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June Christy Edit search Phrase match

 
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Exact matches: 10
Exact matches1
CD, LP, Vinyl record album cover art
June ChristyJune Christy Recalls Those Kenton Days ... LP
Capitol, 1959. Very Good+ ... $0.99
A later Capitol gem by June – where she reprisies a number of classics from her early years with Stan Kenton – new versions of late 40s tunes, done here with Pete Rugolo arrangements that go a good way towards showing how both he and June had grown during the 50s. Titles include "How High The Moon", "Come Rain Or Come Shine", "Easy Street", "Across The Alley From The Alamo", "She's Funny That Way", and "A Hundred Years From Today". LP, Vinyl record album
(Rainbow label mono pressing.)

Exact matches2
CD, LP, Vinyl record album cover art
June ChristyMisty Miss Christy ... LP
Capitol, Mid 50s. Very Good ... $3.99
One of June's all-time classics – and perhaps her most famous album, next to the sublime Something Cool. The set, like that one, was arranged and conducted by Pete Rugolo – whose icy and modern touches are the perfect foil for June's sad and dark voice. Familiar tunes are completely transformed by the pair's masterful handling – and titles include "The Wind", "There's No You", "For All We Know", "This Year's Kisses", "That's All", and "Maybe You'll Be There". LP, Vinyl record album
(Turquoise label pressing. Cover has a partially split top seam.)

Exact matches3
CD, LP, Vinyl record album cover art
June ChristySomething Cool/Stranger Called The Blues/I Should Care ... 7-inch
Capitol, 1953. Very Good ... $0.99
... 7-inch, Vinyl record

Exact matches4
CD, LP, Vinyl record album cover art
June Christy & Stan KentonDuet (with bonus tracks) ... CD
Capitol, 1955. Used ... $4.99
Haunting stuff – and one of June Christy's darkest albums! June's singing here with her old boss, Stan Kenton, at the piano – no other real backing, just the pair of them working together in a session that's uniquely stripped down for the time. June's vocals are frail and tender – with even more sadness than in some of her more fully arranged sessions, all of which we love to death. Titles include "Come To The Party", "Angel Eyes", "Lonely Woman", "Every Time We Say Goodbye", "How Long Has This Been Going On", "We Kiss In A Shadow", and "You're Mine You". Plus, the CD reissue contains 2 bonus tracks not on the original LP! CD
(Out of print. Please note the tray card is missing one spine and has some clear tape on one side.)

Exact matches5
CD, LP, Vinyl record album cover art
Stan Kenton/June Christy/Four FreshmenRoad Show ... LP
Capitol, 1959. Very Good 2LP Gatefold ... $2.99
A great example of the Kenton powerhouse in action – a 90 minute double-live recording that really set a new standard for jazz sets of its type! The album features a side apiece dedicated to each of the three acts – one by Kenton's orchestra, one by Christy on vocals, and one by the Four Freshmen – the latter two supported by Kenton's group on their own sides, then joining together for a final fourth side that features all artists together. The approach is a great one – very vibrant, and certainly crowd-pleasing – and titles include "Artistry In Rhythm", "My Old Flame", "I Want To Be Happy", "Midnight Sun", "Day In Day Out", "Angel Eyes", and "Love For Sale". LP, Vinyl record album
(Rainbow label pressing, in the gatefold cover with booklet.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ June ChristyBig Band Specials ... LP
Capitol, 1962. Very Good+ ... Temporarily Out Of Stock
A very different album than usual for June Christy – one of her last for Capitol, and a very swinging, upbeat affair! As the title implies, June's singing a set of tunes made famous during the glory days of the big bands – tracks associated with Duke Ellington, Tommy Dorsey, Artie Shaw, Benny Goodman, and others – all given a nice reworking here by June, in a style that's got a hipper, swinging California kind of groove! Arrangers on the set are Bill Holman, Bob Cooper, and Shorty Rogers – and they all keep things light and above board – shaking away the bluer tones and quieter moods of some of June's other records, taking her vocals back to the highly swinging style that first brought her fame in the 40s. Titles include "Frenesi", "Time Was", "Good Bye", "Night In Tunisia", "Stompin At the Savoy", "Prelude To A Kiss", and "Skyliner". LP, Vinyl record album
(Stereo rainbow label pressing.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ June ChristyGone For the Day ... LP
Capitol, 1957. Near Mint- ... Temporarily Out Of Stock
That's "gone" – as in the way June Christy really sends us – vocals that take us to a place that few other 50s singers could ever hope to reach! June's work here is a masterpiece of melancholic understatement – far less overblown than some of her pop contemporaries, but also filled with feeling in a way that's different from some of the other icy singers of the time. A big part of the album's strength lies with arranger Pete Rugolo – who gives June here some of the same dark corners and modern elements you'd find in her classic Something Cool album – which really hits the right sort of emotion for Christy. Titles include "When The Sun Comes Out", "It's So Peaceful In the Country", "When You Awake", "Lazy Mood", and "Interlude". LP, Vinyl record album
(Turquiose label pressing. Cover has light wear.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ June ChristySomething Cool (Mono version – blue cover) ... LP
Capitol, 1953. Very Good ... Temporarily Out Of Stock
From its booze-soaked title cut, to its haunting selection of lonely ballads like "Midnight Sun" and "Stranger Called The Blues", this is one of the most fantastic vocal jazz albums of all time – and a record that we'd recommend instantly to anyone! June Christy has an incredibly icy tone on the record, filled with sorrow, regret, and loneliness – all of which are amplified even more deeply by Pete Rugolo's eerie, off-kilter arrangements. Titles include "Something Cool", "It Could Happen To You", "Lonely House", "I'm Thrilled", and "The Night We Called It A Day". Fantastic stuff! Original Mono recording – from 1953. LP, Vinyl record album
(Mono turquoise label pressing. Cover has splitting on the spine.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ June ChristyMisty Miss Christy (with bonus tracks) ... CD
Capitol, Mid 50s. Used ... Out Of Stock
One of June's all-time classics – and perhaps her most famous album, next to the sublime Something Cool. The set, like that one, was arranged and conducted by Pete Rugolo – whose icy and modern touches are the perfect foil for June's sad and dark voice. Familiar tunes are completely transformed by the pair's masterful handling – and titles include "The Wind", "There's No You", "For All We Know", "This Year's Kisses", "That's All", and "Maybe You'll Be There". CD features some bonus tracks too! CD
(Out of print.)
Also available Misty Miss Christy ... LP 3.99

Exact matches10
CD, LP, Vinyl record album cover art
Metronome All StarsSweet Lorraine (with Frank Sinatra)/Nat Meet June (with June Christy & Nat King Cole) ... 78 RPM
Columbia, Late 40s. Very Good+ ... $1.99
... 78 RPM, Vinyl record
(In an original Columbia Records sleeve! The A side label has a small sticker.)
 
Possible matches: 2
Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Will FriedwaldGreat Jazz & Pop Vocal Albums (hardcover) ... Book
Pantheon, 2017. New Copy ... Temporarily Out Of Stock
One of the greatest writers on singers presents his essential collection of albums from the 20th century – all served up with the kind of loving detail that's always made the prose of Will Friedwald so great! Will's written the book on Frank Sinatra – literally – and on Tony Bennett, and a number of other singers too – and you've no doubt stumbled across his words in liner notes for reissues over the years. This time, Friedwald expands that later genre – and offers up full chapters that go in depth to some key vocal jazz classics – including Something Cool by June Christy, My Gentleman Friend by Blossom Dearie, Ella In Berlin by Ella Fitzgerald, John Coltrane & Johnny Hartman, Rain Or Shine by Dick Haymes, Lady In Satin by Billie Holiday, Black Coffee by Peggy Lee, and even Belly Of The Sun by Cassandra Wilson! There's a few dozen more titles covered in the book – which has 51 chapters in all – and the heavy book also features an album cover reproduction for each title, and a discography as well. 402 pages, hardcover. Book
(Spine has a small remainder mark.)

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Caterina Valente/Alaide Costa/Maysa/Dolores DuranWomen Of Bossa Nova Vol 1 (Bossa Classica/Joia Moderna/Tom Jobim For Maysa/Dolores Duran & Her Interpreters) ... CD
El (UK), Early 60s. New Copy 2CD ... Out Of Stock
A very cool collection of female bossa nova records – one that really goes way past the usual! First up is Bossa Classica by Caterina Valente – a German singer by birth, but one who was really open to new styles from around the world – including lots of jazz, Latin, and Brazilian modes too! The set was recorded in Germany, with backings by Werner Muller – but the style is right up there with the best bossa charts of the time – set up with acoustic guitar in the lead, some light strings, and often some cool woodwind touches that spark the tunes with color while Valente sings in Portuguese, Italian, French, Spanish, and English. Titles include "Fale Baixinho", "Bruxeira", "Aquarela Do Brasil", "Bahia", "Samba Di Una Nota", "Chanson Sur Un Seule Note", and "Le Chapeau De Paille". Next up is the Joia Moderna album by Alaide Costa – served up in that wonderful mix of jazz, samba, and bossa that makes her 60s recordings so great! There's a nice current of melancholy to the music at times – one that almost links Costa to an earlier generations of singers – but many numbers have light and lively instrumentation that really sets her vocals free – creating a lightness in the music that's also carried through in the lyrics – at a level that made Alaide a very important influence at the time, even though she might not be as well-remembered all these many years later. The set features musical help from Baden Powell and Oscar Castro Neves – and titles include "Samba De Nos Dois", "Se Foi Passado", "Ponto Final", "Encontro Com A Saudade", "Cancao Do Amor Sem Fim", "Gosto Do Seu Olhar", and "Lagrima". Next up is a full album of Antonio Carlos Jobim songs by Brazilian singer Maysa. The sound here is sad and dark – almost in the mode of some of the more obscure US vocalists of the late 50s, the post-June Christy crowd who took bits of jazz woven with their own sadness, and worked in a much darker style than the pop singers of the day. In a way, Maysa sounds best of all in this mode – and we almost like these albums more than some of her later, more famous work. Orchestrations are a mix of strings and woodwinds, handled by Enrico Simonetti – and titles include "Dindi", "Caminhos Cruzados", "As Praias Desertas", "Eu Sei Que Vou Te Amar", "Por Causa De Voce", "Se Todos Fossem Iguais A Voce", and "Meditacao". Last up is a selection of tracks sung by and inspired by Dolores Duran – an important Brazilian singer in the pre-bossa years – but one who continued to have an impact on that generation too. Dolores sings "Solidao", "Estranho Amor", "Por Causa De Voce", "Fim De Caso", and "A Noite Do Meu Bem" – and the set also features eleven more songs written by Duran, sung by artists who include Maysa, Lucio Alves, Trio Irakitan, Dick Farney, and Elizeth Cardoso. CD
 
 
 



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