An underground classic from Karen Dalton – a record that's almost out of time, given its early 70s release – as Karen sings with spare backings that are almost in a Folkway Records mode at points, but with all these headier currents that are also indicative of the Bay Area generation too! Dalton's voice is completely unique too – unlike anything you'll ever hear – phrasing that almost hearkens back both to vintage jazz and Appalachian folk, but a style that's more long hair – as are some of the backings too. The set was recorded upstate in Bearsville – and really has all the hallmarks of the freedoms of that scene at the time – summed up beautifully on material that includes "Something On Your Mind", "In A Station", "Take Me", "Same Old Man", Are You Leaving For The Country", "Katie Cruel", and "How Sweet It Is". LP, Vinyl record album

An underground classic from Karen Dalton – a record that's almost out of time, given its early 70s release – as Karen sings with spare backings that are almost in a Folkway Records mode at points, but with all these headier currents that are also indicative of the Bay Area generation too! Dalton's voice is completely unique too – unlike anything you'll ever hear – phrasing that almost hearkens back both to vintage jazz and Appalachian folk, but a style that's more long hair – as are some of the backings too. The set was recorded upstate in Bearsville – and really has all the hallmarks of the freedoms of that scene at the time – summed up beautifully on material that includes "Something On Your Mind", "In A Station", "Take Me", "Same Old Man", Are You Leaving For The Country", "Katie Cruel", and "How Sweet It Is". Features a huge amount of bonus material – three alternate takes from the album sessions, and six more live tracks from 1971! LP, Vinyl record album

A record that was years ahead of its time – in part because Karen Dalton's a singer with a style that's wonderfully hard to peg! The set was issued on Capitol Records at a time when the label was doing great work with Fred Neil – but Dalton's got this blues-inflected style of singing and a kind of inflection that also maybe echoes Billie Holiday a bit – yet all at a level that's very laidback and easygoing, so that Karen never sounds like some of her contemporaries who were trying a bit to hard to reach for the more soulful side of the spectrum! Instrumentation is mostly acoustic, gut there's some great use of electric bass and a bit of electric guitar – which makes Dalton's 12 string and banjo performances come across more like some of the hipper acoustic sessions on Vanguard at the time. Tunes include a few originals two Fred Neil covers, and a well-chosen Tim Hardin track too – in a set list that includes "In The Evening It's So Hard To Tell Who's Going To Love You The Best", "Little Bit Of Rain", "Blues On The Ceiling", "Sweet Substitute", "Ribbon Bow", "I Love You More Thank Words Can Say", and "Down On The Street". LP, Vinyl record album

An underground classic from Karen Dalton – a record that's almost out of time, given its early 70s release – as Karen sings with spare backings that are almost in a Folkway Records mode at points, but with all these headier currents that are also indicative of the Bay Area generation too! Dalton's voice is completely unique too – unlike anything you'll ever hear – phrasing that almost hearkens back both to vintage jazz and Appalachian folk, but a style that's more long hair – as are some of the backings too. The set was recorded upstate in Bearsville – and really has all the hallmarks of the freedoms of that scene at the time – summed up beautifully on material that includes "Something On Your Mind", "In A Station", "Take Me", "Same Old Man", Are You Leaving For The Country", "Katie Cruel", and "How Sweet It Is". CD

An underground classic from Karen Dalton – a record that's almost out of time, given its early 70s release – as Karen sings with spare backings that are almost in a Folkway Records mode at points, but with all these headier currents that are also indicative of the Bay Area generation too! Dalton's voice is completely unique too – unlike anything you'll ever hear – phrasing that almost hearkens back both to vintage jazz and Appalachian folk, but a style that's more long hair – as are some of the backings too. The set was recorded upstate in Bearsville – and really has all the hallmarks of the freedoms of that scene at the time – summed up beautifully on material that includes "Something On Your Mind", "In A Station", "Take Me", "Same Old Man", Are You Leaving For The Country", "Katie Cruel", and "How Sweet It Is". Features a huge amount of bonus material – three alternate takes from the album sessions, and six more live tracks from 1971! CD

An underground classic from Karen Dalton – a record that's almost out of time, given its early 70s release – as Karen sings with spare backings that are almost in a Folkway Records mode at points, but with all these headier currents that are also indicative of the Bay Area generation too! Dalton's voice is completely unique too – unlike anything you'll ever hear – phrasing that almost hearkens back both to vintage jazz and Appalachian folk, but a style that's more long hair – as are some of the backings too. The set was recorded upstate in Bearsville – and really has all the hallmarks of the freedoms of that scene at the time – summed up beautifully on material that includes "Something On Your Mind", "In A Station", "Take Me", "Same Old Man", Are You Leaving For The Country", "Katie Cruel", and "How Sweet It Is". LP, Vinyl record album

... LP, Vinyl record album

Features Brandon cooper on trumpet and flugelhorn, Steve Hiltner and Paul Vornhagen on reeds, Sam Clark on guitar, Keaton Royer on piano, Jeff Dalton on bass, Jon Krosnick on drums, and Olman Piedra and Aron Kaufman on percussion. CD

A very cool soundtrack with a very unusual history – part of a brief sub-genre of films that were created during a time when the Italian and Spanish scene were doing their version of British horror and mystery! As such, the album does a great job of mixing groovy styles that you'd know from Italian films with some of the darker modes of gothic horror – these deeper tones and starker moments that are then offset by more upbeat and jazzy passages in a really great way! The strings can move between offbeat/atonal and more traditional – and there's also some very nice use of echoey percussion too. Titles include "Surreal", "Trance", "John Dalton Street", "The Living Dead", "Mysterious Country", "The Torment Of The Dead", and "Aggression". CD

With selections by Johnny Paycheck of course, Lacy J Dalton, Bobby Bare, Steve Davis, David Allan Coe, Charlie Rich, and Billy Sherill. LP, Vinyl record album

42 rare gems from the Motown vaults – an incredible treasure trove of unreleased material! The package follows beautifully on the heels of the first Cellarful Of Motown volume – but also manages to go even deeper, and get beyond the better-known "lost" Motown tracks, into a realm of soul music treasures that we never would have expected! The whole thing's great – overflowing with tunes so great, you'll find yourself scratching your head as to why Motown never issued these back in the 60s – and will turn towards the label with a whole new level of respect for all the greatness they still managed to record underneath their more familiar hits. The 2CD set also comes with a great booklet that offers track-by-track notes on the tunes – and a selection of cuts that includes "Take My Hand" by Dalton Boys, "Take Me In Your Arms" by Eddie Holland, "All Day All Night" by Earl Van Dyke, "A Woman Just Won't Do Right" by Shorty Long, "I've Gotta Get Away" by Tommy Good, "Show Girl" by The Vows, "I Can't Get Along Without You" by The Monitors, "I Hope You Have Better Luck Than I Did" by The Marvelettes, "My Heart" by Tammi Terrell, "Where Is the Love" by Rita Wright, "Those DJ Shows" by Patrice Holloway, "Rescue Me" by Blinky, "I Can't Go On Sharing Your Love" by The Isley Brothers, "Choo Choo Train" by Little Lisa, "In The Dark" by The Creations, "Love Trouble Heartache & Misery" by Hatti Littles, "Positively Absolutely Right" by The Temptations, and "Let's Talk It Over" by Marv Johnson. CD

A great entry in this always-killer collection of rare funk and soul – a series that somehow manages to keep on delivering ultra-rare nuggets, even at a time when there's been so many other compilations from so many other labels over the years! Our ears are always trained to appreciate the best of the best from the world of funky collections – and those ears are plenty pleased with the range of tracks here we'd never heard before – the kind of music that remind us to keep on digging, even when we think we've heard enough! Titles include "All Night" by Vantage Point, "I'm Feeling It Too" by Kim McCrae, "Steps On A Cloud" by Street Life 80, "Real True Voices" by Tory Wynter, "I'll Be Good To You" by Chatham, "Giving On Into Love" by Dalton Reed, "Getting Lucky" by Panama Gold, "Step By Step" by Matter Of Taste, "What Am I Going To Do Baby" by Royal Touch, and "Bi-Centennial 1976" by Frankie Staton & Speckled Rainbow. CD

Get ready to have your mind completely blown – because this compilation is one of those completely rare ear-opening experiences that will let you know that there's a hell of a lot of music in the world that you've never heard before – even if, like us, you've heard plenty of funky music over the years! The grooves here definitely live up to the title – as they're completely funky throughout, and in ways that are plenty appealing to fans of Anglo funk, but which have all the Mideast touches you'd expect in the instrumentation – a mad mix of east and west, sacred and secular, with the kind of completely unique vibe that will grab you like the first time you heard Ethiopian soul or Turkish rock! We'd honestly never heard most of this music before – and even though we've dug previous releases on the Habibi Funk label, this namesake set is the moment when they really knock it out of the park, and let us know that they're on to something completely brilliant. Comes with a great set of note, which help the uninitiated like us – and titles include "Casablanca Shuffle" by Belbao, "Wang Dang" by Bob Destiny, "Bsslama Hbibti" by Fadoul, "Sah" by Al Massrieen, "Soul Brother" by Dalton, "Al Asafir" by Kamal Keila, "Rouhi Ya Hafida" by Mallek Mohamed, "La Coladera" by Freh Khodja, "Tape 19.11" by Ahmed Malek, "Ayonha" by Hamid El Shaeri, and "Games" by Samir & Abboud. LP, Vinyl record album

Proof that the Kenton sound could work in just about any format – as Stan transforms a host of older tunes from his book into a bossa nova groove! The approach is simple, but great – as the rich Kenton tones and colors are infused with some added rhythms laid down by Milt Holland, Larry Bunker, and Frank Guerrero on Latin percussion. Horn players Steve Marcus, Jack Nimitz, Dalton Smith, Conte Candoli, and Gabe Baltazar carve out some great lines in the set – cascading waves of sound that are a wonderful counterpoint to the driving rhythms of the set – almost in a way that recalls the Kenton Latin sides of the 50s, but a bit more subtle. Titles include "Kentonova", "Opus In Chartreuse", "Artistry In Rhythm", "Concerto To End All Concertos", "Loco Nova", "Artistry In Bossa Nova", "Eager Beaver", and "Painted Rhythm". LP, Vinyl record album

A great entry in this always-killer collection of rare funk and soul – a series that somehow manages to keep on delivering ultra-rare nuggets, even at a time when there's been so many other compilations from so many other labels over the years! Our ears are always trained to appreciate the best of the best from the world of funky collections – and those ears are plenty pleased with the range of tracks here we'd never heard before – the kind of music that remind us to keep on digging, even when we think we've heard enough! Titles include "All Night" by Vantage Point, "I'm Feeling It Too" by Kim McCrae, "Steps On A Cloud" by Street Life 80, "Real True Voices" by Tory Wynter, "I'll Be Good To You" by Chatham, "Giving On Into Love" by Dalton Reed, "Getting Lucky" by Panama Gold, "Step By Step" by Matter Of Taste, "What Am I Going To Do Baby" by Royal Touch, and "Bi-Centennial 1976" by Frankie Staton & Speckled Rainbow. CD

A great entry in this always-killer collection of rare funk and soul – a series that somehow manages to keep on delivering ultra-rare nuggets, even at a time when there's been so many other compilations from so many other labels over the years! Our ears are always trained to appreciate the best of the best from the world of funky collections – and those ears are plenty pleased with the range of tracks here we'd never heard before – the kind of music that remind us to keep on digging, even when we think we've heard enough! Titles include "All Night" by Vantage Point, "I'm Feeling It Too" by Kim McCrae, "Steps On A Cloud" by Street Life 80, "Real True Voices" by Tory Wynter, "I'll Be Good To You" by Chatham, "Giving On Into Love" by Dalton Reed, "Getting Lucky" by Panama Gold, "Step By Step" by Matter Of Taste, "What Am I Going To Do Baby" by Royal Touch, and "Bi-Centennial 1976" by Frankie Staton & Speckled Rainbow. LP, Vinyl record album