Genius early work from the legendary Thad
Jones – one of his greatest albums ever, and a sublime tribute to his talents on the trumpet!
Jones has a groove here that definitely fits in nicely with the title – some of the more contemplative, expressive modes of his native Detroit scene – honed with a bit more of the sharpness that New York players were bringing to hardbop at the time!
Jones' trumpet is warmly lyrical, but never in a sleepy, or too-easy sort of way – and the group here has plenty of nice edges, t
hanks to killer tenor sax from the under-rated Billy
Mitchell, guitar from Kenny Burrell, piano from Tommy Flanagan, bass from Oscar Pettiford, and drums from Shadow Wilson. There's a tremendous balance between gentleness and depth going on here – and the album has an unbounded sense of creativity that easily makes it one of the most sparkling Blue Note sides from the time! Titles include "Little Girl Blue", "Blue Room", "Tar Riff", "Zec", and "Scratch".
(Part of the great Third Man 313 series – Detroit-focused, 180 gram vinyl pressed at Third Man, and mastered and cut by Warren Defever from the original tapes!)