Two older Roulette albums – brought together in one 70s package! The first set is a live Billy Strayhorn date – recorded with a group that includes Johnny Hodges and Paul Gonsalves on reeds, Harold Baker and Clark Terry on trumpets, and Quentin Jackson on trombone. Next up is Jazz From Abroad – an incredible early work from British leader Johnny Dankworth – jazz work that's as fluid and grooving as his best 60s soundtrack sessions, and cut with an early sense of power that's really great! Dankworth's tight on the head arrangements, really leaping into the rhythms of the tune with the same love of groove as contemporary Johnny Keating – but he also makes some strong solo space on the best tracks on the album, really letting the sax players in the group stretch out searingly. Players aren't named in the credits, sadly, but we're guessing they're the top-level players who made appearances on Dankworth's key British sides of the time. Titles include "A String Of Camels", "Cannonball", "Chano", "Avengers Theme", "Sack O Woe", "Esso Blues", and "Curtain Up". LP, Vinyl record album

A lost bit of southern soul from Sound Stage Seven – featuring sublime production by the great John Richbourg, and a sound that's simply out of this world! Sam Baker has a strong deep soul style – a bit like Otis Redding, filtered through the rougher edges of Syl Johnson – and this rare album of deep soul tracks is one of the few records of his fantastic work. Arrangements are by Dan Penn, Cliff Parman, and Aaron Varnell – and tracks include "It's All Over", "Sometimes You have To Cry", "That's All I Want From You", "I Believe In You", "Someone", "Just A Glance Away", and "Safe In The Arms Of Love". LP, Vinyl record album

A surprisingly wonderful 70s meeting between Gerry Mulligan & Chet Baker – recorded live, with sweet electric touches from CTI – in a style that shouldn't work so well, but which really comes off great! The approach is simple – Mulligan and Baker solo in a manner that's a bit like their 50s work, but which also unfolds more than usual with backing from a group that includes Bob James on electric piano, Ron Carter on bass, John Scofield on guitar, and Harvey Mason on drums. Tracks are long, with lots of space – hanging in a beautiful balance between electric and acoustic sounds. Titles include "Line For Lyons", "Song For An Unfinished Woman", "Song For Strayhorn" and Baker's favorite standard "My Funny Valentine". LP, Vinyl record album

Athur Baker was a producer with a slightly bumpy path in the 80s, but there's no denying his impact on music at the time – particularly the way he had of funneling sounds from the streets to the dancefloors in the mainstream! Baker was one of the first to really have an ear for both hip hop and other styles of grooves – super-sharp on the right electro elements, yet with a richer understanding of soul, R&B, and club – all of which he brings to work here, on versions of tracks that have all the excitement of a special take on the tune from the clubs back in the day! This 4CD set comes in a huge book-style package, with plenty of notes – and features 43 classic mixes by Baker, with titles that include "Big Love (ext rmx)" by Fleetwood Mac, "Sun City (last rmx)" by Artists United Against Apartheid, "Running Away (Arthur Baker rmx)' by The Colourfield, "C'Est La Vie (ext rmx)" by Robbie Nevil, "Out Of Touch (club version)" by Daryl Hall & John Oates, "Living In A Box (dance mix)" by Living In A Box, "IOU (mega mix)" by Freeez, "Walking On Sunshine (12" version)" by Rockers Revenge, "Soweto (rmx)" by Jeffrey Osborne, "A Love Supreme (jazz in the house rmx)" by Will Downing, "Message Is Love (cupid mix)" by Arthur Baker & The Backbeat Disciples with Al Green, "Ever Fallen In Love (club senseless)" by Fine Young Cannibals, "Buffalo Stance (1/2 way 2 house mix)" by Neneh Cherry, and "Planet Rock (12" voc version)" by Afrika Bambaataa & Soulsonic Force. CD

A short book on a short-lived but important comic book publisher of the postwar years – the great St John imprint, which was home to some of the more mature material of the time! The company is known both for its groundbreaking work in the romance comics field, and for its stunning artists – who include the legendary Matt Baker – and the author serves up the book in a series of interviews with creative talents – illuminating their own contributions, and providing especially great details of those who passed all too soon – including Baker and publisher Archer St John. The book has images from comics all the way through, all in black and white – and the whole thing's a great read if you love the behind the scenes stories of comic creation as much as we do. Softcover, 112 pages, with black and white images throughout. Book

Athur Baker was a producer with a slightly bumpy path in the 80s, but there's no denying his impact on music at the time – particularly the way he had of funneling sounds from the streets to the dancefloors in the mainstream! Baker was one of the first to really have an ear for both hip hop and other styles of grooves – super-sharp on the right electro elements, yet with a richer understanding of soul, R&B, and club – all of which he brings to work here, on versions of tracks that have all the excitement of a special take on the tune from the clubs back in the day! This 2LP package features 14 classic mixes by Baker, with titles that include "Big Love (ext rmx)" by Fleetwood Mac, "Sun City (last rmx)" by Artists United Against Apartheid, "Running Away (Arthur Baker rmx)' by The Colourfield, "C'Est La Vie (ext rmx)" by Robbie Nevil, "Out Of Touch (club version)" by Daryl Hall & John Oates, "Living In A Box (dance mix)" by Living In A Box, "IOU (mega mix)" by Freeez, "Walking On Sunshine (12" version)" by Rockers Revenge, "Soweto (rmx)" by Jeffrey Osborne, "A Love Supreme (jazz in the house rmx)" by Will Downing, "Message Is Love (cupid mix)" by Arthur Baker & The Backbeat Disciples with Al Green, "Ever Fallen In Love (club senseless)" by Fine Young Cannibals, "Buffalo Stance (1/2 way 2 house mix)" by Neneh Cherry, and "Planet Rock (12" voc version)" by Afrika Bambaataa & Soulsonic Force. LP, Vinyl record album

Duke Ellington on piano, Johnny Hodges and Rick Henderson on alto saxophone, Russell Procope on alto saxophone and clarinet, Paul Gonsalves on tenor saxophone, Jimmy Hamilton on tenor saxophone and clarinet, Britt Woodman, John Sanders, and Quentin Jackson on trombone, Cat Anderson, Clark Terry, Shorty Baker, and Willie Cook on trumpet, Ray Nance on trumpet, violin, and cello, Harry Carney on clarinet and bass clarinet, Jimmy Woode on bass, and Sam Woodyard on drums, with Jimmy Grissom and Ozzie Bailey on vocals. CD

Duke Ellington on piano, Johnny Hodges and Rick Henderson on alto saxophone, Russell Procope on alto saxophone and clarinet, Paul Gonsalves on tenor saxophone, Jimmy Hamilton on tenor saxophone and clarinet, Britt Woodman, John Sanders, and Quentin Jackson on trombone, Cat Anderson, Clark Terry, Shorty Baker, and Willie Cook on trumpet, Ray Nance on trumpet, violin, and cello, Harry Carney on clarinet and bass clarinet, Jimmy Woode on bass, and Sam Woodyard on drums, with Jimmy Grissom and Ozzie Bailey on vocals. CD

An amazing blend of astral jazz and atmospheric orchestral soundscapes – composed and directed by coronetist Rob Mazurek! Exploding Star Orchestra is an apt name, but it's more of a bright and glorious explosion than a calamitous one – a sweeping couple of soundtracky suites that's the culmination of a couple years of work by Mazurek and a major contribution from Nicole Mitchell on flute – plus Jeb Bishop on trombone, Corey Wilkes on flugelhorn, Jeff Parker on guitar, John McEntire on marimba and tubular bells, John Herndon on drums, Jim Baker on piano & ARP, Jazon Adasiewicz on vibes, Matthew Lux on bass, Mike Reed on drums, percussion & saw, and others. It's part informed improvisation, part boundary free composition, and pretty wonderful all the way through! We expected something special, but this one goes above and beyond. Following the Frequency project by about 6 months, this is the second near classic avant garde jazz album on Thrill Jockey in a relative short stretch! 2 multi-part titles: The 70s style soul jazz groover "Sting Ray And The Beginning Of Time" (Part 1, Part 2, Part 3 – Psycho-Tropic Electric Eel Drum and Part 4), "Cosmic Tomes For Sleep Walking Lovers" (Part 1, Part 2, Part 3, Part 4 – Fifteen Wais Towards A Finite Universe, and Part 5) – and the mellow, piano led centerpiece "Black Sun". CD

Music from John Snipes, Dink Roberts, Joe Thompson & Odell Thompson, Etta Baker & Cora Philips, John Jackson, Homer Walker, Irvin Cook & Leonard Bowles, 'Big Sweet' Lewis Hairston, John Tyree, Rufus Kasey and more. CD

The fingersnap here is the key – as all the cuts here have a nicely romping kind of groove – a sweet sense of rhythm that's bound to get your toes tapping as much as your fingers are snapping – thanks to a nice sense of space between the notes! The music is from a variety of different genres – late 50s/early 60s country, pop, jazz, and R&B – all brought together here with the usual great Bear Family sense of an inventive tracklist, and definite panache for putting together a collection! The set features 31 tracks in all – and titles include "Tremblin" by Byrdie Green, "Love Charms" by Sanford Clark, "Lookout Mountain" by Chuck Miller, "Walk With Me Lord" by Ruth Brown, "King Of The Road" by Roger Miller, "My Nerves" by Little Willie John, "Coal Miner" by Nappy Brown, "Fever" by Peggy Lee, "Tale Of Woe" by Wynonie Harris, "Hawk" by Bill Haley & The Comets, "Jack That Cat Was Clean" by Dr Horse, "Chills & Fever" by Ronnie Love, "Sixteen Tons" by Jimmy Dean, "Tiny Tim" by LaVern Baker, "Satan Is Her Name' by Steve King & The Echelons, and "Heartbeat" by The Collins Kids. CD

With selections by Gass, Ashton Gardner & Dyke, Savage Rose, Jack Bruce, Area Code 615, Tony Williams Lifetime, John Mayall, Ten Wheel Drive, Cat Mother & The All Night Newsboys, Taste, and Ginger Baker's Air Force. LP, Vinyl record album

A cool cooker from Maynard Ferguson – and a set that has all the upbeat tones you'd expect from the title, but lots of funky currents underneath! The set really sparkles right from the start – and has that sweet vibe that Maynard was really getting perfect on these late 70s records for Columbia – jazzy fusion that's tight, but never too uptight – with lots of room for sweet solos from the leader himself, plus Bill Hannon on moog, John Qdini on guitar, Eric Traub on tenor, and Mike Migliore on alto. Titles include a famous working of Earth Wind & Fier's "Fantasy" – plus "Battlestar Galactica", "MF Carnival", "Baker Street", "Birdland", "How Ya Doin Baby", and "Stella By Starlight". LP, Vinyl record album

Music from Gandy Dancers, John Cephas And Phil Wiggins, Warner Williams, Robert Jr. Lockwood, Etta Baker, Abner Jay, Claude Williams, Sammy Price, Booker T. Laury, White Cloud Hunters Mardi Gras Indians, and more. CD

That's "bards" of prey, not birds of pray – a great selection of country singers, really doing their best on a well-chosen batch of unusual material! There's some of the slight doom/gloom themes going on here that you'll find in other material from the Hillbillies In Hell series – but there's also maybe a more expansive ear for the music too, maybe more thoughtfulness for the quality of the vocals instead of the oddness of the tune – an effort that we can wholeheartedly endorse! Titles include "Afraid To Rock The Boat" by Roy Clark, "The Little Bird" by John D Loudermilk, "Hell Walks The Street" by Shirl Milete, "Ballad Of Black Mountain" by Mac Curtis, "These Boots Are Made For Walkin" by Hayden Thompson, "Sing & Shout" by T Tommy & The Chanters, "Hell Bound Train" by David Rodgers, "Ain't No Grave Gonna Hold My Body Down" by Slim & Zella Mae Cox, and "Listen To The Devil Laugh" by Dave Baker. And oddly, a few tracks here are repeated in other versions, by other singers too! LP, Vinyl record album

Duke Ellington on piano, Bill Graham on alto saxophone, Russell Procope on alto saxophone and clarinet, Harry Carney on baritone saxophone, clarinet and bass clarinet, Jimmy Hamilton on tenor saxophone and clarinet, Paul Gonsalves on tenor saxophone, Britt Woodman, John Sanders, and Quentin Jackson on trombone, Clark Terry and Harold "Shorty" Baker on trumpet, Ray Nance on trumpet, violin, and vocals, Ozzie Bailey on vocals, Jimmy Woode on bass, and Sam Woodyard on drums. CD

Music from Frank Sinatra, Mel Torme, Sammy Davis Jr. And Laurindo Almeida, John Coltrane And Johnny Hartman, Chet Baker, Jack Jones, Bill Henderson, Bob Manning, Billy Eckstine, Bing Crosby, Jackie Paris, and more. CD

One of the most unusual albums issued by Impulse Records in the early 70s – one that's partly funky jazz, partly Chicano soul – and very much in that nice mixing of modes that the label was cooking up in the years after John Coltrane's passing! Gary Saracho leads the group on acoustic and electric piano – and the rest of the ensemble includes soprano sax, electric guitar, timbales, bass, and an assortment of other odd instrumentation, including some woodwinds – all served up in a style that's very hard to label easily – one of the reasons why the record was a bit ignored in the 70s, and is now seen as one that was years ahead of its time! Titles include "Happy, Sad", "Sunday's Church", "Senor Baker", and "Conquest De Mejico". LP, Vinyl record album

Music by Dinah Washington, John Coltrane, Stan Getz, Shirley Horn, Erroll Garner, Clifford Brown, Blossom Dearie, and Chet Baker – 18 tracks total. CD

Music from Woody Guthrie, Norman Blake, Mississippi John Hurt, David Bromberg, Etta Baker, Alison Krauss & the Cox Family, Roy Book Binder, the Dirty Dozen Brass Band, Marcia Ball, Irma Thomas, Boozoo Chavis, Beau Jocque & the Zydeco Hi-Rollers, Ted Hawkins, Ted Lundy, Don Stover, Boone Creek & much more. CD

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Given that Chet Baker's a singer himself, it's a bit surprising that he's working here with another vocalist – but that oddity aside, the album's a great little session that's got an intimate feel that's a bit different than Baker's own vocal work! Pace's voice is much fuller and richer than Chet's – with a range that would have been very much at home doing more dramatic pop material of the era, yet which also fits in very comfortably in this laidback small group session. Baker himself plays trumpet on the record, backing Johnny up – and other players include Herbie Mann on flute, Joe Berle on piano, Jimmie Burke on bass, and either Philly Joe Jones or Ed Thigpen on drums. Titles include "All Or Nothing At All", "The Way You Look Tonight", "Yesterdays", "Everything I've Got Belongs To You", "When The Sun Comes Out", and "This Is Always". LP, Vinyl record album

A classic Pacific Jazz album, one that features Chet Baker laying back in three different ensembles – a quartet (with Russ Freeman), sextet (with Bud Shank and Bob Brookmeyer), and septet (with Jack Montrose, Herb Geller, and Bob Gordon). Arrangements are by Freeman, Montrose, and Johnny Mandel – and the set list includes a few strong originals, plus other familiar numbers, all done in the warmly intimate style of Baker's best early work. Titles include "Tommy Hawk", "All The Things You Are", "No Ties", "Russ Job", "Bea's Flat", "Goodbye", "Moonlight Becomes You", and "Little Man You've Had A Busy Day". LP, Vinyl record album

Original score for the film by Paul Scrader. Features composer Scott Johnson on guitar, Fred Zlotkin on cello, Michael Riesman and Peter Phillips on keyboards, Karl Bargen on viola, and Sergiu Shwartz and Timothy Baker on violin. CD

Featuring Harold Baker, Quentin Jackson, Jimmy Hamilton, Don Byas, Raymond Fol, Wendell Marshall, Sonny Greer, and Otto Franker. CD

A solo set by pianist Jason Moran – but one that's got the intensity of a full group session! We honestly didn't know how we'd respond to this one, but we find the album to be really compelling – a great blend of tunes from sources that include James P Johnson, Arthur Baker, and Muhal Richard Abrams, next to some sparkling originals by Moran. Titles include "Planet Rock", "You've Got To Be Modernistic", "Passion", "Gansterism On A Lunchtable", "Time Into Space Into Time", and "Gentle Shifts South". CD

A sweet 70s groover from the great Lonnie Smith – a soulful little session that has the keyboardist really stretching out in some great ways! At the time, Smith fares a lot better than some of his late 60s jazz organ contemporaries – as he's got a great lean style, perfect for the decade's increasing use of electric keyboards and larger backings! This set's a great example of that style – as Smith moves way from his 60s soul jazz roots, into the soaring blend of jazz, funk, and soul that you'd also hear on Johnny Hammond albums of the time – almost more soul than jazz, given the presence of vocals on some cuts – but still always with more than enough room for the leader to stretch out and solo. Backings are nice and tight – and handled by Brad Baker (of B Baker Chocolate Company fame) – and tracks include "Funk Reaction", "For The Love Of It", "It's Changed", and "When The Night Is Right". CD

A sweet 70s groover from the great Lonnie Smith – a soulful little session that has the keyboardist really stretching out in some great ways! At the time, Smith fares a lot better than some of his late 60s jazz organ contemporaries – as he's got a great lean style, perfect for the decade's increasing use of electric keyboards and larger backings! This set's a great example of that style – as Smith moves way from his 60s soul jazz roots, into the soaring blend of jazz, funk, and soul that you'd also hear on Johnny Hammond albums of the time – almost more soul than jazz, given the presence of vocals on some cuts – but still always with more than enough room for the leader to stretch out and solo. Backings are nice and tight – and handled by Brad Baker (of B Baker Chocolate Company fame) – and tracks include "Funk Reaction", "For The Love Of It", "It's Changed", and "When The Night Is Right". LP, Vinyl record album

It might be a bit of a stretch to say that things were going mod in 1957 – as the London mod movement still had a few years to come – but modern jazz was certainly taking over the scene in the city, thanks to a huge rise of homegrown acts who were serving up their own response to American work on labels like Blue Note and Prestige! This set's full of some of the best to appear at the time – a great lineup of London players at their best – with cuts that include "Sputnik" by Dick Heckstall Smith, "Cheek To Cheek" by the Jazz Couriers, "Monkey Business" by Kenny Graham's Afro Cubists, "Cinders" by Vic Ash Plus Four, "Chelsea Bridge" by Derek Smith, "Four" by Tubby Hayes & Victor Feldman, "Headin North" by Johnny Keating, "Salt Air" by Dave Lee, "Act One Scene One" by Kenny Baker's Half Dozen, and "Pittsburgh Opener" by Ronnie Scott. As a bonus, the set also features a full CD of American artists who were also making Soho hop at the time – work by Art Blakey, Horace Silver, Miles Davis, and others. CD

Genius Gerry Mulligan from the 60s – 2 albums back to back on one CD! The first half of the set features the Gerry Mulligan Quartet album for Verve from 1962 – an understated gem that's one of Gerry's first in a run of extremely charming sessions from the early 60s! The album has Mulligan blowing in a format that's similar to 50s sides – a quartet with Bob Brookmeyer on trombone, Bill Crow on bass, and Gus Johnson on drums – but the overall sound is somehow a bit looser and more relaxed than the Mulligan of old – a more gently playful feel that seems to stem from some of Brookmeyer's own experiments of the time, and which has Gerry blowing with a tightness and punch we really like. Titles include "Piano Train", "Lost In The Stars", "I Know, Don't Know How", and "I Believe In You". Next up is material from the even-better Spring Is Sprung – a great little session hidden amidst Mulligan's 60s work, and a no-nonsense, gimmick-free album with some really great playing overall! The group on the set includes Bob Brookmeyer on valve trombone as well as piano, which he even plays in duet with Gerry on one track – and the quartet's approach is nicely relaxed, but still firmly exploratory, as they make their way through a number of strong original tunes that include "Subterranean Blues", "Spring Is Sprung", "Open Country", and "Four For Three". Lastly, the CD adds in 2 tracks from a quartet with Mulligan and Chet Baker, recorded in 1957 – on "People Will Say We're In Love" and "Gee Baby Ain't I Good To You". CD

Seminal early country rock from Gram Parsons and the International Submarine Band – cut soon before Gram jumped ship to the Byrds for the legendary Sweetheart Of The Rodeo LP! The one-and-only International Submarine Band LP is the first official full length album from Gram Parsons, and probably the record in which GP's deep love of soulful 60s honky tonk is worn most proudly on his sleeve. He covers Merle Haggard's "I Must Be Somebody Else You've Known" and Johnny Cash's "Folsom Prison Blues", and overall the album sounds a little bit more Bakersfield than San Francisco. Notoriously produced by Lee Hazlewood's gal Suzi Jane Hokem. Essential! Tracks include "Blue Eyes", "A Satisfied Mind", "Folsom Prison Blues/That's Alright", "Miller's Cave", "Luxury Liner", and "Strong Boy". LP, Vinyl record album

An unusual non-Ellington session from Billy Strayhorn – but one that's recorded in septet formation with plenty of the Duke's men at his side! Strayhorn's in the lead on piano, and other players include Quentin Jackson on trombone, Cue Porter (Johnny Hodges?) on alto sax, Shorty Baker on trumpet, and Russell Procope on clarinet – all gliding nicely with a bit more solo room than usual, in the great swing-based mode used by the Felsted label for it's short-lived series of sessions. Titles include "Watch Your Cue", "Cue's Blue Now", "Cherry", "Gone With The Wind", and "Rose Room". LP, Vinyl record album

Music from Little Richard, Dee Clark, Fats Domino, Bo Diddley, Lloyd Price, Chuck Berry, Big Al Downing, Otis Redding, Johnny Otis, LaVern Baker, Mister PT, and more CD

A well-titled little set – as the collection is as cool as the sound of CTI Records back in the 70s! The unique package features an LP-sized cover – just like one of the CTI gatefold albums from back in the day – which contains 4 different CDs, each with a slightly different take on the sound of the legendary label! CD 1 is titled Straight Up – and features amazing 70s jazz from Hubert Laws, Ron Carter, George Benson, Randy Weston, Freddie Hubbard, and others. CD 2 is titled Deep Grooves/Big Hits – and features some killer numbers by Esther Phillips, Johnny Hammond, Freddie Hubbard, Deodato, Joe Farrell, and Hank Crawford. Next is CD 3, The Brazilian Connection – a beautiful demonstration of Creed Taylor's love of sounds from Rio and beyond – filled with great work from Airto, Paul Desmond, Antonio Carlos Jobim, Stanley Turrentine, Milt Jackson, and Deodato. Last up is Cool & Classic – the 4th CD, with CTI-remade work by older players such as Gerry Mulligan, Chet Baker, Kenny Burrell, and Jim Hall – all a perfect fit for the label's new sound of the 70s! The package also features an LP-sized booklet – filled with notes and rare images! CD

An early treasure from a great tradition in soul music – one of the first few compilations from Ace/Kent Records – issued way back in the early 80s, and still a treasure trove of great 60s soul after all these years! As you'd guess from the title, the tracks here are all upbeat and uptempo – numbers brought together for the Northern Soul audience in the UK, but which also represent a great sampling of underground soul from the US in the 60s! Many of these numbers mix rough-edged vocals with more tightly-crafted instrumentation – and the collection features a total of 16 tracks that include "Lay This Burden Down" by Mary Love, "You Just Cheat & Lie" by ZZ Hill, "Good Taste Of Love" by Danny Monday, "Wanting You" by Jimmy Bee, "Can It Be Me" by Mel Williams, "Hole In The Wall" by The Other Brothers, "Talkin Woman" by Lowell Fulsom, "What Kind Of Man Are You" by Jackie Day, "Country Girl" by The Johnny Otis Show, "Everybody Needs Love" by Willie Gauff & The Love Brothers, and "My Baby Needs Me" by Yvonne Baker. LP, Vinyl record album

Featuring music from Sonny Rollins, Paul Desmond & Gerry Mulligan, Gary Burton Quartet, Duke Ellington & His Orchestra, Clark Terry Quintet, Johnny Hodges, JJ Johnson & His Orchestra, Chet Baker, Jackie McLean, Lionel Hampton, and more. CD

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