Full LP of bonus tracks! LP, Vinyl record album

A groundbreaking album from the young John Hartford – not really folk, not really country – but a unique hybrid of both, and done with a good ear for unique sounds as well! Hartford's a really unique artist, especially at this key point in his career – and he's working here with producer David Bromberg, who himself was also helping to reinvent acoustic music at the time. The Warner Brothers placement of the record is key – as Hartford's got this sense of the past, mixed with the irony of the present – one which strongly echoes some of the hip rock contemporaries on the label, particularly the up and coming brand of post-Sunset LA talents. Titles include "Turn Your Radio On", "Up On The Hill Where They Do The Boogie", "First Girl I Loved", "With A Vamp In The Middle", and "Tear Down The Grand Ole Opry". LP, Vinyl record album

... LP, Vinyl record album

A groundbreaking album from the young John Hartford – not really folk, not really country – but a unique hybrid of both, and done with a good ear for unique sounds as well! Hartford's a really unique artist, especially at this key point in his career – and he's working here with producer David Bromberg, who himself was also helping to reinvent acoustic music at the time. The Warner Brothers placement of the record is key – as Hartford's got this sense of the past, mixed with the irony of the present – one which strongly echoes some of the hip rock contemporaries on the label, particularly the up and coming brand of post-Sunset LA talents. Titles include "Turn Your Radio On", "Up On The Hill Where They Do The Boogie", "First Girl I Loved", "With A Vamp In The Middle", and "Tear Down The Grand Ole Opry". CD

Features John Hartford's original recording of the title track, which many others would make a hit – plus other gems that include "The Six O'Clock Train & A Girl With Green Eyes", "California Earthquake", "Mouth To Mouth Resuscitation", "Untangle Your Mind", and "Front Porch". Great production and lots of odd arrangements! LP, Vinyl record album

... LP, Vinyl record album

One of John Hartford's last records for RCA, and one of his hippest too – a set that definitely has him moving away from being just a familiar folk artist, and blending styles and sounds even more! LP, Vinyl record album

A fantastic showcase for the early genius of John Hartford – one of the most unique singers to record for RCA in the late 60s! Hartford has roots in folk, an appeal that reaches the hipper side of the Nashville scene, but also is very much his own man – kind of a wittier version of some of the social commentators of a few years before, with as much of a post-modern critique of his own music as of society in the 60s. In some ways, this self-aware approach makes Hartford almost a country version of Harry Nilsson – although less tragic, too – and this album features the core sound of the previous records augmented by these beautiful larger arrangements by Al Capps – which only further the hip vibe of tunes that include "Mr Jackson's Got Nothing To Do", "The Collector", "I've Heard That Tearstained Monologue You Do There By The Door Before You Go", "Orphan Of World War Two", "I Didn't Know The World Would Last This Long", and "The Wart". LP, Vinyl record album

Great musings on love and other weirdness – done in the amazingly offbeat style of the young John Hartford! Titles include "Windows", "This Eve Of Parting", "The Six O'Clock Train & A Girl With Green Eyes", "Landscape Grown Cold", "Prayer", "Empty Afternoon Of Summer Longing", and "Natural To Be Gone". LP, Vinyl record album

Really wonderful work from the young Michael Hurley – one of his first records to get somewhat wide exposure, thanks to the help of Jesse Colin Young, who signed Hurley up to his Raccoon label at Warner Brothers! The vibe here is right up there with some of the best offbeat acoustic work cut during that stretch at the label – not the same in sound, but not far in spirit from unique records by Steve Young, John Hartford, and others – not to mention the cooler currents from Jesse's scene too! Hurley's vocal style changes nicely to fit the mood of each tune, really bringing the most out of the sorts of lyrics that were his special stock in trade – while the guitar playing is nicely unified, and although spare, really does a great job of holding the album together. Titles include "Blue Driver", "Water Train", "The Sun Is Slowly Sinking", "I'm Worried I'm Worried", "In Florida", "Lilly Pads Upon The Pond", and "Trinidad". CD

The last album in an amazing run of records that Mason Williams did for Warner Brothers – impossible to define in easy terms, as the whole thing is a mix of acoustic instrumentation, larger arrangements, occasional vocals, and this wonderful interplay between underground artists and top-shelf studio talents on the LA scene of the time! Williams' instrumental chops alone would have made the record great – but he really knocks it out of the park with his overall conception, which fits in that unique late 60s/early 70s Warner space perfectly, next to albums by Van Dyke Parks, Neon Philharmonic, John Hartford, and some of the other genre-breaking talents on the label. Titles include "Train Ride In G", "Poor Little Robin", "Godsend", "Linda Crest Lament", "A Little Bit Of Time", "Largo De Lux", and "Here I Am Again". LP, Vinyl record album

A fabulous look at a new wave of music that hit the American scene at the end of the 60s – sophisticated songs with a deep sense of narrative that went way beyond the usual – first sprung by the world of country music, but with an influence that went on to touch all other styles too! This set goes right to the core – and brings together cuts from the hippest songwriters of the period, delivered in versions that may well be the best to ever make it on records – including a few tunes that will really come as a surprise if you think you know the artists from their hits! As you'd guess from the title, the world here is very similar to that in "Ode To Billie Joe" – a world that's also given great illumination by the detailed notes within. Titles include "Endless Miles Of Highway" by Jerry Reed, "If Only She Had Stayed" by Chris Gantry, "July 12, 1939" by Charlie Rich, "What Am I Doing In LA" by Nat Stuckey, "The House Song" by Lee Hazlewood, "Mr Jackson's Got Nothing To Do" by John Hartford, "Widow Wimberley" by Tony Joe White, "Mr Walker It's All Over" by Billie Jo Spears, "Drivin Nails In The Walls" by Waylon Jennings, "Four Shades Of Love" by Henson Cargill, "The Back Side Of Dallas" by Jeanne C Riley, "Way Before The Time Of Towns" by Hoyt Axton, "Down From Dover" by Dolly Parton, "Fabulous Body & Smile" by Sir Robert Charles Griggs, and "Why Can't I Come Home" by Ed Bruce. LP, Vinyl record album

Really wonderful work from the young Michael Hurley – one of his first records to get somewhat wide exposure, thanks to the help of Jesse Colin Young, who signed Hurley up to his Raccoon label at Warner Brothers! The vibe here is right up there with some of the best offbeat acoustic work cut during that stretch at the label – not the same in sound, but not far in spirit from unique records by Steve Young, John Hartford, and others – not to mention the cooler currents from Jesse's scene too! Hurley's vocal style changes nicely to fit the mood of each tune, really bringing the most out of the sorts of lyrics that were his special stock in trade – while the guitar playing is nicely unified, and although spare, really does a great job of holding the album together. Titles include "Blue Driver", "Water Train", "The Sun Is Slowly Sinking", "I'm Worried I'm Worried", "In Florida", "Lilly Pads Upon The Pond", and "Trinidad". LP, Vinyl record album

A fabulous look at a new wave of music that hit the American scene at the end of the 60s – sophisticated songs with a deep sense of narrative that went way beyond the usual – first sprung by the world of country music, but with an influence that went on to touch all other styles too! This set goes right to the core – and brings together cuts from the hippest songwriters of the period, delivered in versions that may well be the best to ever make it on records – including a few tunes that will really come as a surprise if you think you know the artists from their hits! As you'd guess from the title, the world here is very similar to that in "Ode To Billie Joe" – a world that's also given great illumination by the detailed notes within. Titles include "Endless Miles Of Highway" by Jerry Reed, "If Only She Had Stayed" by Chris Gantry, "July 12, 1939" by Charlie Rich, "What Am I Doing In LA" by Nat Stuckey, "The House Song" by Lee Hazlewood, "Mr Jackson's Got Nothing To Do" by John Hartford, "Widow Wimberley" by Tony Joe White, "Mr Walker It's All Over" by Billie Jo Spears, "Drivin Nails In The Walls" by Waylon Jennings, "Four Shades Of Love" by Henson Cargill, "The Back Side Of Dallas" by Jeanne C Riley, "Way Before The Time Of Towns" by Hoyt Axton, "Down From Dover" by Dolly Parton, "Fabulous Body & Smile" by Sir Robert Charles Griggs, and "Why Can't I Come Home" by Ed Bruce. CD