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A hell of a house party – one that's overflowing with rare American soul from the 60s, and which also includes some surprising bits from the British scene as well! This isn't any sort of Big Chill package of overplayed hits – as the UK scene of the 60s really knew how to pick and choose the best soul tracks of the time – maybe no surprise, given that this moment was not only a time when so many big Brit groups broke forth, inspired by American soul – but also when the underground Northern Soul scene first got its start! The box is a whopping 89 tracks in all, with titles by Timebox, Jason Knight, Lorraine Silver, Eddie Floyd, Marlena Shaw, Chuck Wood, The Olympics, Show Stoppers, Bobby Sheen, Soul Sisters, Darrell Banks, Solomon Burke, Jackie Lee, Darrow Fletcher, Bettye Lavette, Bobby Wells, Rex Garvin & The Mighty Cravers, Jack Hammer, Tommy Hunt, Wynder K Frog, The Foundations, Alan Bown Set, Ferris Wheel, Garnet Mimms, Jackie Edwards, and many many others! CD

An imagined take on the Mid-East scene – not authentic tracks, but a mix of postwar recordings in a variety of styles – most of which mix rocking rhythms with the kind of exotic touches that fed fantasies back in the day when the area was known as Asia Minor! As with other "destination" series collections, the mix of work here is wonderful – all sorts of cool and unusual tunes, of the sort you might have found in The Cramps' record collections – music that moves between rock and soul, instrumental and vocal, jazz and exotica – as they chart a path for a desert caravan to follow! 32 tracks in all – and titles include "Pasha" by The Ramrocks, "Rockin In Bagdad" by Jerry Reid, "Turkish Doghouse Rock" by Kent Westberry, "Ali Baba" by Dave & The Customs, "Ali Baba's Boogie" by Preston Love", "Camel Walk (part 1)" by The Saxons, "Ali Ben Ghazi" by Jack Hammer, and "Habibi Twist" by The Latins. CD

A really compelling trio session – the guitar of John Abercrombie mixed with drums from Jack DeJohnette, and work from Jan Hammer on organ, piano, and keyboards – all at a level that's much hipper than his later music! CD

A really compelling trio session – the guitar of John Abercrombie mixed with drums from Jack DeJohnette, and work from Jan Hammer on organ, piano, and keyboards – all at a level that's much hipper than his later music! LP, Vinyl record album

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A key crossover set from Gil Scott-Heron – still every bit as political as his earlier work, but with a stronger sense of soul as well! The great Brian Jackson is firmly in tow here – bringing warm keyboards and a nice little groove to most of the tracks – and the previous acoustic moments are replaced with more electric instrumentation overall, but never in a way that seeks to dampen Gil's message, nor push him into easy commercial territory. Instead, the tighter rhythms seem to really hammer home some of the lyrics – most famously in "Angel Dust", which almost touched a wider audience than the drug itself – and equally nicely on cuts that include "Cane", "Angola Louisiana", "Show Bizness", "Better Days Ahead", and "Madison Avenue". LP, Vinyl record album

One of the greatest live albums ever, and probably THE best album Johnny Cash ever recorded, properly reissued with the original sequence restored and uncensored! In 1969 Cash had more angst than you could shake a stick at – he just kicked drugs, and he hadn't had a big hit in years, so his respectful and thoughtful empathy for the audience of inmates not only cemented his persona as the real deal, but carries an air of dizzying emotion throughout the set. Appropriately filled with his darkest tunes, Folsom is one of the few cases in which a live recording of a hitmakers catalog is stronger and more vital than the studio versions. Includes "Folsom Prison Blues", "Dark As A Dungeon", "Cocaine Blues", "25 Minutes To Go", "Orange Blossom Special", "The Long Black Veil", "Dirty Old Egg-Suckin' Dog", "Joe Bean", plus "Jackson" and "Give My Love To Rose" featuring June Carter. 2 previously unissued songs – "Joe Bean" and "The Legend Of John Henry's Hammer". CD

An oft-overlooked jazzy gem from Gil Scott-Heron and Brian Jackson – and a beautifully swinging session that has Gil toning it down a bit, and working into a nicely musical groove that gets past the heavy politics of earlier years! The record's a great showcase for the more upbeat side of Gil's talents – and what it lacks in righteousness, it more than makes up for in a warmly flowing and very soulful vibe! The band's in great form – laying down tight warm jazzy riffs that provide some of the best backing for Gil's voice we've heard since Winter In America – and titles include the wonderfully catchy "Racetrack In France", plus "Hello Sunday Hello Road", "Under The Hammer", and "We Almost Lost Detroit". LP, Vinyl record album

Another vicious set of hammering, lovable skronk from Last Exit – the mighty mid 80s free group that featured Sonny Sharrock, Peter Brotzman, Bill Laswell and Shannon Jackson! This should certainly not come as a surprise, but the sound is as muscular as can be without exploding all over the place. Each player brings their most hammering torrents. Brotzmann and Sharrock get to bring the noise, and a great sense of playfulness while Laswell and Jackson keep rhythmically sound. And boy, does Jackson hit those drums! Ouch! Tracks include the 18 minute "Hard School", "Brain Damage", "Taking A Beating", "Last Call" and "Dark Heart". CD

Another dynamite effort from The Ex! By 1985 the Dutch collective had their jackhammer guitar and sharp, intelligent lyrical roar honed to a precise, tense science – and it's at this point that they really started allowing the tribal, earthy percussion that would later help define the groove pound its way to the surface. Truly amazing stuff – a pivotal moment in the Ex's career and an easy choice as one of their finest. Tracks include "Nurse!", "Soviet Threat", "MMM Crisis", "Rock", "White Liberals", "Everything We Never Wanted", "Hit The Headlines", "Friendly Neighbours" and more! LP, Vinyl record album

A set that features Al DiMeola moving into some very dynamic territory – jamming out heavy on a mix of electric and acoustic guitars, with additional help from Paco DeLucia on acoustic at points. The instrumentation also features heavy electric piano from Jan Hammer, other keyboards from Barry Miles, bass from Anthony Jackson, and drums from Steve Gadd and Lenny White – all fusion powerhouse players who really take over the groove at times, but still leave enough room on the record for some gentler sounds from Paco and Al. Titles include "Elegant Gypsy Suite", "Flight Over Rio", "Midnight Tango", and "Race With Devil On Spanish Highway". LP, Vinyl record album

With Jan Hammer on keyboards, Steve Gadd on drums, Anthony Jackson on bass, Mingo Lewis on percussion, and Victor Godsey on 2nd keyboards. LP, Vinyl record album

A rare and sublime set from Lucky Thompson – recorded at a real turning point in his career! The title refers to the fact that Lucky's working back on American shores after some extended time in Europe – and that fact is nicely hammered home by the cover image, which has Lucky standing on the docks in New York, next to a ship marked "France"! And it's funny, because somewhere in that journey home, Lucky picked up a whole new set of influences – trading the tighter swing-based sound of his classic recordings for a freer, more exploratory style – one that clearly has a bit of inspiration from Coltrane, but which is handled by Lucky in his own unique phrasing and tone. Thompson's playing a fair bit of soprano sax on the record, as well as some of his more traditional tenor – and the group's a beautifully understated quartet, with Tommy Flanagan on piano, Willie Ruff on bass, and Walter Perkins on drums. Titles include "Evil Eva", "Slow Dough", "On Tippy Top", "Passionately Yours", and "Love". Added to the album is the equally great Kinfolks Corner – a record also done for the Rivoli label, and featuring a fair bit of soprano sax work from Thompson! The soprano gives Lucky a lighter, freer, more exploratory soul-based sound that's really unique – a bit Dolphy-inspired at times, but with a more inside approach, as in the work of Nathan Davis – so that even on numbers that might seem staid at the outset, the sax work has an edgey quality that's really wonderful. The session features Tommy Flanagan on piano, Frank Anderson on organ, Wally Richardson on guitar, and either Oliver Jackson and Walter Perkins on drums – and titles include "I'll Be Around", "Star Eyes", "Poor Butterfly", "Kinfolks Corner", "Who Can I Turn To", and "Caressable". CD

Includes tracks by Roxy Music, Damned, Jan Hammer, Jackson Browne, Phil Collins, Gladys Knight & The Pips, Steve Jones, Patti La Belle & Bill Champlin, and Andy Taylor. LP, Vinyl record album

A set that features DiMeola moving into some very dynamic territory – jamming out heavy on a mix of electric and acoustic guitars, with additional help from Paco DeLucia on acoustic at points. The instrumentation also features heavy electric piano from Jan Hammer, other keyboards from Barry Miles, bass from Anthony Jackson, and drums from Steve Gadd and Lenny White – all fusion powerhouse players who really take over the groove at times, but still leave enough room on the record for some gentler sounds from Paco and Al. Titles include "Elegant Gypsy Suite", "Flight Over Rio", "Midnight Tango", and "Race With Devil On Spanish Highway". CD