A very cool record! Langston tells the story of jazz, using snippets of work from the Folkways catalog – like tunes by Louis Armstrong, Baby Dodd, Ma Rainey, Leadbelly, and others – all sewn together in a rich narrative on the history of the music, delivered with some surprising illumination by Hughes! His voice is always a treat, and even though his narration of the material is designed for an audience of newcomers to jazz, it more than held our attention throughout – and the record's got almost as much appeal as some of his own jazz poetry work. CD

Scott Hughes on guitars, sequencing and drum programming. CD

One of the most laidback albums ever recorded by Motown – a conversation between authors Langston Hughes and Margaret Danner – presented in a nicely unadorned style for Motown's Black Forum label! There's no music on the record at all, but both writers read some of their work – and while Danner is great, Hughes is really amazing – with that incredible voice that made some of his jazz-meets-poetry albums so wonderful from previous years! LP, Vinyl record album

Raphael Roginski on guitar – performing music composed by John Coltrane, accompanied by Natalia Przybysz reading poems by Langston Hughes. CD

Director John Hughes gave the world some pretty great movies back in the 80s – and in most of those movies, music was a very big part of the experience – as Hughes had a way of using just the right songs in just the right moments, and also helped get wider mainstream exposure for some of the hipper acts of the time! This package is a great tribute to the kinds of cuts that Hughes would use – some done especially for his films, most from other records but used in key scenes – in a package that collects together songs from films that include Some Kind Of Wonderful, Ferris Bueller's Day Off, Pretty In Pink, She's Having A Baby, Weird Science, Sixteen Candles, The Breakfast Club, and Planes Trains & Automobiles. 4CD version comes in a great book-styled package, with plenty of notes – and includes 74 cuts in all – with titles that include "Do Anything (soundtrack version)" by Pete Shelly, "Eighties" by Killing Joke, "Full Of Love" by Dr Calculus, "Beat City" by Flowerpot Men, "She's Having A Baby" by Dave Wakeling, "I Go Crazy" by Flesh For Lulu, "Don't You Forget About Me" by Simple Minds, "If You Leave" by OMD, "This Woman's Work" by Kate Bush, "Oh Yeah" by Yellow, "Pretty In Pink" by Psychedelic Furs, "Brilliant Mind" by Furniture, "Six Days On The Road" by Steve Earle, "Crazy Love" by Bryan Ferry, "You Just Haven't Earned It Yet Baby (soundtrack version)" by Kirsty MacColl, "Please Please Please Let Me Get What I Want (inst)" by Dream Academy, "Tenderness" by General Public, "Bring On The Dancing Horses" by Echo & The Bunnymen, "Can't Help Falling In Love" by Lick The Tins, "Weird Science" by Oingo Boingo, "Left Of Center" by Suzanne Vega & Joe Jackson, and "If You Were Here" by Thompson Twins. CD

Director John Hughes gave the world some pretty great movies back in the 80s – and in most of those movies, music was a very big part of the experience – as Hughes had a way of using just the right songs in just the right moments, and also helped get wider mainstream exposure for some of the hipper acts of the time! This package is a great tribute to the kinds of cuts that Hughes would use – some done especially for his films, most from other records but used in key scenes – in a package that collects together songs from films that include Some Kind Of Wonderful, Ferris Bueller's Day Off, Pretty In Pink, She's Having A Baby, Weird Science, Sixteen Candles, The Breakfast Club, and Planes Trains & Automobiles. 2LP version features 25 cuts in all – with titles that include "Do Anything (soundtrack version)" by Pete Shelly, "Eighties" by Killing Joke, "Full Of Love" by Dr Calculus, "Beat City" by Flowerpot Men, "She's Having A Baby" by Dave Wakeling, "I Go Crazy" by Flesh For Lulu, "Don't You Forget About Me" by Simple Minds, "If You Leave" by OMD, "This Woman's Work" by Kate Bush, "Oh Yeah" by Yellow, "Pretty In Pink" by Psychedelic Furs, "Brilliant Mind" by Furniture, "Six Days On The Road" by Steve Earle, "Crazy Love" by Bryan Ferry, "You Just Haven't Earned It Yet Baby (soundtrack version)" by Kirsty MacColl, "Please Please Please Let Me Get What I Want (inst)" by Dream Academy, "Tenderness" by General Public, "Bring On The Dancing Horses" by Echo & The Bunnymen, "Can't Help Falling In Love" by Lick The Tins, "Weird Science" by Oingo Boingo, "Left Of Center" by Suzanne Vega & Joe Jackson, and "If You Were Here" by Thompson Twins. LP, Vinyl record album

Director John Hughes gave the world some pretty great movies back in the 80s – and in most of those movies, music was a very big part of the experience – as Hughes had a way of using just the right songs in just the right moments, and also helped get wider mainstream exposure for some of the hipper acts of the time! This package is a great tribute to the kinds of cuts that Hughes would use – some done especially for his films, most from other records but used in key scenes – in a package that collects together songs from films that include Some Kind Of Wonderful, Ferris Bueller's Day Off, Pretty In Pink, She's Having A Baby, Weird Science, Sixteen Candles, The Breakfast Club, and Planes Trains & Automobiles. 4CD version comes in a great book-styled package, with plenty of notes – and includes 74 cuts in all – with titles that include "Do Anything (soundtrack version)" by Pete Shelly, "Eighties" by Killing Joke, "Full Of Love" by Dr Calculus, "Beat City" by Flowerpot Men, "She's Having A Baby" by Dave Wakeling, "I Go Crazy" by Flesh For Lulu, "Don't You Forget About Me" by Simple Minds, "If You Leave" by OMD, "This Woman's Work" by Kate Bush, "Oh Yeah" by Yellow, "Pretty In Pink" by Psychedelic Furs, "Brilliant Mind" by Furniture, "Six Days On The Road" by Steve Earle, "Crazy Love" by Bryan Ferry, "You Just Haven't Earned It Yet Baby (soundtrack version)" by Kirsty MacColl, "Please Please Please Let Me Get What I Want (inst)" by Dream Academy, "Tenderness" by General Public, "Bring On The Dancing Horses" by Echo & The Bunnymen, "Can't Help Falling In Love" by Lick The Tins, "Weird Science" by Oingo Boingo, "Left Of Center" by Suzanne Vega & Joe Jackson, and "If You Were Here" by Thompson Twins. CD

Easily the best collection so far in the Let's Boogaloo series – and one that's overflowing with great older work from the 60s and 70s! We've liked the other Let's Boogaloo sets plenty, but this one's even more deep funk oriented than before – and not only features some great rare funky 45 material, but also a few great sound library rarities – mixed in alongside the newer cuts that Record Kicks always champions, done in a mix of funky and mod styles overall! Previously unreleased titles include "Funky Skunk" by Pete Thomas, "Beatcoma" by Alan Moorehouse, "Jazz Cat" and "Latin Soul Strut" by D Glover & G Crockett, and "Miss Augusta" by Minivip – and other cuts include "Hot Pants Party" by Guy Morris, "Look What You Can Get" by Funky Nassau, "Don't Let This Happen" by Fred Hughes, "Say Yeah Yeah" by Yvonne Fair, "Getting Down" by Brand New Rhythm, "Ain't Gonna Tell No More" by Stoned Soul Picnic, and "Oh My" by The Dansettes. 12 tracks in all! CD

Think you know Stax Records? Guess again – as this mindblowing collection offers up a whole new side of Stax we've never heard before. Forget the hits, forget the overplayed oldies – this set's brimming full of deep soul gems from the legendary Memphis label – including a fair bit of heartbreaking tracks that go way beyond any southern soul cliches! The music is amazing – proof that Ace still really knows how to put together a compilation – and in addition to some real rarities, there's also some killers appearing here for the first time ever – making the whole thing essential to any fan of Stax – or southern soul in general. A massive amount of music, all of it great – and titles include "Stay Baby Stay" by Johnny Daye, "I've Done It Again" by The Charmells, "Move Over" by Soul Children, "Hold On This Time" by Chuck Brooks, "Groovin' On My Baby's Love" by Freddie Waters, "Make A Joyful Noise" by Bettye Crutcher, "The Fault Is Not In Me" by Sylvia & The Blue Jays, "A Love Affair Theat Bears No Pain" by Shack, "Two Fools" by Willie Singleton, "Let Em Down Baby" by Jimmy Hughes, "Love Changes" by Charlene & The Soul Serenaders, and "Woman Across The River" by Little Milton. CD

A massive batch of music – and almost as worth it for the overall package as it is for the great tunes inside! Like other volumes in this series, this set is beautifully put together – not only stuffed with an amazing array of classic soul from a key year in the 60s – but also done with a full color booklet that's over 60 pages long – filled with track-by-track notes on the tunes, and filled with great photos, images, and historical data! The whole thing's a perfect soul music time capsule – with the depth of production that we've always loved in Bear Family releases for other genres. Titles include "Neighbor Neighbor" by Jimmy Hughes, "Baby" by Carla Thomas, "Tell It Like It Is" by Aaron Neville, "Hold On I'm Coming" by Sam & Dave, "Cool Jerk" by The Capitols, "Barefootin" by Robert Parker, "Stop Her On Sight" by Edwin Starr, "Darling Baby" by The Elgins, "She Blew A Good Thing" by The Poets, "You've Got My Mind Messed Up" by James Carr, "A Sweet Woman Like You" by Joe Tex, "I'm Gonna Miss You" by The Artistics, "Stay With Me" by Lorraine Ellison, and "Ain't Nobody Home" by Howard Tate. CD

Oh how we love this album – and we think it may well be the best album ever from Charles Mingus! The set was recorded in that magical Mingus year of 1957, but oddly not released until 1962 – missing some of the initial frenzy of his discovery during the Atlantic and Columbia years. But the album's actually a treasure that predates the better-known latter sides – with a sharpness and intensity that Mingus hardly ever matched again! The group is one of his strongest ever – with Shafi Hadi on alto, Clarence Shaw on trumpet, Jimmy Knepper on trombone, and Bill Triglia on piano. There's a slight Latin vibe, as you might expect from the title – but it's very slight overall, and most of the tunes are in that sharply angular, fully expressive style that flowered most strongly for Mingus in the late 50s. There's not a wasted moment of music on the whole album – with tight solos and incredible rhythms that dominate every second of the extended tracks – and titles include "Dizzy Moods", "Flamingo", "Los Mariachis", "Ysabel's Tabel Dance", and "Tijuana Gift Shop". CD also features the amazing bonus track "A Colloquial Dream (aka Scenes In The City)" – an incredible piece of jazz-meets-poetry – with a narrative spoken by Lonnie Eldger, penned by Langston Hughes! CD

One of the greatest discoveries of mid 80s Blue Note – a key group filled with bold young players who'd really go onto make some big waves in jazz for years to come! The musicians state their presence strongly right from the start – with just the sort of energy you'd expect from a group that features Kenny Garrett on alto, Ralph Bowen on tenor, Michael Philip Mossman on trumpet, Harry Pickens on piano, Robert Hurst on bass, and Ralph Peterson on drums – all players who also get to express themselves strongly on the host of original compositions on the set! Tunes are on fire with new voices and new ideas – much more hard-burning than you might expect – and titles include "RH Factor", "Output", "Reunited", "OTB", "Blue Hughes", and "Git In There". CD

Steve Tibbetts on guitar, kalimba, and tapes, Marcus Wise on tabla, Bob Hughes on bass, Marc Anderson on congas, steel drums, percussion, and berimbau, and vocals from Bruce Henry, Claudia Schmidt, and Jan Reimer. CD

5CDs, and a set that's overflowing with classic tracks from the legendary Stax Records – with an especially heavy emphasis on the label's genius moments from 1968 to the mid 70s! There's way too much here to list, but some of the more unusual tracks include "What A Man" by Linda Lyndell, "Gettin Funky Round Here" by Black Nasty, "Funky Robot (part 1)" by Rufus Thomas, "Circuit's Overloaded" by Inez Foxx, "Gettin Funky Round Here" by Black Nasty, "Sweetback's Theme" by Melvin Van Peebles, "Help" by David Porter, "Starting All Over Again" by Mel & Tim, "I Could Never Be President" by Johnnie Taylor, "How Can I Be A Witness" by RB Hudmon, "What Goes Around Must Come Around" by Sons Of Slum, "Harlem Heaven" by Rance Allen, "Mother's Day" by 24 Carat Black, "Bump & Boogie (part 1)" by The Wrecking Crew, "Chains Of Love" by Jimmy Hughes, "Itch & Scratch (part 1)" by Rufus Thomas, "What's Usual Ain't Natural" by Eric Mercury, "Lovin You Lovin Me" by Sandra Wright, "What Do You See In Her" by Hot Sauce, "The Creeper Returns" by Little Sonny, and "It's Worth A Whippin" by Shirley Brown. CD

The soundtrack for one of the most popular John Hughes films of the 80s, and the soundtrack for a generation as well – a mix of songs that were partly pulled from other sources, but which went on to make the idea of a compilation soundtrack every bit as important as a full original film score! The set kicks off with the massive hit "Don't You Forget About Me" by Simple Minds – the virtual theme of the film – then moves through tunes that include "Fire In The Twilight" by Wang Chung, "Waiting" by Elizabeth Daily, "We Are Not Alone" by Karla DeVito, "Didn't I Tell You" by Joyce Kennedy, and "Heart Too Hot To Hold" by Jesse Johnson & Stephanie Spruill. And the set also features a few instrumentals – "I'm The Dude", "Dream Montage", "The Reggae", and "Love Theme". LP, Vinyl record album

A deep dive into the vaults of the legendary Stax Records – the Memphis label who helped usher in a whole new sound in soul music during the 60s, and was still going strong in the early part of the 70s! In the final years, Stax was hitting big with a number of stars, but also recording a bit more than they got the chance to issue at the time – all top-quality work, often with the key songwriters and studio talent behind the hits – some of which was lost to the sands of time, due to financial troubles in the label's last few years. Yet those rare gems live again here – as Ace/Kent do a superb job of dipping into the legacy of rare and unreleased material from this period – a good deal of which shows Stax moving the bar even further, by advancing the styles of southern soul with newly sophisticated modes. If you know the last few Soul Children records on Stax, you'll get the vibe here – spun out on a great run of 20 tracks that include "I'm Too Old To Play" by Jimmy Hughes, "How Can I Win Your Love" by Eddie Floyd, "I'm Tired" by Mavis Staples, "Come Get From Me (parts 1 & 2)" by David Porter, "You Need Love" by Chuck Brooks, "Ain't No Way" by Shirley Brown, "Did You Hear Yourself (part 1)" by Randy Brown & Company, "Ain't Nobody Like My Baby" by Lee Sain, "I'll Do Anything For Your Love (single edit)" by William Bell, "Standing In The Safety Zone" by Soul Children, "We've Got Love On Our Side" by Bettye Crutcher, "Guilty Of Loving You" by Veda Brown, "Let's Make A Deal" by Frederick Knight, and "A Smile Can't Hide A Broken Heart" by Ollie & The Nightingales. CD

With Marshall Royal and Bobby Plater on alto, Eric Dixon and Eddie Davis on tenor, Charles Fowlkes on baritone, Gene Goe, George Cohn, Oscar Brashear, and Al Aarons on trumpet, Grover Mitchell, Richard Boone, Bill Hughes, and Steve Galloway on trombone, Freddie Green on guitar, Harold Jones on drums, and Norman Keenan on bass. CD

With Freddie Green on guitar and shaker, Cleveland Eaton on bass, Gregg Field and Harold Jones on drums. Orchestra includes Willie Cook and Harry Edison on trumpet, Sonny Cohn, Dale Carley, Frank Szabo, and Bob Summers on trumpet and flugelhorn, Mitchell Wood, Dennis Wilson, Grover Mitchell, and Bill Hughes on trombone, Eric Dixon on tenor, Kenny Hing on tenor and flute, Bobby Plater and Danny Turner on alto and flute, and Johnny Williams on baritone. CD

An incredible album from trumpeter Ted Daniel – recorded at the start of the 70s with a lineup and a style that virtually puts Ted in a space all his own, and which may well make the album the greatest one he's ever given us! There's boldness to the set right from the start – as Daniel takes off on trumpet and flugelhorn with a vibrancy that seems inspired by Ted Curson, but which also has much freer elements too – working with a sextet that has boundless energy, but also a strong sense of cohesion – in ways that really set the record apart both from some of the AACM material of the late 60s, and the New York loft jazz sides to come. All the numbers are originals – very visionary numbers delivered with work from Otis Harris on alto, Hakim Jami and Richard Pierce on basses, and Kenneth Hughes and Warren Benbow on percussion – and, as you might imagine, the double basses and double percussion players really given the whole thing a lot of power. Tracks include "Pagan Spain", "OC", and "Congratulations". CD features two bonus tracks – "The Kicker" and "Otis Song". CD

Gene Harris on piano, Jack McDuff on organ, Ron Eschete on guitar, Luther Hughes on bass, and Paul Humphrey on drums. CD

A stunning reinvention of the music of Charles Mingus – still very much with all the fire and spirit of the great one's original intent – but taken to new territory here in the hands of Frank Lacy! Lacy is every bit the same sort of visionary leader as Mingus – and although he plays a hell of a trombone, he acts here mostly as a singer and director of a sublime large ensemble that features Jack Walrath and Lew Soloff on trumpets, Wayne Escoffery and Craig Handy on tenors, Conrad Herwig and Earl McIntyre on trombones, Ronnie Cuber on baritone, and David Kikoski and Helen Sung on piano. Frank's voice is warmly raspy, and deeply personal – just right for the straining tension that often comes from the best Mingus music – that yearning for expression that continues to make his sound so powerful. Lyrics here are penned by Mingus himself – plus Langston Hughes, Joni Mitchell, and Elvis Costello – and titles include "Weird Nightmare", "Consider Me", "Eclipse", "Chair In The Sky", "Noonlight", "Dry Cleaner From Des Moines", and "Sweet Sucker Dance". CD

With Chris Vadala on saxophones, flute, and clarinet, Grant Geissman on guitars, Charles Meeks on bass, and James Bradley Jr on drums and percussion, and featuring Jeff Tkazyik on lead turmpet and flugelhorn, Ron Leonard on cello, Don Potter and Phyllis Hyman on vocals, Bill Reichenbach, Kai Winding, Mayo Tiana, and Dana Hughes on trombones, and Dick Decker, George Stimpson, and Brad Warner on french horns. LP, Vinyl record album

A nice lost soundtrack that accompanied this film about a Patty Hearst-type character from the mid 70s! The Stang/All Platinum label was in charge of the music, and the soundtrack features a bunch of exclusive cuts by Rhetta Hughes, The Moments, The Rimshots, and Chuck Jackson. Best of these are the Rimshots instrumentals, especially "Takin It" and "Do What You Feel". Also includes a version of "Sexy Mama", the Moments' big hit! Other tracks include "Look At Me" by Rhetta Young, "Patty" by The Moments, and "Gotta Get A Gun" by Chuck Jackson. LP, Vinyl record album

One of the greatest discoveries of mid 80s Blue Note – a key group filled with bold young players who'd really go onto make some big waves in jazz for years to come! The musicians state their presence strongly right from the start – with just the sort of energy you'd expect from a group that features Kenny Garrett on alto, Ralph Bowen on tenor, Michael Philip Mossman on trumpet, Harry Pickens on piano, Robert Hurst on bass, and Ralph Peterson on drums – all players who also get to express themselves strongly on the host of original compositions on the set! Tunes are on fire with new voices and new ideas – much more hard-burning than you might expect – and titles include "RH Factor", "Output", "Reunited", "OTB", "Blue Hughes", and "Git In There". CD

Two great sides by one of the best harmony groups to come out of Chicago! "Steal Away" is a beautifully swingin' version of the Jimmy Hughes track, with prime production by Bill "Bunky" Sheppard. "Island Of Love" is a reprise of an earlier track, done with a classic harmony sound, but some production that's a little more 60's soul oriented. Nice one! 7-inch, Vinyl record

Killer soul from the 60s – a wonderfully rich array of hard soul grooves – all with a superb pedigree! The "At" here is short for "Atlantic" – as in Atlantic Records, the source of all the very groovy cuts on this set – as well as some from the early years of Stax Records too! But if you're thinking the collection's just another batch of overplayed Atlantic soul hits from the 60s, then think again – because the track selection is wonderful, and the compilation goes out of its way to pick lesser-known gems and rare singles – including some by artists we didn't even realize recorded for Atlantic! There's definitely a few familiar cuts on here, but there's lots more that were only briefly issued as 45s – as you'll hear on titles that include "Holding On With Both Hands" by Eddie Floyd, "Able Mable" by Mable John, "Walking Up A One Way Street" by Willie Tee, "At The Club" by The Drifters, "It Ain't What You Got" by Jimmy Hughes, "Help Me Get The Feeling" by Ray Sharpe, "Some Other Guy" by Richie Barrett, "I'm Gonna Run Away From You" by Tami Lynn, "Que Sera Sera" by The High Keys, "Keep Lookin" by Solomon Burke, and the amazing "Some Kind Of Wonderful" by Soul Brothers Six, a monster track that is worth the price of the CD alone! CD

A great colleciton – spoken word material, hip singers, and more – with tracks from Jack Kerouac, Lord Buckley, Babs Gonzalez, Carl Sandburg, Allen Ginsberg, Del Close, Dizzy Gillespie, William S Burroughs, King Pleasure, Ken Nordine, Langston Hughes, The Gordons, and many more! CD

A stunning overview of work from the small D-Vine Spirituals label in Memphis – a really homegrown imprint who were as important to the sound of the city's spiritual music as Stax Records was to soul in the 60s! In fact, the vibe here is often more 60s than 70s – maybe a testament to the finances of D-Vine when it came to recording this music – but also an indication of the way the company was able to go to the roots of what makes these tracks great – which is usually just a great lead voice or tight harmonies, and an important message in the music! This wonderful collection brings together rare 45rpm tracks issued by the label – and titles on this second volume include "The Lord's Prayer" by The Dynamic Hughes Singers, "I've Got To Tell It" by The Southern Bells, "My Time Ain't Long" by The Shaw Singers, "It's A Shame How This World Has Changed" by The Gospel Wymics, "Stand By Me" by The M&M Singers, "A Change Is Gonna Come" by Elder Ward & The Gospel Four, "Jesus He's A Miracle Worker" by The Gospel Six, "I Know I've Been Changed" by Sister Jessie M Sherley, and "I Got Jesus" by The Angelic Five. CD

A stunning overview of work from the small D-Vine Spirituals label in Memphis – a really homegrown imprint who were as important to the sound of the city's spiritual music as Stax Records was to soul in the 60s! In fact, the vibe here is often more 60s than 70s – maybe a testament to the finances of D-Vine when it came to recording this music – but also an indication of the way the company was able to go to the roots of what makes these tracks great – which is usually just a great lead voice or tight harmonies, and an important message in the music! This wonderful collection brings together rare 45rpm tracks issued by the label – and titles on this second volume include "The Lord's Prayer" by The Dynamic Hughes Singers, "I've Got To Tell It" by The Southern Bells, "My Time Ain't Long" by The Shaw Singers, "It's A Shame How This World Has Changed" by The Gospel Wymics, "Stand By Me" by The M&M Singers, "A Change Is Gonna Come" by Elder Ward & The Gospel Four, "Jesus He's A Miracle Worker" by The Gospel Six, "I Know I've Been Changed" by Sister Jessie M Sherley, and "I Got Jesus" by The Angelic Five. LP, Vinyl record album

Tracks from Volker Meitz, Lonnie Liston Smith, Tweak, Extended Spirit, Sven Van Hees, Minus 8, Groove Armada, Yonderboi, Bobby Hughes Experience, Rozzo, Femi Kuti, Le Wax, and more. CD

An incredible addition to the rich legacy of Stax Records – a massive collection of 146 tracks, almost all of which appear here for the first time ever – a set that represents recordings done by all the great songwriters who were working for Stax at the time, most of whom were also recording artists on the label! Given that fact, these aren't scratchy recordings performed by hacks who can't sing – as almost all the material features the sort of top-shelf vocalists who made Stax such a deep soul powerhouse in the 60s and 70s – represented here in a style that shows just how much freedom of creative expression the label allowed its best – very different than the way some of the bigger companies would just cram a song down a quickly-booked session in the studio! Plus, these demo tracks are done in a variety of modes – some with very stripped-down instrumentation, some with fuller groups – and together, they offer a key look at the creative process at Stax – one that's very different than the iconic sound of productions in their Memphis studio, and which really shows an even deeper range of expression through the variety of approaches. The 7CD set has a really cool approach – CDs 1, 2, and 3 feature demos by Stax artists singing their own material; CD4 features Stax singer/songwriters working on non-Stax material; and CDs 5, 6, and 7 feature songs by these artists that were never issued at the time! The set includes work by The Staple Singers, William Bell, Carla Thomas, Bettye Crutcher, Homer Banks, Eddie Floyd, Veda Brown, Frederick Knight, Mack Rice, Delaney Bramlett, Jimmy Hughes, and many others – and the package features 146 tracks in all, with copious notes on the material! CD

Music from Fats Waller and His Buddies, Luis Russell And His Orchestra, Walter Pichon, Henry Allen And His Orchestra, Billy Banks And His Orchestra, Spike Hughes And His Negro Orchestra, Horace Henderson And His Orchestra, Benny Morton And His Orchestra, and the Mills Blue Rhythm Band. CD

Gene Harris on piano, Frank Potenza on guitar, Red Holloway on tenor saxophone, Ernie Watts on alto and tenor saxophone, Jack McDuff on organ, Luther Hughes on bass, Paul Kreibich on drums, and Niki Harris on vocals. CD

Features Gene Harris on piano, Ron Eschete on guitar, Luther Hughes on bass, and Harold Jones on drums. CD

Music from Woody Guthrie, Ella Jenkins, Pete Seeger, Lead Belly, Lord Invader With The Calypso Orchestra, Dr. W. K. Amoaku, Ella Jenkins, Langston Hughes, Ruth Rubin, Alan Mills, Illinois School Children, Suni Paz, and more. CD

The final album from Trapeze – and a set that has them stepping out as a super-heavy trio who should have been huge! Glenn Hughes handles bass and all the lead vocals – with the best qualities he would soon bring to Deep Purple – and the drums from David Holland are fantastic – full of all the right sort of power and drive to make the lean lineup work so well! Guitarist Mel Galley has really grown a lot since the start – and turns out some solos and leads here that should have made him one of the bigger acts of the growing hard rock generation from the UK – save for the fact that he's also got a wonderful ear for more sensitive moments, which makes this record far more deep than just a standard rocker. Titles include "Loser", "You Are The Music", "Way Back To The Bone", "Keepin Time", "Coast To Coast", "Will Our Love End", and "Feelin So Much Better Now". LP, Vinyl record album

Thank John Hughes & Ferris Beuller for the fame of this one – the album that pushed Yello over the top with the perennial favorite "Oh Yeah" – a tune that's been used countless times over the years since that famous soundtrack, and which still resonates on TV commercials and local news promos to this day! Yet despite the overplayed quality of that track, there's still a brilliance here that shows that Yello were capable of remaining creative even at the height of their fame – a talent for uncomplicated electronics that step out with quirky, playful modes that ooze charm and a sense of personal vision within pop music. Titles include "Oh Yeah", "Vicious Games", "Desire", "Domingo", "Let Me Cry", "Sometimes", "Angel No", "Ciel Ouvert", and "Desert Inn". Cassette

Plenty of great tracks – work from Toussaint McCall, Eddie Giles, Jerry Butler, Betty Harris, Joe Simon, Gene Allison, Betty Lavette, Bobby Patterson, Gene Chandler, Jimmy Hughes, and others! LP, Vinyl record album

A wonderful world of weird and wild tracks from the 45rpm underground – exactly the kind of unusual records that first got Lux and Ivy inspired when they were first forming The Cramps! The mix of artists here is great – there's a bit of soul, a bit of rock, a touch of exotica, and plenty other unusual styles too – and cuts are marked both with unusual instrumentation and production techniques, and just an all-out effort to have as much fun as possible in the recording studio! Titles include "Leather Jacket Cowboy" by Pepper Pots, "You Tarzan Me Jane" by Glen Willings, "Mr Cool" by The Leeds, "Sugar Diabetes" by Eddie Banks, "Voo Doo Drums" by Aki Aleong, "Lose My Mind" by Herbert Henson, "Sound Off" by Titus Turner, "Pulp Wood Charley" by Wee Willie, "Pug Nose & Pony Tail" by Wally Hughes, "Atlantis" by The Blue Bells, "Shawnee" by The Premiers, "Cave Man" by The Vibrations, "The Inebriated Surfer" by Tornadoes, and "Black Lace" by April Stevens. CD

A deep dive into the vaults of the legendary Stax Records – the Memphis label who helped usher in a whole new sound in soul music during the 60s, and was still going strong in the early part of the 70s! In the final years, Stax was hitting big with a number of stars, but also recording a bit more than they got the chance to issue at the time – all top-quality work, often with the key songwriters and studio talent behind the hits – some of which was lost to the sands of time, due to financial troubles in the label's last few years. Yet those rare gems live again here – as Ace/Kent do a superb job of dipping into the legacy of rare and unreleased material from this period – a good deal of which shows Stax moving the bar even further, by advancing the styles of southern soul with newly sophisticated modes. If you know the last few Soul Children records on Stax, you'll get the vibe here – spun out on a great run of 20 tracks that include "I'm Too Old To Play" by Jimmy Hughes, "How Can I Win Your Love" by Eddie Floyd, "I'm Tired" by Mavis Staples, "Come Get From Me (parts 1 & 2)" by David Porter, "You Need Love" by Chuck Brooks, "Ain't No Way" by Shirley Brown, "Did You Hear Yourself (part 1)" by Randy Brown & Company, "Ain't Nobody Like My Baby" by Lee Sain, "I'll Do Anything For Your Love (single edit)" by William Bell, "Standing In The Safety Zone" by Soul Children, "We've Got Love On Our Side" by Bettye Crutcher, "Guilty Of Loving You" by Veda Brown, "Let's Make A Deal" by Frederick Knight, and "A Smile Can't Hide A Broken Heart" by Ollie & The Nightingales. CD

Second volume of nice, nice radio soul from the 60s put together by Bay Area radio station KSOL. As you'd imagine, there's some bigger hits, but there's some nice nuggets of almost forgotten R&B and soul too. 21 numbers in all, including "I Really Love You" by Dee Dee Sharp, "Baby Scratch My Back" by Slim Harpo, "She Blew A Good Thing" by The Poets, "Sad Girl" by Jay Wiggins, "Turn On The Love Light" by Bobby Bland, "Am I Grooving You" by Freddie Scott, "Why Do I Do These Foolish Things" by the Magicians, "Something I Want To Tell You" by Johnny & The Impressions, "The Richest Girl" by Little Helen, and "Send My Baby Back" by Freddie Hughes. LP, Vinyl record album

The Vietnam war was tough on most folks in the US – but it's no secret that it was especially tough on black Americans – who were often given little choice and little chance to get out of the callup to the military action – which left a huge impression on their community for years to come! This package documents the affect of Vietnam in soul music – in ways that are both direct and more subtle, as the package blends together a number of tracks that you likely don't know at all, and others that you might have missed as being critical of the war – as there's more subtle messaging going on, a lesson that was learned during the Civil Rights era, when a mellower lyric might get more mainstream circulation – as a call to action that a change was going to come. The quality of cuts here is wonderful – as well-selected as some of the Ace/Kent collections of rare soul music on small labels – and there's definitely a few here that we're hearing for the first time, alongside other numbers that really sound great in the setting. Titles include "Fighting For My Baby" by Donald Jenkins, "Lonely Soldier" by William Bell, "Letter To A Buddie" by Joe Medwick, "I Want To Come Home For Christmas" by Marvin Gaye, "My Ship Is Coming In Tomorrow" by The Pace Setters, "Johnny" by King Hannibal, "Going On Strike" by The Emotions, "Uncle Sam" by Jimmy Hughes, "My Soldier Boy Is Coming Home" by The Shirelles, "Glad To Be Home" by Charles Smith & Jeff Cooper, "The War Is Over My Brother" by The Sensational Saints, "Home To Stay" by RB Greaves, "Stop The War" by The Impressions, "Wish You Were Here With Me" by The Fawns, "VC Blues" by Allen Orange, "Promise That You'll Wait" by Michael Lizzmore, "Men Are Getting Scarce" by Chairmen Of The Board, and "Leave Him Alone" by Stu Gardner. CD