A stunning look at the great Mary Wells – one of Motown's first female acts of the 60s, and one of the decade's most important early soul figures as well! Mary's work on record is very well-known, but the story behind the music is completely different, and surprisingly dark at times – a tale of a talented artist often caught between larger corporate forces, and personal antagonists as well – not to mention her own personal demons. Peter Benjaminson does a great job of getting at all these details without being overly sensational – and he works in lots of wonderful personal recollections from friends and colleagues who really help illuminate the more private moments. The book is over 300 pages, hardcover, with some black and white photos. Book

Blinky is best known for her duo album with Edwin Starr – but this set features a huge amount of unreleased material! CD

Bobby Darin's last studio LP? We think so – and the record's a real lost chapter in his career. Bobby's kind of moving past the self-pity of his folksy years of the late 60s – stepping more strongly with a set of arrangements by Jimmy Haskell and Michael O'Martin, almost soul-like in quality, with an earthy touch to his vocals. Bobby always knew he would die an early death, and within a year of this one, he would pass away, almost quietly, and although it's a bit of a stretch to think that you can hear that in his voice, there's definitely something odd about the record. Tracks include "Sail Away", "I've Already Stayed Too Long", "Shipmates In Cheyenne", "Let It Be Me", and "My First Night Alone Without You". LP, Vinyl record album

Includes the tracks "No Time For Tear", "There Goes My Baby", "Ego Tripping Out", "If My Heart Could Sing", "Memories", and "Trouble Man". CD

Includes the tracks "You And I", "Mary Jane", "Love Gun", "Call Me Up", "Stormy Love", "Dream Maker", and "She Blew Me Mind (69 Times)" CD

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A heavy batch of Motown soul instrumentals – headed up by Funk Brother Earl Van Dyke! The set features backings that are often very similar to the vocal versions on Motown – but are topped with sweet organ solo work from Earl – who has this lean, mean style that's mighty nice – kind of a Jimmy McGriff groove that really fits the soul of the recordings! Most of the backings are exactly the same ones used for vocal hits, but the use of Hammond really transforms them nicely – making the whole record a sweet popcorn soul version of Motown – almost a bit grittier, with a nice sort of backroom jukebox flavor. Titles include "Try It Baby", "Can You Jerk Like Me", "Money", "Can I Get A Witness", "Come See About Me", and "All For You". CD

A heavy batch of Motown soul instrumentals – headed up by Funk Brother Earl Van Dyke! The set features backings that are often very similar to the vocal versions on Motown – but are topped with sweet organ solo work from Earl – who has this lean, mean style that's mighty nice – kind of a Jimmy McGriff groove that really fits the soul of the recordings! Most of the backings are exactly the same ones used for vocal hits, but the use of Hammond really transforms them nicely – making the whole record a sweet popcorn soul version of Motown – almost a bit grittier, with a nice sort of backroom jukebox flavor. Titles include "Try It Baby", "Can You Jerk Like Me", "Money", "Can I Get A Witness", "Come See About Me", and "All For You". LP, Vinyl record album

6 Motown albums from Jr Walker & The All Stars – all long overdue for reissue! First up is A Gasssss – a gas of a record from Jr Walker & The All Stars – a set that has the magical Johnny Bristol producing – giving the group this really warm, soaring sound that's totally great! Walker still serves up plenty of strong tenor solos, but there's also some vocal currents in the mix – strong leads at times, but also some nice backups too – all of which really helps to keep things soaring! Titles a nice mix of Motown covers and original material – and titles include "I Was Made To Love Her", "Do You See My Love", "And When I Die", "Honey Come Back", "Holly Holy", "Riding High On Love", "At A Saturday Matinee", and "Groove & Move". Next up is Rainbow Funk – a record that definitely has Jr Walker & The All Stars picking up a bit of funk – but in a groove that still mixes things with that warmly soulful glow the group had right from the start! The basslines are definitely up a bit from before – although not rumbling in Norman Whitfield territory – and the sax solos get a bit more space to stretch out and bite on the longer numbers, but often with a bit of backing vocals to warm things up around the edges! Jr is great all the way through – Motown's very strong answer to King Curtis – and titles include "Right On Brothers & Sisters", "Way Back Home", "Feeling Alright", "Psychedelic Shack", "Pieces Of A Man", and "Teach Them To Pray". Moody Jr is a sweet early 70s groover from Jr Walker & The All Stars – a set that reunites the group with producer Johnny Bristol, who always has a great way of helping them set fire to their sound! Walker and company may have shot from the gate with a mix of R&B tenor and Motown soul – but the sound here is much more in the latter, more matured mode of the label – with strong deep soul lyrics on a number of cuts, which are balanced out nicely by Bristol's fuller production. There's plenty of sax solos too, of course – and titles include "Way Back Home", "Bristol's Way", "Don't Blame The Children", "Me & My Family", "Still Water Medley", and "Groove Thang". Peace & Understanding is a record that has Jr Walker and the group stepping out with some of the righteous touches promised in the title – partly in the choice of songs on the set, which are all nicely tucked into that strong mix of deep soul vocals and saxophone lines that had become the Jr Walker groove! The set features work from a number of different arrangers – all the hipper side of Motown in the early 70s, as the list includes, Willie Hutch, Gene Page, and James Carmichael – and tunes include two great originals, one by Hutch, one by Leon Ware. Tracks include "It's Alright Do What You Gotta Do", "Soul Clappin'", "Gimme that Beat (parts 1 & 2)", "It's Too Late", and "Peace & Understanding Is Hard To Find". The self-titled Jr Walker & The All Stars album is maybe the rarest in the bunch – an obscure UK-only record from 1974, and one that has the group's usual approach warmed up by some more ambitious arrangements – a bit like the direction some of the vocal acts of the 70s were taking at the time! The production on most of the set is by Clarence Paul – and there's mostly a focus on the saxophone, not any vocals at all – which makes the set feel a bit like some of the Willis Jackson or Lou Donaldson work for Atlantic around the same time – or maybe even a bit like Hank Crawford on Kudu. Titles include "Boogie Down", "All In Love Is Fair", "You Are The Sunshine Of My Life", "Break Down & Sing", and "Dancin Like They Do On Soul Train". Hot Shot is a mid-70s stormer from Jr Walker & The All Stars – a set that glides along on a fuller set of backdrops than before, with Holland-Dozier-Holland production from Brian Holland returning to Motown – but in a hip 70s style that has strings and funk dancing along in a great way beneath the strong sax solos in the lead! There's a bit of vocals on the record, but the real strength lies in the instrumentation – especially some of the weirder, fuzzier guitar lines and keyboards. Titles include "Why Can't We Be Lovers", "Hot Shot", "Probe Your Mind", "I Need You Right Now", and "You Ain't No Ordinary Woman". CD

Way more than just a "cellarful" of Motown – a wealth of great tracks, all of which are previously unreleased! This incredible 2CD set is a landmark in the history of both Motown and Northern Soul – as it brings together 40 tracks that were recorded in the glory days of the Detroit scene, but never issued at the time. A number of cuts on the set have risen to fame over the years as bootlegs floating around the UK club scene, and they're issued properly here for the first time ever, along side other lost gems that will soon become new classics to a generation of soul fans – all wrapped up in one great package filled with notes on the music, and listing the origins of the tunes! Titles include "My Sugar Baby" by Frank Wilson, "Baby A Go Go" by Barbara McNair, "How Can I" by Brenda Holloway, "He Was Really Sayin Somethin" by Earl Van Dyke, "Until You Came Along" by Carolyn Crawford, "Before It's Over" by Sammy Ward, "Long Gone Lover" by Velvelettes, "If You Ever Get Your Hands On Me" by Gladys Knight & The Pips, "Lucky Lucky Me" by Jimmy Ruffin, "I Wish I Liked You" by Marvin Gaye, "You Made Me Feel Like" by Syreeta, "Don't Let Me Down" by Kim Weston, "Don't Put Off Till Tomorrow What You Can Do Today" by The Monitors, and "It Must Be Love Baby" by Chuck Jackson & Yvonne Fair. Lots lots more, and filled with wonderful tunes! CD

Christmas Motown in all of its glory – a huge collection that features a whopping 46 tracks in all – most of them Holiday classics from the earliest years of the label, plus just a few important Christmas tunes from more recent years too! Almost all the work here is by Motown superstars – and titles include "Silver Bells", "Children's Christmas Song", "Joy To the World", and "My Favorite Things" by The Supremes; "Santa Claus Is Coming To Town", "Frosty The Snowman", "Up On The House Top", "Christmas Medley", and "Have Yourself A Merry Little Christmas" by The Jackson 5; "Let It Snow" and "God Rest Ye Merry Gentlemen" by The Miracles; "The Little Drummer Boy" and "My Christmas Tree" by The Temptations; "Christmas Delight" and "Merry Christmas Baby" by The Four Tops; "Someday At Christmas" and "A Warm Little Home On A Hill" by Stevie Wonder; "Jesus Is Love" by The Commodores, "Little Christmas Tree" by Michael Jackson, "A Joyous Song" by Boyz II Men, "Wish You A Merry Christmas" by Kim Weston, "Give Love On Christmas Day" by Johnny Gill, and "Christmas Presence" by Gerald Alston with Shanice Wilson. CD

An early entry into the CD box set format – and a classic collection that features 104 tracks by 36 key artists from Motown Records! CD

An overdue look at the lost Lamp Records – a crucially important indie soul label on the Indy scene of the late 60s and early 70s – a company that was never as big as Chess or Motown, but did a similar job of documenting its city's musical scene! Indianapolis was always a very diverse city – and gave the world bigger funk and jazz luminaries like Wes Montgomery or Funk Inc – but like most cities of its size, Indy also sported a rich underground of great singers and bands who were really trying to make it big – all really great artists who were captured in deep detail by the Lamp Records label! Now Again/Stones Throw have given us a slight look at this scene in the past – most notably with their reissues of work by Ebony Rhythm Band – but this is the first really detailed dig into the label, with a huge amount of material that's only ever circulated on very rare original pressings. The work is a great mix of group soul, funky cuts, sweet harmony, and even a bit of gospel – and titles on this 2LP set include "Somebody Please" by The Vanguards, "You Made My Everything" by Words Of Wisdom Truth Revue, "Hum Bug" by Diplomatics, "I Didn't Know" by Funder Cooper, "Go To Work" by Revolution Compared To What, "Everybody Who Wants To Be Free" by Amnesty, "Can I Call You Baby" by The Pearls, "Take Me" by Fabulous Souls, "High On The Hill" by Squidd, "Soul Heart Transplant" by Ebony Rhythm Band, "See The Lord" by Mighty Indiana Travelers, "Huh" by Tony Black & Revolution Compared To What, "I'm Only Human" by Embers, "It Swells My Desire" by The PHDs, and "More Than I Can Stand" by Moonlighters. LP, Vinyl record album

An overdue look at the lost Lamp Records – a crucially important indie soul label on the Indy scene of the late 60s and early 70s – a company that was never as big as Chess or Motown, but did a similar job of documenting its city's musical scene! Indianapolis was always a very diverse city – and gave the world bigger funk and jazz luminaries like Wes Montgomery or Funk Inc – but like most cities of its size, Indy also sported a rich underground of great singers and bands who were really trying to make it big – all really great artists who were captured in deep detail by the Lamp Records label! Now Again/Stones Throw have given us a slight look at this scene in the past – most notably with their reissues of work by Ebony Rhythm Band – but this is the first really detailed dig into the label, with a huge amount of material that's only ever circulated on very rare original pressings. The work is a great mix of group soul, funky cuts, sweet harmony, and even a bit of gospel – and titles on this 4CD set include "Somebody Please" by The Vanguards, "You Made My Everything" by Words Of Wisdom Truth Revue, "Hum Bug" by Diplomatics, "I Didn't Know" by Funder Cooper, "Go To Work" by Revolution Compared To What, "Everybody Who Wants To Be Free" by Amnesty, "Can I Call You Baby" by The Pearls, "Take Me" by Fabulous Souls, "High On The Hill" by Squidd, "Soul Heart Transplant" by Ebony Rhythm Band, "See The Lord" by Mighty Indiana Travelers, "Huh" by Tony Black & Revolution Compared To What, "I'm Only Human" by Embers, "It Swells My Desire" by The PHDs, and "More Than I Can Stand" by Moonlighters. 4CD set has a massive 56 tracks in all – the complete works of this legendary label – including a full CD with 16 tracks by the Vanguards, and another CD with 10 tracks by Mighty Indiana Travelers! CD

An amazing package – one that comes in a tiny replica of the original home of Motown Records in Detroit! As you'd guess from the title, the 11CD set features every single Motown track that ever hit #1 on the charts – almost 200 classic songs, running from the early 60s right up through the 90s – with work by The Temptations, Four Tops, Diana Ross, Boyz II Men, The Contours, Rockwell, The Originals, Marvin Gaye, The Marvelettes, Stevie Wonder, High Inergy, The Dazz Band, Rick James, Commodores, and lots more! The package also includes a photo book with classic images and notes – but man, what we dig most of all is that tiny house of hits packaging – a really amazing thing! Plus, this version of the set also features a bonus CD that wasn't in the original version – with 12 more tracks whose cover versions charted at #1! CD

A really joyous celebration of the 60th Anniversary of Motown Records – a long set that features a continuous mix that includes 37 tracks from the full run of the label – most taken relatively straight, but given these cool old-style radio voiceovers as some of the tracks get started! DJ Lead provides a remix at the start, and scratches a bit here and there – but most of the tunes are delivered in the familiar mode you'd know – titles that include "Money" by Barrett Strong, "Rhythm Of The Night" by Debarge, "Square Biz" by Teena Marie, "Brick House" by Commodores, "I'll Be There" by Jackson 5, "Let's Get It On" by Marvin Gaye, "Video" by India Arie, "Don't Look Any Further" by Dennis Edwards, "Bag Lady" by Erykah Badu, "Running With The Night" by Lionel Richie, "Please Mr Postman" by The Marvelettes, and "I Want You Back (DJ Lead rmx)" by Jackson 5. CD

Not the usual Motown Christmas set you might imagine – as the record features new material, not old Holiday soul classics – and many of the numbers are special duets recorded just for this project! The set list is impressive – way better than we were expecting – and although the cover art is a bit underwhelming, our hats are off to Motown for re-igniting the label's commitment to quality Christmas tunes! Titles include "Go Tell It On The Mountain/Ain't No Mountain High Enough" by Gregory Porter & Anita Wilson, "The Christmas Song" by Ne Yo & Tasha Cobbs, "It's Christmas Time" by Smokey Robinson & Kevin Ross, "This Christmas" by Brian Courtney Wilson & Gene Moore, "Angels We Have Heard On Hihg" by Kierra Sheard & Chrisette Michele, "Mary Did You Know" by India Arie & Gene Moore, "O Holy Night" by Smokie Norful, "O Come All Ye Faithful" by Tasha Cobbs, and "Bethlehem" by Kem & Janice Gaines. CD

An expanded version of this classic set of Motown Christmas tunes – one that features some of the best cuts from the individual artists' Holiday albums cut for the label, plus some harder to find tracks from singles! The set's got 24 tracks in all, with titles that include "Santa Claus Is Comin To Town" and "Give Love On Christmas Day" by The Jackson 5, "What Christmas Means To Me" and "One Little Christmas Tree" by Stevie Wonder, "Rudolph The Red Nose Reindeer" and "The Little Drummer Boy" by The Temptations, "God Rest Ye Merry Gentlemen" and "Jingle Bells" by Smokey Robinson & The Miracles, and "Children's Christmas Song" and "White Christmas" by Diana Ross & The Supremes. LP, Vinyl record album

Music from Martha & the Vandellas, the Marvelettes, Mary Wells, Eddie Holland, Marvin Gaye, Stevie Wonder, the Contours, the Miracles & Barrett Strong. CD

An incredible debut – and the birth of a genre! India Arie burst upon the Neo Soul scene with this sweet little set a few years back – and her career's been burning up ever since! The set's got all the best elements of some of the best indie soul of recent years – sweet beats, honest vocals, and warm instrumental touches – but the best aspect is the "acoustic soul" use of guitar to give some tracks a slightly folksy feel – one that sets India apart from some of her contemporaries with a really personal approach! The whole thing's great – overflowing with wonderful tracks that include "Video", "Brown Skin", "Back To The Middle", "Part Of My Life", "Always In My Head", and "Nature". CD also features a bonus Stevie Wonder dedication – "Wonderful"! CD

A sweet little tune lifted from India's Voyage To India album – a warmly thumping number with some very nice work on bass, and a cool flanged out vocal style that bubbles up nicely to our ears! If the whole album's this great, she's got a real winner on her hands! CD

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Badu is back with some of the deepest, funkiest and best music of her career – a mindblowing treatise for a New Amerykah – and what we'll consider an instant classic whether the world at large catches on or not! Erykah steps up this time with a set that balances the wilder impulses of her criminally underappreciated Worldwide Underground and more of a hip hop based, righteously grooving style – but still bursts with a freshness that's unrivaled to say the least. From free spirited soul, to sparse hip hop funk this record is both blunt and beautiful – with a slow-building emotional resonance that'll reach the most jaded souls. Modern soul music of the first order that gives us goosebumps from the first spin to the last beat! The album kicks off with Erykah riffing on and remixing Ramp's "American Promise" as an intro – and it just gets deeper from there. Producers/collaborators include Madlib, Sa-Ra, Karriem Riggins, James Poyser and ?uestlove. Amazing!!! Titles include "The Healer", "Me", "My People", "Soldier", "The Cell", "Twinkle", "Master Teacher", "The Hump" and "Telephone". The 9th Wonder produced single "Honey" is an unlisted bonus track. CD

The second chapter of Erykah Badu's New Amerykah – recorded for the most part, quite incredibly, during the same period and with the same collaborators as the mind-altering, murky and righteous hip hop funk experimentalism that was Part One – some months that must be among the most dizzyingly creative in Badu's career! We're reluctant to call Return Of The The Ankh a lighter listen than its predecessor, but, it's a less dense and outwardly experimental batch in the sonic realm – the emotionalism and the head nodding warmth is at the forefront, yet she's as uncompromising and real as ever. The sound is still innovative, unique and her own on all fronts, but the songs chosen for Part Two are ones you want to approach and embrace from the opening seconds – there's not as much of a tripped out overall vibe and you don't need to acclimate from a distance – these songs pull you right in! Includes collaborations with James Poyser, Shafiq Husayn, Ta'Raach, Karriem Riggins, Madlib and Georgia Anne Muldrow. Includes "20 Feet Tall", "Window Seat", "Agitation", "Turn Me Away (Get Munny)", "Gone Baby, Don't Be Long", "Love", "Out My Mind, Just In Time" and more. CD

An amazing record that's as powerful as the political message of the title – the hippest record ever cut by Amiri Baraka, and that's saying a heck of a lot! Baraka delivers a long and complex set of poetic reflections on the state of Black America, spiritual awakening, and political redemption – set to musical backings that shift from funky, to jazz, to avant, and back again. Players on the set include Gary Bartz, Lonnie Liston Smith, Idris Muhammad, and Reggie Workman – and there's a host of additional players, percussionists, and vocalists that join Amiri in the delivery of his message. Titles include "Answers In Progress", "Peace In Place", "Bad News For Your Highness", "Was Gon Happen", "All In The Street", "Pamoja Tutashinda", and "Pull The Covers Off". One to listen to when you get past your Last Poets records! LP, Vinyl record album

BJ The Chicago Kid's second full length for Motown! BJ has a way of recalling classic Chicago soul in the earnest, emotional realness of his lyricism and relatively mellow style, which is a nicely grounding anchor given the modern overall aesthetic. It's a contemporary sound with a timeless soul at the center. BJ's years as a guest vocalist himself makes him such a great host for guest singers, MCs and producers on his own records, too – and this one features Anderson.Paak, Rick Ross, Afrojack and others with production by Danja, Cool & Dre, Karriem Riggins and more. Includes "Feel The Vibe" feat Anderson.Paak, "Champagne", "Get Away" feat JID, Buddy & Kent Jamz, "Tome Today", "Can't Wait", "Playa's ball" feat Rick Ross, "Too Good", "Close", "Rather Be With You", "Worryin' Bout Me" feat Offset, "Reach" feat Afrojack and more. CD

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The long-overdue debut from Trina Broussard – a singer who first leapt onto the scene years back with her single "Love You So Much", but who never got the chance to release a full LP! Trina's time has finally come, though – and from the sound of the set, it's been worth the wait. Backings are lean and jazzy, with lots of nice light touches that offset Trina's strong vocals nicely – almost coming across with some classic 70s touches, and in a mode that's different from the style of a lot of her contemporaries! The album's a real grower, and catches our ears more and more as each new track comes up – and although Trina had to wait a bit to get things off the ground, it's our guess she'll be flying high in no time! Titles include "These Are The Days", "Still The Same Girl", "I Never Thought", "Thinkin Boutcha", "Out/Gone", "Joy", and "Losing My Mind". CD

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A tremendous solo act from GC Cameron – a singer who first rose to fame in The Spinners, but who really sounds wonderful on his own! GC's moved away from The Spinners here – into a wide range of styles that show him ready to take on most of the rest of the competition! He's working here with the best of the best of Motown – production from Stevie Wonder and Willie Hutch – and arrangements by both, plus Paul Riser, Gene Page, James Carmichael, and Frank Wilson – all of whom really give their best to the record, and show that Motown was putting plenty of effort into making GC one of the next big stars of the 70s. We're not sure why things never took off as strongly for Cameron, but whatever the case, the album's a great step for the solo artist – on cuts that include "If You Don't Love Me", "Tippin", "All In Love Is Fair", "If You're Ever Gonna Love Me", "Come Get This Thang", "I'm Gonna Give You Respect", and "Let Me Down Easy". CD

A near-lost chapter in the career of Jean Carn – her one and only album recorded for Motown, cut in the early 80s with production by Norman Connors! Oddly, although Connors was the first producer to give Jean Carn a chance back in the 70s as a smooth soul vocalist – finding her voice a perfect fit for his warm and jazzy arrangements – here, he's going for a style that's a bit more conventionally soul-based, with more guitars and mainstream production than you'd expect. Jean's still pretty great, though, showing why she was one of the best female soul artists of the modern soul era – on tunes that include "My Baby Loves Me", "Don't Let Me Slip Away", "Steady On My Mind", "Completeness", and "Better To Me". CD

Wicked early funk from The Commodores – a group that spent so much time on pop ballads in later years, it's hard to believe they could be this sharp and hard-edged! There's plenty of that bass-heavy style that would later dominate many Motown combos at the end of the 70s – but the group's really in control of the groove on this one, without any of the cliches that such bassery could lead them into – and production is nicely restrained, so that the whole thing has the loose, live feel of some of the best ensemble funk of the time – even some of the gems from the underground. Lionel Ritchie contributed one nice smooth soul number, "This Is Your Life", and the rest of the album includes "Let's Do It Right", "Wide Open", "The Bump", "Look What You've Done To Me", and the funk classic "Slippery When Wet". CD

A classic self-titled set from The Commodores – not their debut album, but a record that really broke them out of the box and exposed the group to a huge new audience! The album hits perfectly on both sides of the group's strengths – the tight ensemble funk on which they were raised, and some of the sweeter aspects that were showing up as Lionel Richie emerged as the solo male singing star – not nearly as cheesy here as in later years, and a surprisingly nice element to offset the heavier funk. Titles include the funky classic "Brick House", the mellow hit "Easy", and the cuts "Squeeze The Fruit", "Zoom", "Funky Situation", "Won't You Come Dance With Me", "Funny Feelings", "Heaven Knows", and "Patch It Up". CD

Lots of Midnight Magic from The Commdores – still nice and funky at the start of the evening, but also chilling out in the wee hours too – really finding a great way to follow the trajectory of the night with the tracks in this set! The album sparkles with strong arrangements and production from James Carmichael – who furthers the vibe perfected on Natural High, yet continues to avoid most of the cliches that would slow down the group in later years. Lionel Richie's given room to step forth on the ballads "Still" and "Sail On" – but the group feel is still nicely maintained on the rest of the record – which also features the tracks "Getting It", "You're Special", "Wonderland", "Sexy Lady", and "Might Magic". CD

Lots of Midnight Magic from The Commdores – still nice and funky at the start of the evening, but also chilling out in the wee hours too – really finding a great way to follow the trajectory of the night with the tracks in this set! The album sparkles with strong arrangements and production from James Carmichael – who furthers the vibe perfected on Natural High, yet continues to avoid most of the cliches that would slow down the group in later years. Lionel Richie's given room to step forth on the ballads "Still" and "Sail On" – but the group feel is still nicely maintained on the rest of the record – which also features the tracks "Getting It", "You're Special", "Wonderland", "Sexy Lady", and "Might Magic". LP, Vinyl record album

A pivotal album for The Commodores – still very funky here, with a sound that stays true to their roots – yet also able to reach out into some of the mature mellow ballads that would make them a huge crossover act in years to come! James Carmichael arranges and produces here – really helping the group to find that key focus, and make some important use of the vocals of Lionel Richie. Mr R steps out strongly on the crossover hit "Three Times A Lady" – but the whole group more than holds their own on the funky killers "X Rated Movie", "Fire Girl", and "I Like What You Do" – as well as the great mellow groover "Say Yeah". CD

By this point in their career, The Commodores have lost Lionel Richie and any sort of funk credibility they had from their early years – but they also somehow manage to reemerge with a great new talent for a sweet mellow groove! The title tune "Nightshift" was one of those tracks that crossed over massively at the time – but to our ears, it also kind of redeemed the group too – as it's got a surprisingly soulful quality that really got the group past the soppiness of their ballads and love songs – gliding along with an almost-righteous quality that makes it a nice later cap to an earlier Motown 70s groove. Other tunes on the album don't always fare as well, but there's still some nice moment here – tunes that benefit from some Dennis Lambert production and hit just the right kind of mellow groove to follow up on the spirit of the single. Tracks include "Nightshift", "Slip Of The Tongue", "Lay Back", "Lightin Up The Night", and "The Woman In My Life". CD