An amazing look at the early years of Sly Stone – a hip array of rare projects Sly recorded with other artists, plus a few pre-Columbia gems of his own! The package is beautifully put together, and the vibe here is definitely a great precursor to the famous sound of Sly with the Family Stone in the late 60s – a perfect illustration of his early ear for funky rhythms and some of the most righteous soul of his generation! And oddly, even artists who usually sound far from Stone come out definitely sounding a bit Sly-like here – and the package features the usual Ace great notes, to help you understand where all this great music's coming from. Titles include "Danse A La Musique" by The French Fries, "I'm Going Home (part 1)" and "Home Sweet Home (part 2)" by Joe Hicks, "You're The One (parts 1 & 2)" by Little Sister, "Life & Death In G & A" by Abaco Dream, "I'm Just Like You" by 61X, "Underdog" by The Beau Brummels, "Can't She Tell" by Billy Preston, "LSD" by Freddie & The Stone Souls, "Stanga" by Little Sister, "I Remember" by Sly & Billy Preston, "Superfunk" by Freddie & The Stone Souls, and the cuts "For Real (demo)", "I Can't Turn You Loose", "Life Of Fortune & Fame", "You Really Got Me (demo)", and "I Ain't Got Nobody" by Sly Stone himself! CD

A great little record from Art Pepper – four long tracks that really have him stretching out on alto – but in a way that's maybe a bit different than some of his more burning albums on the Galaxy label at the time! The group here follows from some of the previous Artist House recordings – George Cables on piano, Charlie Haden on bass, and Billy Higgins on drums – a rhythm combo that's mighty nice – and which benefits from some great straight basswork from Haden, and Higgins' always compelling sense of rhythm! Titles include "My Friend John", "Stardust", and "Tin Tin Deo" – plus a reading of "In A Mellotone" that has Art on clarinet. CD features six bonus tracks – the tune "Art's Sweet Blues", and alternates of "But Beautiful", "Yesterdays", "Stardust", "In A Mellow Tone", and "You Go To My Head". CD

A great little album from Max Roach – one that has him finding a whole new voice in jazz! The set was recorded on the heels of Max's time with Clifford Brown – and it's a great little album that has him bouncing back nicely from the loss by moving into a new realm that shows off his more lyrical side! The group on the album features Kenny Dorham on trumpet, Sonny Rollins on tenor, Billy Wallace on piano, and George Morrow on bass – and as you'd guess by the title, most tunes are in a jazz waltz mode, which gives them a nicely dancing quality, soft and a bit exotic – almost modal at times – and a nice change from Roach's more full-on hardbop style of the Clifford Brown years. Titles include "Little Folks", "Lover", "The Most Beautiful Girl In the World", and "Blues Waltz". LP, Vinyl record album

A really amazing project – and a totally righteous little record – a set of songs all penned by Bob Dylan in the 60s, sung by a hip spiritual choir that includes performances from soul singers Clydie King, Merry Clayton, Edna Wright, and Gloria Jones! The mix of soul and gospel here is wonderful – very much in the spirit of The Voices Of East Harlem at the same time – with this progressive, positive vibe that goes way way past the original style of Dylan's music! Gene Page handled the musical arrangements, and Billy Page helped with the vocals – and together they really transform the compositions – creating a very different setting for the great lyrics of songs that include "The Mighty Quinn", "All Along The Watchtower", "Mr Tambourine Man", "Chimes Of Freedom", and "The Times They Are A Changin". A record that shouldn't work this well – but it does, and beautifully too! LP, Vinyl record album

5 albums from Lee Morgan – one of the coolest cats to ever handle a trumpet for Blue Note! First up is Delightfulee – really unique album from the great Lee Morgan – a set that features the trumpeter in two different settings, but in a way that really works well together! Most of the album has Lee blowing in a very cool quintet – with Joe Henderson on tenor, McCoy Tyner on piano, Bob Cranshaw on bass, and Billy Higgins on drums – a group who maybe bring out a slightly hipper vibe that really points the way to the rest of Morgan's direction in the late 60s, when he was really letting some more spiritual currents loose. The other two tracks on the record feature a hip larger band directed by Oliver Nelson – swinging hard in a really soulful style! Nelson's arrangements on these two tracks are great – quite progressive, with a soul jazz big band style that seems to point the way towards the 70s – and the band provides a raging backdrop that lets Lee's trumpet soar over the top in beautiful crystal clear solos. Titles include "Nite Flite", "Delightful Deggie", "Ca-Lee-So", and "Zambia". Also features a few bonus tracks. The Cooker is a very appropriate title for a very cooking little album – one of Lee Morgan's first efforts as a leader, cut back during his first years of late 50s fame! The style here is a bit less Morgan-esque than some of Lee's later 60s classics – but the record is rock-solid throughout, and proof that Morgan was every bit as great a leader in a hardbop session as Hank Mobley or some of the other emerging heavyweights at Blue Note! The strength of the group really helps keep the fire stoked on the set – and Bobby Timmons turns in some amazing piano work alongside a lineup that includes Pepper Adams on baritone sax, Paul Chambers on bass, and Philly Joe Jones on drums. The Adams presence gives the record a bit of the feel of some of Pepper's sessions with Donald Byrd – but the sparkling, soaring sound of Morgan makes the record way more than just a copycat set. Titles include "New-Ma", "Night In Tunisia", "Lover Man", "Just One Of Those Things", and "Heavy Dipper". Lee Way is an undisputed masterpiece by Lee Morgan – and one of the first records in which he shed his straight bop sensibility, and began evolving into a soulful genius for the 60s! The album's got 4 long tracks that all build beautifully – really extended numbers that break the format of some of Lee's earlier work, and hint a bit at some of the more complicated touches he'd use on later sessions. All players are great – and include fellow Jazz Messengers Bobby Timmons on piano and Art Blakey on drums, plus Jackie McLean on alto and Paul Chambers on bass. Titles include the sublime "These Are Soulful Days" – a perfect model of soulful lyricism – plus "Midtown Blues", "Nakatini Suite", and "The Lion & The Wolff". Rumproller often gets too easily lumped next to The Sidewinder – because of an obvious title and cover similarity to that hit record – but like that one, the album's far more than jazz cliche – and shows Lee Morgan to be one of the greatest jazz musicians of the 60s. The set starts off with the title cut, "The Rumproller" – hard-wailing soul bop, in the manner of Lee's most popular work – but then it easily flows into more sensitive material that has a freer, lyrical feel – like the great original tune "Eclipso" and Wayne Shorter's "Edda" – both of which are superb. Lee is astounding, as always, on trumpet – and the rest of the group includes the great Ronnie Matthews on piano, plus Joe Henderson, Victor Sproles, and Billy Higgins. Search For The New Land is a brilliant album that proves that even at the height of his success, Lee Morgan was one of the freest thinkers on Blue Note – always coming up with fresh ideas that continued to grow his talents! The first cut on the album is keen poof of that fact – the title track "Search For The New Land" – a beautiful 16 minute exploration of modal jazz themes, with an unusual stop/start device as a means of ushering solos by different bandmates – including Wayne Shorter on tenor, Grant Green on guitar, and Herbie Hancock on piano! The approach is unlike anything that Morgan ever did before – and unlike most of other Blue Note as well – and it also benefits from great rhythmic help from Reggie Workman on bass and Billy Higgins on drums. Other tunes are a bit more conventional, but still pretty special – like some of Morgan's inventive work on the Rajah albums – with titles that include "The Joker", "Melancholee", "Mr. Kenyatta" and "Morgan The Pirate". CD

A great little album from Max Roach – one that has him finding a whole new voice in jazz! The set was recorded on the heels of Max's time with Clifford Brown – and it's a great little album that has him bouncing back nicely from the loss by moving into a new realm that shows off his more lyrical side! The group on the album features Kenny Dorham on trumpet, Sonny Rollins on tenor, Billy Wallace on piano, and George Morrow on bass – and as you'd guess by the title, most tunes are in a jazz waltz mode, which gives them a nicely dancing quality, soft and a bit exotic – almost modal at times – and a nice change from Roach's more full-on hardbop style of the Clifford Brown years. Titles include "Little Folks", "Lover", "The Most Beautiful Girl In the World", and "Blues Waltz". LP, Vinyl record album

A record that's sometimes overlooked in the career of the legendary Eartha Kitt – a set that came out on MGM in the early 60s, after Kitt's initial rise to fame on RCA, and before taking off for a long stretch overseas! The set hints at the sound of that era a bit – and arrangements by Billy May and Bill Loose have this gently sophisticated style that fits the growing sophistication in Kitt's phrasing as she really develops her style. Songs follow the themes of her famous work – and titles include "Diamonds Are A Girl's Best Friend", "Good Little Girls", "Never On Sunday", "Always True To You In My Fashion", "La Dolce Vita", "All I Want Is All There Is & Then Some", and "It's So Nice To Have A Man Around The House". LP, Vinyl record album

A hip little set from Ruth Brown – miles away from her earlier R&B for Atlantic, and much more in the adult, righteous, and contemporary mode you'd expect from the title! The session's one of the key sides from the late 60s Skye Records catalog – and like others on the label, it features Gary McFarland production, and some great small group backings by a group that includes Richard Tee on organ, Billy Butler on guitar, and Herbie Lovelle on drums. Ruth's trials and tribulations are listed in detail inside the notes – and the record was one of the first re-discovery efforts that Brown undertook – a session that was trying to help her pay her dues, and expose her to the same sort of audiences that were lapping up Aretha Franklin at the time, but not giving as much attention to older singers. Tracks are a mix of (then) contemporary numbers and updated older tunes – with titles that include "Yesterday", "Please Send Me Someone To Love", "Lookin Back", "Try Me & See", "Miss Brown's Blues", "My Prayer", and "This Bitter Earth". CD

A hip little set from Ruth Brown – miles away from her earlier R&B for Atlantic, and much more in the adult, righteous, and contemporary mode you'd expect from the title! The session's one of the key sides from the late 60s Skye Records catalog – and like others on the label, it features Gary McFarland production, and some great small group backings by a group that includes Richard Tee on organ, Billy Butler on guitar, and Herbie Lovelle on drums. Ruth's trials and tribulations are listed in detail inside the notes – and the record was one of the first re-discovery efforts that Brown undertook – a session that was trying to help her pay her dues, and expose her to the same sort of audiences that were lapping up Aretha Franklin at the time, but not giving as much attention to older singers. Tracks are a mix of (then) contemporary numbers and updated older tunes – with titles that include "Yesterday", "Please Send Me Someone To Love", "Lookin Back", "Try Me & See", "Miss Brown's Blues", "My Prayer", and "This Bitter Earth". LP, Vinyl record album

A record that's sometimes overlooked in the career of the legendary Eartha Kitt – a set that came out on MGM in the early 60s, after Kitt's initial rise to fame on RCA, and before taking off for a long stretch overseas! The set hints at the sound of that era a bit – and arrangements by Billy May and Bill Loose have this gently sophisticated style that fits the growing sophistication in Kitt's phrasing as she really develops her style. Songs follow the themes of her famous work – and titles include "Diamonds Are A Girl's Best Friend", "Good Little Girls", "Never On Sunday", "Always True To You In My Fashion", "La Dolce Vita", "All I Want Is All There Is & Then Some", and "It's So Nice To Have A Man Around The House". LP, Vinyl record album

One of the most unique albums on the Strata East label – and that's saying a heck of a lot, given the creative energies flowing through that legendary jazz outlet! Descendants Of Mike & Phoebe is a righteous little project put together by Spike Lee's father, Bill Lee, and his brothers and sisters (Cliff Lee, Grace Lee Mims, and Consuela Lee Moorhead) – working here in a group named after their slave ancestors, who are paid tribute in a beautifully flowing batch of tunes! Lee's round, warm bass tones are firmly at the head of the group on most numbers – recorded at a similar level to his excellent work with Clifford Jordan on Strata East during the same time – and other instrumentation includes piano from Consuela, flugelhorn from Cliff, and percussion from Sonny Brown and Billy Higgins – all used in a wonderfully evocative style that's even better than some of Lee's later soundtrack work. A few numbers feature vocals from Grace – singing wordlessly and with a really heavenly sort of quality – and together, the whole group have a undeniable sense of power and majesty, yet also one that's touched by a really personal sense of poetry too. Titles include a great version of Lee's "Coltrane", which was more famously recorded with Clifford Jordan – plus "Chick Chick", "Attica", "Too Little, Too Late", "Boll Weevil", "Don't Be A Stranger", and "Well Done, Weldon". LP, Vinyl record album

Sublime work from trumpeter Art Farmer – and a key document of the way that he continued to develop his sound in the 70s! Farmer's at the height of his powers here – working in a soulful quartet with Cedar Walton, Sam Jones, and Billy Higgins – just setting up these beautiful little solos that seem to float out effortlessly from his golden horn. The gentle emotion and light swing of the album give it the surprisingly emotional pull of a sad San Francisco afternoon – as the sun shines brightly, but a strange chill interrupts any easy dreaming that might take place. Includes sublime versions of "What Are You Doing The Rest Of Your Life", "How Insensitive", "Firm Roots", and Benny Golson's "Yesterday's Thoughts". CD

Fiercely funky Freddie Hubbard – a late 70s live date, but one that has the same bold power as his early 70s albums for CTI! Like those classics, the tracks here are all quite long – and served up in this beautifully flowing mix of acoustic and electric elements – Freddie on trumpet, Hadley Caliman on tenor and flute, Billy Child on piano and keyboards, Larry Klein on bass, and Carl Burnett – a group that works together so beautifully in the live environment, you'd think their performance was the process of multiple takes! We love the spiritual energy that Hubbard can get in such a setting – and most of the record stretches out with very long tracks, including two that go past the 20 minute mark. Titles include "Take It To The Ozone", "Little Sunflower", "One Of A Kind", "Here's That Rainy Day", "Blues For Duane", and "Love Connection". CD

Rockabilly legend Billy Joy definitely rocks – hardly a household name in the 50s, but a killer figure in the rock and roll underground – and one whose fame has just grown more and more over the years! The package is a beautifully-done tribute to Benny's genius – and presents the most hard-rocking of his important 50s recordings, as well as a host of unreleased tracks from later demos too! Joy's guitar work alone is amazing, but when it's coupled with the kickass rhythms of the tunes, the music really takes off to a whole new level – burning with the power you'd expect from the classic Johnny Burnette Trio – and that's before Benny's gritty vocals even come into play! CD features 30 tracks in all – including some lost recordings from the 70s – titles that include "Rollin To The Juke Box Rock", "Dark Angel", "Miss Bobby Sox", "Little Red Book", "Button Nose", "Come Back", "Wild Wild Lover", "In Study Hall", "Crash The Party (unedited)", "Spin The Bottle (Nashville demo)", "Big John Taylor", "High High School Baby", and "Nosey Nosey Neighbors". CD

A beautiful album by Ron Carter – and quite rare, too! The record features a group that's got a nice 70s modal soul jazz sound – with players that include Herbie Hancock on acoustic and electric piano, Hubert Laws on flute, Sam Brown on guitar, and both Billy Cobham and Grady Tate on drums – all working in sweet small group mode alongside Carter's excellent work on acoustic and Fender bass. The sound is sometimes spacey, sometimes groovy – and marks a key chapter in Carter's career, one that has him stepping out of the background into a great role as a leader – setting the stage for many more albums to come in the 70s! Titles include the very funky "Uptown Conversation", plus the tracks "Half A Row", "Doom", "Little Waltz", "Ten Strings" and "Einbahnstrasse". Very soulful, with a stone mellow moody groove! CD

A fantastic testament to the slow-burning spiritual genius of Marion Brown – a player who sometimes got eclipsed in an era of bigger avant personalities, but who really gets to showcase his talents in a spare setting like this! The live performance pairs Brown's alto with the piano of Dave Burrell – another player who's sometimes understated, but in the best way possible – and together the pair sound completely sublime – gently exploring the farther reaches of tonal space with their improvisations, and almost always keeping things in relatively soulful formation! The set features beautiful readings of two Billy Strayhorn tunes – "My Little Brown Book" and "Lush Life" – balanced with original material that includes "Gossip/Fortunado", "La Placita", "Crucificado", "Puna Mae Ole", and "Punaluu Peter". CD

One of the most unique albums on the Strata East label – and that's saying a heck of a lot, given the creative energies flowing through that legendary jazz outlet! Descendants Of Mike & Phoebe is a righteous little project put together by Spike Lee's father, Bill Lee, and his brothers and sisters (Cliff Lee, Grace Lee Mims, and Consuela Lee Moorhead) – working here in a group named after their slave ancestors, who are paid tribute in a beautifully flowing batch of tunes! Lee's round, warm bass tones are firmly at the head of the group on most numbers – recorded at a similar level to his excellent work with Clifford Jordan on Strata East during the same time – and other instrumentation includes piano from Consuela, flugelhorn from Cliff, and percussion from Sonny Brown and Billy Higgins – all used in a wonderfully evocative style that's even better than some of Lee's later soundtrack work. A few numbers feature vocals from Grace – singing wordlessly and with a really heavenly sort of quality – and together, the whole group have a undeniable sense of power and majesty, yet also one that's touched by a really personal sense of poetry too. Titles include a great version of Lee's "Coltrane", which was more famously recorded with Clifford Jordan – plus "Chick Chick", "Attica", "Too Little, Too Late", "Boll Weevil", "Don't Be A Stranger", and "Well Done, Weldon". CD

Sublime work from trumpeter Art Farmer – and a key document of the way that he continued to develop his sound in the 70s! Farmer's at the height of his powers here – working in a soulful quartet with Cedar Walton, Sam Jones, and Billy Higgins – just setting up these beautiful little solos that seem to float out effortlessly from his golden horn. The gentle emotion and light swing of the album give it the surprisingly emotional pull of a sad San Francisco afternoon – as the sun shines brightly, but a strange chill interrupts any easy dreaming that might take place. Includes sublime versions of "What Are You Doing The Rest Of Your Life", "How Insensitive", "Firm Roots", and Benny Golson's "Yesterday's Thoughts". CD

Seminal 60s work from the Tymes – a group who could work with the energy of a doo wop group at one level, but who also had the class of a more sophisticated vocal act! On these recordings, The Tymes wonderfully bring together the worlds of streetcorner harmony and classier pop – singing material of the latter realm with the personal, effortless ease of the former – in a mode that helped them crossover strongly in their early years! Part of the strength of the group's work on these tunes comes from the uncluttered production and arranging skills of Billy Jackson and Roy Straigis – who bring up the vocals beautifully, and use other elements sparingly, but just enough to class up the sound nicely. There's a strong precursor here to New York uptown soul – as you'll hear on the set's 22 tracks that include "View From My Window", "Chances Are", "My Summer Love", "The Lamp Is Low", "One Little Kiss", "Address Unknown", "Anymore", "Here She Comes", "Come With Me To The Sea", "So Much In Love", "Wonderful Wonderful", and "Words Written On Water". CD

Strings of many shapes and sizes – not just violins, but guitars as well – all coming together in a host of instrumental pop classics! The package is a lot cooler than you might expect – and features about a decade of chart-topping instrumentals – the kind of clever little tunes that made radio so great back in the day, and which often took familiar instrumentation and played around with it a bit in the studio – so that the end result was a heck of a lot more than just the sum of its parts! Styles are great – and run from folksy to rocking to exotic, and more – really creative stuff spun out over a set list of 28 tracks that include "The Dis-Advantages Of You" by The Brass Ring, "Love Is Blue" by Paul Mauriat, "Fly Me To The Moon" by Joe Harnell, "Flying Circle" by Frankie Slay, "Image" by Hank Levine, "Mexico" by Bob Moore, "Beautiful Obsession" by Sir Chauncey & His Exciting Strings, "Summer Set" by Monty Kelly, "Baby Elephant Walk" by The Minature Men, "Java" by Al Hirt, "The Enchanted Sea" by The Islanders, "More" by Kai Winding, "Cast Your Fate To The Wind" by Sounds Orchestral, "Swingin Safari" by Billy Vaughan, "Calcutta" by Lawrence Welk, and "Lost Love" by HB Barnum. CD

Wonderful mellowness recorded by Art during the 70s – a beautiful little session done in Stockholm with some really great touches! At the beginning, things start out in typical Farmer ballad mode, but as the album moves on, Sabu Martinez comes in with some added percussion – and the lineup of guitar, bass, and two drummers picks things up with a nice little pace. The whole thing hits its stride on the tune "Green Witch" – a track that has a slight Latin pulse on the bottom, and which almost threatens to go modal – but enjoys its skittish approach to percussion and the way it keeps things edgey! Other tracks include "Smiling Billy", "A Bitty Ditty", and "A Sleeping Bee". CD