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George Braith Edit search Phrase match

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Exact matches: 4
Exact matches1
CD, LP, Vinyl record album cover art
George BraithLaughing Soul ... LP
Prestige, 1966. Near Mint- ... $34.99
A fantastic lost bit of soul jazz from the 60s! The great reedman George Braith makes a rare non-Blue Note appearance here – working in a tightly grooving mode that's even groovier than his better-known work for that label! The group here features Grant Green on guitar and John Patton on organ – in a mode that's somewhat similar to Patton's Blue John album from the same period – a set that also featured these three players in the lead! Braith himself has a wonderfully quirky approach here – one that's a fair bit like Roland Kirk, with lots of odd twists and turns on the reeds – which include not just tenor sax, but also soprano and C Melody saxophone as well – sometimes played together, ala Kirk! Braith's tone is amazing, and the set of tracks is nearly all original – with titles that include "Hot Sauce", "Chop Sticks", "Chunky Cheeks", "Crenshaw West", and "Coolodge". A truly fantastic Prestige album – but one that's always sadly overlooked! LP, Vinyl record album
(90s pressing – for Japanese market only.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ George BraithTwo Souls In One ... LP
Blue Note, Early 60s. Very Good+ ... Temporarily Out Of Stock
One of the most wonderful albums by one of our favorite jazz artists of all time! For this unique session, George Braith offers up "two souls in one" – by playing both soprano sax and "stritch" simultaneously – in a two-reed mode that recalls the work of Roland Kirk during the 60s! The sound is incredible – as soulful as it is exotic – and matched here by some excellent backing that includes Grant Green on guitar, Donald Bailey on drums, and Billy Gardner on organ! Gardner's work on the set is especially nice – with a Larry Young-ish free approach to the organ, one that makes for lots of modal grooves that really work perfectly with Braith's sound! Titles include "Braith-A-Way", "Mary Ann", and "Home Street". LP, Vinyl record album
(New York mono pressing, with Van Gelder stamp and ear! Back cover has a very small note written next to two tracks, but cover is nice overall.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ George BraithExtension ... CD
Blue Note (Japan), 1964. New Copy ... Out Of Stock
A masterpiece from George Braith – one of the most unique sax players of the 60s! The album's a Blue Note classic in the Larry Young vein – with lots of free spiralling modal lines, and heavenly solos on organ, guitar, and reeds – the former of which are played by Billy Gardner and Grant Green. Braith's playing is incredible – slightly exotic, but also quite soulful – in a vein that recalls Yusef Lateef and Roland Kirk, but which also has a strong voice of its own. Braith plays tenor, soprano, and alto sax on the set – and the album is filled with groovy modal tracks like "Nut City", "Sweetville", and "Extension". Very very nice! CD
(Part of the "Blue Note 80 – More 60 Works" series!)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ George BraithMusart ... LP
Prestige, 1967. Very Good+ ... Out Of Stock
One of our favorite-ever albums on Prestige Records from the 60s – and a set that's a fair bit different than most of the other work on the label! The set's an unusual outing for saxophonist George Braith – cut after his famous albums for Blue Note, and in a mode that's quite different – very far-reaching, and almost spiritual at points – with the blend of jazz and other modes that you might find on the Cadet/Concept sessions in late 60s Chicago! Braith plays a wide assortment of saxes – c-melody, alto and soprano – but his playing here is a bit different than the Roland Kirk-like vibe of before – sometimes more stretched-out and exploratory, in a Nathan Davis sort of vibe – sometimes wrapped up in some larger explorations from the whole group. There's moments of raw percussion with echoey production, others with wordless vocals floating alongside the lead soloist, and still others that have that catchy blend of soul jazz and exoticism you'd find in the music of Eddie Harris or Yusef Lateef – even though Braith here is completely his own artist too! The set features Jane Getz on piano, Jay Carter and Eddie Diehl on guitar, and Ben Dixon on drums – but there's also a lot of percussion, both Latin and otherwise, from a shifting lineup of players. The whole thing's wonderful – and titles include "Del's Theme", "Musart", "Evelyn Anita", "Our Blessing", "Laura", and "Splashes Of Love". LP, Vinyl record album
(Green label pressing. Cover has a cutout notch and some wear.)
Possible matches: 3
Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Houston PersonSoul Dance! ... LP
Prestige, 1969. Very Good+ ... Just Sold Out!
A great little session from tenorist Houston Person – and one that's almost worth it alone for the organ on the set! This time around, the Hammond chair is filled by Billy Gardner – the organist who'd played with both Lou Donaldson and George Braith on previous dates – and who turns in some equally wonderful work here too! Billy's got a sound that's wide-open, and often rhythmically pulsing in ways that remind us a bit of Larry Young before he got too far out – a groove that's usually got a slightly modal undercurrent, in ways that change things up nicely for Person. Houston's tenor is still great too – nicely biting, with that best raw early sound – and the rest of the group features a young Ivan Boogaloo Joe Jones on guitar, plus Frankie Jones on drums. Titles include "Soul Dance", "Snake Eyes", "Blue Seven", "Groovin and A-Groovin", and "Teardrops From My Eyes". LP, Vinyl record album
(Green label pressing. Cover has a cutout notch.)

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ John PattonBlue John ... CD
Blue Note, 1963. Used ... Temporarily Out Of Stock
Insanely wonderful – and pretty darn rare! This album by John Patton was cut during the 60s, but never issued until the 80s – and even then, only briefly – yet it's easily one of our favorite records ever by this legendary Hammond player, thanks to lots of weird twists and turns! Although the record's led by Patton, it's more in the mad style of George Braith – who plays some wonderful sax on the session, in the manner of his excellent Laughing Soul album – a Prestige Records session cut with Patton and Grant Green around the same time. The vibe is very different than some of Patton's other Blue Notes – very rhythmically playful, and mixed with mad reed lines from Braith – with superbly sharp guitar lines from Grant Green, top trumpet work from Tommy Turrentine, and this great sense of skittish rhythm from the always-amazing drummer Ben Dixon. Titles include "Hot Sauce", "Bermuda Clay House", "Nicety", and "Blue John". CD
(Out of print original Blue Note pressing.)

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Willis JacksonAfter Hours (Loose/Soul Grabber) ... CD
Prestige, 1963/1967. New Copy ... Out Of Stock
Don't be put off by the title of the set – because it's not some snoozy "after hours" album of ballads! Instead, it's a great pairing of two rare cookers from the great Willis Jackson – both of them hard-wailing sets that cook in a classic 60s organ/tenor mode! Loose is from 1963, and features Willis grooving in some wonderfully uptight soul jazz lines – working in a format that's a bit more gutbuckety than some of his later work – with Carl Wilson playing chunky Hammond grooves, Frank Robinson punching it up on trumpet, and Bill Jones twanging away on guitar. The set includes a very lively reading of "After Hours", plus the tracks "What Will I Tell My Heart" and "Secret Love". Even better is Soul Grabber, from 1967 – one of our favorite album ever by Willis Jackson – and in fact one of our favorite soul jazz sides of the 60s! There's a mad groove here that's quite different than any of Jackson's earlier work – freer, looser, and more experimental – handled with a sound that's almost fuller in the arrangements, but which also gives the soloists more room to groove around. Willis himself plays the amazing gatorhorn on a number of tracks – a long funny-looking variation on the tenor, and a horn that has an almost George Braith or Roland Kirk-like sound. The rest of the group features some great guitar by Wally Richardson and smoking organ by Carl Wilson – plus electric bass at the bottom from Bob Bushnell, a key component to the harder-hitting quality of the grooves. The set features a fantastic version of Baden Powell's "Song of Ossahana", plus great covers of "Sunny", "Girl Talk", and "Ode to Billy Joe" – and the tracks "Soul Grabber", "Alfie", "I Dig Rock & Roll Music", and "Rhode Island Red". For space reasons, the CD omits the track "Y'all" from the album Loose. CD
(Please Note – CD case has a small cutout hole.)
Partial matches: 2
Partial matches8
CD, LP, Vinyl record album cover art
George Russell SmalltetJazz Workshop ... CD
RCA/Bluebird, 1957. Used ... $6.99
Very hip early work from George Russell – a set that's maybe not as high-concept as some of his later records, but which still has a strikingly modern vibe! Russell's trying out some of his new tonal ideas here – and has a group that's very well-chosen for the project – with Art Farmer on trumpet, Hal McKusick on alto, Bill Evans on piano, and Barry Galbraith on guitar – all players with just the right sort of color in their tone, able to illustrate George's ideas but still bring a bit of personality to the mix as well. Titles are mostly originals, written with slight touches of whimsy, but less of the indulgence on that front as you'd hear on west coast material – and tracks include "Witch Hunt", "The Sad Sargeant", "Ballad Of Hix Blewitt", "Knights of The Steamtable", "Jack's Blues", and "Night Sound". CD
(Out of print.)

Partial matches9
CD, LP, Vinyl record album cover art
Paul QuinichetteMoods ... LP
EmArcy, 1955. Very Good+ ... $23.99
Perhaps the best-known (and arguably the best) record by Paul Quinchette, and an album that brings his rich tenor solo style into contact with a very tight, very swinging batch of arrangments by a young Quincy Jones. Quincy's got an all-star batch of players backing up Q, including Sam Most, Charles Thompson, Paul Chambers, and Barry Galbraith – plus players like Willie Rodriguez and Manny Oquendo, who bring some added Latin percussion to the session. The tracks are short, but with a very open approach to soloing, and although Quinchette's in the lead, some of the other players get their licks in quite a bit. Titles include "Pablo's Roonie", "Shorty George", "Grasshopper", and "Tropical Intrigue". LP, Vinyl record album
(Blue label Mercury pressing with deep groove. Cover haslight wear, but no splits, and is nice overall.)

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