that reminds us of the best Philly backing combos of the same time, but leaner too – as Dennis Coffey and Wah Wah Ragin are on guitars, Jack Ashford handles percussion, and Leonard Caston adds some nice funky keyboards. The real talent, though, is the group – and Levi Stubbs is in fine fine form on cuts like "She's An Understanding Woman", "I Am Your Man", "If You Let Me", "Nature Planned It", "Walk With Me, Talk With Me Darling", and "Happy (Is A Bumpy Road)". Even includes a great version of Todd Rundgren's wonderful track "We Gotta Get You A Woman"! CD
(Limited edition!)
72
Motown/
One of the last albums the Four Tops ever issued on Motown – but also one of the best, and a set that really has the group taking off in a strong new direction for the 70s! Frank Wilson's at the production helm, and the set has all these cool little twists and turns that work perfectly with the magnificent harmonies of Levi Stubbs and the group – a mode that draws on all their vocal highlights from older years, but also refits them with a more spacious, more mature sort of sound! The approach is different than that used with the Temptations at the same time – less political, but still flowing with plenty of new ideas – handled by arrangers Jerry Long, Jimmy Roach, and David Van DePitte. The title cut – "Still Waters (Run Deep)" – is a perfect example of this – as the tune's got weirdly wonderful production, almost as watery as the cover image, and a bit of moog buried in there – which comes forward even more on the reprise of the song at the end of the record. Other titles include "Love Is The Answer", "Reflections", "I Wish I Were Your Mirror", "Bring Me Together", "LA (My Town)", and "Everybody's Talkin". CD
Also available Still Waters Run Deep ... LP 6.99(Limited edition!)
73
Motown, 1970. Very Good ... $6.99
One of the last albums the Four Tops ever issued on Motown – but also one of the best, and a set that really has the group taking off in a strong new direction for the 70s! Frank Wilson's at the production helm, and the set has all these cool little twists and turns that work perfectly with the magnificent harmonies of Levi Stubbs and the group – a mode that draws on all their vocal highlights from older years, but also refits them with a more spacious, more mature sort of sound! The approach is different than that used with the Temptations at the same time – less political, but still flowing with plenty of new ideas – handled by arrangers Jerry Long, Jimmy Roach, and David Van DePitte. The title cut – "Still Waters (Run Deep)" – is a perfect example of this – as the tune's got weirdly wonderful production, almost as watery as the cover image, and a bit of moog buried in there – which comes forward even more on the reprise of the song at the end of the record. Other titles include "Love Is The Answer", "Reflections", "I Wish I Were Your Mirror", "Bring Me Together", "LA (My Town)", and "Everybody's Talkin". LP, Vinyl record album
Also available Still Waters Run Deep ... CD 9.99(Original pressing, including the original Motown inner sleeve. Cover has light wear and a name in pen.)
74
Motown, 1968. Sealed ... $4.99
A mix of pop and soul – but in the hands of the Four Tops, just about any song takes on a new soulful life! The record features their minor hit "Yesterday's Dreams" – plus groovy versions of "Sunny", "Never My Love", "Daydream Believer", and "By The Time I Get To Phoenix". Also includes nice lesser-known material like "Can't Seem To Get You Out Of My Mind", "Once Upon A Time", and "I'm In A Different World". LP, Vinyl record album
(Cover has a cut corner. Shrinkwrap is a bit aged.)
75
Motown, 1979. Near Mint- ... $4.99
... LP, Vinyl record album
(UK pressing. Back cover has a promo sticker.)
76
Motown, 1978. Very Good+ ... $6.99
The closest that Marvin ever came to a disco single – from the Here My Dear album. 7-inch, Vinyl record
(White label promo.)
77
Motown, 1966. Very Good+ ... $5.99
... 7-inch, Vinyl record
78
Motown, 1977. Very Good+ 2LP Gatefold ... $19.99
This is the second of two live albums that Marvin Gaye cut during the 70s – and in many ways, it's the better one! The record features three sides of work recorded live at the London Palladium – mostly in these swirling medleys that are introduced by Marvin in a very soulful mode, then swing into well-arranged combinations of classic tunes with some excellent instrumentation. The album features a few straight cuts like "Since I Had You", "Let's Get It On", "Trouble Man", and "Come Get To This" – but the medleys are great, too, especially the one on side 2, which features kind of a mini version of the album What's Going On! But then, even after all that, side 4 opens up in a slamming studio track – the extended funky groover "Got To Give It Up", which has some great keyboards by Marvin and cool rhythm work by Jack Ashford. All very funky, and Marvin's big bid at a club cut – one that worked pretty darn well! LP, Vinyl record album
(Cover has one unglued seam on the bottom. Cover has light wear and a bent corner.)
79
Marvin Gaye —
Very Best Of Marvin Gaye ... CD Motown, 1960s/
... CD
80
Motown, 1971. Used ... $3.99
One of the few cases in the history of pop music where the record is worth all the hype! Marvin blew everyone's mind when he unleashed this amazing suite of political soul tunes – not only just because he'd moved past the simple love songs of earlier years, but also because he was working with an amazingly complicated approach to soul music, one that would touch the work of others for years to come. David Van DePitte arranged and conducted the whole album – with soaring orchestrations mixed with smooth modern soul, in a style that reminds us a lot of the work of Charles Stepney at Cadet, who'd been doing this sort of thing for years but with less success. In the hands of Marvin Gaye, though, the material has an amazing quality – and all the disparate elements of the album are fused together in one powerful message by Marvin's incredible voice. One that we never tire of, and a record to be listened to all the way through every time. Titles include "What's Goin On", "Save The Children", "Flyin High (In The Friendly Sky)", "Mercy Mercy Me (The Ecology)", and "Inner City Blues (Make Me Wanna Holler)". This expanded edition includes the B-side tracks "God Is Love" and "Sad Tomorrow". CD
81
Motown, 1972. New Copy 2LP Gatefold ... $22.99 24.99
A mindblowing collection of work from Marvin Gaye – tracks recorded in the space right after What's Going On – many of which were never issued at the time! All this incredible material from 1972 has been brought together to create a stunning double-length album – one that features a few tracks that only ever saw issue as 45s back in the day, others that only later turned up as bonus tracks on CDs or box sets, and still others that appear here for the first time ever – all to show the incredible talents that Marvin was working with during this incredibly fruitful time in his career! Much of the material has the same righteous, socially-conscious spirit as What's Going On – and, if anything, the whole set provides a much-needed missing link between that album and the more sensual territory of Let's Get It On. There's definitely some of the spirit of that later album in place here too, as well as the instrumental complexity that Gaye would display on his soundtrack for Trouble Man – and the set even features a few Christmas tunes too. Titles include two versions of "You're The Man" – a killer 45 cut that we've loved for years – plus "Piece Of Clay", "I'm Gonna Give You Respect", "Try It You'll Like It", "You Are That Special One", "We Can Make It Baby", "My Last Chance", "Symphony", "I'd Give My Life For You", "Woman Of The World", "The World Is Rated X", "Where Are We Going", "I Want To Come Home For Christmas", "I'm Going Home (Move)", and the killer "Checking Out (Double Clutch)" – one of the funkiest tunes that Marvin ever recorded! LP, Vinyl record album
82
Marvin Gaye/Motown, 1983. Near Mint- ... $9.99
... 12-inch, Vinyl record
(White label promo in a Motown sleeve, with light wear and small spots on front.)
83
Motown, 1987. Used ... $9.99
An excellent mid 80s soul set from Garry Glenn – recorded for Motown, and sadly lost in the shuffle at the time. The record's a surprising gem – sophisticated, mature, and with a laidback quality that really gets past some of the cliches of 80s soul at the time. Garry's got a talent for songwriting and production that almost rival Leon Ware at the time – and even though the instrumentation has a bit of the tinniness of the times, the whole thing comes off with a wonderfully soulful quality – hitting all the right midtempo and mellow soul notes! Tracks are all originals, and titles include "Do You Have To Go", "Torch For You", "Running Away", "Feels Good To Feel Good", "Lonely Night", "Love Makes It Right", and "You Don't Even Know". CD
(Out of print.)
84
Motown, 1979. Near Mint- ... $2.99
... 12-inch, Vinyl record
(UK pressing in a Motown sleeve.)
85
Motown, 1962. Very Good+ ... $4.99
... 7-inch, Vinyl record
86
Motown, 2002. Near Mint- ... $2.99
Featuring Phife Dawg. 12-inch, Vinyl record
87
Motown, 1960s. Used ... $6.99
11 tracks from one of Motown's loveliest ladies of the 60s – featuring some of Brenda's early hits, many of which have not been reissued that often! Titles include "Operator", "When I'm Gone", "Every Little Bit Hurts", "You Can Cry On My Shoulder", "Together Till The End Of Time", "I've Been Good To You", "Land Of A Thousand Boys", "You've Made Me So Very Happy", and "Hurt A Little Every Day". CD
(Out of print.)
88
Motown (Japan), 1977. Used ... $13.99
Thelma's one of those singers who must have been waiting years for disco to come around and help her find a reason to sing! Her career was slightly ill-timed in the beginning, coming along with a baroque soul beginning that was great, yet somewhat out of place in the early 70s. But enter a record like this – which takes Thelma's beautiful voice and fills it up with strings and disco rhythms – and you've got a well-done set that suddenly makes her whole sound make sense! Arrangements are surprisingly great, and relatively cliche-free on the best numbers – handled by Kim Richmond, James Carmichael, Greg Wright, and Michel Rubini. Titles include "I'm Here Again", "Triflin", "I've Got The Devil In Me", "Give Me Something To Believe In", "Memories", "Your Eyes", and "I Can't Go On Living Without Your Love". CD
(Out of print.)
89
Motown, 1974. New Copy (reissue)... $14.99 24.99
A monster! Foxy Brown is Willie Hutch's magnificent soundtrack for Foxy Brown – a Pam Grier blacksploitation film from the early 70s – and it's pure genius all the way through, a record filled with some of the best funky soundtrack cuts of the era! Willie's got a real Curtis Mayfield sound here – with a dope mixture of full orchestrations and heavy funk, guitar riffing away as drums snap tightly across the album's best rhythms! Includes the classic funky numbers "Ain't That Mellow Mellow" and "Give Me Some of that Good Old Love" – plus "Whatever You Do", "Foxy Lady", "You Sure Know How To Love Your Man", "Theme Of Foxy Brown", "Out There", and "Chase". LP, Vinyl record album
90
Motown, 1973. Very Good- ... $2.99
... 7-inch, Vinyl record
(Label has some marker.)
91
Motown, 1989. Near Mint- (pic cover)... $1.99
... 12-inch, Vinyl record
(Cover has a promo stamp and edge wear.)
92
Motown, 1977. Near Mint- ... $2.99
Jermaine's going the way of most of Motown at this point – popping the bass pretty heavily, and grooving in a smooth funky mode. The cuts that go too over the top with the funky stuff definitely lose us – but there's a few decent mellow soul tracks that redeem the album, and which keep Jermaine in safer territory vocally. Titles include "You Need To Be Loved", "Some Kind Of Woman", "I Love You More", and "Got To Get To You Girl" – and arrangements are by Greg Adams, HB Barnum, and Gil Askey. LP, Vinyl record album
93
Motown, 1975. Near Mint- ... $3.99
... 7-inch, Vinyl record
(Includes jukebox strips.)
94
Motown, 1972. Near Mint- ... $9.99
A great one from Michael – one of our favorite early tracks by him! The tune's a great bubbling number from Leon Ware – one that shows Michael singing in a slightly more mature style that really comes off well! 7-inch, Vinyl record
(White label promo.)
95
Motown, 1975. Near Mint- ... $6.99
... 7-inch, Vinyl record
(Includes jukebox strips.)
96
Motown, 2009. Used ... $8.99
A breezy MJ remix project – featuring material from the 70s Motown years remixed by club, hip hop, pop and soul producers bringing eclectic atmosphere to some classic tunes – and most importantly, leaving Michael and the J5 vocals, and those huge, unforgettable hooks to lead the way! The remixers include The Neptunes, Dallas Austin,, David Morales, Salaam Remi, Frankie Knuckles and others – and more often than not the sound brings in a contemporary spacey dancefloor vibe, without getting in the way of the original groove. Titles include "Skywriter" (Stargate rmx), "Never Can Say Goodbye" (Neptunes remx), "Where You Are" (Dallas Austin rmx), "Dancing Machine" (Polow rmx), "Forever Came Today (Frankie Knuckles Late Night Antics rmx), "Dancing Machine" (Steve Aoki rmx), "Ben" (Akon rmx) and more. 12 tracks in all. CD
97
Motown, 1970s. Used ... $2.99
With 21 tracks, including Motown-era solo material from Michael and Jermaine. CD
98
Motown, 1984. Very Good+ ... $3.99
... 12-inch, Vinyl record
(In a Motown sleeve.)
99
Motown (Japan), 1981. New Copy ... $13.99
One of the all-time great Rick James albums – a return to funkier sounds for Rick that worked both artistically and commercially – and actually got over far better than his more blatant attempts at crossover material on other records! The mix here is perfect – a true summation of all that made Motown great at the time, and the special sort of energy that made Rick one of the freshest mainstream talents at the end of the 70s! The record put a lot of money in Barry Gordy's pockets, and for good reason too – given that the set includes the classic hit "Super Freak" – plus "Give It To Me Baby", "Ghetto Life", "Make Love To Me", "Below The Funk (Pass The J)", and "Fire & Desire" – all done in that compressed pop-funky style that James kind of took from Bootsy Collins and manage to successfully soup up for the masses! CD also features the bonus tracks "Give It To Me Baby (12" mix)" and "Super Freak (12" mix)". CD
(Part of the Motown Did It First Series!)
100
Motown/
A heavy heavy set from Gloria Jones – a record that features some killer Paul Riser arrangements that are right up there with the deepest Motown work of the early 70s! Jones' groove is always a bit different than most of her contemporaries – not the usual Motown bag, and really far-reaching for the label – heavy funk one minute, more sophisticated the next – and almost pointing the way towards her later association with T Rex, and Gloria's time in the UK. Riser really pushes himself strongly here – backing Gloria with full strings on some tracks, soaring in the trademark upbeat Riser groove – then dropping into heavier rhythms at other points, with complicated elements that make the album a treasure trove of fresh surprises with each new track! Cuts include "Share My Love", "Oh Baby", "Old Love New Love", "Try Love", "So Tired", "Baby Don't Cha Know", and "Why Can't You Be Mine". CD also features a bonus demo version of "I I Were Your Woman" – and comes with a 16 page booklet, filled with notes, album details, photos, and even a short essay by Rolan Bolan – the son of Gloria Jones and Marc Bolan. CD
(Out of print, punch through barcode.)
