Rare Capitol country from the great KayAdams – a female singer with a distinct love of trucking songs, and one who also hails from the Buck Owens side of the spectrum too! Kay only cut a handful of records over the years, and this set's a great addition to her catalog – as it features unissued cuts that were recorded live with backing from Buck's group The Buckaroos – all done at the Buck Owens Ranch Show, and with a sound that's very much like Owens' excellent work of the time – with some of the more truck-themed tunes you'd be likely to hear from labelmate Red Simpson. Titles include "Rocks In My Head", "Six Days A Waiting", "Roll Out The Red Carpet", "Little Pink Mack", "Bottle Baby", "I Let A Stranger Buy the Wine", "Down Down Down", "Loose Talk", and a duet with Dick Curless on "A Devil Like Me". LP, Vinyl record album
Rare Capitol country from the great KayAdams – a female singer with a distinct love of trucking songs, and one who also hails from the Buck Owens side of the spectrum too! Kay only cut a handful of records over the years, and this set's a great addition to her catalog – as it features unissued cuts that were recorded live with backing from Buck's group The Buckaroos – all done at the Buck Owens Ranch Show, and with a sound that's very much like Owens' excellent work of the time – with some of the more truck-themed tunes you'd be likely to hear from labelmate Red Simpson. Titles include "Rocks In My Head", "Six Days A Waiting", "Roll Out The Red Carpet", "Little Pink Mack", "Bottle Baby", "I Let A Stranger Buy the Wine", "Down Down Down", "Loose Talk", and a duet with Dick Curless on "A Devil Like Me". CD features three bonus tracks too! CD
One of a handful of late 50s albums that Chet Baker recorded for Riverside – all of which are some of his last great 50s work in the studio, before a shift in the 60s to a wider-ranging approach to his music! The style here is definitely in the "classic" Baker mode set down for Pacific Jazz – but a bit more fleshed out by the other players in the set – who seem to push a bit more personality into the tunes, and not just let Chet's trumpet dominate. The sound is soft and gentle – as you'd expect from the title – and other players include Bill Evans, Pepper Adams, Kenny Burrell, Paul Chambers, Connie Kay and Philly Joe Jones – all bringing a bit of a New York undercurrent to the west coast Baker solo style. Titles include "How High the Moon", "It Never Entered My Mind", "If You Could See Me Now", "You'd Be So Nice To Come Home To", "Time On My Hands", and "You And The Night And Music". LP, Vinyl record album
(80s OJC pressing. Cover is bent a bit at the bottom corners.)
One of a handful of late 50s albums that Chet Baker recorded for Riverside – all of which are some of his last great 50s work in the studio, before a shift in the 60s to a wider-ranging approach to his music! The style here is definitely in the "classic" Baker mode set down for Pacific Jazz – but a bit more fleshed out by the other players in the set – who seem to push a bit more personality into the tunes, and not just let Chet's trumpet dominate. The sound is soft and gentle – as you'd expect from the title – and other players include Bill Evans, Pepper Adams, Kenny Burrell, Paul Chambers, Connie Kay and Philly Joe Jones – all bringing a bit of a New York undercurrent to the west coast Baker solo style. Titles include "How High the Moon", "It Never Entered My Mind", "If You Could See Me Now", "You'd Be So Nice To Come Home To", "Time On My Hands", and "You And The Night And Music". CD features 1 bonus track – "Early Morning Mood". CD
Music from Cliff Bruner & His Boys, Dick Reinhart & His Lone Star Boys, Art Gibson, Milo Twins, Doye O'Dell, Terry Fell & The Fellers, Johnny Horton, Dave Dudley, Del Reeves, KayAdams, Curtis Leach, Dick Curless, Jim Nesbitt, and more. CD
One of a handful of late 50s albums that Chet Baker recorded for Riverside – all of which are some of his last great 50s work in the studio, before a shift in the 60s to a wider-ranging approach to his music! The style here is definitely in the "classic" Baker mode set down for Pacific Jazz – but a bit more fleshed out by the other players in the set – who seem to push a bit more personality into the tunes, and not just let Chet's trumpet dominate. The sound is soft and gentle – as you'd expect from the title – and other players include Bill Evans, Pepper Adams, Kenny Burrell, Paul Chambers, Connie Kay and Philly Joe Jones – all bringing a bit of a New York undercurrent to the west coast Baker solo style. Titles include "How High the Moon", "It Never Entered My Mind", "If You Could See Me Now", "You'd Be So Nice To Come Home To", "Time On My Hands", and "You And The Night And Music". LP, Vinyl record album
Partial matches: 4
8
Abdullah Ibrahim & Ekaya —
African River ... CD Enja, 1989. Used ...
Out Of Stock
One of the great larger group recordings that pianist Abdullah Ibrahim gave us in the 80s – from a moment when he was able to use added horns to really expand that amazing sense of color and rhythm he'd brought to his music on earlier trio recordings! There's a sense of musical vision here that really lives up to Abdullah's majestic look on the cover – a fantastic merging of flute and tenor from John Stubblefield, soprano and alto from Horace Alexander Young, tuba and baritone from Howard Johnson, and trombone from Robin Eubanks – all vibrant horn players who seem to have just about every tone and mood covered with their horns – given this wonderfully warm support from Buster Williams on bass, and Brian Adams on drums. All titles are originals by the leader – and tunes include "Chisa", "Sweet Samba", "Duke 88", "The Wedding", and "Joan Capetown Flower". CD
9
Abdullah Ibrahim & Ekaya —
African River ... CD Enja (Germany), 1989. Used ...
Out Of Stock
One of the great larger group recordings that pianist Abdullah Ibrahim gave us in the 80s – from a moment when he was able to use added horns to really expand that amazing sense of color and rhythm he'd brought to his music on earlier trio recordings! There's a sense of musical vision here that really lives up to Abdullah's majestic look on the cover – a fantastic merging of flute and tenor from John Stubblefield, soprano and alto from Horace Alexander Young, tuba and baritone from Howard Johnson, and trombone from Robin Eubanks – all vibrant horn players who seem to have just about every tone and mood covered with their horns – given this wonderfully warm support from Buster Williams on bass, and Brian Adams on drums. All titles are originals by the leader – and tunes include "Chisa", "Sweet Samba", "Duke 88", "The Wedding", and "Joan Capetown Flower". CD
10
Pepper Adams —
Julian ... LP Enja/Inner City, 1975. Near Mint- ...
Out Of Stock
Genius work from Pepper Adams – one of those players we sometimes forget about, then drop the needle on a record like this and fall in love with his music all over again! Adams blows baritone sax like nobody else – with a sensitivity that you'd normally hear on tenor, and a mix of modes that should have made him one of the most respected saxophonists of his generation – something that maybe didn't happen because of his unusual horn! Yet although big, there's nothing heavy about the way Pepper handles his horn – as you'll hear especially on the few ballads – and as usual for Adams, his choice of a group is great too – a sharp lineup with Walter Norris on piano, George Mraz on bass, and Makaya Ntshoko on drums. Titles include "Julian", "Ad Astra", "Jirge", "Spacemaker", and "Three & One". LP, Vinyl record album
(US Inner City pressing. Cover has light wear.)
11
Pepper Adams —
Julian ... CD Enja (Germany), 1975. Used ...
Out Of Stock
Genius work from Pepper Adams – one of those players we sometimes forget about, then drop the needle on a record like this and fall in love with his music all over again! Adams blows baritone sax like nobody else – with a sensitivity that you'd normally hear on tenor, and a mix of modes that should have made him one of the most respected saxophonists of his generation – something that maybe didn't happen because of his unusual horn! Yet although big, there's nothing heavy about the way Pepper handles his horn – as you'll hear especially on the few ballads – and as usual for Adams, his choice of a group is great too – a sharp lineup with Walter Norris on piano, George Mraz on bass, and Makaya Ntshoko on drums. Titles include "Julian", "Ad Astra", "Jirge", "Spacemaker", and "Three & One". CD
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