One of the sexiest sets of vocal jazz to ever come from the British scene – a classic 1960 album by the lovely Diana Dors – easily one of England's best answers to American cheesecake singers of the 50s! As you'll notice by the cover, Diana's got a look that's right up there with Marilyn Monroe or Jayne Mansfield – but as a singer, she's far better – with a full range, and good sense of expression – often delivered in the manner of some of the best vocalists working in the US for RCA in the late 50s. The backings are great too – handled by the Wally Stott orchestra with a nice sense of jazz throughout – some really swinging horns that are quite unusual for a UK session like this at the time – and which really further the American feel of the set. Titles include "That's How It Is", "Namely You", "The Point Of No Return", "Roller Coaster Blues", "The Gentleman Is A Dope", "April Heart", "I'm In Love For The Very First Time", and "Tired Of Love". LP, Vinyl record album
A record with a sexy cover and a slinky sound to match – the rare second album from the cool French instrumental combo Les Jaguars – a 60s group who start in modes that resemble American surf guitar, but really take off into some great directions of their own! The style here is familiar – bass, two guitars, and drums – but the quality of the instrumentation gets nicely complex, and opens up way past catchy themes and references to sand and surf – as the group turn in mostly original tunes throughout, and have some especially great interplay between the two guitars – at a level that might normally be carried by an additional keyboard or tenor sax. The record's a hell of an instro rocker – way more so than you'd guess from the cheesecake cover – and titles include "Tourbillon", "Guitare Cha Cha", "Melle Yeye", "Guitare Strip", "Guitare Jet", "Dors Mon Amour", and "Jaguar Shake". LP, Vinyl record album
4
Julie London —
Calendar Girl ... LP Liberty, 1956. Very Good Gatefold ...
Out Of Stock
One of Julie London's wildest albums – and one of her sexiest too! The record has Julie running through the calendar – singing a song a month, dedicated to January, February, March, and so on – a really great concept for a record like this, in ways that set the album apart from some of London's other classics of the time! The record's certainly one of her campier efforts – but in a great way – and it's further augmented by a great cover that has pinup images of Julie in a setting specific to each month – a cheesecake spectacular that's almost worth the price of admission alone. Titles include "June In January", "February Brings The Rain", "Melancholy March", "Memphis In June", and "Time For August". LP, Vinyl record album
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