With Bob Burridge and Bryan Lynch on trumpet, Ralph Lalama on saxophone, clarinet and flute, Michael Rabinowitz on basoon and bass clarinet, Douglas Purviance on trombone, Carlton Holmes on keyboards, Chip Jackson on bass, and Ron Vincent on drums. CD

There's definitely a sense of concentric orbits taking place here – these long-spun lines that have a nicely cyclical quality – not always as straight in terms of rhythms, but with a pulsating energy that really has both players in constellation with each other! Rob Clearfield plays piano and Quin Kirchner plays percussion – and although the music goes a bit outside at points, the tracks still have this nicely structured sensibility – blocks of sound from both players, pushing past conventional rhythmic modes, yet still finding a way to groove! The album features two side-long tracks – "Orbit 1" and "Orbit 2". LP, Vinyl record album

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A double-length set that showcases the ever-growing, ever-evolving talents of drummer Quin Kirchner – working here in a variety of settings with help from some other great talents on the Chicago scene! Most of these tunes have a core sense of structure – and even when Quin is improvising more freely, he still finds a way to swing – working here on conventional drums, other percussion instruments, and even a bit of kalimba too – alongside a mix of players that includes Nick Broste on trombone, Nate Lepine on tenor and flute, Nick Mazzarella on alto, Jason Stein on bass clarinet, Greg Ward on alto, Rob Clearfield on piano, and Matt Ulery on bass. Many numbers have a spacious, ambitious vibe – almost spiritual jazz, of a quality that really has us respecting Kirchner more than ever – and the double space of the album is really needed to allow this majestic message the room to unfold properly. Titles include "Ecliptics", "King Korn", "Jupiter Moon", "Horizons", "At This Point In Time", "Bata Chop", "Pathways", "Star Cluster", and "Moon Vision". CD

Moody improvisations from this unique Chicago trio – pulled together from a series of performances recorded in a few different venues, and distilled down to a nicely focused album! The sound here is a blend of the alto sax of Caroline Davis, the basses of Matthew Golombisky, and the drums of Quinn Kirchner – players who seem to find their groove instantly on each individual track, then keep exploring that space in ways that have them pushing the boundaries as the cycles move on – with some especially soaring lines from Davis, at a level that often feels as if she's handling a very different instrument than an alto! Golombisky plays electric bass, which also gives the record a different vibe than if he were acoustic – and titles include "If We Open People Up We'd Find Landscapes", "Home Of Levi Coffin", "Channels", "Vapor", "Film As Dream Film As Music", and "Personal Flotation Device". LP, Vinyl record album