One of the best albums ever cut by trombonist Frank Rosolino – an open-ended quartet session that really lets him do his thing! The tracks are long, with plenty of room for solo space, and Frank's working with a really great quartet that includes the legendary Sonny Clark on piano – a key force on the west coast scene during his stay in the late 50s – plus Wilfred Middlebrooks on bass, and Stan Levey on drums. Rosolino's tone is tremendous – a perfect tone, but never too polished – and although Clark doesn't play with the same sense of fire as on his Blue Note sessions, his presence is still strongly felt on the date. 3 of the album's tracks are over 7 minutes long – quite rare for a Bethlehem session – and titles include "Doxy", "My Delux", "Flamingo", "I May Be Wrong", and "Frieda". CD

One of the rarest albums by Frank Rosolino – and a surprisingly great vocal set as well! The tunes are short, but Frank manages to both sing and turn in his usual trombone solo work here – and while the latter is great, we especially love the former! Frank's vocals have a raspy, playful quality that's a bit like Jack Sheldon's singing – and as with some of the later Sheldon albums, this one's a great illustration of the under-recorded side of some of the talents of players on the LA scene – their "entertainer" personas that were often used when working the bandstand in a live environment. And if you're suspicious about the vocals, don't be – because Frank is really great here, and manages to transform the tunes heavily – taking old standards and playfully inflecting them with new life and a rough edge – a bit similar to work by Bob Dorough or Johnny Watson (for his Chess session) on similar material. The rest of the group is a quartet that features Charles Berghofer on bass, Victor Feldman on piano, and Irv Cottler on drums – and titles include "It Had To Be You", "I Cover The Waterfront", "Whatcha Gonna Do On Monday", "Come Rain Or Come Shine", "It Had To Be You", and "Please Don't Bug Me". CD