A landmark concert from the mid 80s – one held to honor the resurrection of the Blue Note label, featuring a wealth of some of the best players for the label – from the 80s back to the 50s bebop years. This is the last of 4 albums, issued both separately and in a box set format, and features a nice quintet featuring Stanley Jordan, Charles Lloyd, Michel Petrucciani, Cecil McBee, and Jack DeJohnette. Tracks include "The Blessing", "Tone Poem", "Lady Day", "El Encanto", "How Long", "When You Wish Upon A Star", and "Jumpin Jack". CD

A classic set from reedman Charles Lloyd – a set that really pushes forward all the experiments he'd begun in the Chico Hamilton group – and shows a bold move forward for rhythms in 60s jazz! The tracks are long, and spiral out wonderfully – but in ways that are different than those used by other creators of the time – like Eric Dolphy or John Coltrane. Even though leading the group on tenor and flute, Lloyd's got a real sense of rhythm to his playing – echoes of the Hamilton group – but set loose with a stellar quartet of younger players – including Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums – all perfect choices for inventive music like this! The standout cut is the amazing "Sombrero Sam", a tight little groover that we never tire of – and one that has Jarrett sounding much more in the pocket than you'd ever imagine – and other tracks include "Dream Weaver", "Autumn Sequence", and "Bird Flight". CD

A famous album – and for good reason too! The set's something of a landmark in spiritual jazz from the 60s – and it features a classic live performance from Charles Lloyd, recorded at the Monterey Jazz Festival – almost as a distillation and popularization of ideas that were brewing in the music of John Coltrane, Eric Dolphy, and others! The group here features a young Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums – all flowing magnificently with Lloyd's work on tenor and flute – in an open-ended groove that draws on modal rhythms for inspiration, and which features solos that stretch out, but never go "outside"! The classic performances of "Forest Flower" takes up all of side one – with a dreamy drifting quality that has Jarrett at his best – and side two features a version of his "Sorcery", plus McBee's "Song Of Her", and a version of "East Of The Sun". CD

A famous album – but for good reason! The set's something of a landmark in spiritual jazz from the 60s – and it features a classic live performance from Charles Lloyd, recorded at the Monterey Jazz Festival – almost as a distillation and popularization of ideas that were brewing in the music of John Coltrane, Eric Dolphy, and others! The group here features a young Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums – all flowing magnificently with Lloyd's work on tenor and flute – in an open-ended groove that draws on modal rhythms for inspiration, and which features solos that stretch out, but never go "outside"! The classic performances of "Forest Flower" takes up all of side one – with a dreamy drifting quality that has Jarrett at his best – and side two features a version of his "Sorcery", plus McBee's "Song Of Her", and a version of "East Of The Sun". Soundtrack features a similar line-up with Lloyd on tenor and flute, Keith Jarrett on piano, and Jack DeJohnette on drums – adding Ron McClure in place of Cecil McBee on bass. Titles include "Forest Flower 69", "Pre-Dawn", "Sombrero Sam", and "Voice In The Night". CD

Overseas excursions from the Charles Lloyd Quartet – a group who were already breaking down plenty of boundaries at home in the US! The lineup is a bit different than some of the other Lloyd sessions of the time, in that Cecil McBee is in the group on bass – adding in some wonderfully spiritual tones to a lineup that features Charles on tenor and flute, Keith Jarrett on piano, and Jack DeJohnette on drums – playing with those inventive rhythms that made his work a perfect fit for Lloyd's lines on the tenor! Titles include "Tagore", "Karma", "Little Anahid's Day", "Manhattan Carousel", "European Fantasy", and "Hej Da!". CD

A classic set from reedman Charles Lloyd – a set that really pushes forward all the experiments he'd begun in the Chico Hamilton group – and shows a bold move forward for rhythms in 60s jazz! The tracks are long, and spiral out wonderfully – but in ways that are different than those used by other creators of the time – like Eric Dolphy or John Coltrane. Even though leading the group on tenor and flute, Lloyd's got a real sense of rhythm to his playing – echoes of the Hamilton group – but set loose with a stellar quartet of younger players – including Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums – all perfect choices for inventive music like this! The standout cut is the amazing "Sombrero Sam", a tight little groover that we never tire of – and one that has Jarrett sounding much more in the pocket than you'd ever imagine – and other tracks include "Dream Weaver", "Autumn Sequence", and "Bird Flight". LP, Vinyl record album

Two great sets from reedman Charles Lloyd! Dream Weaver really pushes forward all the experiments he'd begun in the Chico Hamilton group – and shows a bold move forward for rhythms in 60s jazz! The tracks are long, and spiral out wonderfully – but in ways that are different than those used by other creators of the time – like Eric Dolphy or John Coltrane. Even though leading the group on tenor and flute, Lloyd's got a real sense of rhythm to his playing – echoes of the Hamilton group – but set loose with a stellar quartet of younger players – including Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums – all perfect choices for inventive music like this! The standout cut is the amazing "Sombrero Sam", a tight little groover that we never tire of – and one that has Jarrett sounding much more in the pocket than you'd ever imagine – and other tracks include "Dream Weaver", "Autumn Sequence", and "Bird Flight". Love-In features a classic batch of modal grooves from Charles Lloyd – recorded during the height of his mind-expanding years, with his famous quartet that included Keith Jarrett on piano and Jack DeJohnette on drums! The tracks are long and magical, done with that spiritual spiraling sound that Lloyd was wowing the hippies with at the time – and considering that this set was recorded live at the Fillmore, there were an awful lot of hippies present to be wowed! But the set's also got a charm that lives long past its time – thanks to an expansive vision from Lloyd on flute and tenor, and from Jarrett on piano too. Titles include "Sunday Morning", "Love-in", "Tribal Dance", and "Temple Bells". CD

A great overview of the modal, spiritual jazz genius of Charles Lloyd on Atlantic Records – performed by a great group with Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums! Titles include "Forest Flower Sunrise/Sunset", "Sombrero Sam", "Love In", and "Dream Weaver". LP, Vinyl record album

A great title for this one – as the set really features reedman Charles Lloyd flowering strongly – blooming into a richer expression of his talents than any one might have expected a few short years before! The album features Lloyd working with his groundbreaking quartet of Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums – players who have a perfect rhythmic conception to take Charles to the place he wants to go with his reeds! Titles include "Speak Low", "Goin' To Memphis/Island Blues", "Gypsy 66", "Wilpan's", and "Love-In/Island Blues". LP, Vinyl record album

Fantastic sounds from the years before reggae became the international sound of Jamaica – music from the island nation's jazz scene, which was at the crossroads of so many different styles of music – jazz from the north, Latin rhythms from Cuba and Puerto Rico, and a fair bit of other Caribbean sounds too – all of which filter through the wonderful collection of music on the set! The title breaks down the different genres featured – but there's often a surprisingly unified feel to the whole record too – one that stands partly as a testament to the musical strengths of all the performers involved! In the days before Trojan and Studio One, Federal Records was an important Jamaican label – and did an especially great job of capturing some of the sounds that were part of that nation's club culture and resorts in the 60s. Titles include "Angelima" and "Like Falling In Love" by Ernest Ranglin, "Profile Cha Cha" and "Rhumbina" by Cecil Lloyd & The Starline Troubadors, "Estrellita" and "I Love Paris" by The Lennie Hibbert Combo, "Tis Wonderful" by Eric Grant, "Linstead Market" by Baba Motta & Ernest Ranglin, "Wheel & Turn Me" by Bertie King, "Go Fife Go" by Count Owen, "Mango Walk" by Bertie King & Ernest Ranglin, "String Of Pearls" by Auldey Williams & His Orchestra, "Solas Market" by Baba Motta, and "Monday Monday" by Winston Turner Quintet. LP, Vinyl record album

An overstuffed package of classic work from the Caribbean – most of it from midcentury, at a time before reggae and other styles would bring even more exposure to the scene! The music here is in a nice mix of modes – separate by island identity, but drawn together in a good way by the package, and given more detail in the large booklet of notes – which features details in both English and French. Styles run the gamut from mambo to voodoo, biguine to goombay, calypso to cha cha, and lots more in between – with a total of 48 cuts by artists who include Compay Segundo, Facundo Rivera, Dioris Vallardes, Luis Quintero, Joe Harriott, Ruben McCoy, Theophilus Beckford, Sidney Bean, Josephine Premice, The Mighty Terror, Blind Blake, Cout Ossie, Cecil Lloyd, Mongo Santamaria, Henri Salvador, and many others! CD

Titles include "Bridge Over Troubled Water", "El Condor Pasa", "Cecilia", "So Long Frank Lloyd Wright", "Baby Driver", "The Boxer", "The Only Living Boy In New York", "Keep The Customer Satisfied", and "Song For The Asking". Features bonus DVD – with a very cool TV special from 1969, plus another documentary on the making of this album – titled The Harmony Game. 132 minutes of DVD material! CD

Two classic Lloyd Charmers productions – back to back on CD, with lots of bonus tracks too! Delroy Wilson steps up strongly with Sarge – a set that's got an unassuming cover and a very deep vibe – this mellow groove that always seems to work great with Delroy's style – and lets him really push over the top with all sorts of warmly crackling energy, stretching things more than some of his contemporaries who were maybe just content to kick back in the rhythm. The set's definitely one to remind you that Wilson was one of the more soulful Jamaican singers of his time – and titles include "My Conversation", "I'm Still Waiting", "My Cecilia", "Ain't That Loving You", "Everybody Needs Love", "Got A Date", and "The Last Thing On My Mind". On Boothe Unlimited, the great Ken Boothe is featured strongly on vocals, but the set also features a fair bit of instrumentals too – that balance between soulful lyrics and dubby instrumentals that you'd usually find on a 7" single, carried out here as a showcase for some stunning production from the great Lloyd Charmers! Titles include "Ain't No Sunshine", "Look What You've Done For Me", "You've Broken The Guitar", "Out Of Love", "Missing You", "To Get Rhythm", and "Second Chance". CD features 13 tracks on CD for the first time ever – and also includes 12 bonus tracks, all discomixes of titles on the albums! CD

Titles include "Bridge Over Troubled Water", "El Condor Pasa", "Cecilia", "So Long Frank Lloyd Wright", "Baby Driver", "The Boxer", "The Only Living Boy In New York", "Keep The Customer Satisfied", and "Song For The Asking". CD

Titles include "Bridge Over Troubled Water", "El Condor Pasa", "Cecilia", "So Long Frank Lloyd Wright", "Baby Driver", "The Boxer", "The Only Living Boy In New York", "Keep The Customer Satisfied", and "Song For The Asking". LP, Vinyl record album

The legendary alto saxophonist Paul Desmond serves up his own versions of key tunes by Simon & Garfunkel – with results that are simply amazing, and very different than the originals! The style here takes all the airy brilliance of the original S&G tunes, and turns it towards a more jazz-based mode – one that has some of the slight Brazilian undercurrents in the rhythms that you'll find on Desmond's previous two albums for CTI! The full arrangements are by Don Sebesky, who brings a great sense of balance to the set – and Herbie Hancock plays some great electric piano, in a group that also features Airto on percussion and Gene Bertoncini on guitar. But the real star of the set is Paul Desmond – blowing with that amazing tone of his – and sliding from tune to tune with effortless ease, in a way that really transforms these tunes in their instrumental readings. Titles include "Cecilia", "Mrs. Robinson", "America", "So Long, Frank Lloyd Wright", and "Scarborough Fair" – all done with a sweet jazzy A&M approach! LP, Vinyl record album