A long-overdue set from the great Johnny Blas – the percussionist who really made the Cubop label so great back in the 90s, returning here with a sound and style that's even more classic than ever! The instrumentation and production are rock-solid throughout – no too-polished modes, and a really strong focus on Johnny's conga work at the core – which seems to ground all the other great instrumentation on the set – including lots of strong work on trombone, piano, flute, and alto – the last two of which are sometimes played by Johnny too! There's vocals on the record on a few tracks, but the main focus is on jazzy instrumentation – and titles include "Unfinished Business", "Never Let Me Go", "Baila Que Baila", "Chi Town (parts 1 & 2)", "Berwyn Stop", and "Danzon For Rocio". LP, Vinyl record album

An expanded version of an album that was originally issued as Hank Jones' Piano as a 10" LP on Mercury – one that adds some trio tracks to the original solo piano performances! Jones is working solo on most numbers – really getting a chance to stretch out and try new ideas – in ways that have him balancing between sweeter sounds and some sharper modern moments that seem to come in and stir things up, but often in very subtle ways. Additional tunes feature Johnny Smith on guitar and Ray Brown in bass – still pretty laidback overall. Titles include "Blues For Lady Day", "Tea For Two", "You're Blase", "Thad's Pad", "The Night We Called It A Day", and "Blue Room". David Stone Martin cover, too! CD

Funky soul from one of the less-discovered scenes in the south – the hotbed of small labels that were making some mighty great grooves in Atlanta during the 70s! The Peachtree city isn't nearly as well-cited as a soul music source in comparison to places like Memphis, Muscle Shoals, and even Miami – but back in the mid 70s, there was something really special going on – and for a strong moment, a few different labels really gave the city some great music! Much of the work here represents the changing character of Atlanta itself – deep soul vocals that were forged in a longer southern tradition, mixed with well-crafted grooves that show all the modern elements coming into play as the city grew and matured. Most of this work has a pre-disco vibe – with rhythms that are similar to the early work of Fatback or Kool & The Gang – with the difference that the singers in the lead are all pretty darn great on their own. BGP did an excellent job of choosing the tracks for the set, and the notes, as always, are great – and the package features 22 titles that include "Let's Dance" by Family Plann, "Seeds Of Life" by East LA Car Pool, "Down At The Disco" by Maggabrain, "Ain't It Funky" by Johnny Jacobs, "The Bump" by Floyd Smith, "Help Me (parts 1 & 2)" by Archie Russell, "I Don't Know What It Is But It Sure Is Funky" by Ripple, "Funk Pump" by The Counts, "Claim Jumpin" by Bill Brandon, "Checkmate" by The Ebony Godfather, "Shouldn't I Be Given The Right To Be Wrong" by Joe Hinton, "Husband In Law" by CL Blast, "Only A Fool" by Loleatta Holloway, "When I Build My World" by Jimmy Lewis, and "Complain To The Clouds" by Deep Velvet. CD

Long overdue reissue of this classic FMP recording by Brotzmann – dedicated to Johnny Dyani, and featuring a group that includes Evan Parker, Derek Bailey, Han Bennink, Fred Van Hove, Paul Rutherford, Willem Breuker, and Brotzmann himself. The track's politics are stated very clearly in the title – and it's got the same sort of 1968 blast of raw power that Brotzmann first made heard around the world in "Machine Gun". Not surprisingly, a rare unreleased live version of that track – recorded in 1968 – is added to the CD as a bonus cut! CD

The Fania All Stars pay tribute to older Latin great Tito Rodriguez – in a set of shorter tracks that's really the group's first true outing in the studio! The format here is quite different than the earlier live albums cut by the group – a sound that's a bit more focused, and without as much of the free solo interplay as before. Instead, there's a greater presence of the singers – as you might expect in a tribute to Tito – with lead vocals by Hector Lavoe, Ismael Quintana, Ruben Blades, and Justo Betancourt. Instrumentalists on the session include Willie Colon, Ray Barretto, Larry Harlow, Johnny Pacheco, Richardo Ray, and Roberto Roena – and titles include "Fue En Santiago", "Vuela La Paloma", "Cara De Payaso", "Involvidable", and "Tiemblas". LP, Vinyl record album

An expanded version of an album that was originally issued as Hank Jones' Piano as a 10" LP on Mercury – one that adds some trio tracks to the original solo piano performances! Jones is working solo on most numbers – really getting a chance to stretch out and try new ideas – in ways that have him balancing between sweeter sounds and some sharper modern moments that seem to come in and stir things up, but often in very subtle ways. Additional tunes feature Johnny Smith on guitar and Ray Brown in bass – still pretty laidback overall. Titles include "Blues For Lady Day", "Tea For Two", "You're Blase", "Thad's Pad", "The Night We Called It A Day", and "Blue Room". David Stone Martin cover, too! CD

Yulesville is coolsville – especially when it comes in the form of a killer collection of rare Christmas singles from the folks at Bear Family! The package is awash in the kind of groovy, sometimes goofy Holiday singles that broke big in the early years of rock and soul – a nice antidote to the sort of sleepier work that usually graced the record racks in earlier years – and the kind of music that's perfect for sipping egg nog into the wee small hours of Christmas morning! There's plenty of gems here that we've never heard before, and plenty of other great nuggets too – titles that include "Rock & Roll Christmas" by Cordell Jackson, "Wishing Is For Fools" by The Melodeers, "Jingle Jangle" by The Penguins, "Jingle Rock" by Tommy Lee & The Orbits, "Big White Cadillac" by Little Joey Farr, "Xmas Bell Rock" by Barry & The Highlights, "Twisten Bells" by Santo & Johnny, "Sleigh Bell Rock" by Three Aces & A Joker, "Winter Wonderland" by Allen & The Flames, "The Cactus Christmas Tree" by The McGuire Sisters, "It's Christmas Everywhere" by Paul Anka, "All Winter Long" by Linda Laure, and "Christmas Kisses" by The Bookends & Ray Anthony. 33 tracks in all! CD

One of our favorite compilations of all time – a smoking batch of soulful jazz from the 60s, with a slight bit of funk and blues thrown in as well! The set's exactly what's promised in the title – jazz cuts, but with an ultra-cool mod vibe – the kind of soulful sounds that played big with the younger London crowd digging American music in the mid 60s – and also the kind of music you'd be likely to find blasting out of a backroom jukebox on the west side of Chicago! There's loads of rare single mixes of LP tracks on the set, and a number of smoking 45s from artists you might know better from more mainstream work – really hitting hard here, alongside a few special numbers from the indie underground too. Tracks are cool enough for old school hipsters – but appealing enough to bring in a new listener too – and as proof of that, we've given this one away for many years as a Christmas present. The collection features 25 tracks in all – non-stop pleasure throughout – with titles that include "Soul Shoutin" by Shirley Scott, "Tengo Tango" by Cannonball Adderley Sextet, "Whip It On Me" by Billy Hawks, "Yeh Yeh" by Mongo Santamaria, "Black Talk" by Charles Earland, "I'm Ready" by Otis Spann, "Mama Rufus" by Merced Blue Notes, "Theme From NYPD" by Johnny Hammond, "Step Out & Get It" by The Nomos, "Why Don't You Do Right" by Mark Murphy, "Collard Greens" by Freddie McCoy, "Theme From The Carpetbaggers" by Jack McDuff, "Filthy McNasty" by Eddie Jefferson, "Evil Ways" by Cal Tjader, "Kenny's Theme" by Kenny Burrell, and "Games" by Ivan Boogaloo Joe Jones. LP, Vinyl record album

Just-Ice wasn't actually part of the old school – although to some, the 1986 release might seem pretty darn close – but he definitely does a good job here of keeping things nice and clean on his classic debut! Production is from Mantronik, but there's also a harder edge than most of his other work in the studio – maybe thanks in part to edits by the great Chep Nunez, who was responsible for doing some great work on the Ultimate Breaks & Beats series! The sound blasts out of the deck with a very booming 80s sound – and the set also features some human beatboxing from DMX, who often explodes with the quality of a drum machine. Titles include "Back To The Old School", "Gangster of Hip Hop", "Latoya", "Cold Gettin Dumb", "Little Bad Johnny", and "Put That Record Back On." The picture cover is a dope notebook-style graffiti drawing of Just-Ice, DMX, Latoya, and Mantronik – that last of whom is carrying a Roland 909! CD

Just-Ice wasn't actually part of the old school – although to some, the 1986 release might seem pretty darn close – but he definitely does a good job here of keeping things nice and clean on his classic debut! Production is from Mantronik, but there's also a harder edge than most of his other work in the studio – maybe thanks in part to edits by the great Chep Nunez, who was responsible for doing some great work on the Ultimate Breaks & Beats series! The sound blasts out of the deck with a very booming 80s sound – and the set also features some human beatboxing from DMX, who often explodes with the quality of a drum machine. Titles include "Back To The Old School", "Gangster of Hip Hop", "Latoya", "Cold Gettin Dumb", "Little Bad Johnny", and "Put That Record Back On." The picture cover is a dope notebook-style graffiti drawing of Just-Ice, DMX, Latoya, and Mantronik – that last of whom is carrying a Roland 909! LP, Vinyl record album