Motherlode tapped out of the recording came after this excellent second album – and they're every bit as wonderful here as on their debut – working with a really unique blend of rock and soul – and getting a groove that few other groups of the time could touch! The harmonies are superb – much more early 70s soul than the look of the group on the cover – and while they bring in some rockish touches in the instrumentation, they also blend it with more soulful currents too – including some nice funky moments in the rhythms, and great southern style use of organ and saxophone. The whole album's great – filled with under-discovered gems – and titles include "Quality Of Leadership", "Righteous Land", "Been So Long", "Robert E Lee", "Black Cat", "Hiro Smothek", and "Lilac Wine". LP, Vinyl record album

A really wonderful record from Motherlode – a group who are equal parts rock and soul, and who shine here with a groove that's totally wonderful all the way through! Most of the tracks have the group harmonizing like some of the soul groups over at RCA in the early 70s – and there's a wickedly wonderful instrumental quality to the record, thanks to lots of keyboards and organ from William Smitty Smith – who you might know from a later solo album – and tremendous basslines from the great Carol Kaye, who really brings a funky current to the whole record – as well as strong tenor from Steve Kennedy, who'd later play with Lighthouse. A lost 70s gem – and an album we've seen in so many record collections over the years – for good reason too! Titles include "Soft Shell", "What Does It Take", "Oh! See The White Light", "When I Die", "Hard Life", and "Can't You Find Love". LP, Vinyl record album

One of the greatest albums ever from James Brown – even if it wasn't issued during his classic run of funk records in the early 70s! Yet the material here is all from that time – recorded by Polydor when James and the JBs were completely kicking ass in the studio – turning out these monstrous longform funk jams that often gave up too much material to fit on all of his albums – which makes this package an overdue dip into the vaults to rescue some of those treasures! The package first saw the light of day in 1988 – at a time when the genius of James was being rediscovered by younger hip hoppers and DJs – and the set is a love letter to all that James had to offer that scene – with gems that include the lost soul classic "She's The One", a duet with Bobby Byrd called "Since You Been Gone", a live version of "There It Is", an untitled instrumental and another instrumental one called "Funk Bomb" – plus a huge long 9 minute version of the great "People Get Up & Drive Your Funky Soul" from Slaughter's Big Ripoff, and the cuts "Say It Loud & Live", and "Baby Here I Come". CD

One of the greatest albums ever from James Brown – even if it wasn't issued during his classic run of funk records in the early 70s! Yet the material here is all from that time – recorded by Polydor when James and the JBs were completely kicking ass in the studio – turning out these monstrous longform funk jams that often gave up too much material to fit on all of his albums – which makes this package an overdue dip into the vaults to rescue some of those treasures! The package first saw the light of day in 1988 – at a time when the genius of James was being rediscovered by younger hip hoppers and DJs – and the set is a love letter to all that James had to offer that scene – with gems that include the lost soul classic "She's The One", a duet with Bobby Byrd called "Since You Been Gone", a live version of "There It Is", an untitled instrumental and another instrumental one called "Funk Bomb" – plus a huge long 9 minute version of the great "People Get Up & Drive Your Funky Soul" from Slaughter's Big Ripoff, and the cuts "Say It Loud & Live", and "Baby Here I Come". Plus, this expanded version also features a 7 minute version of "I Got Ants In My Pants", the track "You've Changed", and a 12 minute alternate mix of "Bodyheat". CD

One of the greatest albums ever from James Brown – even if it wasn't issued during his classic run of funk records in the early 70s! Yet the material here is all from that time – recorded by Polydor when James and the JBs were completely kicking ass in the studio – turning out these monstrous longform funk jams that often gave up too much material to fit on all of his albums – which makes this package an overdue dip into the vaults to rescue some of those treasures! The package first saw the light of day in 1988 – at a time when the genius of James was being rediscovered by younger hip hoppers and DJs – and the set is a love letter to all that James had to offer that scene – with gems that include the lost soul classic "She's The One", a duet with Bobby Byrd called "Since You Been Gone", a live version of "There It Is", an untitled instrumental and another instrumental one called "Funk Bomb" – plus a huge long 9 minute version of the great "People Get Up & Drive Your Funky Soul" from Slaughter's Big Ripoff, and the cuts "Say It Loud & Live", and "Baby Here I Come". CD

Yo Yo's first LP with "Stompin' To Tha 90's", "You Can't Play With My Yo Yo" (featuring Ice Cube), and "IBWC National Anthem". The production credits say "Produced by Ice Cube and Sir Jinx... with the funky hip hop punch by Delvon, Tha Funkee Homosapien." CD

A bit blues, a bit jazz – and a singer with a style unto her own – the amazing Big Maybelle, one of the greatest artists to record for Okeh Records in the 50s! This well-done collection pulls together every single Maybelle recorded for the R&B powerhouse back in the day – a motherlode of great work that easily puts her right up there with Lavern Baker or Ruth Brown as one of the great female singers of the 50s. The package features a whopping 26 tracks in all – including many bits that get lost between the tracks in some of the too-sifted collections of her work from the time. Titles include "Maybelle's Blues", "New Kind Of Mambo", "Hair Dressin Women", "My Big Mistake", "Ain't No Use", "One Monkey Don't Stop No Show", "So Good To My Baby", "Gabbin Blues", "You'll Never Know", "The Other Night", and "Such A Cutie". CD

An incredible record from Bobby Blue Bland – and quite possibly the greatest one he ever made! The set's got an amazing something special that's unlike most other material of the time – a bit blues, but a lot of soul too – still with some echoes of R&B in the jazzier charts used for the backdrop, but presented with a rock-solid style that definitely points the way towards many sounds and styles to come in the 60s. And although Bland recorded many of these tracks as separate singles, there's a way they're put together here that makes the whole thing sound completely marvelous together – a really well-conceived track list that shows that Bobby's an even greater artist in the space of a full record. The arrangements are perfect, and Bobby's rough soulful voice is blended in this amazing way with killer horn arrangements that are far more sophisticated than most stuff that ever came after this, and which never get in the way, but only back up his deep emotion. The album's a motherlode of classics by the man, with gems that include "Two Steps From The Blues", "Cry Cry Cry", "I Don't Want No Woman", "I'm Not Ashamed", "Don't Cry No More", "Lead Me On", and "I Pity The Fool". And hell, even his version of "St James Infirmary" is pretty wonderful – something we never thought we'd say about that song. CD

Nifty 2LP set that brings together a motherlode of the Impressions' best material from their ABC years – plus some of Jerry Butler's nice solo material for Mercury from the same time, and a few Curtis cuts from the early 70s. Too much to mention here, but titles include "Keep On Pushin", "Gypsy Woman", "Need To Belong To Someone", "Woman's Got Soul", "Amen", "You've Been Cheatin", "Mr. Dream Merchant", "We're A Winner", "Moody Woman", and "Only The Strong Survive". LP, Vinyl record album

A fantastic early record by Sahib Shihab – a motherlode of modal jazz grooves, cut during the early days of the Clarke-Boland Big Band! The record features a core group of players from that ensemble – including Shihab on alto, baritone, and flute, plus Francy Boland on piano, Jimmy Woode on bass, Ake Persson on trombone, Francy Boland on piano, Joe Harris on bongos, and Kenny Clarke on drums – all coming together here with a groove that's really groundbreaking – a style that's sweet and soulful, but rhythmically revolutionary too! The tracks are all long and grooving – with the kind of dancing jazz tone that you'd expect from the Saba/MPS label during the mid 60s – a big change from the Argo label that originally issued the record. But that's no surprise, either, as the session was actually recorded in Europe by Gigi Campi – the man behind the CBBB albums on MPS – with a feel that's quite similar to other Shihab classics, like Companionship or Seeds. The whole thing's great – one of Shihab's most wonderful records, and totally worth owning – and titles include "Lillemor", "Please Don't Leave Me", "Waltz For Seth", and "Herr Fixit". CD

A fantastic early record by Sahib Shihab – a motherlode of modal jazz grooves, cut during the early days of the Clarke-Boland Big Band! The record features a core group of players from that ensemble – including Shihab on alto, baritone, and flute, plus Francy Boland on piano, Jimmy Woode on bass, Ake Persson on trombone, Francy Boland on piano, Joe Harris on bongos, and Kenny Clarke on drums – all coming together here with a groove that's really groundbreaking – a style that's sweet and soulful, but rhythmically revolutionary too! The tracks are all long and grooving – with the kind of dancing jazz tone that you'd expect from the Saba/MPS label during the mid 60s – a big change from the Argo label that originally issued the record. But that's no surprise, either, as the session was actually recorded in Europe by Gigi Campi – the man behind the CBBB albums on MPS – with a feel that's quite similar to other Shihab classics, like Companionship or Seeds. The whole thing's great – one of Shihab's most wonderful records, and totally worth owning – and titles include "Lillemor", "Please Don't Leave Me", "Waltz For Seth", and "Herr Fixit". LP, Vinyl record album

A Philly soul legend finally gets his time in the spotlight – as drummer Earl Young played on countless classic sessions back in the day, but rarely even got his name in the liner notes! That lack of recognition is corrected here – in a great package that puts Young's face on the cover, details his genius on the drums in the notes, and then presents a motherlode of killer soul tunes from the late 60s through the 70s! Young's maybe best known for his work at Sigma Sound Studios, and on famous sessions for the Philadelphia International label – but here, he's heard on an even wider range of cuts – including late 60s Northern Soul numbers, and great album work by artists you might not normally associate with Philly. Titles include "Storm Warning" by The Volcanos, "Silly Silly Fool" by Dusty Springfield, "Hit & Run" by Loleatta Holloway, "I Just Can't Say Goodbye" by Philly Devotions, "Please Give Me One More Chance" by Clyde McPhatter, "Do The Hand Jive" by Archie Bell & The Drells, "Penguin At The Big Apple/Zing" by The Trammps, "I Can't Fight Your Love" by The Modulations, "Touch & Go (12" mix)" by Ecstasy Passion & Pain, "I Like To Live The Love" by BB King, "I'm Doin Fine Now" by New York City, "Ain't Got The Love Of One Girl" by The Ambassadors, "Just Can't Get You Out Of My Mind" by The Spinners, "Do It Again" by Charles Mann, and "Be Truthful To Me" by Billy Paul. CD

About as classic as you can get for late 60s Miracles! Smokey's vocals are in perfect form, and the group still has that 60s falsetto harmony sound, with lots of fragile bits and strong group backing. Includes the huge hit "Tears Of A Clown", plus a motherlode of great originals that make this a no-filler set! Titles include "The Soulful Shack", "My Love Is Your Love", "Don't Think It's Me", "I'm On The Outside (Looking In)", "More Love", and "It's A Good Feeling". LP, Vinyl record album

2CDs – and a motherlode of classic work by The Temptations! The set focuses on the group's groundbreaking work with producer Norman Whitfield at Motown – sides from the late 60s and early 70s that were some of the most righteous to ever come out of the motor city! Whitfield had a really magical style that was perfect for the group – taking their older group style, and souping it up with heavy bass, rumbling drums, and lots of fuzzy guitar licks – all of which made for a sound that was instantly psychedelic, and massively righteous! The set includes 2 previously unreleased longer takes of "Psychedelic Shack" and "Ball Of Confusion" – plus 22 other classics that include "Slave", "Message From A Black Man", "I Can't Get Next To You", "Don't Let the Joneses Get You Down", "Cloud Nine", "Runaway Child", "Love Can Be Anything", "Smiling Faces Sometimes", "Ungena Za Ulimengu", "Masterpiece", "Ain't No Justice", "1990", "Funky Music Sho Nuff Turns Me On", "Take A Stroll Thru Your Mind", "Plastic Man", and "War". CD

2CDs, 40 tracks – and a motherlode of incredible work in the exotica vein! Most of the sides on the set are from Denny's groundbreaking albums for Liberty Records in the late 50s and early 60s – albums that featured Denny's hip combo lineup of piano, vibes, percussion, and lots of other odd effects – all working through a variety of exotica tunes to create a very cool sound! The whole thing's put together very nicely, with an incredibly gorgeous cover – and titles include "Bacoa", "Mau Mau", "Jungle Madness", "Black Orchid", "The Left Arm Of Buddha", "Lotus Land", "Time & Tide", "Swamp Fire", "Isle Of Love", and "Jungle Drums". CD

A motherlode of Al's classic soul hits from the early and mid 70's, with essential tracks like "Love & Happiness", "L-O-V-E", "Livin For You", "Full Of Fire", and "Take Me To The River". Great stuff, all sung with Al's perfect voice and great Hi Records backing. LP, Vinyl record album

Rare work by Andrew Hill – recorded in the 60s – but not issued until this 1975 2-fer package, which then went out of print very quickly! One session's from 1969, and features Hill with Bennie Maupin, Charles Tolliver, and Pat Patrick. Another has him and Maupin playing a few tracks with a string quartet. And the last set (which covers all of the second record) is a straighter set from 1965, with Freddie Hubbard, Joe Henderson, Richard Davis, and Joe Chambers. The album's a motherlode of great rare material by one of the best piano players of the 60's, and a talent that Blue Note made sure to record as much as they could. Tracks include "Diddy Wah", "Fragments", "Erato", "Pax", and "Eris". LP, Vinyl record album

A motherlode of early jazz recordings by Peggy Lee – 3CDs worth of material recorded for Capitol, in small groups, as the title says, with players that include Buddy Cole, Dave Barbour, George Van Eps, and Hal Schaefer. Peggy sounds quite different here than on later pop sides – fresh from work with Benny Goodman, and with a sparkling voice that sounds very fresh! Titles include "Swingin On A Star", "Fine & Dandy", "I Only Have Eyes for You", "Mean To Me", "Blue Skies", "Glory Of Love", "The Way You Look Tonight", "Back In Your Own Back Yard", and "As Long As I'm Dreamin". CD

Paul McCartney is on the cover, and they even got him to sit for great interview to discuss 50 Years of "Band On The Run" – plus a free CD featuring a slew of great bands inspired by that classic album! Other great features including Jon Anderson on the trailblazing prop pedigree of Yes, a farewell to Shane MacGowan, African women singer supergroup Les Amazones D'Afrique and lots more – along with the usual motherlode of reviews and regular items. The CD Jet Powered Pop includes tracks by Teenage Fanclub, Susanna Hoffs & Matthew Sweet, Lemon Twigs, Heatmiser, XTC, Shoes, The dBs, Those Pretty Wrongs, Nada Surf, Brendan Benson and others. Magazine

An incredible record from Bobby Blue Bland – and quite possibly the greatest one he ever made! The set's got an amazing something special that's unlike most other material of the time – a bit blues, but a lot of soul too – still with some echoes of R&B in the jazzier charts used for the backdrop, but presented with a rock-solid style that definitely points the way towards many sounds and styles to come in the 60s. And although Bland recorded many of these tracks as separate singles, there's a way they're put together here that makes the whole thing sound completely marvelous together – a really well-conceived track list that shows that Bobby's an even greater artist in the space of a full record. The arrangements are perfect, and Bobby's rough soulful voice is blended in this amazing way with killer horn arrangements that are far more sophisticated than most stuff that ever came after this, and which never get in the way, but only back up his deep emotion. The album's a motherlode of classics by the man, with gems that include "Two Steps From The Blues", "Cry Cry Cry", "I Don't Want No Woman", "I'm Not Ashamed", "Don't Cry No More", "Lead Me On", and "I Pity The Fool". And hell, even his version of "St James Infirmary" is pretty wonderful – something we never thought we'd say about that song. LP, Vinyl record album

African rhythms, jazzy instrumentation, rock inspiration, and a motherlode of funky sound library grooves from two of the best British maestros working in the business! The album's an early 70s gem from the KPM catalog – one of the most sought-after records ever issued by the label – and like the rest, never really made for public sale back at the time! Despite that humble origin, though, the grooves here are right up there with the funkiest work coming out from that side of the Atlantic at the time – a brilliant post-colonial blend of acoustic percussion, electric keyboards, and a fair bit of fuzzy guitar – all presented with a stripped-down, no-nonsense approach to the rhythms that's often funkier than work by some of the bigger names in the genre. Titles include "Heavy Water", "Ice Breaker", "Solid Satin", "Punch Bowl", "Frozen Steam", and "Black Light" by Alan Parker – and "Swamp Fever", "Range Rover", "Survival", "Afro Waltz", "Heat Haze", "Rocking Rhino", and "Afro Metropolis" by John Cameron. LP, Vinyl record album

Don't even think about the other collections of Johnny Cash's Sun recordings – this is the motherlode, and features just about every single note that he recorded for the legendary label! The mantra of the set is "the singer is more important than the song", and it's certainly true in the case of Johnny. He broke all kinds of barriers between country and early rock music with his sparse, raw and economical productions highlighting the amazingly great rough hewn song style he perfected. The set includes 138 tracks total, including lots of alternate versions, even a bonus disc of an entire unedited recording session. It also includes a huge book with a meticulously researched biography, recording notes, a great wealth of publicity shots, and even childhood photos! Everything's here folks, and sequenced chronologically according to recording dates – "Wide Open Road", "You're My Baby", "My Treasure", "Hey Porter", "I Walk The Line", "Folson Prison Blues", "Don't Make Me Go", "Next In Line", "Big River", "Ballad Of A Teenage Queen", "Cry, Cry, Cry", "The Ways Of A Woman In Love", "Story Of A Broken Heart" – what, you're still reading? Buy this! CD

Chunky funky soul from the great Lee Dorsey – a motherlode of his best work from the late 60s – groundbreaking New Orleans soul, most of which was produced with a heavy edge by Allen Toussaint! The set kicks off with 2 early R&B-ish numbers – "Ya Ya" and "Do Re Me" – but then rolls into a track list of 16 more cuts of funky 60s soul – including "My Old Car", "Ride Your Pony", "Holy Cow", "Sneakin Sally Through The Alley", "Night People", "Everything I Do Gohn Be Funky", "Get Out of My Life Woman", and "Working in the Coal Mine". CD

An insane classic from one of the wildest funk bands ever! According to reports, George Clinton and the band cut this set in a marathon 48-hour stretch in the studio – working like mad all night and day long, after dropping a motherlode of some mighty fine acid! We don't know if that story's entirely true, but the music on the album certainly backs it up – as it's some of the band's freest, most open-ended, most heavy-jamming work ever recorded! Guitars dominate over funky bass and drums – and the whole thing's an amazing blend of music, swirled together into a non-stop psychedelic party that includes P-Funk gems like "Funky Dollar Bill", "Free Your Mind", "Eulogy and Light", and "I Wanna Know If It's Good To You". LP, Vinyl record album

A motherlode of rare tenor work from the east coast bop scene – rare singles and album tracks recorded for the Dawn label! First up are 4 numbers done by Stan Getz in 1949 with a group that includes Al Haig and Jimmy Raney – on titles that include "Skull Buster", "Ante Room", "Pennies From Heaven", and "Poop Deck". The Getz edge is already very firmly in place on these sides, with a sound to match the quality of Stan's work for Prestige or Roost in the same era. Wardell Gray follows with 2 numbers – "It's The Talk Of The Town" and "In A Pinch" – both done with a similar group that includes Raney and Haig, also recorded in 1949. The scene then moves to 1956 – a big year of recording for the Dawn label – and features 2 tracks that have Paul Quinichette blowing with the Gene Roland group – "These Foolish Things" and "Along About This Time Of Year" (neither of which are on the other Quinichette Dawn/Biograph CD.) Last up is Zoot Sims – one of Dawn's strongest artists – heard here on 6 tracks from 1956, done with a group that includes Jerry Lloyd on trumpet – and including "Blues For The Month Of May", "The Big Stampede", "Jerry's Jaunt", and "I Should Care". CD

Cool 2LP collection of some of Roland Kirk's best stuff from his Mercury years, including a motherlode of tracks that are very very hard to find on LP! Tracks include "Reed & Deeds", "Rip Rig & Panic", "Where Monk & Mingus Live", "Get Out Of Town", "The Haunted Melody", "Between The Fourth & Fifth Step", "Black Diamond", "Domino", "Meeting On Termini's Corner", "Raouf", and "No Tonic Pres". Very cool, very hard, and with loads of Roland's cool reed work! LP, Vinyl record album