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Sault have always been fantastic, but it also seems that with each new release, they get even more powerful and progressive – opening up a more radical agenda that really comes through in their music! The group don't state their position with the title of the record – which is essentially untitled – but their message comes through loud and clear in the way the righteous lyrics mix perfectly with their spare, stark instrumentation – a range of rhythms that often make it hard to tie Sault to any one category or scene, but which also makes the record bristle with excitement – on titles that include "Don't Shoot Guns Down", "Wildfires", "Sorry Ain't Enough", "Black Is", "Stop Dem", "Hard Life", "Hold Me", "Only Synth In Church", "Why We Cry When We Die", and "Bow", which features a guest appearance from Michael Kiwanuka. CD

A tightly woven batch of jazzy soul tracks – the usual from Bluey and Incognito, classier than most soul you'll find on the market today, and with a depth that gives the work a distinctly classic sound! Titles include "Dark Side of The Cog", "Out Of The Storm", "Living Against The River", "She Wears Black", "Solar Fire", "Labor Of Love", "Hold On To Me", and "Without You". CD

That's a rainy image of our Chicago hometown on the cover – and it really suits the spirit of this set of work from fellow Chicagoan Philmore Greene – as the set's got a moody, almost melancholy approach that's given just the right sort of spin by Apollo Brown's production! The whole thing almost feels like a mini movie – but not the sort with those outdated skits or narrative bits – just this wider cinematic scope that has Brown empowering Greene in the best way possible – subtle majesty that's just right for the Windy City, on cuts that include "Hittin Blocks", "This Is Me", "Free", "Day On The Ave", "Nice To Meet You", "Just Imagine", "It's Different", "Promises", "Where's The Love", "Paradise", and "Keep Goin". LP, Vinyl record album

That's a rainy image of our Chicago hometown on the cover – and it really suits the spirit of this set of work from fellow Chicagoan Philmore Greene – as the set's got a moody, almost melancholy approach that's given just the right sort of spin by Apollo Brown's production! The whole thing almost feels like a mini movie – but not the sort with those outdated skits or narrative bits – just this wider cinematic scope that has Brown empowering Greene in the best way possible – subtle majesty that's just right for the Windy City, on cuts that include "Hittin Blocks", "This Is Me", "Free", "Day On The Ave", "Nice To Meet You", "Just Imagine", "It's Different", "Promises", "Where's The Love", "Paradise", and "Keep Goin". LP, Vinyl record album

That's a rainy image of our Chicago hometown on the cover – and it really suits the spirit of this set of work from fellow Chicagoan Philmore Greene – as the set's got a moody, almost melancholy approach that's given just the right sort of spin by Apollo Brown's production! The whole thing almost feels like a mini movie – but not the sort with those outdated skits or narrative bits – just this wider cinematic scope that has Brown empowering Greene in the best way possible – subtle majesty that's just right for the Windy City, on cuts that include "Hittin Blocks", "This Is Me", "Free", "Day On The Ave", "Nice To Meet You", "Just Imagine", "It's Different", "Promises", "Where's The Love", "Paradise", and "Keep Goin". LP, Vinyl record album

A beautiful package of rare work from the archives – two never-released recordings, brought together in a cool book-style package! First up is Living City – breathtakingly organic sounds from Jon Hassell – performing here live, and at a level that's a nice evolution from his studio modes in the earlier part of the 80s – with all sorts of long-blown lines, and nicely complex elements in the sound! Hassell handles both his famous electrified trumpet and keyboards, with a group that includes keyboards, guitar, bass, and percussion samples – all mixed live by Brian Eno, who definitely adds a darkness to the whole proceedings – recalling the Fourth World experiments that he and Hassell had done about a decade before, but with a quality that really respects all the growth that Jon went through as an artist in the intervening years. Titles include "Ituri", "Alchemistry", "Mashujaa", "Paradise Now", "Nightsky", and "Adedara Rising". Next is Psychogeography – very heady work from Jon Hassell – a set that almost seems to showcase his skills as a producer as much as it does his always-creative work on trumpet and keyboards! The sound here is often very layered and dense – maybe Hassell's own take on the noisier territory of Miles Davis electric imports of the 70s – but warmer, and with more of the organic elements that we love in some of Jon's other material. The recordings have never been issued – and are reworked elements of some material that went into the City/Works Of Fiction album – but with a quality that's very different than that. Tracks are shorter than some of Hassell's ususal work, which only increases their density – as Jon plays with work from a group that uses guitar, bass, keyboards, and plenty of live and sampled percussion. Titles include "Cityism Superdcub", "Harambe", "Freeway", "Midnight", "Favela", "Waterfront District", "Cloud Shaped Time", and "Emerald City". CD

The more stylistically sprawling of the 2 albums Prince released upon returning to Warner Brothers in 2014 – nicely recalling some of his better later 80s and early 90s material, post-Sign O The Times craft – but still moving forward, as opposed to reliving past glories! Art Official Age finds Mr. Nelson working in myriad strains of eccentric, 80s-learned pop, soul and funk – in a voice that's held up impossibly well over the years. This one is credited to Prince alone, but features backing by his 3rdeyegirl rock band, Marissa Jack, aka Golden Hippie, Paloma Ayana and others. Everything from tripped out cosmic soul pop, to electro funk and psych soul guitar jams – Prince will be Prince! Includes the title track, "Clouds", "Breakdown", "The Gold Standard", "Breakfast Can Wait", "This Could Be Us", "Way Back Home", "Affirmation" (parts I, II & III), "Time" and more. CD

The massive second album by PE – and the one where where the hit their full creative stride, and their politics and philosphy hit at full force – moving Public Enemy from an imposing threat to both the hip hop and pop music status quo to a straight up cultural phenomenon! There's little we can add to canon of critical regard this unimpeachable classic – just know that it's as essential as any hip hop album of the era. Includes "Bring The Noise", "Don't Believe The Hype", "Prophets Of Rage" and "Rebel Without A Pause", "Cold Lampin With Flavor", "Terminator X To The Edge Of Panic", "Louder Than A Bomb", "Caught, Can We Get A Witness", "She Watch Channel Zero", "Night Of The Living Baseheads", "Black Steel In The Hour Of Chaos", "Prophets For Right To Fight" and more. CD

The massive second album by PE – and the one where where the hit their full creative stride, and their politics and philosphy hit at full force – moving Public Enemy from an imposing threat to both the hip hop and pop music status quo to a straight up cultural phenomenon! There's little we can add to canon of critical regard this unimpeachable classic – just know that it's as essential as any hip hop album of the era. Includes "Bring The Noise", "Don't Believe The Hype", "Prophets Of Rage" and "Rebel Without A Pause", "Cold Lampin With Flavor", "Terminator X To The Edge Of Panic", "Louder Than A Bomb", "Caught, Can We Get A Witness", "She Watch Channel Zero", "Night Of The Living Baseheads", "Black Steel In The Hour Of Chaos", "Prophets For Right To Fight" and more. LP, Vinyl record album

The massive second album by PE – and the one where where the hit their full creative stride, and their politics and philosphy hit at full force – moving Public Enemy from an imposing threat to both the hip hop and pop music status quo to a straight up cultural phenomenon! There's little we can add to canon of critical regard this unimpeachable classic – just know that it's as essential as any hip hop album of the era. Includes "Bring The Noise", "Don't Believe The Hype", "Prophets Of Rage" and "Rebel Without A Pause", "Cold Lampin With Flavor", "Terminator X To The Edge Of Panic", "Louder Than A Bomb", "Caught, Can We Get A Witness", "She Watch Channel Zero", "Night Of The Living Baseheads", "Black Steel In The Hour Of Chaos", "Prophets For Right To Fight" and more. LP, Vinyl record album

The massive second album by PE – and the one where where the hit their full creative stride, and their politics and philosphy hit at full force – moving Public Enemy from an imposing threat to both the hip hop and pop music status quo to a straight up cultural phenomenon! There's little we can add to canon of critical regard this unimpeachable classic – just know that it's as essential as any hip hop album of the era. Includes "Bring The Noise", "Don't Believe The Hype", "Prophets Of Rage" and "Rebel Without A Pause", "Cold Lampin With Flavor", "Terminator X To The Edge Of Panic", "Louder Than A Bomb", "Caught, Can We Get A Witness", "She Watch Channel Zero", "Night Of The Living Baseheads", "Black Steel In The Hour Of Chaos", "Prophets For Right To Fight" and more. CD