Guillermo Klein on piano and vocals – with Bill McHenry and Gorka Benitez on reeds, Sandro Tomasi on trombone, Taylor Haskins on trumpet, Ben Monder on guitar, and others. CD

... CD

... CD

Titles include "Ida, I Do", "Undecided Now", "I'm Busy And You Can't Come In", "When The World Is At Rest", "Concentratin' On You", "Hello Bluebird", and "Rebecca Came Back From Mecca". CD

... CD

... CD

... CD

Felix Slatkin conducts on both recordings – originally 10" Capitol sessions, put together here on a full LP! LP, Vinyl record album

... CD

Really heady sounds from Frightnrs – a group who've changed up their sound slightly since their last full length release – at a level that makes them even more interesting than ever before! The group still draw heavily from older rocksteady and soulful reggae modes – but it also feels as if they're leaning a bit more heavily on sweet soul modes from the early 70s too – coming across with the warmth of a harmony vocal record on the lyrics, while still also reveling in the best sort of slow-stepping, dub heavy rhythms in the music! Dan Klein handles the vocals, always with a great sense of echo – and Chuck Patel adds lots of great organ and keyboards to the music – including some great spacey effects. Victor Axelrod did a superb job with production – and titles include "30 56", "You Still", "Profilin", "Expectations", "Tuesday", "Always", "Maybe Isle", and "Why Does It Feel Like A Curse". CD

Really heady sounds from Frightnrs – a group who've changed up their sound slightly since their last full length release – at a level that makes them even more interesting than ever before! The group still draw heavily from older rocksteady and soulful reggae modes – but it also feels as if they're leaning a bit more heavily on sweet soul modes from the early 70s too – coming across with the warmth of a harmony vocal record on the lyrics, while still also reveling in the best sort of slow-stepping, dub heavy rhythms in the music! Dan Klein handles the vocals, always with a great sense of echo – and Chuck Patel adds lots of great organ and keyboards to the music – including some great spacey effects. Victor Axelrod did a superb job with production – and titles include "30 56", "You Still", "Profilin", "Expectations", "Tuesday", "Always", "Maybe Isle", and "Why Does It Feel Like A Curse". LP, Vinyl record album

Fiercely funky Freddie Hubbard – a late 70s live date, but one that has the same bold power as his early 70s albums for CTI! Like those classics, the tracks here are all quite long – and served up in this beautifully flowing mix of acoustic and electric elements – Freddie on trumpet, Hadley Caliman on tenor and flute, Billy Child on piano and keyboards, Larry Klein on bass, and Carl Burnett – a group that works together so beautifully in the live environment, you'd think their performance was the process of multiple takes! We love the spiritual energy that Hubbard can get in such a setting – and most of the record stretches out with very long tracks, including two that go past the 20 minute mark. Titles include "Take It To The Ozone", "Little Sunflower", "One Of A Kind", "Here's That Rainy Day", "Blues For Duane", and "Love Connection". CD

Keystone bop indeed – a smoking little set from Freddie Hubbard, recorded during his great back-to-basics years of the early 80s! The tracks here are all quite long, and informed by a strong sense of hard bop – but they also open up with some sharper, more modern moments at times – of the sort that keenly reflect Freddie's best roots during his early years at Blue Note. The other players here are all quite strong – especially well-matched for the energy of such a record – with Bobby Hutcherson on vibes and Joe Henderson on tenor, plus rhythm from Billy Childs on piano, Larry Klein on bass, and Steve Houghton on drums. 3 lengthy tracks: "The Littlest One Of All", "One Of Another Kind", and "Body & Soul". LP, Vinyl record album

With sidemen that include Manny Klein and Billy Butterfield on trumpet, Bobby Sherwood on guitar, Jack Jenny on trombone, and Buddy Rich on drums. LP, Vinyl record album

Freddie Hubbard's definitely rolling on this great little set – rolling right back into acoustic jazz territory after a run of smoother soul sessions for bigger labels at the end of the 70s! The album's a live one, and it's a perfect example of the development of Hubbard's solo skills at the point – amazingly well-crafted, especially in a spontaneous setting like this, where Freddie can really stretch out over a long tune with really soulfully imaginative expressions. The group features the great David Schnitter on tenor and soprano sax – a great colleague for the date – plus Billy Childs on acoustic and electric piano, Larry Klein on bass, and Carl Burnett on drums. Titles include "Breaking Point", "Brigitte", "Cascais", "One Of Another Kind", and "Byrdlike". LP, Vinyl record album

An amazing package – a pair of rare avant jazz albums, presented here together! The first album is Peace In The World – maybe the only album issued under the name of Michael Cosmic – but a set that's part of a key legacy with his brother, reedman Phill Musra! The set has Cosmic in very heady territory – sounds that come from his young tenure in the AACM, his brief time with Cecil Taylor, and his budding reputation on the 70s Boston scene – where the set was recorded, and almost stands as a precursor to the rich legacy of improvisational jazz that would emerge on the New England scene for decades to come! Tracks are long and very free, but have spiritual currents too – and Cosmic is mostly on piano, with Musra on soprano sax and tenor, Leonard Brown on soprano and tenor, John Jamyll Jones on bass, Huseyin Ertunc on drums, and Eric Jackson on percussion. Titles include "We Love You Malcolm X", "Peace In The World", "Sapce On Space", and "Arabia". Next is the related album Creator Spaces, by Phill Musra – recorded at the time when he was part of the very underground Boston avant scene – a world that had a slightly different vibe than music coming from Chicago, Detroit, or New York! The album's got a spiritual avant bent – soulful at the core, with lots of references to outer space as well – and an approach that feels a lot like a classic Saturn Records session by Sun Ra, both in sound and spirit! Musra plays reeds, chimes, and percussion – and the group features some incredible sax work by Michael Cosmic, who also plays a bit of organ, again in a tripped-out, Ra-type way. Huseyin Ertunc plays percussion – very free and loose, in ways that are a great balance to the more angular lines of the reeds – and tracks include "The Creator Is So Far Out", "The Creator Spaces", "Egypt", and "Arabia". Also features unreleased tracks "The Creator Is So Far Out (unreleased version)" and "Phyllis". Added to the set is a really special bonus third CD – an unreleased long live performance of "The Prayer" by Worlds Experience Orchestra – a group from the same scene at the time – with Shaddu Jones on piano, Stan Strickland on tenor and soprano, Frank Peterson on alto, John Jamyll Jones on bass, Robert Ruff on cello, Larry Lerner on drums, and John Klein on amplified violin. CD

Music from the Three Suns, Sir Julian, Esquivel & his Orchestra, Henri Rene & his Orchestra, John Klein & Sid Ramin, Marty Gold & his Organ Ensemble, Dennis Farnon & his Orchestra, Henry Man cini, Perez Prado, Russ Case & his Orchestra & more. CD

Featuring Harry South, Ian Hamer, Brian Dee, Dave Pearson, Harry Klein, Marcolm Cecil, Spike Heatley, Bill Eyden, Tony Mann, and Terry Lovelock. CD

A smoking little set from Freddie Hubbard, recorded during his great back-to-basics years of the early 80s! The tracks here are all quite long, and informed by a strong sense of hardbop – but they also open up with some sharper, more modern moments at times – of the sort that keenly reflect Freddie's best roots during his early years at Blue Note. The other players here are all quite strong – especially well-matched for the energy of such a record – with Bobby Hutcherson on vibes and Joe Henderson on tenor, plus rhythm from Billy Childs on piano, Larry Klein on bass, and Steve Houghton on drums. The LP presents all tracks in long, unedited takes – titles that include "Birdlike", "The Intrepid Fox", and "Sky Dive". LP, Vinyl record album

Keystone bop indeed – a smoking little set from Freddie Hubbard, recorded during his great back-to-basics years of the early 80s! The tracks here are all quite long, and informed by a strong sense of hardbop – but they also open up with some sharper, more modern moments at times – of the sort that keenly reflect Freddie's best roots during his early years at Blue Note. The other players here are all quite strong – especially well-matched for the energy of such a record – with Bobby Hutcherson on vibes and Joe Henderson on tenor, plus rhythm from Billy Childs on piano, Larry Klein on bass, and Steve Houghton on drums. The CD presents all tracks in long, unedited takes – and this Friday/Saturday Night volume features 4 tracks – "One Of Another Kind", "Round Midnight", "Red Clay", and "First Light". CD

With Al Weissman on electric guitar and Roland GR700, Terry Burns on bass, Larry Steelman on Yamaha DX7, TX816, OB-8, and piano, Larry Klein on drums, and Michito on percussion. LP, Vinyl record album

With Jim Walker on flute and piccolo, Yaron Garshovsky and Michiko Hill on acoustic piano, Larry Klein on bass, and Alejandro Acuna on drums and percussion. LP, Vinyl record album

Miguel Zenon on alto saxophone, Carol McGonnell on clarinet and bass clarinet, Romie De Guise-Langlois on clarinet, Brad Balliett on bassoon, Keve Wilson on English horn, David Byrd-Marrow and Jennifer Kessler on French horn, James Austin Smith on oboe, Domenica Fossati, Julietta Curenton, and Nathalie Joachim on flute, Luis Perdomo on piano, Hans Glawischnig on bass, and Henry Cole on drums, conducted by Guillermo Klein. CD

With Alan Branscombe and Peter King on alto saxophone, Harry Klein on baritone saxophone, Jeff Clyne and Ron Matthewson on bass, Bill Geldard on bass trombone, Spike Wells and Tony Levin on drums, Kenny Wheeler on flugelhorn, Louis Stewart on guitar, Alan Branscombe and Mike Pyne on piano, Ronnie Scott and Tubby Hayes on tenor saxophone, Chris Pyne and David Horler on trombone, and Greg Bowen, Ian Hamer, Kenny Wheeler, and Les Condon on trumpet. CD

A treasure trove of work from the European scene – recordings that were unissued at the time, but which feature fantastic performance by American soloists done for Austrian radio! The core group is led by trombonist Eich Kleinschuster – a player from Vienna who never got much notice on our side of the Atlantic, but who was a fantastic host for visiting musicians in a series of broadcast concerts done by the Austrian radio – with Erich as the leader, and a fair bit of work on piano and Fender Rhodes from the mighty Fritz Pauer – a talent you'll know from some key MPS Records sessions of the period! And the vibe here is very much like MPS at its best – a great meeting of talents, at a level that rises everyone else involved – which makes these sessions superb throughout, no matter the soloist. This Volume 3 features three great tracks with trumpeter Carmell Jones – "And Things Will Change", "Fantangolin", and "The J Dance" – and three more with trumpeter Art Farmer – "Eau Sauvage", "Red Jeans", and "Alisarb". There's also six great tracks with trombonist Slide Hampton, who also helps with arrangements – on titles that include "New World", "Spain", "Ok Persson", "Wide Slide", "Soulsides", and "TEE". LP, Vinyl record album

A treasure trove of work from the European scene – recordings that were unissued at the time, but which feature fantastic performance by American soloists done for Austrian radio! The core group is led by trombonist Eich Kleinschuster – a player from Vienna who never got much notice on our side of the Atlantic, but who was a fantastic host for visiting musicians in a series of broadcast concerts done by the Austrian radio – with Erich as the leader, and a fair bit of work on piano and Fender Rhodes from the mighty Fritz Pauer – a talent you'll know from some key MPS Records sessions of the period! And the vibe here is very much like MPS at its best – a great meeting of talents, at a level that rises everyone else involved – which makes these sessions superb throughout, no matter the soloist. This Volume 1 features six tracks from the mighty tenorist Clifford Jordan – on "Looking Across", "872", "Leavin Train", "Impressions Of Scandinavia", "Vienna", and "Sandra". Trumpeter Charles Tolliver shows up on the remaining five titles – on titles that include his fantastic "On The Nile", plus "Lil's Paradise", "Paper Man", "Right Now", and "Household Of Saud". LP, Vinyl record album

A treasure trove of work from the European scene – recordings that were unissued at the time, but which feature fantastic performance by American soloists done for Austrian radio! The core group is led by trombonist Eich Kleinschuster – a player from Vienna who never got much notice on our side of the Atlantic, but who was a fantastic host for visiting musicians in a series of broadcast concerts done by the Austrian radio – with Erich as the leader, and a fair bit of work on piano and Fender Rhodes from the mighty Fritz Pauer – a talent you'll know from some key MPS Records sessions of the period! And the vibe here is very much like MPS at its best – a great meeting of talents, at a level that rises everyone else involved – which makes these sessions superb throughout, no matter the soloist. This Volume 2 features six tracks with the great tenorist Joe Henderson joining the group – on titles that include "Mamacita", "Recorda Me", "Inner Urge", "The Kicker", "Serenity", and "Chelsea Bridge". Seven more titles feature the fantastic trumpeter Dusko Goykovich, with work from Hans Salomon on tenor and bass clarinet, and Jimmy Woode on bass – on titles that include "Formel", "As Usual", "Moustache", "Sega Se Karame", and "Tell It Like It Is". LP, Vinyl record album

... CD

Features Rudi Mahall on reeds. CD

One of the more unique Stockhausen albums of the 70s – solo clarinet work, played by Suzanne Stephens – who is in pretty wild stage costumes on both the front and back covers! LP, Vinyl record album

... LP, Vinyl record album

A true late 60s rock masterpiece – and like albums by Love and The Velvet Underground, a set that barely made a mainstream impact at the time – but which has gone on to be the stuff of influence and legend over the decades! The album's the first from Gram Parsons and the group – one of only two they would cut together – and the whole thing is a perfect blend of rough-edged rock and country influences rising up from the LA scene – all those glimmers of brilliance that Parsons had brought to the Byrds and other projects, maybe given their full flowering here in a mode that's unabashed about its country music influences – maybe even more so than some of Gram's later solo work. Sneeky Pete Kleinow's steel guitar really adds a lot – but so does the presence of Chris Hillman on guitar and mandolin, and Chris Ethridge on bass and piano. Titles include the brilliant "Sin City" – a track we'll love until we die – plus "Christine's Tune", "Do Right Woman", "Dark End Of The Street", "My Uncle", "Wheels", "Juanita", "Hot Burrito No 1", "Hot Burrito No 2", "Do You Know How It Feels", and "Hippy Boy". LP, Vinyl record album

Twin-flute magic from the quintet of Herbie Mann and Sam Most – both of whom play the long, thin instrument here – in intertwining lines of sound that are totally great! There's a style here that's often a bit more frenetic than usual for Herbie – one that's possibly picked up from Most, as might be heard on some of his later sides from the 60s. Whatever the case, even when things are gentle, there's some nice little interplay – a lot of action from both flute players, supported by guitar from Joe Puma, bass from Jimmy Gannon, and drums from Lee Kleinman. Arrangements are by Russ Garcia, and titles include "It's Only Sunshine", "Fascinating Rhythm", "Empathy", "Seven Come Eleven", "Just One Of Those Things", and "Flying Home". CD

Lots of short, weird tracks recorded by Conny Plank – with titles that include "Bemep Mope", "Kleine Freude", "Der Traum Von Wald", "Nebelwelt", "Sternwelke", and "Das Irrsinnslide". LP, Vinyl record album

Two seminal albums from Doug Dillard and Gene Clark – back to back in a single set! Fantastic Expedition is a mellow masterpiece of sunshine country rock from Dillard & Clark – a duo that featured Gene Clark of the Byrds and Doug Dillard of the Dillards – in a wonderful blend of Cali longhair harmonies, back porch psych, and expert Byrds-y tunefulness! Dillard provides lots of great banjo and some chirping fiddle – along with mandolin and chiming acoustic guitars that bring a bit of bluegrass into the sound – but the record has California written all over it thanks to the vocal harmonies and wistful tune craft. Really close to perfection – and deserves as much praise as the better known country rock benchmarks of the era – including the early two classics by Flying Burrito Brothers. Tracks include "Out On The Side", "She Darked The Sun", "Train Leaves Here This Mornin", "With Care From Somewhere", "Git It On Brother", "In The Plan", and "Don't Come Rolling". Through The Morning Through The Night is the amazing second album from the great duo of Gene Clark and Doug Dillard – and a record that's maybe even better than the first! Even though the set's a key part of the late 60s Byrds and Flying Burrito Brothers legacy – the vibe is probably more like the latter than the former – that is, more country than rock – in a way that really has the Clark/Dillard team getting even more confident with that side of their sound – drawing both on Doug's roots, and pointing the way toward his years to come. Clark provides some excellent songwriting, and his vocals are what really set the album apart – and the album also features some backing vocals from Donna Washington, amidst a mostly acoustic lineup that includes bluegrass instrumentation – and guest work from Sneaky Pete Kleinow on steel guitar, Chris Hillman on mandolin, and Bernie Leadon on guitar. Titles include "So Sad", "Corner Street Bar", "I Bowed My Head & Cried Holy", "Kansas City Southern", "No Longer A Sweetheart Of Mine", "Polly", "Four Walls", and "Through The Morning Through The Night". CD

Two seminal albums from Doug Dillard and Gene Clark – back to back in a single set, and with bonus tracks too! Fantastic Expedition is a mellow masterpiece of sunshine country rock from Dillard & Clark – a duo that featured Gene Clark of the Byrds and Doug Dillard of the Dillards – in a wonderful blend of Cali longhair harmonies, back porch psych, and expert Byrds-y tunefulness! Dillard provides lots of great banjo and some chirping fiddle – along with mandolin and chiming acoustic guitars that bring a bit of bluegrass into the sound – but the record has California written all over it thanks to the vocal harmonies and wistful tune craft. Really close to perfection – and deserves as much praise as the better known country rock benchmarks of the era – including the early two classics by Flying Burrito Brothers. Tracks include "Out On The Side", "She Darked The Sun", "Train Leaves Here This Mornin", "With Care From Somewhere", "Git It On Brother", "In The Plan", and "Don't Come Rolling". Through The Morning Through The Night is the amazing second album from the great duo of Gene Clark and Doug Dillard – and a record that's maybe even better than the first! Even though the set's a key part of the late 60s Byrds and Flying Burrito Brothers legacy – the vibe is probably more like the latter than the former – that is, more country than rock – in a way that really has the Clark/Dillard team getting even more confident with that side of their sound – drawing both on Doug's roots, and pointing the way toward his years to come. Clark provides some excellent songwriting, and his vocals are what really set the album apart – and the album also features some backing vocals from Donna Washington, amidst a mostly acoustic lineup that includes bluegrass instrumentation – and guest work from Sneaky Pete Kleinow on steel guitar, Chris Hillman on mandolin, and Bernie Leadon on guitar. Titles include "So Sad", "Corner Street Bar", "I Bowed My Head & Cried Holy", "Kansas City Southern", "No Longer A Sweetheart Of Mine", "Polly", "Four Walls", and "Through The Morning Through The Night". Bonus tracks include "Why Not Your Baby", "Lyin Down The Middle", and "Don't Be Cruel". CD

A set that's way more than just a "best of" sort of anthology – as the package features three full albums by the group, plus other material too! The set begins with the classic debut, Gilded Palace Of Sin – a true late 60s rock masterpiece – and like albums by Love and The Velvet Underground, a set that barely made a mainstream impact at the time – but which has gone on to be the stuff of influence and legend over the decades! The album's the first from Gram Parsons and the group – one of only two they would cut together – and the whole thing is a perfect blend of rough-edged rock and country influences rising up from the LA scene – all those glimmers of brilliance that Parsons had brought to the Byrds and other projects, maybe given their full flowering here in a mode that's unabashed about its country music influences – maybe even more so than some of Gram's later solo work. Sneeky Pete Kleinow's steel guitar really adds a lot – but so does the presence of Chris Hillman on guitar and mandolin, and Chris Ethridge on bass and piano. Titles include the brilliant "Sin City" – a track we'll love until we die – plus "Christine's Tune", "Do Right Woman", "Dark End Of The Street", "My Uncle", "Wheels", "Juanita", "Hot Burrito No 1", "Hot Burrito No 2", "Do You Know How It Feels", and "Hippy Boy". Burrito Deluxe is the second of only two albums recorded by Gram Parsons with the Flying Burrito Brothers – and a masterpiece that pushes the group's sound even farther than their debut! The set is filled with special moments – songs that show just why these guys were such a special bridge between late 60s country and rock music – and why all of the other groups they inspired just never came close to serving things up this well! Gram Parsons is fantastic on vocals, of course – but the whole group is great, especially Sneaky Pete on steel guitar. Titles include the fantastic romper "Man In The Fog", the very groovy "Lazy Days", the haunting "God's Own Singer", and the group's Jagger/Richards' approved take on "Wild Horses – plus other cuts that include "High Fashion Queen", "Image Of Me", "Older Guys", and "If You Gotta Go". Flying Burrito Brothers is The Burritos first LP, post-Parsons – and a pretty strong statement for the merits of the now unquestioned leader, Rick Roberts, and multi-instrumentalist new guy Bernie Leadon, who would later turn to the dark side and join the Eagles! Roberts penned or co-penned seven of the album's ten tunes, including "Colorado", "Hand To Mouth", "Just Can't Be", and "Four Days Of Rain". His contributions are for the most part nicely fragile, with just the right doses of sweetness and sadness. The group also covers Merle Haggard's "White Line Fever", Gene Clark's "Tried So Hard", and Dylan's "To Ramona". This is one of the band's rarer LPs, probably because of the absence of hipster hero Gram Parsons – truly a worthy piece of work! CD also features some other tracks recorded by Parsons with the group – including "Six Days On The Road", "Break My Mind", "Sing Me Back Home", and "Close Up The Honky Tonks" – and live tracks "Ain't That A Lot Of Love" and "Losing Game" – plus Gene Clark singing on "Here Tonight". CD

A set that's way more than just a "best of" sort of anthology – as the package features three full albums by the group, plus other material too! The set begins with the classic debut, Gilded Palace Of Sin – a true late 60s rock masterpiece – and like albums by Love and The Velvet Underground, a set that barely made a mainstream impact at the time – but which has gone on to be the stuff of influence and legend over the decades! The album's the first from Gram Parsons and the group – one of only two they would cut together – and the whole thing is a perfect blend of rough-edged rock and country influences rising up from the LA scene – all those glimmers of brilliance that Parsons had brought to the Byrds and other projects, maybe given their full flowering here in a mode that's unabashed about its country music influences – maybe even more so than some of Gram's later solo work. Sneeky Pete Kleinow's steel guitar really adds a lot – but so does the presence of Chris Hillman on guitar and mandolin, and Chris Ethridge on bass and piano. Titles include the brilliant "Sin City" – a track we'll love until we die – plus "Christine's Tune", "Do Right Woman", "Dark End Of The Street", "My Uncle", "Wheels", "Juanita", "Hot Burrito No 1", "Hot Burrito No 2", "Do You Know How It Feels", and "Hippy Boy". Burrito Deluxe is the second of only two albums recorded by Gram Parsons with the Flying Burrito Brothers – and a masterpiece that pushes the group's sound even farther than their debut! The set is filled with special moments – songs that show just why these guys were such a special bridge between late 60s country and rock music – and why all of the other groups they inspired just never came close to serving things up this well! Gram Parsons is fantastic on vocals, of course – but the whole group is great, especially Sneaky Pete on steel guitar. Titles include the fantastic romper "Man In The Fog", the very groovy "Lazy Days", the haunting "God's Own Singer", and the group's Jagger/Richards' approved take on "Wild Horses – plus other cuts that include "High Fashion Queen", "Image Of Me", "Older Guys", and "If You Gotta Go". Flying Burrito Brothers is The Burritos first LP, post-Parsons – and a pretty strong statement for the merits of the now unquestioned leader, Rick Roberts, and multi-instrumentalist new guy Bernie Leadon, who would later turn to the dark side and join the Eagles! Roberts penned or co-penned seven of the album's ten tunes, including "Colorado", "Hand To Mouth", "Just Can't Be", and "Four Days Of Rain". His contributions are for the most part nicely fragile, with just the right doses of sweetness and sadness. The group also covers Merle Haggard's "White Line Fever", Gene Clark's "Tried So Hard", and Dylan's "To Ramona". This is one of the band's rarer LPs, probably because of the absence of hipster hero Gram Parsons – truly a worthy piece of work! CD also features some other tracks recorded by Parsons with the group – including "Six Days On The Road", "Break My Mind", "Sing Me Back Home", and "Close Up The Honky Tonks" – and live tracks "Ain't That A Lot Of Love" and "Losing Game" – plus Gene Clark singing on "Here Tonight". CD

10 tracks that sum up the hopes for modern funk and underground soul – circa 1995! The set was a big one back in its day, and it still provides a good picture of what the kids were digging during those difficult years for modern groove. Titles include "Hell Is Round The Corner" by Tricky, "Friendly Pressure" by Jhelisa, "Eine Kleine Hed Musick" by Coldcut, "Boundaries" by Leena Conquest & Hip Hop Finger, "Get It Together" by The Beastie Boys, "Nouveau Western" by MC Solaar, "Revenge Of The Number" by Portishead, and "Deep S**t (parts 1 & 2)" by Kruder & Dorfmeister. CD