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Bobby Short Edit search Phrase match

 
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Exact matches: 7
Exact matches1
CD, LP, Vinyl record album cover art
Bobby ShortGuess Who's In Town – Bobby Short Performs The Songs Of Andy Razaf ... LP
Atlantic, 1987. Sealed ... $0.99
... LP, Vinyl record album
(Cover has a cutout notch.)

Exact matches2
CD, LP, Vinyl record album cover art
Bobby ShortMad Twenties (70s pressing) ... LP
Atlantic, Late 50s. Sealed ... $0.99
... LP, Vinyl record album
(Cover has a cutout notch.)

Exact matches3
CD, LP, Vinyl record album cover art
Bobby ShortMy Personal Property ... LP
Atlantic, 1976. Sealed ... $1.99
... LP, Vinyl record album
(Cover has a cutout notch.)

Exact matches4
CD, LP, Vinyl record album cover art
Bobby ShortSongs By Bobby Short ... LP
Atlantic, 1955. Very Good- ... $1.99
... LP, Vinyl record album
(Black label pressing with deep groove. Cover has light wear.)

Exact matches5
CD, LP, Vinyl record album cover art
Bobby ShortVery Best Of Bobby Short ... LP
Atlantic, 1950s. Sealed ... $4.99
... LP, Vinyl record album
(Cover has a cutout notch.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Bobby ShortMad Twenties ... LP
Atlantic, Late 50s. Very Good+ ... Out Of Stock
... LP, Vinyl record album
(Black label pressing with deep groove.)

Exact matches7
CD, LP, Vinyl record album cover art
Bobby SelvaggioShort Stories ... CD
Origin, 2014. Used ... $5.99
... CD
 
Possible matches: 12
Possible matches8
CD, LP, Vinyl record album cover art
Bobby ScottCompositions Of Bobby Scott ... LP
Bethlehem, 1955. Very Good ... $24.99
Really wonderful work from pianist Bobby Scott – a perfect showcase not just for his young talents as a composer and arranger, but also for a host of key solo performers as well! This full album brings together two previous 10" LP sessions – both of them brilliant, and graced by some of the most modern talents Bethlehem Records had to offer – which makes for extremely fresh sounds from Scott's wonderful music – jazz that's at a level that's really hard to peg – neither west coast cool, nor east coast arranged – but a really special space of its own! Even when tunes are short, they're full of feeling – and really make tremendous use of the individual players – who include Hal McKusick on alto, Eddie Bert on trombone, and Ronnie Woellmer on the first session – and the amazing Charlie Mariano on alto for the second, sounding incredible here – alongside Conte Candoli on trumpet, Bill Holman on tenor, Jimmy Giuffre on baritone, and Frank Rosolino on trombone. Titles include "Moon Tan", "Kwan Youen", "Wigwam", "The Creed", "A Parable", "The Wig", "Count Bill", and "Cerebellum". LP, Vinyl record album
(Original pressing – red label with deep groove. Cover has split seams and surface wear – mostly on the back.)

Possible matches9
CD, LP, Vinyl record album cover art
Albert AylerLove Cry/The Last Album ... CD
Impulse, 1969/1971. New Copy ... $8.99 16.98
Brilliant late work from Ayler – 2 albums in a single set! The Love Cry session has none of the jazz-meets-other music feel of some of the other Impulse albums – and is more in the straight expressive style of the ESP recordings. Tracks are more reined in here – with some short themes that are almost a distillation of the freedom Ayler had been expressing for a few years, summed up beautifully in tunes that have a plaintive cry, filled with as much soul and love as Ayler could muster into his horn! Players include Don Ayler, Cal Cobbs, Alan Silva, and Milford Graves – and titles include "Zion Hill", "Love Flower", "Love Cry", "Ghosts", "Omega", and "Dancing Flowers". That's followed by Ayler's last album ever – and an incredibly strange batch of tracks that shows perfectly the kind of stylistic and emotional struggle he was going through in the final years of his life. Like the albums New Grass and Love Cry, this one shows Ayler toying with influences from other genres – like rock and soul – in order to better communicate his message to the masses. And while there's some strange odd moments that don't really work, there's others that have a gutsiness that's stunning – especially from the otherwise serious (by this point) NY underground. Players include Bobby Few, Muhammad Ali, and Stafford James – and tracks include "Untitled Duet", "Again Comes The Rising Of The Sun", "Toiling", "Birth Of Mirth", and "Desert Blood". CD

Possible matches10
CD, LP, Vinyl record album cover art
Rob ChapmanNew Barbarians – Outlaws, Gunslingers & Guitars (hardcover with bonus CD) ... Book
Voyageur, 2016. New Copy ... $11.99 40.00
A hefty book on the short-lived New Barbarians – a rock and roll supergroup founded by guitarist Ron Wood – with members that include bassist Stanley Clarke, drummer Joseph Modeliste of The Meters, saxophonist Bobby Keys, and the legendary Keith Richards! The book is filled with photos from the group's years of touring in 1979 and 1980 – mostly bold action shots on stage, paired with shorter bits of text that almost serve like diary entries on the music. Plus, the book features a bonus CD – with 10 previously unreleased tracks all taken from 1979 rehearsals and live shows! Book is both color and black and white – depending on the photos – and is 199 pages, hardcover. Book

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ IntrudersEnergy Of Love ... CD
Philadelphia International/Intermusic (Spain), 1974. New Copy ... $10.99
A fantastic album from The Intruders – their last full record as a group, and a set that really shows all the growth they'd experienced as a harmony group in just a few short years! We love their early singles, and even their previous album for Philly International – but there's also something really special going on here – a way of hitting just the right mellow-stepping vibe to bridge the heartbreak of early ballads and some of the more sophisticated, more adult Philly modes of the 70s! Bobby Martin arranged most of the record – John Davis and Vince Montana helped out elsewhere – and the whole thing's got the blend of smoothness with fragile vocals that you'd find in the best Blue Magic material of the mid 70s – but all with that very unique vocal style that always made The Intruders so different! Titles include a funky cover of "Be Thankful for What You Got", Marvin Gaye's "Jan", and the tracks "Be On Time", "What's Easy For Two Is So Hard For One", "A Nice Girl Like You", "Energy Of Love", and "Everyone's A Star". CD
(Limited edition.)

Possible matches12
CD, LP, Vinyl record album cover art
Timeless All StarsTimeless Heart ... CD
Timeless/Solid (Japan), 1983. New Copy ... $15.99
Masterful work from one of the greatest all-star groups in jazz – a short lived sextet that featured some of the best players working for Timeless Records – and a group that recalls the brilliance of the early recordings of Harold Land and Bobby Hutcherson! Both Hutcherson and Land are part of the group – as are Cedar Walton, Curtis Fuller, Buster Williams, and Billy Higgins – and the amazing thing about the set is the way that such top-shelf players can come together, yet manage to work in a mode that's far greater than the sum of its equally great parts! The sound here is nothing like you'd expect from an "all star" session – as the tunes are complicated, intricate, and have an approach that's far different than the "head arrangement with battling solos" that first marked all star jazz recordings in years back. These six players come together with a wonderfully fluid groove – sliding soulfully in the realms explored by Hutcherson, Land, Walton, and Higgins on their own records from the time – and working through magical readings of original tunes that include "Hindsight", "Tayamisha", "Hand In Glove", "Fiesta Espagnol", "World Peace", and "Christina". CD

Possible matches13
CD, LP, Vinyl record album cover art
Larry Wild WriceWild – The Big Big Sound Of Larry Wild Wrice ... LP
Pacific Jazz, Early 60s. Very Good+ ... $19.99
The only album we've ever seen from jazz drummer Larry Wrice – a Chicago player who really kicks it in a hard and heavy soul jazz groove! Larry's got an approach to the kit that's quite a lot like that of Joe Dukes – one that's always concerned with pushing the rhythms of the tune very strongly, but which is so strong, so confident that it can snap away for some additionally playful work all around the kit – making for a groove that's extremely groovy throughout! For the set, Larry's working in a quartet format – with a young James Spaulding on tenor, alto, and flute (his first session?), Bobby Bryant on trumpet, and Bobby Blivins on organ. Tracks are short, soulful, and very down and dirty – far more so than we would ever expect for a session on Pacific Jazz at the time! Titles include "Husky", "Church Seat", "Travelin", "Swingin & Things", "Santifism", "Antler Rock", "Unholy Four", and "Wild Wrice". LP, Vinyl record album
(Black & silver label stereo pressing with wide deep groove. Cover has light wear, and a bit of splitting in one corner, but this is a nice copy overall.)

Possible matches14
CD, LP, Vinyl record album cover art
VariousEccentric Soul – The Saru Label ... CD
Numero, Late 60s/Early 70s. New Copy ... $7.99 14.98
A great look at an obscure indie soul label from the Cleveland scene at the end of the 60s – and a company that's definitely a cut above, given that it released some early O'Jays singles in the years before their crossover fame in the 70s – and members of that group also wrote a fair bit of singles for the label too! Besides a tie to the O'Jays, the Saru label also had a tight, well-chosen roster – one that really helped make Cleveland a hotbed for sweet soul at the time – easily competing with the hippest singers and groups from Philly, New York, and New Jersey – thanks to a string of excellent 45s on both the Saru imprint, and related Horoscope Records! As usual with Numero, the whole package is filled with fantastic details and photos that are as compelling as the music itself – and as for the music, this time around the Numero folks really get to the heart of the matter with a non-stop array of excellent material – not unreleased tapes, but killer 45s that really show Saru as a hell of a great soul label during its short run of records. Titles include "For The Rest Of My Life" and "Tears Don't Care Who Cry" by The Out Of Sights, "I Believe" and "Are You Man Enough" by Sir Stanely, "Stand In For Love" and "Love's Needed" by Pandella Kelly, "Come Back Boy" and "The Last Time" by The Ba-Roz, "Bound" and "I Remember You" by Ponderosa Twins, "Just To Be With You" and "Got To Make It Right" by Elements, "Can't Make It Without You" by Michael Bell, "Got To Get My Broom Out" by David Peoples, "Just To Be With You" by Bobby Dukes, and "Now He's Home" and "Shattered Man" by The O'Jays. CD
Also available Eccentric Soul – The Saru Label ... LP 23.99

Possible matches15
CD, LP, Vinyl record album cover art
VariousEccentric Soul – The Saru Label ... LP
Numero, Late 60s/Early 70s. New Copy 2LP Gatefold ... $23.99 29.98
A great look at an obscure indie soul label from the Cleveland scene at the end of the 60s – and a company that's definitely a cut above, given that it released some early O'Jays singles in the years before their crossover fame in the 70s – and members of that group also wrote a fair bit of singles for the label too! Besides a tie to the O'Jays, the Saru label also had a tight, well-chosen roster – one that really helped make Cleveland a hotbed for sweet soul at the time – easily competing with the hippest singers and groups from Philly, New York, and New Jersey – thanks to a string of excellent 45s on both the Saru imprint, and related Horoscope Records! As usual with Numero, the whole package is filled with fantastic details and photos that are as compelling as the music itself – and as for the music, this time around the Numero folks really get to the heart of the matter with a non-stop array of excellent material – not unreleased tapes, but killer 45s that really show Saru as a hell of a great soul label during its short run of records. Titles include "For The Rest Of My Life" and "Tears Don't Care Who Cry" by The Out Of Sights, "I Believe" and "Are You Man Enough" by Sir Stanely, "Stand In For Love" and "Love's Needed" by Pandella Kelly, "Come Back Boy" and "The Last Time" by The Ba-Roz, "Bound" and "I Remember You" by Ponderosa Twins, "Just To Be With You" and "Got To Make It Right" by Elements, "Can't Make It Without You" by Michael Bell, "Got To Get My Broom Out" by David Peoples, "Just To Be With You" by Bobby Dukes, and "Now He's Home" and "Shattered Man" by The O'Jays. LP, Vinyl record album
Also available Eccentric Soul – The Saru Label ... CD 7.99

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Prince Far ITrojan Albums Collection (Free From Sin/Jamaican Heroes/Voice Of Thunder/Musical History) ... CD
Trojan/Doctor Bird (UK), Late 70s/Early 80s. New Copy 2 CDs ... Temporarily Out Of Stock
Four fantastic albums from the legendary Prince Far I! The set begins with the classic Free From Sin – Great early work from Prince Far I – a stunning mix of reggae and dub, with a righteous quality that really gives the prince his title amongst 70s Jamaican royalty! Backing is by a version of the Roots Radics – with the excellent Style Scott on drums, Errol Holt on Bass, Bingy Bunny, Sowell and Chinna Smith on guitar, Bobby Kalphat and Snappin on keys, Bobby Ellis and Deadly Headly on horns, and Bongo Herman and Ras Millinek on percussion – but the real key to the sound is the way that Prince Far I produces the whole thing, and mixes his own sinister vocals with the heady, bottom-heavy rhythms – all with a quality that matches Lee Scratch Perry at his best! Titles include "Free From Sin", "Light Of Fire", "Reggae Music", "I & I Are the Chosen One", "Don't Deal With Folly", "Call On I In Trouble", "When Jah Ready You Got To Move", and "Siren". Jamaican Heroes is a totally great album by Prince Far I – and a set that already shows him building that crucial London/Kingston bridge that would be such a big part of his sound! The album features work from Sly & Robbie, and the killer drums of Style Scott on rhythm – but also includes contributions by London hipsters Viv Albertine & Ari Up (of the Slits), and David Toop (noted music writer and historian) – quite a mix, and all brought together wonderfully by the Prince's production, and really unique vocal approach. Titles include "Jamaican Heroes", "Prison Discipline", "Musical History", "Natty Champion", and "Golden Throne". Next up is a classic from Prince Far I – Voice Of Thunder couldn't be a more appropriate album title or moniker! Recorded at Channel One in 1981 with incredible analog dub production, it fully carries the grit, murk, heavy and heady soul of the 70s into the new decade –even if the sound is ultimately a bit different then the what he delivered in the 70s. That thunderous voice toasting over the rhythms is as incredible as ever – over the commanding bass of Professor Larry Silvera, tripped out drums & percussion by Jah Lloyd & Scully, occasional swirling keys by Steely, Tarzan and Tony Asher and the other great Channel One players. Titles include "Ten Commandments", "Every Time I Hear The Word", "Head Of The Buccaneer", "Shall Not Dwell In Wickedness", "Skinhead", and "Hold The Fort". Musical History is one of the last albums ever issued by Prince Far I – and a set that marks a fantastic cap to a too-short career! The Prince's vocal contributions are as impeccable as his dubby production work – and titles include "At The Cross", "More We Are Together", "Take Heed Frontline", "What You Gonna Do On Judgement Day", and "Tell Them About Jah Love". CD

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ JJ JohnsonJ Is For Jazz ... LP
Columbia, Late 50s. Very Good+ ... Out Of Stock
Nicely sharp sounds from the great JJ Johnson – a set that has the trombonist really honing his edge on a host of tight, short tracks – with a vibe that almost recalls his initial bop recordings on Blue Note and Prestige! The style here is a bit more sophisticated – definitely with an ear towards the modern directions that JJ was exploring in the 50s – but the sound is also nicely spontaneous, with more focus on improvisation between group members than larger arrangements – quite nice, given that the group features excellent tenor from Bobby Jaspar on tenor – and either Tommy Flanagan or Hank Jones on piano, Percy Heath or Wilbur Little on bass, and Elvin Jones on drums. Tracks are short, and titles include "Overdrive", "Cube Steak", "Chasin The Bird", and "Solar". LP, Vinyl record album
(6 eye pressing with deep groove. Cover has light wear.)

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Cal TjaderLos Ritmos Calientes (Ritmo Caliente/Mas Ritmo Caliente) ... LP
Fantasy, 1955/1957. Near Mint- 2LP Gatefold ... Out Of Stock
A 2-in-1 Latin jazz spectacular from the mighty Cal Tjader! First up is the album Ritmo Caliente – one of Tjader's first Latin-tinged sessions for Fantasy Records – and a really wonderful batch of tracks recorded with a shifting array of very hip players! In addition to Cal's vibes, and expected Latin percussion – handled by Armando Peraza on congas and bongos – the set also features some totally slamming piano work from Eddie Cano, Manuel Duran, and Richard Wyands – each of whom get a chance at the keys on the set, really helping to bring in a range of different colors and tones. An added bonus is Jerome Richardson on flute – who plays on about half of the album's tracks – in that soulfully snaking way he virtually owned back in the 50s. Tracks are short, and filled with plenty of energy – and titles include "Ritmo Caliente", "Mambo Moderno", "Alegres Timbales", "Buhutu (Nanigo 6/8)", "Cubano Chant", "Goza", "Lamento De Hodi", "Mueve La Cintura", and "Afro Corolombo". On Mas Ritmo Caliente, Cal Tjader's working in a smoking Latin vibe throughout – and has managed to get some great extra help in his efforts! The album was mostly recorded in Chicago and New York, and these different locals seem to give the record a slightly different flavor than some of Tjader's other west coast dates from the 50s – a slightly harder Latin groove, thanks to the presence of players like Jose Chombo Silva on tenor sax, Gerald Sanfino on flute and alto, Bobby Rodriguez on bass, Mongo Santamaria on congas, Willie Bobo on timbales, and Luis Kant on percussion. Vince Guaraldi's on piano on all tracks – bringing in a nice dose of warmth next to Cal's vibes – and titles include "Mongorama", "Ritmo Africano", "Ritmo Rumba", "Tumbao", "Perdido", and "Cuco On Timbales". LP, Vinyl record album
(Cover has light wear.)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Albert AylerLove Cry/The Last Album ... CD
Impulse, 1969/1971. Used ... Out Of Stock
Brilliant late work from Ayler – 2 albums in a single set! The Love Cry session has none of the jazz-meets-other music feel of some of the other Impulse albums – and is more in the straight expressive style of the ESP recordings. Tracks are more reined in here – with some short themes that are almost a distillation of the freedom Ayler had been expressing for a few years, summed up beautifully in tunes that have a plaintive cry, filled with as much soul and love as Ayler could muster into his horn! Players include Don Ayler, Cal Cobbs, Alan Silva, and Milford Graves – and titles include "Zion Hill", "Love Flower", "Love Cry", "Ghosts", "Omega", and "Dancing Flowers". That's followed by Ayler's last album ever – and an incredibly strange batch of tracks that shows perfectly the kind of stylistic and emotional struggle he was going through in the final years of his life. Like the albums New Grass and Love Cry, this one shows Ayler toying with influences from other genres – like rock and soul – in order to better communicate his message to the masses. And while there's some strange odd moments that don't really work, there's others that have a gutsiness that's stunning – especially from the otherwise serious (by this point) NY underground. Players include Bobby Few, Muhammad Ali, and Stafford James – and tracks include "Untitled Duet", "Again Comes The Rising Of The Sun", "Toiling", "Birth Of Mirth", and "Desert Blood". CD
Also available Love Cry/The Last Album ... CD 8.99
 
Partial matches: 19
Partial matches20
CD, LP, Vinyl record album cover art
Art BlakeyMosaic (Japanese pressing) ... CD
Blue Note (Japan), 1961. Used ... $19.99
An explosive session from an expanded edition of the Jazz Messengers – recorded at a key point when Art Blakey moved the group up to six members instead of five! Although bigger than the group on most Jazz Messenger Blue Notes, the sextet have an energy that's almost tighter – a sense of poise, focus, and vision that's not just driven by Blakey's drum kit alone – but by the kind of unique magic that only happens during rare groupings in classic jazz. A key part of the energy here comes from pianist Cedar Walton – who's replacing the Bobby Timmons soul jazz mode with a sound that's a bit more expansive and visionary. But equally important is the three horn lineup of Freddie Hubbard on trumpet, Curtis Fuller on trombone, and Wayne Shorter on tenor – a two-brass frontline that's used far differently than other groups – bold one minute, but personal and sensitive the next. There's a mixture of warmth and driving energy here that's simply incredible – a prime example of Blakey taking things to the next level, when it would have been easy enough for him to sit on his laurels and keep doing the same thing over and over again! Includes classic readings of Cedar Walton's "Mosaic", Freddie Hubbard's "Crisis", and Curtis Fuller's "Arabia" – as well as Shorter's excellent "Children Of The Night". CD
(Out of print SHM CD pressing. Includes obi.)

Partial matches21
CD, LP, Vinyl record album cover art
✨✧ JBsThese Are The JBs ... LP
Now Again, 1970. New Copy ... $19.99 24.98
A stunner of a record – the first-ever album by The JBs, never issued back in the day – and lost for years until it recently resurfaced on a test pressing! The set features a leaner, more stripped-down version of the group – one that features Bootsy Collins on bass, and which doesn't rely as much on the horns as it does some very upfront playing by the rhythm section – who really set fire to the extended instrumental solos on the album's very long tracks! Group members include Robert McCullough on tenor, St Clair Pickney on flute and baritone, Bobby Byrd on piano, Catfish Collins on guitar, and James Brown himself on organ – and the mighty Clyde Stubblefield handles drums, as well as Frank Kash Waddy. All tracks are very long – quite different than the shorter single-type cuts on Pass The Peas – and the record features the first recording of "The Grunt", plus the long jams "I'll Ze", "These Are The JBs (parts 1 & 2)", and "When You Feel It Grunt If You Can". LP, Vinyl record album
(Also comes with a great book – detailing the album and its rescue from obscurity!)

Partial matches22
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyBig Beat ... CD
Blue Note, 1960. Used ... Temporarily Out Of Stock
One of the greatest Art Blakey Blue Note sessions of all time – and perhaps one of the greatest to realize the genius of the Jazz Messengers lineup that included Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano! The trio of young talents are at the height of their early soulful powers here – working with Blakey and bassist Jymie Merritt in a set of tunes that are overflowing with expressive solos, unusual timings, and the Blakey genius for mixing bold statements with personally introspective moments. Nearly every track on the record's a classic – and titles include an early version of Bobby Timmons' "Dat Dere", plus Wayne Shorter's beautiful tunes "Lester Left Town", "Chess Players", and "Sakeena's Vision". CD
(Out of print first pressing.)

Partial matches23
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyMoanin' (Non-RVG edition) ... CD
Blue Note, 1958. Used ... Temporarily Out Of Stock
One of Art Blakey's first true moments of genius! This transitional version of the Jazz Messengers included two parts – Lee Morgan and Bobby Timmons – of the holy Morgan/Shorter/Timmons trilogy, and it's also got the added bonus of Benny Golson on tenor, who was at the height of his power at this point. The record really shines in ways that few Blakey albums shone since his days with Horace Silver – in that it's a forum for fresh new writing, most importantly Golson's landmark compositions "Blues March" and "Along Came Betty", and Timmons' instant classic "Moanin". The whole album's wonderful, though, and Golson's edgey modernism adds a strong dimension to the group's usual soulful romping groove! (And in fact, as a tribute to the group's success, the album was initially named Art Blakey & The Jazz Messengers, but quickly retitled Moanin in this version, after the big hit single!) CD
(Out of print.)

Partial matches24
CD, LP, Vinyl record album cover art
✨✧ Doug CarnInfant Eyes ... LP
Black Jazz, 1971. Very Good ... Temporarily Out Of Stock
An undisputed 70s soul jazz classic – and arguably the best album that Doug Carn ever cut for the Black Jazz label! The set is a masterpiece of spiritual jazz – with Carn on keyboards setting up the groove, and wife Jean singing some incredible vocals – very different than her later soul work as a solo act, and with a vibe that's like Dee Dee Bridgewater at her soulful 70s best. Jean does a killer job with the album's classic vocal version of Bobby Hutcherson's "Little B's Poem" – done here with sweet lyrics that really open the song up a lot, and make it into an anthem of love and joy that we'd be hard pressed to match with any other tune! And all other tracks are great too – with titles that include "Moon Child", "Passion Dance", and a great version of Wayne Shorter's "Infant Eyes". LP, Vinyl record album
(Original pressing in the textured cover. Cover has light wear.)

Partial matches25
CD, LP, Vinyl record album cover art
✨✧ VariousSpiritual Jazz 9 – Blue Notes – Part 1 – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... LP
Jazzman (UK), 1960s/1970s. New Copy 2LP Gatefold ... Temporarily Out Of Stock
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles on this first volume include "Verse" by Bobby Hutcherson, "Footprints" by Wayne Shorter, "At This Point In Time" by Elvin Jones, "The Rain" by Eddie Gale, "Poinsettia" by Andrew Hill, "Searchin The Trane" by Bobby Hutcherson, "The Phantom" by Duke Pearson, and "Assunta" by Freddie Hubbard. LP, Vinyl record album

Partial matches26
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyMoanin' (75th anniversary edition) ... LP
Blue Note, 1958. New Copy (reissue)... Out Of Stock
One of Art Blakey's first true moments of genius! This transitional version of the Jazz Messengers included two parts – Lee Morgan and Bobby Timmons – of the holy Morgan/Shorter/Timmons trilogy, and it's also got the added bonus of Benny Golson on tenor, who was at the height of his power at this point. The record really shines in ways that few Blakey albums shone since his days with Horace Silver – in that it's a forum for fresh new writing, most importantly Golson's landmark compositions "Blues March" and "Along Came Betty", and Timmons' instant classic "Moanin". The whole album's wonderful, though, and Golson's edgey modernism adds a strong dimension to the group's usual soulful romping groove! (And in fact, as a tribute to the group's success, the album was initially named Art Blakey & The Jazz Messengers, but quickly retitled Moanin in this version, after the big hit single!) LP, Vinyl record album

Partial matches27
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyMosaic ... CD
Blue Note, 1961. Used ... Out Of Stock
An explosive session from an expanded edition of the Jazz Messengers – recorded at a key point when Art Blakey moved the group up to six members instead of five! Although bigger than the group on most Jazz Messenger Blue Notes, the sextet have an energy that's almost tighter – a sense of poise, focus, and vision that's not just driven by Blakey's drum kit alone – but by the kind of unique magic that only happens during rare groupings in classic jazz. A key part of the energy here comes from pianist Cedar Walton – who's replacing the Bobby Timmons soul jazz mode with a sound that's a bit more expansive and visionary. But equally important is the three horn lineup of Freddie Hubbard on trumpet, Curtis Fuller on trombone, and Wayne Shorter on tenor – a two-brass frontline that's used far differently than other groups – bold one minute, but personal and sensitive the next. There's a mixture of warmth and driving energy here that's simply incredible – a prime example of Blakey taking things to the next level, when it would have been easy enough for him to sit on his laurels and keep doing the same thing over and over again! Includes classic readings of Cedar Walton's "Mosaic", Freddie Hubbard's "Crisis", and Curtis Fuller's "Arabia" – as well as Shorter's excellent "Children Of The Night". CD
(Out of print.)
Also available Mosaic (Japanese pressing) ... CD 19.99

Partial matches28
CD, LP, Vinyl record album cover art
✨✧ Doug CarnInfant Eyes ... LP
Black Jazz, 1971. New Copy (reissue)... Out Of Stock
An undisputed 70s soul jazz classic – and arguably the best album that Doug Carn ever cut for the Black Jazz label! The set is a masterpiece of spiritual jazz – with Carn on keyboards setting up the groove, and wife Jean singing some incredible vocals – very different than her later soul work as a solo act, and with a vibe that's like Dee Dee Bridgewater at her soulful 70s best. Jean does a killer job with the album's classic vocal version of Bobby Hutcherson's "Little B's Poem" – done here with sweet lyrics that really open the song up a lot, and make it into an anthem of love and joy that we'd be hard pressed to match with any other tune! And all other tracks are great too – with titles that include "Moon Child", "Passion Dance", and a great version of Wayne Shorter's "Infant Eyes". LP, Vinyl record album

Partial matches29
CD, LP, Vinyl record album cover art
✨✧ Noah HowardSpace Dimension ... LP
America/SeriE.WOC (Netherlands), Early 70s. New Copy (reissue)... Out Of Stock
One of the few key pairings of Noah Howard and Frank Wright – and a great session that stands perfectly next to those recordings made by the pair under Wright's name! The record bristles with the best energy of the BYG and America sides from the time – but possibly goes even beyond those with a sense of cohesion and soulfulness that is especially gripping. The pairing of Howard's alto and Wright's tenor is one of those few avant matches made in heaven, and they work together wonderfully in freely exploratory territory that recalls the best of the ESP scene of the 60s. The group's a quartet – with Bobby Few on piano and Art Taylor on drums – and tracks include the Howard originals "Space Dimension", "Viva Black", "Song For Poets", and "Blues For Thelma" – plus a shorter version of Wright's classic "Church Number Nine", recorded with Muhammad Ali on drums. LP, Vinyl record album
(Limited edition of 250!)

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✨✧ VariousSpiritual Jazz 9 – Blue Notes – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... CD
Blue Note/Jazzman (UK), Late 60s/Early 70s. New Copy 2CD ... Out Of Stock
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles include "Verse" by Bobby Hutcherson, "Footprints" by Wayne Shorter, "At This Point In Time" by Elvin Jones, "The Rain" by Eddie Gale, "Poinsettia" by Andrew Hill, "Searchin The Trane" by Bobby Hutcherson, "The Phantom" by Duke Pearson, "Assunta" by Freddie Hubbard, "El Barrio" by Joe Henderson, "Plight" by Jackie McLean, "Gichi" by Booker Ervin, "Igbesi Aiye" by Solomon Ilori, "Blue Spirits" by Freddie Hubbard, "Cristo Redentor" by Duke Pearson, "The Morning After" by Hank Mobley, "Indian Song" by Wayne Shorter, and "Malaguena" by Pete LaRoca. CD

Partial matches31
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✨✧ Lee MorganRoulette Sides (10 inch LP) ... LP
Roulette/Warner, 1960. New Copy ... Out Of Stock
A lost treasure from Lee Morgan – three superb tracks that were initially issued as one side of a split record done with John Coltrane – at a time when neither of them were really signed to the Roulette Records label! That obscurity led both sets of material to quickly disappear from the record racks – and although the Coltrane material has since been rediscovered, and hailed as a key part of his catalog – this is the first time these Lee Morgan tracks have seen proper release since the 60s! The material is wonderful – really almost a Jazz Messengers session, but with some of the more exotic currents Morgan could bring to his recordings – and the lineup features Lee on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano – a trio that sounds as great on record as you'd expect. Art Taylor handles drums – instead of Blakey – and the bassist is Jimmy Rowser – and despite the apparent casualness of the recordings, the quality is wonderful – very much in the best spirit of Morgan's Blue Note classics. Titles include the Morgan composition "A Bid For Sid", plus Bobby Timmons' "Minor Strain" and Wayne Shorter's "Suspended Sentence". LP, Vinyl record album

Partial matches32
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Art BlakeyLike Someone In Love (Japanese paper sleeve edition) ... CD
Blue Note (Japan), 1960. Used ... $38.99
A landmark album that had one of the best versions of the Jazz Messengers taking a big step forward – thanks to some increased songwriting by the group's young tenor genius – Wayne Shorter! Shorter's tunes take up all of the second half of the record, and all of them have gone onto become classics – "Giantis", "Sleeping Dancer Sleep On", and "Noise In The Attic" – all tunes that hint at the modernism that was to come in Wayne's music, and which especially seem to push his tenor and the trumpet of Lee Morgan into the range of more mature colors and tones that would grace their music as the 60s moved on. Meanwhile, there's a rock-solid rhythm drive at the core – Art Blakey on drums, Jymie Merritt on bass, and the great Bobby Timmons on piano – still making a strong contribution to the group. Lee Morgan wrote the nine minute tune "Johnny's Blue" on side one – which also includes a beautiful version of "Like Someone In Love" – a masterpiece in soulful lyricism! CD features one bonus alternate track, too. CD
(Out of print. Includes obi!)

Partial matches33
CD, LP, Vinyl record album cover art
✨✧ Art Blakey & The Jazz MessengersBest Of The Columbia & RCA/Vik Years 1956 to 1959 ... CD
Sony/Real Gone, Late 50s. New Copy 2CD ... $18.99 19.99
A nice collection of overlooked work from Art Blakey & The Jazz Messengers – not the oft-reissued material from the group's years at Blue Note, but instead some slightly more obscure sides recorded for Columbia and RCA! The work here also represents a time when Blakey was experimenting a bit more with the group – a stretch right before he settled into some of the more-recorded groups with Wayne Shorter, Lee Morgan, and Bobby Timmons – but still had a great ear for important younger talent! Players here include Bill Hardman, Donald Byrd, and Lee Morgan on trumpets; Jackie McLean on alto; Johnny Griffin, Hank Mobley, and Benny Golson on tenor; and Horace Silver and Sam Dockery on piano! The set includes material from the albums Hard Bop, Drum Suite, Jazz Messengers, Night In Tunisia, and some of the French-only live recordings that Blakey did for RCA in the late 50s – and the set features 16 tracks that include "Nica's Dream", "Evidence", "Blues March For Europe No 1", "Along Came Manon", "Lester Left Town", "Night In Tunisia (live)", "Moanin With Hazel", "Night In Tunisia (take 3)", "Ecaroh", "Cubano Chant", "Almost Like Being In Love", "The Sacrifie", and "Couldn't It Be You (take 4)". CD

Partial matches34
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✨✧ VariousBlue Note Revisited ... CD
Blue Note, 2004. Used ... $6.99
A dream come true! Someone at Blue Note is keeping their eyes and ears on the street and in the clubs – because here's another late model conceptual triumph – a remix project pairing current innovators in the club and hip hop underground with classic numbers from the label's vaults! The concept is simple; classic numbers are given to handpicked remixers, re-doers, and stylistic misfits best suited to re-work that particular number. Mo Wax maestros La Funk Mob open the set with a mellow, club soul tweak of Wayne Shorter's "Oriental Funk Song". Kenny Dope trips out Bobby Hutcherson's "La Malanga" into a bubbly club funk jam. "Kyoto Jazz Massive" completely re-work Eddie Henderson's "Kudu" into a wonderful number all their own. Perhaps the biggest triumph of all here is the consistency throughout; every artist attached brings their A-game (how could they do any less, given a chance to add their own elements to the some of the most influential numbers they could get their hands on?) Amazing, amazing stuff – whether it's the scratched up, hip hop flavor J Dilla brings to Jack McDuff's "Oblighetto" or the righteous electronic groove Jazzanova drops on Eddie Gale's "Song Of The Will", the minimalist, keys and beats drive Osunlade brings into Grant Green's "A Time To Remember". Every track sparkles! Other tracks include DJ Spinna/Donald Byrd "Lansanna's Priestess", 4 Hero/Horace Silver "Won't You Open Up Your Senses", DJ Cam & Erik Truffaz/Donald Byrd "The Emperor", Herbert/Michel Petrucciani "Caravan" and more! CD
(Mark through barcode, disc has a promo stamp.)

Partial matches35
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✨✧ Art BlakeyMeet You At The Jazz Corner Of The World Vol 1 ... LP
Blue Note, 1960. New Copy (reissue)... Temporarily Out Of Stock
Art Blakey and the Jazz Messengers, recording in the very familiar territory of the Birdland nightclub – in a format that was handled previously by the Blue Note label, but maybe never with a lineup this great! The performance features the sublime frontline trio of Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano – all players that are their youthful best, and completely on fire with creative imagination under Blakey's leadership – the start of a great run for all of them as solo stars too. The tracks are long, and even if the tunes are sometimes familiar, the performances are spectacular – that special Jazz Messengers energy that makes records like this so great. This first volume includes the tracks "The Opener", "What Know", "Round About Midnight", and "The Breeze and I". LP, Vinyl record album

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✨✧ Art BlakeyMeet You At The Jazz Corner Of The World Vol 2 ... LP
Blue Note, 1960. New Copy (reissue)... Out Of Stock
Art Blakey and the Jazz Messengers, recording in the very familiar territory of the Birdland nightclub – in a format that was handled previously by the Blue Note label, but maybe never with a lineup this great! The performance features the sublime frontline trio of Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano – all players that are their youthful best, and completely on fire with creative imagination under Blakey's leadership – the start of a great run for all of them as solo stars too. The tracks are long, and even if the tunes are sometimes familiar, the performances are spectacular – that special Jazz Messengers energy that makes records like this so great. This second volume includes the tracks "Night Watch", "The Summit", "High Modes", and "The Things I Love". LP, Vinyl record album

Partial matches37
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✨✧ JJ JohnsonDial J J 5 ... LP
Columbia, 1957. Near Mint- ... Out Of Stock
One of JJ's best from the late 50s – a tightly crackling hardbop set, recorded very much in the manner of his classic JJ Inc album! The sound here is a bit more compact overall – with some shorter tracks that really allow Johnson to display his keen sense of economy on his horn, while working in a burning mode that recalls some of his best bop sides from the early years – particularly his work on Blue Note. Bobby Jaspar's in the frontline with JJ – playing both tenor and flute – and rhythm is from a trio that features Tommy Flanagan on piano, Wilbur Little on bass, and Elvin Jones on drums. Jones' touch on the kit gives the album a nicely dancing feel throughout – and is a real reminder of his simple genius in an early setting like this. Titles include "Bird Song", "Blue Haze", "Old Devil Moon", "Tea Pot", "Barbados", "Cette Chose", and "So Sorry Please". LP, Vinyl record album
(70s Japanese pressing – with insert!)

Partial matches38
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✨✧ VariousJazz Dance Classics Vol 2 ... CD
Luv N' Haight, Early 70s. Used ... Out Of Stock
2nd volume in this great series of sweet n funky tracks from the vaults of the Fantasy/Prestige/Riverside labels. As usual, the CD contains a few bonus tracks, to make for a super long set of raw jazz funk grooves that includes "Boogaloo Joe" by Ivan Boogaloo Joe Jones, "Shortnin' Bread" by 3 Pieces, "Killing Time" by Natural Essence, "Tom Thumb" by Bobby Timmons, "Jug Eyes" by Gene Ammons, "Where I'm Coming From" by Leon Spencer, and "Friday Night Funk For Saturday Night Brothers" by Rusty Bryant". The usual great standard of grooves, and an excellent package from Ubiquity. CD
(Out of print.)
 
 
 



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