Supposedly the end of Willie Colon's early "crime" career – as the title and cover imply that he's finally been brought to trial! Don't worry about Willie being beaten down, though, because the music on the album is every bit as fierce and powerful as ever – and features a number of long tracks that really stretch out in a highly percussive groove! The group's great – with Jose Mangual on bongos, Joe Torres on piano, and Milton Cardona on conga – as well as Hector Lavoe still in the lead on vocals. Titles include "Aguanile", "Pan y Agua", "Seguire Sin Ti", "Timbalero", "Pirana", "Ah Ah O No", "Si La Ves", and "Sonando Despierto". LP, Vinyl record album

The scene is clean, and Ronnie Cuber is plenty swinging – really coming into his own here as a leader, after years of important work as a sideman for others! Cuber blows beautifully on a host of horns – tenor, alto, baritone, and flute – in a groove that wraps together his years of experience in both Latin and soul jazz bands – held together here by a lineup that includes Joey DeFrancesco on organ, Milton Cardona on percussion, and Geoff Keezer on keyboards. Titles include "Song For Pharoah", "Arroz Con Pollo", "Mezambo", "Fajardo", and "Tete's Bag". CD

Hanrahan's 3rd LP for American Clave – and slightly more of a confused effort than the first two, although still with a tremendous vision that marks it as an incredibly lucky bit of work to come out of the often-turgid New York scene of the mid 80s! Hanrahan's got no qualms about baring himself in the vocal numbers of the songs – and the range of performers (Milton Cardona, Jack Bruce, Leo Nocentelli, Charles Neville, and many others) he's got to back him up, ensure that his vision is handled with the right degree of professional courtesy. Titles include "Ah Intruder", "Road Song", "The First & Last To Love Me", "American Clave", "Love Is Like A Cigarette", and "A Model Bronx Childhood". LP, Vinyl record album

Always the master storyteller, Kip Hanrahan turns his unique musical vision to source material from 1001 Arabian Nights – interweaving stories from the text with jazz-based expression, augmented by spoken and vocal passages. Carmen Lundy sings quite a bit on the record – which is a real treat to our ears, as its great to hear her in such a left-field project – and other artists on the set include Don Pullen, Milton Cardona, Mike Cain, Jack Bruce, JT Lewis, and Henry Threadgill. Tracks include "Diente De Oro", "Aziz & Azizah", "Dunya's Nocturnal Realization", "The Hasheater's Tale", "The Angel Charles & The Caravans Of Jinns & Dreams", and "The Jewish Doctor's Tale". CD

An excellent session – very much in the mode of Eddie's groundbreaking work from the early 70s, when he was mixing together some incredibly complicated piano lines with newer styles of Latin jazz. The album's about half vocal, half instrumental – with a very strong jazz component that's made even better through the percussion work of Milton Cardona and Francisco Aquabella. Eddie's piano is the real treat, though – and it's incredible on tracks like "Just A Little Dream", "Azucar", "La Libertad", and "Verdict On Judge Street". The album does have one semi-weak number called "Humpty Dumpty", a smoother soul track – but you can skip over it and enjoy the rest of the great jazz! LP, Vinyl record album

Features Michael Brecker on saxophones, electronic wind instruments, and keys – with Joey Calderazzo on piano, Jim Beard on synths, Victor Bailey on bass, Adam Nussbaum on drums, and Don Alias and Milton Cardona on percussion. CD

An 80s classic from one of the hippest Latin jazz ensembles of its time – the wonderful Fort Apache band of trumpeter/percussionist Jerry Gonzalez! As with other albums from the group, the key strength here is Jerry's choice of compadres – a great lineup of jazzmen who understand both Latin rhythms and more open, expressive soloing – which really allows them to stretch way way past any sort of obvious cliches for their genre. Some of the tunes get quite modern at points – and players include John Stubblfield on tenor, Angel Papo Vasquez on trombone, Larry Willis on piano, Edgardo Miranda on guitar, and Steve Berrios, Nicky Marrero, and Milton Cardona on percussion. Titles include "Nefertiti", "Eighty One", "Siempre Junto A Ti", "Evidence", and "Jackie-ing". CD

A great second session of Christmas music from Willie Colon in the 70s – served up with the same warm spirits and earthy energy as the first! As before, Hector Lavoe's on vocals, Yomo Toro plays cuatro, and the group's got a rootsy sort of feel that recalls Willie's excellent Good Band & Ugly album – that rootsy style that Willie Colon used a bit in the mid 70s, after charging things up with his youthful break from tradition at the end of the 60s! The cover has a great image of Santa and his helpers gangstering a car mechanic – and Joe Torres turns out some great piano lines, next to the percussion of Milton Cardona and Jose Mangual. Titles include "Cantemos", "Pescado", "Tranquilidad", "Arbolito", "La Banda" and "Recomendacion". LP, Vinyl record album

Brian Lynch, Pete Rodriguez, and Tony Lujan on trumpet, Donald Harrison on alto saxophone, Conrad Herwig and Luis Bonilla on trombone, Chris Washburne on tuba, David Kikoski on piano, Essiet Okon Essiet and John Benitez on bass, Adam Cruz and Jeff "Tain" Watts on drums, and Milton Cardona on congas. CD

An excellent session – very much in the mode of Eddie's groundbreaking work from the early 70s, when he was mixing together some incredibly complicated piano lines with newer styles of Latin jazz. The album's about half vocal, half instrumental – with a very strong jazz component that's made even better through the percussion work of Milton Cardona and Francisco Aquabella. Eddie's piano is the real treat, though – and it's incredible on tracks like "Just A Little Dream", "Azucar", "La Libertad", and "Verdict On Judge Street". CD

Majestically soulful work from tenorist David Sanchez – recorded with a depth and maturity that's incredible, and which is instantly timeless, despite the year of the recording. Sanchez plays both tenor and soprano with a confidence that's only matched by a few players – right up there in the Coltrane and Rollins class – working in a well-matched group that includes Danilo Perez on piano, playing in some bright tones that really make the record sparkle. Other players include Tom Harrell on trumpet, Leon Parker on drums, Andy Gonzalez on bass, and Milton Cardona on percussion – who gives the album some great Latin touches at times. Titles include "CJ", "Ebony", "You Got It Diz", "Santander", "The Departure", and "Nina's Mood". CD

Features Dave Valentin on flute, Ronnie Cuber on baritone, Bill O'Connell on piano, Ruben Rodriguez on bass, Robby Ameen on drums, and Milton Cardona, Nicky Marrero, and Richie Flores on percussion! CD

Wonderful stuff – one of Kip Hanrahan's unique albums recorded for American Clave during the mid 80s, a daring blend of jazz, vocals, and influences from various Latin sources. The players on the set are as diverse as the sounds – and incluce Jack Bruce, Milton Cardona, Steve Swallow, Arto Lindsay, David Murray, and Hanrahan on percussion – and although the album should just sound like a mess, it ends up coming across wonderfully, with some of the most daringly intimate vocal tracks recorded in the jazz field during the 80s. Titles include "Shadow Song", "Small Map Of Heaven", "Two Heartedly", "Chances Are Good", "Make Love 2", "What Do You Think", and "Describing It To Yourself As Convex". LP, Vinyl record album

David Sanchez on tenor & soprano sax, clave & rainstick, Kenny Garrett on alto sax, Danilo Perez on piano, Larry Grenadier on bass, John Benitez on bass & clave, Charnett Moffett on bass, Clarence Penn on drums, Horacio Hernandez on drums, Milton Cardona on bata drums & shekere & Richie Flores on percussion. CD

Edward Simon on piano, Mark Turner on tenor saxophone, Larry Grenadier on bass, Adam Cruz on drums, and Milton Cardona on percussion. CD