The shadow of Hank Williams still looms large in country music well into the 21st Century – but it had an especially strong force in the years after his too-early death – as you'll hear here in a great selection of covers, tributes, and other songs that continue the short-but-strong legacy of revolution that Hank brought to country music! Some of the cuts here are pop numbers, and show the way that Williams' original tunes found many different audiences in the 50s – yet most are pure country, and are way more than straight remakes of originals by the legend. As always with Bear Family, the package is great – filled with images and detailed notes on all the tracks and artists – served up on 33 tracks that include "Kaw-Liga" by Rusty & Doug Kershaw, "Calling You" by Hank Williams Jr, "I'm A Long Gone Daddy" by Bobby Helms, "Move It On Over" by Richard Hayes, "I Saw The Light" by Rose Maddox, "Honky Tonkin" by Audrey Williams, "I Just Don't Like This Kind Of Livin" by Johnny Horton, "Mind Your Own Business" by Ted Daigle, "Lost Highway" by Skeets McDonald, "Cold Cold Heart" by Louis Armstrong, "Lovesick Blues" by Rex Griffin, "Baby We're Really In Love" by Don Gibson, and "Half As Much" by Tennessee Ernie Ford. CD

The amazing first album from Procol Harum – a group with a sound that's still unlike anyone else we can think of – even though they were a key part of the London scene of the 60s! The group are steeped in all of the blues, soul, and jazz elements that influenced so many other British acts of the period – but they have this way of presenting the music that brings a whole new sort of drama to the music – this flair that never overwhelms, and instead embellishes the music in this really special way – so that the tunes have this brilliance that's kept them fresh for many decades to follow! Lead singer Gary Brooker is a key part of the record's magic – a very distinctive singer – and a young Robin Trower contributes plenty on guitar, as does Matthew Fisher on Hammond. But there's also some arrangements that really set the whole thing in an unusual direction – and which make the record way more than just another bluesy rock set from the time. Hard to argue with the baroque brilliance of "She Wandered Through The Garden Fence", "A Christmas Camel", "Salad Days", "Repent Walpurgis", and "Conquistador" – not to mention the hit, "Whiter Shade Of Pale". LP, Vinyl record album

Some of the most beautiful, personal work we've heard from trumpeter Wadada Leo Smith in many years – a wonderful set of duets with bassist John Lindberg – done at a level that recalls some of Smith's most organic, most spiritual sounds of the 70s! There's a real back to basics vibe here – a return to the initial spirit of the AACM, something we possibly infer from the album's long tribute to Malachi Favors, but which we can also feel in the spirit of collaboration between Smith and Lindberg – a way of coming together that never overwhelms the individual, yet also never allows one individual to ever upstage the other – as the duo reach out brilliantly for a breathtaking range of sounds, on titles that include "Malachi Favors Maghostut A Monarch Of Creative Music", "Celestial Weather Suite", and "Feathers & Earth". CD

The lovely Marilia Medalha turns her talents to a host of songs penned by Vinicius De Moraes – all numbers done in collaboration with the singer, at a level that's quite different than some of the other Vinicius projects of the time! The poet produced the set, and arrangements are by Edu Lobo and Chiquinho De Moraes – who both bring in this warmly sophisticated style that really makes things interesting – charts handled with that special care that Edu always had for his best work – with a blend of fullness in the setting, but never in a way that overwhelms the vocals. Medalha's got this well-paced, sometimes spacious approach to the music that really opens up the tunes – and titles include "Mr Toquinho", "Se O Amor Pudesse", "Moinho D'Agua", "Algum Lugar", "Ausencia", "Sagarana", "Meu Tempo", and "Distante". LP, Vinyl record album

Three wonderful albums from this legendary Brazilian singer – all presented in a single set! First up is Nothing Will Be As It Was Tomorrow – a record that's quite different from Flora's earlier work, but in a way that we find very compelling! The record was produced by Leon Ndugu Chancler, and it's got a smooth fusion sound that's kind of in a southern California R&B mode, played by a huge range of excellent Brazilian and west coast talents that include Patrice Rushen, Dorothy Ashby, Fred Jackson, Raul De Souza, Toninho Horta, and Airto. While this sound overwhelms the core of Flora's usual Brazilian jazz approach, it also expands some of the tracks to a great groove – with Flora's vocals on top, stretching out in a whole new way! Includes a great English language version of the Milton Nascimento classic "Nada Sera Como Antes", plus the cuts "You Love Me Only", "I'm Coming For Your Love", "Corre Nina", "Angels", "Bridges", and "Fairy Tale Song". Every Day Every Night is a beautifully soulful record from Flora Purim – still awash with touches from her Brazilian roots, but also done with a great 70s LA sound! Airto's helping Flora out on production, but the real hero here is Michel Colombier – who handles most of the arrangements and wrote a good deal of the tunes with Purim and Airto – mixing his own expansive studio talents with their organically-forged groove, in a way that makes the record a real standout from the California fusion scene of the 70s! Players include Randy Brecker, Lee Ritenour, George Duke, Herbie Hancock, Harvey Mason, and other jazz heavyweights – and titles include "The Hope", "I Just Don't Know", "In Brasil", "Blues Ballad", "Why I'm Alone", "Walking Away", and "Samba Michel". Carry On is one of Flora Purim's more R&B-sounding albums from the 70s, produced by George Duke with an appreciation for Flora's Brazilian jazz roots, but with a smoother sound that's in keeping with Duke's own work of the time! The combination is pretty sweet – a professional culmination of the mixture of fusion and Brazilian jazz that had been happening in the San Francisco scene during most of the 70s, and featuring many of the musicians who had helped make that groove so strong. Players include Airto, Sheila Escovedo, Joe Farrell, Ronnie Foster, Bobby Lyle, and Larry Williams – and tracks include "Niura Is Coming Back", "From The Lonely Afternoon", "Freeway Jam", "Beijo Partido", "Corine", and "Love Lock". Includes bonus tracks too – "Tango Blues" and "Sad Song". CD

A bit of a change for Group Doueh – but a set that's every bit as wonderful as some of their previous work! The album has the group working with the French trio Cheveu – who add some more conventional guitars next to the snakey Saharan sounds you might expect – but never in a way that ever overwhelms the sound, and which instead is wonderfully respectful, and often seems to just bring a new focus to their energy. The mix is a bit like some of the Ethiopian recordings that were done by The Ex a number of years ago – music that's taken a bit from its roots, but never fully uprooted – even when some French lyrics might be a bit more dominant. Titles include "Charaa", "Azawan", "Moto 2 Places", "Bord De Mer", "Tout Droit", and "Hamadi". CD