One of the better Ruby Braff albums of the 50s – recorded for the Storyville label, with help from players who include Vic Dickenson, Jo Jones, Edmond Hall, Milt Hinton, and Sam Margolis! CD

Featuring undated 50s recordings with the Teddy Wilson Trio, with Milt Hinton, Jo Jones, and Dizzy Gillespie, as well as a 1959 date with the Eddie Higgins Trio. LP, Vinyl record album

A great example of the way that older trad players found new life in the 60s modern scene – as the set was part of the same Candid Records series that captured genius from Cecil Taylor and Charles Mingus! Bob Brookmeyer brings some modern trombone elements to the set, alongside Pee Wee Russell on clarinet and Coleman Hawkins on tenor – with piano from Nat Pierce, trumpet from Emmett Berry, bass from Milt Hinton, and drums from Jo Jones! CD

Joe Bushkin on piano, Milt Hinton on double bass, Jo Jones on drums, and Buck Clayton on trumpet. CD

A great example of the way that older trad players found new life in the 60s modern scene – as the set was part of the same Candid Records series that captured genius from Cecil Taylor and Charles Mingus! Bob Brookmeyer brings some modern trombone elements to the set, alongside Pee Wee Russell on clarinet and Coleman Hawkins on tenor – with piano from Nat Pierce, trumpet from Emmett Berry, bass from Milt Hinton, and drums from Jo Jones! CD

2 obscure albums John Benson Brooks – an overlooked 50s jazz composer who often had a penchant for higher concept recordings! The first half of the CD features Folk Jazz USA – one of Brooks' most stripped down records – done with a core group of Zoot Sims on alto, Al Cohn on baritone, Nick Travis on trumpet, Barry Gailbraith on guitar, Osie Johnson on drums, and Buddy Jones on bass. The style is kind of a chamber jazz reworking of tunes from folk sources – done in a way that hangs modernist clothes on older melodies – really dressing them up with the jazz charms of mid 50s RCA! Travis is especially strong on the set – with boldly-stated lines that preserve the melodies, while other players really take off with their solos on the saxes. Titles include "Darling Corey", "Turtle Dove", "Black Is The Color", "Randall My Son", and "Venezuela". Next up is Alabama Concerto – a record based around the solo talents of Art Farmer on trumpet and Cannonbal Adderley on alto sax! The album's based on a number of historical and mythical southern themes – and although it gets a bit hokey at times, the work of Adderley and Art Farmer on the solo sections really opens up the piece and gives it a deep sense of soul. The setting is a drummer-less small group, with Barry Galbraith on guitar, Milt Hinton on bass, and Brooks on occasional piano – and themes include "The Loop", "Trampin", "Little John Shoes", "Milord's Calling", and "Rufus Playboy". CD

Hank Jones takes on Porgy & Bess – with some wonderfully groovy results! The set is one of many version of the Gershwin musical that were timed to come out with the release of the late 50s film – but thanks to some careful handling by Jones, the music is way more than a cash-in session – and in fact, it's almost as if Jones is doing his best to really change up some of the tunes, and present them in fresh new ways! A key element to the set is guitarist Kenny Burrell – who joins Hank's trio with Milt Hinton on bass and Alvin Jones on percussion – playing with a nice rhythmic pulse that moves things a bit past the usual Jones groove. Titles include "Summertime", "I Ain't Got No Shame", "It Ain't Necessarily So", and "A Woman Is A Sometime Thing". CD

2 rare Columbia albums by trumpeter Joe Wilder! The Pretty Sound has a title that might make you think that the album's a bunch of flowery instrumentals – but don't let that put you off, because it's actually a pretty strong set of tunes from trumpeter Joe Wilder, recorded with a bit of polish, to be sure, but in a way that lets him take the lead, solo-wise. Players on the session include Jerome Richardson, Hank Jones, Urbie Green, and Milt Hinton – and titles include "Caravan", "Harbor Lights", "It's So Peaceful In The Country", and "Guys & Dolls". Jazz From Peter Gunn is probably Joe Wilder's greatest album as a leader – and one of a number of competing Peter Gunn jazz albums on the market! Joe's take on the Mancini score is a bit warmer and rounder than some of the others – thanks in part to his fluid tone on the trumpet, and to the fact that the album's only a quartet session, with Hank Jones, Milt Hinton, and John Cresci behind Joe's solos. Titles include "Brief & Breezy", "A Quiet Gass", "The Floater", "Slow & Easy", and "Brothers Go To Mothers". CD

With Cozy Cole, Jonah Jones, Coleman Hawkins, Eddie Barefield, Walter Thomas, Clyde Hart, Hilton Jefferson, and Milton Hinton. 78 RPM, Vinyl record

With Jonah Jones on trumpet, Bud Freeman on tenor, Milt Hinton on bass, George Barnes on guitar, and Dave Bowman on piano. LP, Vinyl record album

A great large group project from arranger Manny Albam – one that teams him up with "jazz greats" of the east coast scene. Manny's working here with a set of players who are well-chosen for their ability to work strongly in an ensemble, yet also break out with strong solo work when the moment comes – and the lineup includes Gerry Mulligan, Al Cohn, Zoot Sims, Phil Woods, Bob Brookmeyer, and Art Farmer – with rhythm by the trio of Hank Jones, Milt Hinton, and Osie Johnson. CD

A twin-tenor classic from the team of Al Cohn and Zoot Sims – one of the duo's best-remembered albums from their 50s years at RCA – and a perfect blend of their talent for individual improvisation and unified ensemble energy! The album boasts 2 different groups – one with Hank Jones on piano, Milt Hinton on bass, and Osie Johnson on drums; the other with Dick Sherman on trumpet, Dave McKenna on piano, and the rhythm team of Hinton and Johnson – but the main focus is on Al and Zoot throughout, both blowing these lines that are crisp and modern, yet filled with soul – especially on Sims' passages, which break free a bit more than some of the other RCA jazz sessions of the time. Titles include "My Blues", "More Bread", "Sherm's Terms", "From A To Z", "Crimea River", and "Mediolistic". CD

Accompanied by Houston Persoon on tenor, George Devens on vibraphone, Stan Hope on piano, Milt Hinton on bass, Vernell Fournier on drums, and Ralph Dorsey on percussion. LP, Vinyl record album

A beautiful album of dark-hued vocals – sung by Johnny Hartman with a quality that's as smokey as the image of him with a cigarette on the cover! The album set a whole new standard for male vocal jazz in the 60s – and is a distillation and refinement of earlier ideas in music by Billy Eckstine, taken down to more personal and fluid levels by Hartman – and recorded here with great small group baking that includes Illinois Jacquet on tenor, Kenny Burrell on guitar, Milt Hinton on bass, and Elvin Jones on drums. The vibe is very mellow, but never sloppy or sleepy – and titles include "Charade", "In The Wee Small Hours", "Stairway To the Stars", "Kiss & Run", "Our Time", "Don't You Know I Care", "If I'm Lucky", and "Don't Call It Love". CD

A beautiful album of dark-hued vocals – sung by Johnny Hartman with a quality that's as smokey as the image of him with a cigarette on the cover! The album set a whole new standard for male vocal jazz in the 60s – and is a distillation and refinement of earlier ideas in music by Billy Eckstine, taken down to more personal and fluid levels by Hartman – and recorded here with great small group baking that includes Illinois Jacquet on tenor, Kenny Burrell on guitar, Milt Hinton on bass, and Elvin Jones on drums. The vibe is very mellow, but never sloppy or sleepy – and titles include "Charade", "In The Wee Small Hours", "Stairway To the Stars", "Kiss & Run", "Our Time", "Don't You Know I Care", "If I'm Lucky", and "Don't Call It Love". LP, Vinyl record album

Head to head blowing from Sonny Sitt and Paul Gonsalves – just the kind of twin-horn performance that Stitt was famous for in his live battle days, and one that also reminds us that Gonsalves can be a very loose swinger when he wants to be! The tracks are all long, and played with the sort of feel you'd hear if you caught these guys live at some small southside club – and the solos also show the kind of inventiveness and imagination you'd catch in that sort of setting – backed by a swinging rhythm combo that features Hank Jones on piano, Milt Hinton on bass, and Osie Johnson on drums. Titles include a version of "Perdido" that's nearly 13 minutes long – plus "Stardust", "Sposin", "Salt & Pepper", and "Theme From Lord Of The Flies". LP, Vinyl record album

A really unusual chapter of the Coleman Hawkins catalog – an album of easy-going ballads and late nite tracks, recorded with backings from arranger Frank Hunter – hence the title of the set! Hunter's using some lush strings on the set, but not in a way that gets in front of Hawkins' horn – and Coleman gets plenty of room to blow on the session, recorded here in a nice echoey mode that brings out the deepness of his tone even more than usual! Rhythm is by 2 different trios – one with Dick Hyman, Milt Hinton, and Osie Johnson; the other with Hank Jones, George Duvivier, and Jimmie Crawford – and tunes include "Easy Walker", "Traumerei", "Lazy Butterfly", "Pebbles", "Not Quite Right", "Whisper To Me", "Lonely Tenor", and "Hawk Talk". LP, Vinyl record album

The "triple play" in the title refers to the fact that Johnny's working here with 3 different groups – all of them large ones, and stuffed with Ellington-esque players that include Ray Nance, Paul Gonsalves, Milt Hinton, Tiny Grimes, Hank Jones, Cat Anderson, Jimmy Hamilton, Harry Carney, and Billy Butler. Tracks are short, but there's a few nice ones that have the raw bite of Hodges' best work for Verve – with titles that include "Fur Piece", "Take Em Off Take Em Off (parts 1 & 2)", "Sir John", "On The Way Up", and "Wild Onions". CD

With Tony Mottola on guitar, Don Lamond on drums, Milton Delugg on accordion, Hank Jones and Bernie Leighton on pano, Phil Bodna on clarinet and saxophone, Milt Hinton on bass, and Billy Butterfield on trumpet. LP, Vinyl record album

A beautiful album of dark-hued vocals – sung by Johnny Hartman with a quality that's as smokey as the image of him with a cigarette on the cover! The album set a whole new standard for male vocal jazz in the 60s – and is a distillation and refinement of earlier ideas in music by Billy Eckstine, taken down to more personal and fluid levels by Hartman – and recorded here with great small group baking that includes Illinois Jacquet on tenor, Kenny Burrell on guitar, Milt Hinton on bass, and Elvin Jones on drums. The vibe is very mellow, but never sloppy or sleepy – and titles include "Charade", "In The Wee Small Hours", "Stairway To the Stars", "Kiss & Run", "Our Time", "Don't You Know I Care", "If I'm Lucky", and "Don't Call It Love". CD

Head to head blowing from Sonny Sitt and Paul Gonsalves – just the kind of twin-horn performance that Stitt was famous for in his live battle days, and one that also reminds us that Gonsalves can be a very loose swinger when he wants to be! The tracks are all long, and played with the sort of feel you'd hear if you caught these guys live at some small southside club – and the solos also show the kind of inventiveness and imagination you'd catch in that sort of setting – backed by a swinging rhythm combo that features Hank Jones on piano, Milt Hinton on bass, and Osie Johnson on drums. Titles include a version of "Perdido" that's nearly 13 minutes long – plus "Stardust", "Sposin", "Salt & Pepper", and "Theme From Lord Of The Flies". CD

Head to head blowing from Sonny Sitt and Paul Gonsalves – just the kind of twin-horn performance that Stitt was famous for in his live battle days, and one that also reminds us that Gonsalves can be a very loose swinger when he wants to be! The tracks are all long, and played with the sort of feel you'd hear if you caught these guys live at some small southside club – and the solos also show the kind of inventiveness and imagination you'd catch in that sort of setting – backed by a swinging rhythm combo that features Hank Jones on piano, Milt Hinton on bass, and Osie Johnson on drums. Titles include a version of "Perdido" that's nearly 13 minutes long – plus "Stardust", "Sposin", "Salt & Pepper", and "Theme From Lord Of The Flies". Also features the full bonus album – Now! CD

Nicely relaxed jam session material by a group of late swing players that includes Williams, Coleman Hawkins, Rex Stewart, Bud Freeman, Hank Jones, Milt Hinton, and Billy Bauer. The tracks are all trad standards – like "I'm Beginning To See The Light", "When Your Lover Has Gone", "I Got A Right To Sing The Blues", "I Knew You When", "Walkin' My Baby Back Home", and "Do Nothing Till You Hear From Me" – plus one original, "Alphonse and Gaston". CD

Classic early work from Tony Scott – a set of clarinet tracks performed with a quartet – featuring Dick Katz on piano, Earl May or Milt Hinton on bass, and Philly Joe Jones or Ossie Johnson on drums. The style's a great mix of bop and swing – in that mode that Tony always brought to his best work of the time, and which pushed an understanding of the clarinet in jazz long past the swing years. Titles include the long original "Blues for Ava", in two parts, plus "Goodbye", and "Swootie Patootie". LP, Vinyl record album

With Danny Stiles on trumpet and flugelhorn, Al Cohn on tenor, Hank Jones on piano, Steve Gadd on drums, and Milt Hinton on bass. LP, Vinyl record album