Beautifully burning work from Japanese saxophonist Kohsuke Mine – a player who cut some fantastic albums in the 70s, even though he never fully got his due on this side of the Pacific! The vibe here is very much in a post-Coltrane spiritual mode – with the leader blowing both tenor and soprano sax, and really working some amazing long, visionary lines on his instruments – sometimes really soaring off with Impulse Records-like energy, other times hitting more modal modes that remind us that Mine was one of the most powerful, soulful forces in the Japanese jazz scene at the time. The rest of the lineup is excellent too – and the album features additional tenor from Hideo Miyata, plus piano from Fumio Itabashi, bass from Hideaki Mochizuki, and drums from Hiroshi Murakami. Titles include "Thirsty", "Self Contradiction", "Spin Drift", "Daguri", and "Expectation". LP, Vinyl record album

Lots of funky keys and choppy sax passages – on this sweet Japanese fusion session headed up by reedman Kohsuke Mine! Mine plays both soprano and tenor on the record, and it's got a feel that's halfway between some of the harder jamming European fusion sides of the 70s – like mid 70s electric groovers on MPS – and some of the more cosmic Japanese sides of the same time – those more tripped-out records that had a relaxed, soulful approach to the music. The group also features Mikio Masuda on some great keyboards, plus Hiroshi Yasukawa on guitar – and the album's got 4 long tracks – each over 10 minutes long – and titles include "We Got Our Dance", "Expectation", "Sunshower", and "I Know Where You Come From". CD

A tremendous first outing as a leader for Japanese saxophonist Kosuke Mine – one of our favorite players of the 70s, already sounding wonderful here right at the start! The album's got a freewheeling vibe – not entirely avant, and maybe more in the modal territory unlocked by Miles Davis a few years before – although with a very different vibe, given the Mine's in the lead on alto! Yet the group also features some very Miles-like use of electric piano – handled here by Masabumi Kikuchi, a key young contemporary of Mine, and one who'd gotten a bit more of a head start in the world of recording – really adding a lot to the record here, next to the very forward-thinking rhythm duo of American players Larry Ridley on bass and Lenny McBrowne on drums! All tracks are nice and long, and most are originals – the kind of open, long-spun cuts that really herald all the great changes taking place on the Japanese jazz scene at the time. Titles include "Little Abbi", "McPhee", "Love Taken", "Morning Tide", and "Bar L'Len". CD

A tremendous first outing as a leader for Japanese saxophonist Kosuke Mine – one of our favorite players of the 70s, already sounding wonderful here right at the start! The album's got a freewheeling vibe – not entirely avant, and maybe more in the modal territory unlocked by Miles Davis a few years before – although with a very different vibe, given the Mine's in the lead on alto! Yet the group also features some very Miles-like use of electric piano – handled here by Masabumi Kikuchi, a key young contemporary of Mine, and one who'd gotten a bit more of a head start in the world of recording – really adding a lot to the record here, next to the very forward-thinking rhythm duo of American players Larry Ridley on bass and Lenny McBrowne on drums! All tracks are nice and long, and most are originals – the kind of open, long-spun cuts that really herald all the great changes taking place on the Japanese jazz scene at the time. Titles include "Little Abbi", "McPhee", "Love Taken", "Morning Tide", and "Bar L'Len". LP, Vinyl record album

A tremendous first outing as a leader for Japanese saxophonist Kosuke Mine – one of our favorite players of the 70s, already sounding wonderful here right at the start! The album's got a freewheeling vibe – not entirely avant, and maybe more in the modal territory unlocked by Miles Davis a few years before – although with a very different vibe, given the Mine's in the lead on alto! Yet the group also features some very Miles-like use of electric piano – handled here by Masabumi Kikuchi, a key young contemporary of Mine, and one who'd gotten a bit more of a head start in the world of recording – really adding a lot to the record here, next to the very forward-thinking rhythm duo of American players Larry Ridley on bass and Lenny McBrowne on drums! All tracks are nice and long, and most are originals – the kind of open, long-spun cuts that really herald all the great changes taking place on the Japanese jazz scene at the time. Titles include "Little Abbi", "McPhee", "Love Taken", "Morning Tide", and "Bar L'Len". LP, Vinyl record album

An incredible trip through the 70s Japanese jazz scene – a second volume of J Jazz that's even bigger and better than the first – with unknown gems from private presses, indie labels, and rarities from the Japanese branches of the major labels, too! Compilers Tony Higgins & Mike Peden (who are both also responsible for the nicely done notes) follow through on all of the things we loved about the first J Jazz compilation, but improve on it by going bigger and digging deeper. The majority of the tracks were recorded from 1969 through the late 70s – with a few recorded in later years – and all have a wonderful way of being open to the stylistic inventions of the time without getting hung up on trends. So while there's some fusiony funk and electric piano, there's plenty of acoustic instrumentation and timelessly inventive material. BBE has outdone themselves on this excellent collection – and the titles include "Dragon Dance" by Makoto Terashita & Harold Land, "Daguri" by Kohsuke Mine Quintet, "Distant Thunder" by Mabumi Yamguchi Quartet, "Animal Garden" by Miyasaka + 5, "Mother Of The Future" by Electro Keyboard Orchestra, "Serenade To A Dimly Lit Street" by Hiroshi Matsumoto/Hideo Ichikawa Quartet, "Teru-Teru Bozu" (Black Keys) by Teru Sakamoto Trio, "Little Giant" by Nobuo & Sharps & Flats, "Brown Trout" by Akira Miyazawa and more. 14 tracks on 3LPs. LP, Vinyl record album

An incredible trip through the 70s Japanese jazz scene – a second volume of J Jazz that's even bigger and better than the first – with unknown gems from private presses, indie labels, and rarities from the Japanese branches of the major labels, too! Compilers Tony Higgins & Mike Peden (who are both also responsible for the nicely done notes) follow through on all of the things we loved about the first J Jazz compilation, but improve on it by going bigger and digging deeper. The majority of the tracks were recorded from 1969 through the late 70s – with a few recorded in later years – and all have a wonderful way of being open to the stylistic inventions of the time without getting hung up on trends. So while there's some fusiony funk and electric piano, there's plenty of acoustic instrumentation and timelessly inventive material. BBE has outdone themselves on this excellent collection – and titles include "Dragon Dance" by Makoto Terashita & Harold Land, "Daguri" by Kohsuke Mine Quintet, "Distant Thunder" by Mabumi Yamguchi Quartet, "Animal Garden" by Miyasaka + 5, "Mother Of The Future" by Electro Keyboard Orchestra, "Serenade To A Dimly Lit Street" by Hiroshi Matsumoto/Hideo Ichikawa Quartet, "Teru-Teru Bozu" (Black Keys) by Teru Sakamoto Trio, "Little Giant" by Nobuo & Sharps & Flats, "Brown Trout" by Akira Miyazawa and more – plus the CD bonus track "Original Bill" by Koichi Matsukaze Trio. 15 tracks on 2CDs. CD

An ear-opening set of Japanese jazz from a time when that nation's scene was really taking off – a period in the 70s when all sorts of new artists and new ideas were really flying around – and leaving behind a huge recorded legacy that's been mostly out of reach for us in the west! Japan always had a few big names in jazz that got exported overseas, but the work here is from some of the smaller names who were still turning out incredible music – much of it only issued on vinyl, and not reissued later – brought together here with copious notes that really tell you a heck of a lot about the music! There's definitely a post-Coltrane vibe going on – lots of spiritual elements, mixed with both moments that are funkier and more soulful, and others that are a bit more freewheeling – often stretched out on extended tracks that really let the artists take off and find their space. Titles include "Black Nile" by Hideyasu Terakawa, "Kirisame" by Ryusei Quartet, "Honey Sanba" by Katsuyuki Itakura, "Cumulonimbus" by Shigeharu Mukai, "Song Of Island" by Yasuhiro Kohno Trio + One, "Phoebus" by Hiroshi Murakami & Dancing Sphinx, "Morning Tiede" by Kohsuke Mine, "Kemo Sabe" by Masao Nakajima, "Song For Hope" by Aki Takase, "Planets" by Masaru Imada Trio + 1, "1/4 Samba" by Tatsuya Nakamura, "Acoustic Chicken" by Koichi Matsukaze, and "Cumorah" by Eiji Nakayama. CD features bonus tracks – "Wolf's Theme" by Seiichi Nakamura, "Burning Cloud" by Ryojiro Kurusawa, and "Groovy Samba" by Hideo Shiraki. CD

An incredible trip through the 70s Japanese jazz scene – a second volume of J Jazz that's even bigger and better than the first – with unknown gems from private presses, indie labels, and rarities from the Japanese branches of the major labels, too! Compilers Tony Higgins & Mike Peden (who are both also responsible for the nicely done notes) follow through on all of the things we loved about the first J Jazz compilation, but improve on it by going bigger and digging deeper. The majority of the tracks were recorded from 1969 through the late 70s – with a few recorded in later years – and all have a wonderful way of being open to the stylistic inventions of the time without getting hung up on trends. So while there's some fusiony funk and electric piano, there's plenty of acoustic instrumentation and timelessly inventive material. BBE has outdone themselves on this excellent collection – and titles include "Dragon Dance" by Makoto Terashita & Harold Land, "Daguri" by Kohsuke Mine Quintet, "Distant Thunder" by Mabumi Yamguchi Quartet, "Animal Garden" by Miyasaka + 5, "Mother Of The Future" by Electro Keyboard Orchestra, "Serenade To A Dimly Lit Street" by Hiroshi Matsumoto/Hideo Ichikawa Quartet, "Teru-Teru Bozu" (Black Keys) by Teru Sakamoto Trio, "Little Giant" by Nobuo & Sharps & Flats, "Brown Trout" by Akira Miyazawa and more – plus the CD bonus track "Original Bill" by Koichi Matsukaze Trio. 15 tracks on 2CDs. CD