One of our top 10 dub albums of all time! This album bridges the gap between the the low-fi, down and dirty excursions of the 70's dub era, and the later high tech dub revolution brought on by On-U, Mad Professor and Jah Shaka. The rhythms here are all first rate, drawn mostly from their Chill Out LP with a few from Red, fueled by Sly and Robbie and a cast of regulars from the Island/Mango stable. Sly & Robbie also handle the production duties, and there's no shortage of fat grooves and unrelenting rhythms, then taken to the next level with deep space echo drops and 21st century sound effects and tape edits. Includes "Ion Storm", "Big Spliff", "Boof'N'Baff'N'Biff", "Puffed Out" and "Android Rebellion". This CD reissue's been newly remastered, with 3 additional dubs as bonus tracks: "Cool Off", "Destination Unknown" and "Fire & Brimstone". CD

One of the records that really helped Black Uhuru gain their crown – and become one of the strongest global groups to really carry forward the legacy of roots reggae from the 70s generation! There's plenty of message here, but also a groove that marks a slightly new generation in rhythms too – with production by Sly & Robbie, in a moment that really marked their move from a background force in Jamaican music to a duo who would define the sound of the 80s in a variety of other styles as well! That's not saying that there's any commercialization going on at all – just a fresh way of bringing the message forward – on cuts that include "World Is Africa", "Vampire", "Sinsemilla", "There Is Fire", and "Happiness". LP, Vinyl record album

Nothing too light or lovely here – given that Eddie Lockjaw Davis plays with a tremendous growl on some of the best tracks on the set! Davis is a hell of a tenorist who found his biggest recording fame in the US during the 50s and 60s – but also cut some wonderful work overseas in the following decade – timeless tracks like these that show that the Lockjaw fire was alive and well, and maybe getting even a bit more room for expression in the freedom of the European scene! The album's simple, but wonderfully powerful – longish, open tracks with lots of room for Eddie to solo in a soulful way – with additional trumpet from Harry Sweets Edison, who's also at the top of his game – and great rhythms from Gerald Wiggins on piano, Major Holley on bass, and Oliver Jackson on drums. Titles include "Jim Dawg", "Meditation", "Land Of Dreams", "Just Friends", and "The Good Life". CD

Essential wisdom, knowledge, and grooves from one of the greatest groups going! Fertile Ground may hail from Baltimore, but they've got a global impact – and are one of the few combos we can think of with a power to rival the most righteous groups of the 70s. Fertile Ground's power lies not only in their rich blend of soul, jazz, funk, and African-inspired rhythms, but in their positive, progressive lyrics – truly spiritual, and delivered without any sort of hoke or hype – just forthright ideals that seem to further emphasize a strength that's already apparent in the grooves! Vocalist Navasha Daya sounds better than ever – and the instrumentation includes some wonderful keyboards from producer/songwriter James Collins, supported by a warm brace of horns that are some of the most soulful to work on record since the glory days of Earth, Wind, & Fire! Sweetly jazz, spiritually soulful, and totally essential – the kind of record we're proud as punch to stock, and a true instant classic from this timeless group! CD has 14 tracks, including "On This Day", "Live In The Light", "Another Day", "An Artist Prayer", "Shout", "Yellow Daisies", and "Black Is". CD

A gem of a record – easily one of Herb Geller's best, and a set that definitely has the "fire" promised in the title! There's a bite to the record we really love – a quality in Geller's tone that really blows us away – and which has had us going back and re-evaluating his career after hearing this set. Part of the strength is the setting – a nicely dark vibe, typical to some of the other Jubilee jazz sessions of the time – played by a lineup that includes Kenny Dorham on trumpet, Harold Land on tenor, Lou Levy on piano, Ray Brown on bass, and Lawrence Marable on bass – an ensemble that have a fuller punch than some of Geller's other groups in the 60s. The track's are easily grooving hardbop numbers – nearly all originals, and handled with a style that's much more New York oriented than you'd expect from Geller's west coast roots. Titles include "S'Pacific View", "The Fruit", "Marable Eyes", "Melrose & Sam", and "An Air For The Heir". LP, Vinyl record album

The complete work from a short but wonderful stretch of recording – a series of sides done for the Fire/Fury record label – which match the genius talents of Lightnin Hopkins and the soulful production of Harlem's great Bobby Robinson! The mix of modes is great – and rather than go for an uptown version of Hopkins' music, Bobby seems to understand it even more than most producers – and really allow the strings of the guitar to resonate with this chromatic, almost sparkling sort of quality – sounding fantastic next to the raw growl of the man himself! The record is still as classic as can be for Lightnin – no added instrumentation or arrangements – and titles include "Coffee For Mama", "Black Mare Trot", "Glory Bee", "Shine On Moon", "Santa", and "Have You Ever Loved A Woman". CD features 18 tracks in all – the full Mojo Hand album, plus material from singles too! CD

Tremendous solo work from the great Joe McPhee – recorded alone at home during 2020, as you might guess from the title – but a set that has Joe being wonderfully expressive, in the very personal way that you'd know if you've ever seen him live in performance! McPhee mostly blows tenor, but he also speaks at points – even quoting some lines from Black Panther – and brings in some field recordings, and even makes sounds on water and a pie tin too – all with this mandate to be as fully expressive as possible, even in a situation of isolation – a beautiful testament to the artistic fire that has kept McPhee going as one of the most important improvisers in jazz over the decades! Titles include "Cuernavaca 79", "Goodbye Porky Pig Hat", "Self Portrait In Three Colors – Red, Black, & Green", "Reflection On Ida Lupino", and "Do You Still Love Me". CD

A great package of work from Shoes – one of the finest acts to come from the Illinois scene in the 70s – presented here with three full albums, and bonus tracks too! First up is their seminal Black Vinyl Shoes – an album that may well stand as the group's lasting treasure! The set's got a sharp-edged quality that still sounds pretty tremendous all these many years later – power pop, but without any commercial elements to smooth out its energy – served up with a raw, earnest quality that's neither punk nor hard rock – yet which deserved to be praised every bit as much as the best contemporary efforts in those genres too! These guys have a hell of a way with a hook, yet never hit you over the head with it either – and there's a lack of posturing that's really refreshing – a key difference between the sound of Shoes and their bigger Northern Illinois contemporaries Cheap Trick – an attitude that's different than, yet not that far off from the energy of The Replacements to come. Titles include "Capital Gain", "Boys Don't Lie", "She'll Disappear", "Fatal", "It Really Hurts", "Nowhere So Fast", and "Fire For Awhile". Bazooka is the long-lost first album from Shoes – recorded at home, and even rawer than any later releases – appearing here on vinyl for the very first time! The group are already pretty amazing at this early point – right on the money, and almost with more of a punkish vibe at points – although other tunes have them ripping out these mean guitar lines that are definitely way too ballsy for early punk. The songwriting is superb – amazing considering how young the guys were, and that the record was really just recorded for their own initial interest – and not a bigger company looking for a hit. There's also more darkness than in later years too – not everywhere, but at key points that make for a nice edge to the record. Titles include "Pinheads", "Love Took A Turn", "Rock Your One", "Along With Love", "New Meat", "I'm Brazen", "The Atlantic", "My Anisette", and "Educated". Last is One In Versailles – the debut album from Shoes – a cracker of a first record from any band, but a set that hardly made a dent at the time – given that it was only pressed in a limited run of 300 copies! That doesn't stop it from being a real moment of greatness, though – because the set sparkles with charm right from the very first note – nicely less polished than Shoes' later work, especially their major debut on Elektra – with a raspy intensity that really furthers the ideas wrapped up in the core of the tunes – and which almost comes across with the earnest yet relaxed quality of The Feelies in parts – even though this one was cut years before the emergence of that group! Titles include "One Night", "The Sun", "Banjo", "Eggroll Rock", "Do I Get So Shy", "Un Dans Versailles", "Kristine", and "Dance In Your Sleep". Comes in a box with a big booklet of notes – and 18 bonus tracks that include "Rock & Roll Freak", "My Husband's Home", "I'd Like To Take You Out Again", "Nothing Means More", "I Can Make It (demo)", "I Wanna Hide", "Okay (Bomp version)", "Tomorrow Night (Bomp version)", "Baby's Gone", "Ever Again", "Lucky Tail", "Capital Offense, "She'll Disappear (demo)", "I'll Take You Away (alt)", and "Like I Told You (second version)". CD

A nice compilation of tracks pulled from Blood & Fire's fantastic reggae reissue series. While this is the sort of collection labels put together to introduce you to their catalog, it plays really well from beginning to end – a wonderful testament to the deep digging the folks at Blood & Fire have done to bring together some sought after roots tracks, plus they've put a number of cuts otherwise unavailable to make this one worthwhile! 16 tracks: I Roy "Late Hour", Glen Brown & King tubby "World Dub: Away with the Bad", Jah Stitch "Raggamuffin Style", The Congos "La La Bam-Bam (alternate mix)", King Tubby & Santic All Stars "Shooter Dub", Phillip Fraser "You're No Good (discomix)", Congos "The Wrong Thing (alternative mix)", Prince Alla "Only Love Can Conquer", Jah Stitch "Jah Help the Dread", Scientist & Soul Syndicate "Dub Bible", King Tubby & Aggrovators "Higher Ranking", Prince All & Phillip Fraser "Black Rose", King tubby & Soul Syndicate "Great Stone", Glen Brown & King Tubby "Version 78 Style", I Roy "Superfly (extended mix)" and Prince Jammy & the Aggrovators "Drums of Africa". CD

Think The Beatles only had an impact on rock and pop fans in the America of the 60s? Think again – because their music had an undeniable impact on soul as well – as you'll here from this wonderful range of remakes of classic cuts from the Fab Four! The work here is a real surprise if you don't know the legacy – but it also really makes sense once you're reminded of the mind-expanding, ear-opening territory the group hit in the latter half of the 60s – and working with themes of social change, alienation, and personal longing – of the sort that turn out to be perfect for new interpretations in soul! Most of these cuts are way more than standard cover versions, too – as the arrangements are really inventive, and take off in bold new directions that make the songs very much new properties overall. Most of the work here is from the late 60s and early 70s – and as always with Ace Records, the notes and presentation really put the music in context! Titles include "The Fool On The Hill" by The Four Tops, "Dear Prudence" by The Five Stairsteps, "For No One" by Maceo & The King's Men, "She Came In Through The Bathroom Window" by Ike & Tina Turner, "Tomorrow Never Knows" by Junior Parker, "Got To Get You Into My Life" by Earth Wind & Fire, "Do You Want To Know A Secret" by Mary Wells, "Lovely Rita" by Fats Domino, "With A Little Help From My Friends" by The Undisputed Truth, "Savoy Truffle" by Ella Fitzgerald, and "Let It Be" by Bill Withers. CD

An amazing record from Chicago musician/artist Damon Locks – maybe the album he's been waiting his entire life to make – and the first to really bring together the mighty sum of his many talents! The material was recorded live in performance at Chicago's Garfield Park Conservatory – at an event that also included a group of singers and dancers to augment the musical performance – in a setting that gives Damon's majestic vision the proper setting it really deserves! Locks himself moves between electronics and vocal performances – in a core instrumental group that's heavy on drums and percussion from Dana Hall, clarinets from Angel Bat Dawid, and more percussion from Arif Smith – making music that's even more beautiful when the singers come into the mix, and take the energy to the sky with a very cosmic, righteous vibe. Locks has given us a glimpse of his vision in artwork, music, and writings over the years – but this time around, it feels like we're seeing the full scope at once – with more power and meaning than ever before. Titles include "Solar Power", "Rebuild A Nation", "Which I Believe It Will", "The Colors That You Bring", "The Future", "From A Spark To A Fire", "Black Monument Theme", and "Sounds Like Now". CD

A pioneering UK metal masterpiece from Venom! Venom's debut Welcome To Hell emerged from the dark lord's abyss just a year earlier, and with this nearly as blistering second album, they pretty much established their uber-influential status as occult metal forbears. Neither album penetrated the mainstream consciousness at the time, at least not in the US, but their impact was huge – influencing Metallica and Slayer and paving the way for the heaviest of the heavy metal to come – but still with one cloven hoof firmly planted in rock and roll. Includes "Black Metal", "To Hell And Back", "Buried Alive", "Raise The Dead", "Leave Me In Hell", "Sacrifice", "Heavens On Fire", "Countess Bathory" and more. CD

Think The Beatles only had an impact on rock and pop fans in the America of the 60s? Think again – because their music had an undeniable impact on soul as well – as you'll here from this wonderful range of remakes of classic cuts from the Fab Four! The work here is a real surprise if you don't know the legacy – but it also really makes sense once you're reminded of the mind-expanding, ear-opening territory the group hit in the latter half of the 60s – and working with themes of social change, alienation, and personal longing – of the sort that turn out to be perfect for new interpretations in soul! Most of these cuts are way more than standard cover versions, too – as the arrangements are really inventive, and take off in bold new directions that make the songs very much new properties overall. Most of the work here is from the late 60s and early 70s – and as always with Ace Records, the notes and presentation really put the music in context! Titles include "The Fool On The Hill" by The Four Tops, "Dear Prudence" by The Five Stairsteps, "For No One" by Maceo & The King's Men, "She Came In Through The Bathroom Window" by Ike & Tina Turner, "Tomorrow Never Knows" by Junior Parker, "Got To Get You Into My Life" by Earth Wind & Fire, "Do You Want To Know A Secret" by Mary Wells, "Lovely Rita" by Fats Domino, "With A Little Help From My Friends" by The Undisputed Truth, "Savoy Truffle" by Ella Fitzgerald, and "Let It Be" by Bill Withers. CD

A tremendous return to form for reedman Idris Ackamoor and his Pyramids group – and a record that we love every bit as much as his classic material from the 70s! There's a power, righteousness, and urgency to this album that we haven't heard from Ackamoor in years – very much the kind of material that's both a message and a medicine for the planet – of the sort that first inspired Ackamoor's generation in the 70s – and which is rarely carried off in a contemporary context this well! Idris plays tenor, but also delivers some surprisingly wonderful vocals and a few very powerful spoken parts too – and the rest of the lineup features Margaux Simmons on flute, Bobby Cobb on guitar, Ruben Ramos Medina on bass, Jack Yglesies on percussion, Sandra Poindexter on viola and violin, and Giole Pagliaccia on drums. The vibe here is like the vintage Black Fire Records label at its best – and titles include "Salvation", "Theme For Cecil", "When Will I See You Again", "Shaman", "Tango Of Love", "Dogon Mysteries", and "The Last Slave Ship". CD

An excellent funky fusion group from Chicago – and one of the best ensembles to record for the Black Jazz label! The group's made up of hip Chicago underground players – and includes Ken Chaney on electric piano, Ari Brown on saxes, and Frank Gordon on trumpet – a lineup that comes together with the same sort of righteous energy and soulful power as Windy City contemporaries like The Pharoahs or Earth Wind & Fire! On this first LP, they jam with a mix of righteous funk and spiritual soul jazz, mixing electric piano, choppy reeds, and tight horns with a powerful rhythm backing that never goes too over the top, and which stays in a good modal mode that works great for the soloists – soaringly expressive at a personal level, yet coming together with a really righteous group feel in the end. Tracks include "Jupiter", "Brand New Feeling", "Convulsions", and "Kera's Dance". CD

An excellent funky fusion group from Chicago – and one of the best ensembles to record for the Black Jazz label! The group's made up of hip Chicago underground players – and includes Ken Chaney on electric piano, Ari Brown on saxes, and Frank Gordon on trumpet – a lineup that comes together with the same sort of righteous energy and soulful power as Windy City contemporaries like The Pharoahs or Earth Wind & Fire! On this first LP, they jam with a mix of righteous funk and spiritual soul jazz, mixing electric piano, choppy reeds, and tight horns with a powerful rhythm backing that never goes too over the top, and which stays in a good modal mode that works great for the soloists – soaringly expressive at a personal level, yet coming together with a really righteous group feel in the end. Tracks include "Jupiter", "Brand New Feeling", "Convulsions", and "Kera's Dance". LP, Vinyl record album

One of the best early soul albums by Roy Ayers! Roy's working here with Dee Dee Bridgewater, Edwin Birdsong, William Allen, Harry Whitaker, and other hip players – a perfect crew to forge Roy's unique blend of jazz and soul. This is perhaps the first record to really have Roy stretching out in this mode – moving more fully away from funky jazz, into a ream of vocal tracks that would make him one of the most unique artists of the 70s. This mid 70s period of Roy's career was remarkably fertile, creatively as well as for sheer productivity – and Tears To A Smile is one of them that shows some the most artistic growth, and also a deeper sense of soul! Features righteous cuts like "2000 Black", "Ebony Blaze", "Time & Space", and "A Tear To A Smile" – plus the mellow "Magic Lady", and a great remake of Earth Wind & Fire's "That's The Way Of The World". LP, Vinyl record album

The landmark first album from The Band – a debut that set the tone for countless other records to come – and we don't just mean from the group themselves! The Band clearly establish themselves here on their own, well away from Bob Dylan territory – working with an instant sense of personality that draws on the strength of all the members of the group – Garth Hudson's imposing organ grooves, Richard Manuel's aching tenor vocals, Rick Danko's voice and distinctive bass lines, Levon Helm's behind-the-beat drumming and the country wisdom of his voice, and the guitar mastery of the young Robbie Robertson – already a trademark force in the group. Titles include "Tears Of Rage", "In A Station", "The Weight", "Long Black Veil", "Chest Fever", "Lonesome Suzie", "This Wheels On Fire", and "I Shall Be Released". CD adds 9 outtakes. CD

An amazing departure for David Bowie – hardly the kind of record you would expect from his oboe-filled tunes of a few years before – and really the start of the groundbreaking, earthshaking, reinventionist era of his genius! There's a spacious, soaring quality to Space Oddity that's every bit the kind of magical music you might hope for in a set recorded at the close of the 60s – a shift into new modes, new sounds that seem to suck up all the best influences in rock from the previous few years, but fuse it into a new cosmic vision for the next decade. And while others might stumble on cliche with the weight of such a task, Bowie pulls it off brilliantly – mixing his fuzzier feelings with some of his more personal leanings – and showcasing a newly deep sense of songwriting here that's really amazing. Some tunes have the sensitivity of work on Hunky Dory, while others burn with the fire of Man Who Sold The World – all in a balance that never sounds schizophrenic at all. Titles include"Space Oddity", "Memory Of A Free Festival", "God Knows I'm Good", "Cygnet Committee", and "Unwashed & Somewhat Slightly Dazed". LP, Vinyl record album

Killer work from the mighty Norman Connors – a set that's heavy on grooves, but which has all the jazzy depth of his early work too! The set features arrangements by some killer modern soul talents – Al Johnson, McKinley Jackson, and Paul Riser – who beautifully blend their own sweet touches with Connors' rich ideas – carried out here with some sublime vocals by Al Johnson himself, plus work from Jean Carn, Glenn Johnson, Adaritha, and The Jones Girls too! The instrumental vibe is as strong as well – with great solos from Freddie Hubbard on trumpet and Gary Bartz on alto – and the combination of all these talents alone is testament to the continuing great vision of Norman Connors – one of the few cats who could make an album like this work so well! Titles include a great version of Steely Dan's "Black Cow", plus "Melancholy Fire", "Take It To The Limit", "Justify", "You've Been On My Mind", and an excellent remake of "I Don't Need Nobody Else". CD

An early full length album from the great Arthur Crudup – and one that wasn't cut until after he'd had years on the scene, including some work that was a key inspiration for Elvis Presley and others of his generation! The set's done in a nice raw style – that grittier side of the Fire/Fury label, with a vibe that's much more southern than you'd expect from the legendary New York imprint – really just Crudup on vocals and lean electric guitar, but with a nicely skittish drummer urging things on in a great way too! Titles include "Look On Yonder Wall", "Ethel Mae", "Greyhound Bus", "Coal Black Mare", "Dig Myself A Hole", and a great version of "That's Alright". LP, Vinyl record album

That's quite an image on the cover, and Curly Castro follows through strongly with all the Afro-Futurist expectations it might trigger – not just in his words, but in the way the album comes together – as some sort of a moody, unified document – powerful words in the frontline, but all this sort of darkly shimmering static at the back! The intensity of the record never lets up, and contributions from Billy Woods, Mr Lif, Margel The Sophant, and Breeze Brewin only seem to add fuel to the fire – on tracks that include "Kill Her Priest", "Freehuey Fitteds", "Killmonger Was Right", "Khujo Taught Me", "Bleek Shadows", "F Stands For Hampton", "Black August", "Weapon 13X", and "Raynathan & Romello". LP, Vinyl record album

Nothing too light or lovely here – given that Eddie Lockjaw Davis plays with a tremendous growl on some of the best tracks on the set! Davis is a hell of a tenorist who found his biggest recording fame in the US during the 50s and 60s – but also cut some wonderful work overseas in the following decade – timeless tracks like these that show that the Lockjaw fire was alive and well, and maybe getting even a bit more room for expression in the freedom of the European scene! The album's simple, but wonderfully powerful – longish, open tracks with lots of room for Eddie to solo in a soulful way – with additional trumpet from Harry Sweets Edison, who's also at the top of his game – and great rhythms from Gerald Wiggins on piano, Major Holley on bass, and Oliver Jackson on drums. Titles include "Jim Dawg", "Meditation", "Land Of Dreams", "The Good Life", and more. LP, Vinyl record album

A great counterpart to the rare Stanton Davis Ghetto Mysticism album – and a set that was recorded right around the same time, with a number of previously unreleased tracks! The spiritual energy of that group has been well-loved by collectors for years – and enjoyed by others thanks to a recent reissue – and this sweet batch of rare cuts really augments that rare musical moment, by offering up a further set of completely cosmic grooves! The style is spacey jazz funk with some deeper elements in the mix – all recorded and arranged with an indie vibe that reminds us a lot of the classic Oneness Of Juju albums on Black Fire, but without as much vocals – just a strong focus on the sweet keyboard lines and soaring horn passages. Some tracks are brand new, others are different versions of themes from the Brighter Days album – and titles include "Delta Six/Brighter Days", "Isis Voyage", "Odwalla", "Things Can Not Stop Forever (Al Kent version)", "High Jazz (reprise – alt mix)", "Things Cannot Stop Forever (inst mix)", and "Funky Fried Tofu (alt inst version)". CD

A sweet electric rendezvous from guitarist Al Di Meola – and a record that stands in sharp contrast to some of the mellower acoustic sessions he was cutting at the time! The album's got a mix of fuzz and funk that's a bit like some of Stanley Clarke's albums for Columbia in the same stretch – never too rocking, and always with a sense of jazz firmly in place – but definitely tuned towards a new electric generation for the 80s! The other players really support that energy – and include Jan Hammer and Philippe Saisse on keyboards, Anthony Jackson on bass, and Steve Gadd on drums – and although Al plays acoustic guitar at a number of points, the overall setting is highly electric. Titles include "Cruisin", "Black Cat Shuffle", "Somalia", "Jewel Inside A Dream", "God Bird Change", "Passion Grace & Fire", and "Ritmo De La Noche". CD

A sweet electric rendezvous from guitarist Al Di Meola – and a record that stands in sharp contrast to some of the mellower acoustic sessions he was cutting at the time! The album's got a mix of fuzz and funk that's a bit like some of Stanley Clarke's albums for Columbia in the same stretch – never too rocking, and always with a sense of jazz firmly in place – but definitely tuned towards a new electric generation for the 80s! The other players really support that energy – and include Jan Hammer and Philippe Saisse on keyboards, Anthony Jackson on bass, and Steve Gadd on drums – and although Al plays acoustic guitar at a number of points, the overall setting is highly electric. Titles include "Cruisin", "Black Cat Shuffle", "Somalia", "Jewel Inside A Dream", "God Bird Change", "Passion Grace & Fire", and "Ritmo De La Noche". LP, Vinyl record album

Titles include "Hello I Love You", "Light My Fire", "Love Me Two Times", "People Are Strange", "Touch Me", "Not To Touch The Earth", "Break On Through", and "LA Woman". LP, Vinyl record album

A great debut from Elzhi – a set that really bristles with that special sort of energy that the Detroit scene was cooking up at the time of its release! Detroit always feels a bit like it's somewhere out of the mainstream – maybe a secret special musical lab where soulful talents in variety of styles can be off on their own, cooking up sounds that often don't need to answer to the coasts – and sometimes setting styles that the others would follow in later years. That all is definitely the case here – as the great Black Milk production on most of the set creates this crispy edge – alongside guest work from Guilty Simpson, Danny Brown, Royce Da 59, Aaron Abernathy, and others. Titles include "Yeah", "Transitional Joint", "Guessing Game", "The Leak", "Fire (rmx)", "Save Ya", "Demons", "What I Write", and "Hands Up". LP, Vinyl record album

A blast from The Fireballs – pulp guitar instrumentals culled from the group's work at Norman Petty's legendary Clovis Studios – unreleased numbers from The Fireballs, rare cuts credited to Guitars Inc and lead guitarist George Tomsco, plus the entire Wide World Hits LP credited to The String-A-Longs! First up is a diverse set of guitar instrumentals from The Fireballs, from surf styled wavemakers to twangier gems and straight up groovers, many almost completely unheard before. Titles include "Torquette", "Poquito", "Stormy", "Mexican Firefly", "Love Child" and more. Also includes early 60s cuts "Little Toy" and "Holiday Love" by Guitars Inc, "Lonely Fire" by George Tomsco and the late 60s exotica release on Atco, Wide World Hits – buyers probably had no idea this was an instrumentals album recorded by the pseudonymous The Fireballs! Includes the tunes "Black Grass", "More", "Silence Is Golden", "Love Is Blue", "Places I Remember", "I'll Be There", "Groovin", and "Someone Stronger". CD

Completely unreleased music from this legendary Boston group – one that features Mission Of Burma working with leader Dredd Foole, in a set of cuts that are completely incendiary all the way through! The material is mostly live, and even edgier than their studio work – and shows the sonic intensity and complexity that the Burma musicians bring to the performance – especially the organ and guitar work of Roger Miller, which really shows how much understanding of sound and power he's picked up in a few short years! The set features 10 live tracks – 9 of which were recorded at the legendary Rat Club – plus 2 more home recordings that are solo numbers – titles that include "So Tough", "Play With Fire", "Not A Beast", "Touch", "Greatest Band In Hell", "TV Eye", "Not The Same", "Behind You", and "Paint It Black". CD

Classic early work by modern tenor genius Joe Henderson – very well titled with the use of "mode", given the new sound and new direction Henderson was taking his tenor in the 60s! The album's got Joe working at the head of an all-great lineup that includes Lee Morgan on trumpet, Curtis Fuller on trombone, Cedar Walton on piano, and Bobby Hutcherson on vibes – the last of whom really brings in some tremendous moments to the record, using his instrument to create a slightly off-kilter feel that pushes the set from straight hardbop into the modern realm with traces of "new thing" tones and colors. Joe's solos are incredible – searing, searching, yet still pulsing with an undeniably soulful rhythm – and titles include the essential track "Black", plus "Caribbean Fire Dance", "Free Wheelin", and "Shade Of Jade". LP, Vinyl record album

Classic early work by modern tenor genius Joe Henderson – very well titled with the use of "mode", given the new sound and new direction Henderson was taking his tenor in the 60s! The album's got Joe working at the head of an all-great lineup that includes Lee Morgan on trumpet, Curtis Fuller on trombone, Cedar Walton on piano, and Bobby Hutcherson on vibes – the last of whom really brings in some tremendous moments to the record, using his instrument to create a slightly off-kilter feel that pushes the set from straight hardbop into the modern realm with traces of "new thing" tones and colors. Joe's solos are incredible – searing, searching, yet still pulsing with an undeniably soulful rhythm – and titles include the essential track "Black", plus "Caribbean Fire Dance", "Free Wheelin", and "Shade Of Jade". CD features two bonus tracks – alternates of "Mode For Joe" and "Black". CD

Mia Joy blends layered, dreamy atmosphere and strongly personal songwriting with such surehanded craft on Spirit Tamer, it's hard to believe it's only her first album! The vibe is the kind of softly layered, gently expansive guitar and synth atmosphere that's a bit reminiscent of classic 4AD and Creation label heroes and heroines, but in Mia's hands it's in the service of personal songwriting, which never gets lost under the airy sound or hazy mood. Such a strong debut! Includes "Spirit Tamer", "Ye Old Man", "Heaven Forbid", "Across Water", "See Us", "Saturn", "Sword (I Carry)", "Phone Home", "Candle Prayer", "Haha" and "Last Night Together (Arthur)". LP, Vinyl record album

A late 60s groover from the second Ramsey Lewis trio – the one that features Cleveland Eaton on bass and Maurice White on drums, both doing a pretty great job of filling the spot vacated by Eldee Young and Red Holt! The album's a live one, cut in the successful mode of Ramsey's records with the Young/Holt group – mostly featuring familiar numbers transformed by the Lewis Trio's hard-grooving approach to their work! It's great to hear Maurice White in a pre-Earth Wind & Fire jazz setting – and the album's got a slightly more open sound than some of Ramsey's earlier live dates – especially on the Brazilian tinged numbers that include "Mood For Mendes", "Corcovado", and "Medley From Black Orpheus". Other tracks include "Struttin Lightly", "Dancing In The Street", "You Don't Know Me", and "What Now My Love". LP, Vinyl record album

Brilliant early sounds from Jimmy Jam – rare late 70s material that has a very different sound than his slicker 80s work with Terry Lewis! The style here is a wonderful blend of sweet soul and righteous jazzy funk – a lot warmer than Jimmy's later beat-heavy style – and served up with loads of sweet keyboards alongside the soaring harmony vocals! Jimmy himself plays Fender Rhodes, clavinet, and other keys – but what we really love about the record is the vocals – these harmonies that are as fragile as New Jersey soul from the early part of the decade, but often turned towards more complicated cuts that have lots of jazzy riffing in the rhythms! The work's never been issued before, and is one of the greatest discoveries we've heard so far from the Numero Group – that's really saying a lot, given all their other releases. The vibe is almost like the Moments or Whatnauts recording for Black Jazz records – and titles include "I Don't Know Why", "My Love Is Like A Fire", "The Wonder Of It All", "No One Else Can Do It To Me Baby", "Virgin Lady", and "When You're Touching Me". CD

Brilliant early sounds from Jimmy Jam – rare late 70s material that has a very different sound than his slicker 80s work with Terry Lewis! The style here is a wonderful blend of sweet soul and righteous jazzy funk – a lot warmer than Jimmy's later beat-heavy style – and served up with loads of sweet keyboards alongside the soaring harmony vocals! Jimmy himself plays Fender Rhodes, clavinet, and other keys – but what we really love about the record is the vocals – these harmonies that are as fragile as New Jersey soul from the early part of the decade, but often turned towards more complicated cuts that have lots of jazzy riffing in the rhythms! The work's never been issued before, and is one of the greatest discoveries we've heard so far from the Numero Group – that's really saying a lot, given all their other releases. The vibe is almost like the Moments or Whatnauts recording for Black Jazz records – and titles include "I Don't Know Why", "My Love Is Like A Fire", "The Wonder Of It All", "No One Else Can Do It To Me Baby", "Virgin Lady", and "When You're Touching Me". LP, Vinyl record album

Brilliant early sounds from Jimmy Jam – rare late 70s material that has a very different sound than his slicker 80s work with Terry Lewis! The style here is a wonderful blend of sweet soul and righteous jazzy funk – a lot warmer than Jimmy's later beat-heavy style – and served up with loads of sweet keyboards alongside the soaring harmony vocals! Jimmy himself plays Fender Rhodes, clavinet, and other keys – but what we really love about the record is the vocals – these harmonies that are as fragile as New Jersey soul from the early part of the decade, but often turned towards more complicated cuts that have lots of jazzy riffing in the rhythms! The work's never been issued before, and is one of the greatest discoveries we've heard so far from the Numero Group – that's really saying a lot, given all their other releases. The vibe is almost like the Moments or Whatnauts recording for Black Jazz records – and titles include "I Don't Know Why", "My Love Is Like A Fire", "The Wonder Of It All", "No One Else Can Do It To Me Baby", "Virgin Lady", and "When You're Touching Me". LP, Vinyl record album

Bud's second LP for Blue Note – a firey batch of trio tracks that feature George Duvivier on bass and Art Taylor on drums – some of Powell's best work from the time, and a nearly all-classic set of bop piano tracks! The album's nothing fancy on the outset, but Powell and the trio really make magic happen on the best of moments – lighting fire underneath old standards, while also unveiling some hip new originals that are really worth the price of the set. Titles include "I've Got You Under My Skin", "Sure Thing", "Reets & I", "Glass Enclosure", and "Collard Greens & Black Eyed Peas", "Audrey", and "Autumn In New York". CD

Bud's second LP for Blue Note – a firey batch of trio tracks that feature George Duvivier on bass and Art Taylor on drums – some of Powell's best work from the time, and a nearly all-classic set of bop piano tracks! The album's nothing fancy on the outset, but Powell and the trio really make magic happen on the best of moments – lighting fire underneath old standards, while also unveiling some hip new originals that are really worth the price of the set. Titles include "I've Got You Under My Skin", "Sure Thing", "Reets & I", "Glass Enclosure", and "Collard Greens & Black Eyed Peas", "Audrey", and "Autumn In New York". LP, Vinyl record album

A legendary greatest hits collection from the Rolling Stones – one that was so popular back in the day, it was maybe the one Rolling Stones album that everyone had in their collection! The package was a great way for folks to go back and catch up after digging in deep on Exile On Main Street and Let It Bleed – and the set has work from the earliest years of The Stones all the way up to those classics – a killer set list that includes "Get Off Of My Cloud", "Gimme Shelter", "Brown Sugar", "Wild Horses", "Honky Tonk Women", "Sympathy For The Devil", "Satisfaction", "Ruby Tuesday", "Play With Fire", "Paint It Black", "Jumpin Jack Flash", "Street Fighting Man", "Midnight Rambler (live)", "You Can't Always Get What You Want", "Time Is On My Side", "Heart Of Stone", "19th Nervous Breakdown", "Let's Spend The Night Together", and "Mother's Little Helper". LP, Vinyl record album

An album that some thought might mark the final years of The Rolling Stones – as it came out as Mick Jagger was reaching 40 – but one that instead marked a great rebirth of the group and its sound, and set a whole new standard for the group for years to come! The opening lick of the first track, "Start Me Up", has become one of The Stones trademark sonic fingerprints – and the whole thing keeps on moving strong, through titles that include "Hang Fire", "Slave", "Black Limousine", "Worried About You", "Waiting On A Friend", "No Use In Crying", "Tops", and "Little T & A". LP, Vinyl record album

The great Ronnie Self is one of the early unsung heroes of rock and roll – a very dynamic performer, maybe even more so than the young Elvis Presley on stage – and one who had a way of serving up rockabilly numbers that were rawer than just about anyone else! Ronnie's known for a few key cuts from the late 50s – but as this huge set will attest, the fire in his music never died down – as he cut great tracks for a variety of different labels, and even did excellent work in later years too – music that was always as strong and sharly-crafted as the few singles that made him a legend at the start! The 33 track spans material for a number of different labels, and even features some tracks never issued during the time of Self's too-short life – titles that include "The Boss's Daughter", "Big Fool", "Bless My Broken Heart", "Black Night Blues", "Ugly Stick", "Get Out Of My Life", "Instant Man", "Petrified", "My Own Kick Going", "Houdini", "About Cured", "Bless My Broken Heart", and his classic "Ain't I'm A Dog". CD

Maybe the first-ever album to be issued under the name of the great Charles Stepney – even though the artist/musician/producer/songwriter had a huge role in the careers of Chicago contemporaries like Minnie Riperton, Ramsey Lewis, and Earth Wind & Fire! This set brings together recordings that Stepney made on his own, often in his home studio – many of which are songs that never saw the light of day on some of his bigger-name projects, next to others that feature melodies you might recognize, but done in these sweet jazzy instrumentals that are totally great! Most of the set features Charles on a variety of keyboards Rhodes, piano, and even some cool moogy bits – plus some vibes from time to time – often set to spare early electric drum machine rhythms – in a style that makes you feel like you've stumbled upon Timmy Thomas doing an all instrumental jam session in the early 70s. Given that Stepney first got his start as a jazz musician – playing piano and vibes on some great early 60s sessions – the keyboard work is superb, and the record stands as a completely different testament to his genius – with titles that include "Funky Sci Fi", "Gotta Dig It To Dig It", "Daddy's Diddies", "Rubie Charles", "Notes From Dad", "Black Bold", "Gimme Some Sugar", "No Credit For This", "Imagination", "Look B4U Leap", "Mini Mugg", "Denim Groove", and "That's The Way Of The World". CD

A fantastic underground gem from Bunny Wailer – one of the rare albums issued on his heady Solomonic label – an imprint that featured some of his most righteous material on record! As you'd guess from the title and the somewhat unprepossessing cover, the style here is heavily dubby – and includes material from the Black Heart Man album, plus other singles, all mixed up nicely by Bunny to some completely head-nodding rhythms! There's almost a sense of magik flowing through the mix – as Bunny crafts sonic spells on titles that include "Roots Raddics", "Battering Down", "Armadedon", "Fig Tree", "Dream Land", "Love Fire", and "Rasta Man". LP, Vinyl record album

A weird and wild little record – and one that came as quite a surprise to folks who'd previously known Link Wray as the king of the raunchy guitar instrumental in the 60s! Here, Link sings as well as plays – working in his legendary Three Track Shack, which was located in Maryland, but has a vibe that feels like it came right out of the Louisiana swamps! The style of the music follows suit – almost as if Link saw folks like Tony Joe White, Bobby Charles, and some of their contemporaries – and tried to find his unique take on the raunchy blend of roots rock, country, and maybe some occasional funky currents. Polydor cleaned the album up a bit for release – but no too much – and titles include "Juke Box Mama", "Rise & Fall Of Jimmy Stokes", "La De Da", "Black River Swamp", "Tail Dragger", "Ice People", and "Fire & Brimstone". LP, Vinyl record album

Spiritual sounds from the source – a host of incredible tracks from a time when jazz was really opening up into new dimensions – as players stepped forward in a wave of strong post-Coltrane energy to really push the music into the skies! The music here can be seen as a blueprint for generations to come – styles that are now getting new fame in the hands of Kamasi Washington and some of his contemporaries, but which flowered first in recordings like these – pulled from the early 70s vaults of Prestige, Milestone, and Muse Records – and brought together here in a really wonderful collection! Tracks are all nice and long, and the set showcases an older generation of jazz musicians really flowering at the time – balanced perfectly between a sense of freedom and a spiritual soul – on titles that include "Celestial Blues" by Gary Bartz NTU Troop, "Let Us Go To Higher Heights" by Carlos Garnett, "The Almoravid" by Joe Chambers, "Brown Eyes" by Charles Earland, "Warriors Of Peace" by Azar Lawrence, "Aftermath" by Oliver Nelson, "Josie Black" by Hampton Hawes, "Let It Take Your Mind" by Bayete Umbra Zindiko, "Fire" by Joe Henderson and Alice Coltrane, and "The Free Slave" by Roy Brooks. CD

Spiritual sounds from the source – a host of incredible tracks from a time when jazz was really opening up into new dimensions – as players stepped forward in a wave of strong post-Coltrane energy to really push the music into the skies! The music here can be seen as a blueprint for generations to come – styles that are now getting new fame in the hands of Kamasi Washington and some of his contemporaries, but which flowered first in recordings like these – pulled from the early 70s vaults of Prestige, Milestone, and Muse Records – and brought together here in a really wonderful collection! Tracks are all nice and long, and the set showcases an older generation of jazz musicians really flowering at the time – balanced perfectly between a sense of freedom and a spiritual soul – on titles that include "Celestial Blues" by Gary Bartz NTU Troop, "Let Us Go To Higher Heights" by Carlos Garnett, "The Almoravid" by Joe Chambers, "Brown Eyes" by Charles Earland, "Warriors Of Peace" by Azar Lawrence, "Aftermath" by Oliver Nelson, "Josie Black" by Hampton Hawes, "Let It Take Your Mind" by Bayete Umbra Zindiko, "Fire" by Joe Henderson and Alice Coltrane, and "The Free Slave" by Roy Brooks. LP, Vinyl record album

A stone classic from pianist Monty Alexander – a live date recorded for MPS in the mid 70s, and a set with even more fire than his studio sides for the label! The sound here is quite freewheeling at times – not funky, but in a very romping, gutbuckety mode that marks Alexander as a clear heir to Oscar Peterson in such a setting – but one who's also possibly bringing a bit more groove to the table! Rhythm is from John Clayton on bass and Jeff Hamilton on drums – who are perfect accompanists for Monty's nicely rolling style on the keys! Titles include "Drown In My Own Tears", "Feelings", "Work Song", "Nite Mist Blues", and "Satin Doll". LP, Vinyl record album

Tenorist Fred Anderson made some fantastic albums for the Okka Disk label during the later years of his life – and this wonderful set has the legend making tremendous new fire with the label's excellent DKV Trio! Given that the group already features Ken Vandermark on saxes, the pairing of Anderson and Ken is a heck of a match – driven on strongly here by the bassist Kent Kessler, who's at the height of his powers during these years – and drummer Hamid Drake, whose range is maybe even more bold here than usual. Titles include "Planet E", "Lady's In Love", "Aaron's Tune", "Black Woman", "Our Theme", and "Dark Day". CD

The landmark first album from The Band – a debut that set the tone for countless other records to come – and we don't just mean from the group themselves! The Band clearly establish themselves here on their own, well away from Bob Dylan territory – working with an instant sense of personality that draws on the strength of all the members of the group – Garth Hudson's imposing organ grooves, Richard Manuel's aching tenor vocals, Rick Danko's voice and distinctive bass lines, Levon Helm's behind-the-beat drumming and the country wisdom of his voice, and the guitar mastery of the young Robbie Robertson – already a trademark force in the group. Titles include "Tears Of Rage", "In A Station", "The Weight", "Long Black Veil", "Chest Fever", "Lonesome Suzie", "This Wheels On Fire", and "I Shall Be Released". LP, Vinyl record album

Killer work from the mighty Norman Connors – a set that's heavy on grooves, but which has all the jazzy depth of his early work too! The set features arrangements by some killer modern soul talents – Al Johnson, McKinley Jackson, and Paul Riser – who beautifully blend their own sweet touches with Connors' rich ideas – carried out here with some sublime vocals by Al Johnson himself, plus work from Jean Carn, Glenn Johnson, Adaritha, and The Jones Girls too! The instrumental vibe is as strong as well – with great solos from Freddie Hubbard on trumpet and Gary Bartz on alto – and the combination of all these talents alone is testament to the continuing great vision of Norman Connors – one of the few cats who could make an album like this work so well! Titles include a great version of Steely Dan's "Black Cow", plus "Melancholy Fire", "Take It To The Limit", "Justify", "You've Been On My Mind", and an excellent remake of "I Don't Need Nobody Else". LP, Vinyl record album

Righteous soul, and the only record ever cut by East Coast – a group led by Larry Blackmon of later Cameo fame – and featuring vocals from a young Gwen Guthrie – heard here for the first time on LP, long before her later hits! The style is very hip – a mixture of funk and progressive grooving, all held together with a sound that's young, proud, and which moves easily between influences from a number of different camps. In a way, the group's almost a cross between early Earth Wind & Fire and The Voices Of East Harlem – with a style that's got some nicely soulful jazz elements, but served up with a dose of sweeter soul. Gregory Johnson plays some great keyboards on the set, and titles include "I've Got To Reclaim You", "Something Deep Inside", "Any Thing You Have In Mind", "Miss Gigi", "Keep On Trying", "I Found You", and "You Can't Let It Get You Down". LP, Vinyl record album

Overlooked genius from Hampton Hawes – one of a number of excellent albums made during a late 60s stint on the European scene – and a set that really has Hamp pushing forward from his previous albums in the US! The tracks are wonderfully fluid – set fire with that Hawes style that was already magical at the start, but which really seemed to find a new sort of energy overseas – possibly here because of the excellent rhythms from Jimmy Woode on bass and Art Taylor on drums – also two players who were really coming into their own at the time. Hampton's got this great blend of lyricism and soulful swing – one that feels a bit like some of the MPS projects that Woode was recording at the time with other players, and which makes the album a real treasure in Hawes' catalog. Every cut save one is an original – and titles include "Sonora", "Blues Enough", "Black Forest", "Spanish Steps", and "Dangerous". CD features 5 bonus tracks – including "Blues For Bud", "Children's Play", "They Say It's Wonderful", and alternate takes of "Black Forest" and "Spanish Steps". CD

Funky fusion doesn't get any funkier than this – and the album's one of the greatest 70s recordings by jazz funk trumpeter Eddie Henderson! The album's got a harder edge than a lot of Eddie's other records of the decade – razor sharp rhythms crackling away underneath a sublime space-heavy mix of keyboards, bass, saxes, and Eddie's funky trumpet. The group includes work by Bennie Maupin on reeds, George Duke on keyboards, Julian Priester on trombone, and Harvey Mason on drums – and the great Skip Drinkwater is at the production chair, cutting the grooves here with a lot more fire than in some of his later work! The whole thing's great – and titles include "Involuntary Bliss", "Galaxy", "Kumquat Kids", and "Explodition". LP, Vinyl record album

Classic early work by modern tenor genius Joe Henderson – very well titled with the use of "mode", given the new sound and new direction Henderson was taking his tenor in the 60s! The album's got Joe working at the head of an all-great lineup that includes Lee Morgan on trumpet, Curtis Fuller on trombone, Cedar Walton on piano, and Bobby Hutcherson on vibes – the last of whom really brings in some tremendous moments to the record, using his instrument to create a slightly off-kilter feel that pushes the set from straight hardbop into the modern realm with traces of "new thing" tones and colors. Joe's solos are incredible – searing, searching, yet still pulsing with an undeniably soulful rhythm – and titles include the essential track "Black", plus "Caribbean Fire Dance", "Free Wheelin", and "Shade Of Jade". CD features a bonus alternate take of "Black". CD

The stunning debut of May Blitz – one of those hard rock trios who emerged from the British scene at the start of the 70s, delivered some fantastic music for just a short moment, then left us in the lurch! The group features Tony Newman on drums and percussion, Reid Hudson on bass, and James Black on guitar and vocals – all very simple elements, but taken by the group to a place of power that's all their own! The bass does wonders for the sound – drawing plenty of inspiration from blues rock of a few years before, but nudging things into much darker territory – clearly followed by Black on his guitar and vocals. Titles include "Smoking The Day Away", "Dreaming", "Squeet", "Fire Queen", and "Virgin Waters". CD

Great early album by this tight young Latin group! Most of the stuff is fairly straight Latin, but it's played with a lot of fire, and produced with a good hard sound. There's also a killer track called "Black Shadow" that's mostly instrumental, and which moves along at a slow Latin soul groove, then breaks into some English lyrics about the "black shadow" at the end. Other cuts include "Ye Me Ya", "La Jara", "Te Traigo", and "Cuba". LP, Vinyl record album

An album that some thought might mark the final years of The Rolling Stones – as it came out as Mick Jagger was reaching 40 – but one that instead marked a great rebirth of the group and its sound, and set a whole new standard for the group for years to come! The opening lick of the first track, "Start Me Up", has become one of The Stones trademark sonic fingerprints – and the whole thing keeps on moving strong, through titles that include "Hang Fire", "Slave", "Black Limousine", "Worried About You", "Waiting On A Friend", "No Use In Crying", "Tops", and "Little T & A". CD

Righteous jazz, but with a bit of a funky twist too – a great selection of classics from the years when 60s soul jazz was reaching out with a new sense of pride and power, and finding a way embrace all of the musical changes that were coming its way! The music here is often by artists who might have been playing straighter standards, or bluesy organ numbers a few years before – but who here are set fire by the changes of the 60s – both at a musical level, and a political one – the latter in ways that resonate strongly even in the instrumental passages on the set! The title is a reference to a famous quote by Eldridge Cleaver, used often by The Black Panthers – and the set begins with Joe Henderson's number of the same name, "If You're Not Part Of The Solution You're Part Of The Problem" – and follows with "Let's Make Peace & Stop The War" by Funk Inc, "Bitches Brew" by Eddie Jefferson, "HNIC" by Harold Vick, "Tawhid" by Johnny Lytle, "John Coltrane" by Clifford Jordan, "Celestial Bodies" by Catalyst, "Warriors Of Peace" by Azar Lawrence, "Africans Unite" by Gary Bartz NTU Troop, and "Black Feeling" by Johnny Hammond Smith. All tracks are nice and long – and the set has a great mix of spiritual ideals with a few funky currents. CD

Maybe not the first album from the legendary Band – but a record in which the group get everything completely right all the way through – and sparkle with that special sound that continues to influence generations of music makers, and music lovers! All the great elements the group were bringing to their work with Bob Dylan are in place here – but the focus is completely different, with this warm glow that really fits the vocals of Levon Helm, and a sense of unified vision that makes it really hard to even come up with a match for the energy of the group on this album. The great John Simon adds a few special touches to the overall sound – and titles include "Rockin Chair", "Across The Great Divide", "When You Awake", "Up On Cripple Creek", "The Night They Drove Old Dixie Down", "Look Out Cleveland", and "King Harvest". 2CD 50th anniversary edition features lots of bonus tracks – including 13 more early, alternate, and instrumental versions of tracks on the album – and a bonus 11 track Live At Woodstock 1969 set, with original rough mixes of tunes that include "I Shall Be Released", "This Wheel's On Fire", "Long Black Veil", "Ain't No More Cane On The Brazos", "Tears Of Rage", "Chest Fever", and "We Can Talk". CD

A wild, far reaching psychedelic rock kaleidoscope from Arthur Brown and his Crazy World! The sounds range from wailing organs and heavy drum backed bigness, to more of a tightly grooving r&b garage influenced trip as the core backdrop – with vocals ranging from falsetto freakouts to rambling speak singing craziness and bursts of brass. Nothing's predictable from one passage to the next, but the group sets a heady groove before it all gets freaky, and they find it again before insanity sets in. Titles include "Prelude-Nightmare", "Fire", "Come & Buy", "Spontaneous Apple Creation", "Child Of My Kingdom", "I Put A Spell On You" and more. LP, Vinyl record album

A late 60s classic from Canned Heat – a record that captures the group during that moment when their unique blend of styles was really on fire! There's a grittier, almost noisier vibe going on here at times – fuzz turned up a bit more than before, and maybe a bit more attitude – as if the group were getting spurred on by some of the societal changes at the end of the 60s, and shaken out of any reveries of the past! The set's filled with very heady tunes – titles that include "I'm Her Man", "Sic Em Pigs", "Do Not Enter", "Big Fat", "Huautla", "Get Off My Back", and "Down In The Gutter But Free". LP, Vinyl record album

A great counterpart to the rare Stanton Davis Ghetto Mysticism album – and a set that was recorded right around the same time, with a number of previously unreleased tracks! The spiritual energy of that group has been well-loved by collectors for years – and enjoyed by others thanks to a recent reissue – and this sweet batch of rare cuts really augments that rare musical moment, by offering up a further set of completely cosmic grooves! The style is spacey jazz funk with some deeper elements in the mix – all recorded and arranged with an indie vibe that reminds us a lot of the classic Oneness Of Juju albums on Black Fire, but without as much vocals – just a strong focus on the sweet keyboard lines and soaring horn passages. Some tracks are brand new, others are different versions of themes from the Brighter Days album – and titles include "Delta Six/Brighter Days", "Isis Voyage", "Odwalla", "Things Can Not Stop Forever (Al Kent version)", "High Jazz (reprise – alt mix)", "Things Cannot Stop Forever (inst mix)", and "Funky Fried Tofu (alt inst version)". CD

Classic early work by modern tenor genius Joe Henderson – very well titled with the use of "mode", given the new sound and new direction Henderson was taking his tenor in the 60s! The album's got Joe working at the head of an all-great lineup that includes Lee Morgan on trumpet, Curtis Fuller on trombone, Cedar Walton on piano, and Bobby Hutcherson on vibes – the last of whom really brings in some tremendous moments to the record, using his instrument to create a slightly off-kilter feel that pushes the set from straight hardbop into the modern realm with traces of "new thing" tones and colors. Joe's solos are incredible – searing, searching, yet still pulsing with an undeniably soulful rhythm – and titles include the essential track "Black", plus "Caribbean Fire Dance", "Free Wheelin", and "Shade Of Jade". LP, Vinyl record album

A tightly woven batch of jazzy soul tracks – the usual from Bluey and Incognito, classier than most soul you'll find on the market today, and with a depth that gives the work a distinctly classic sound! Titles include "Dark Side of The Cog", "Out Of The Storm", "Living Against The River", "She Wears Black", "Solar Fire", "Labor Of Love", "Hold On To Me", and "Without You". CD

A stone Motown classic – and a tune that really set the 60s "go go" soul groove on fire! But even better is the sweet b-side – the majestic "Choosey Beggar", a great ballad track with incredible lead vocals from Smokey! 7-inch, Vinyl record

The first Thelonious Monk album for Columbia Records – and one of the best, as well – a beautiful illustration of the way that his shift in labels really set some new fire to his music in the early 60s! The group is Monk's sharp-edged quartet with the amazing Charlie Rouse on tenor, John Ore on bass, and Frankie Dunlop on drums – a group that's beautifully understated, but able to do incredible things in the company of the pianist – hanging back to let Thelonious take center stage one minute, then swinging hard together the next. The set includes great renditions of Monk classics that really illustrate his new energy at Columbia – and titles include "Bolivar Blues", "Bye-Ya", and "Monk's Dream" – plus great remakes of "Body & Soul" and "Just A Gigolo". LP, Vinyl record album

Bold, beautiful piano work from the mighty Tete Montoliu – working here at the height of his powers, in a killer trio with Niels Henning Orsted Pedersen on bass and Albert Tootie Heath on drums! The record soars right from the start – thanks to a sublime reading of "Giant Steps" that brings in all the sheets of sound that Coltrane intended for the tune, but also a freewheeling, highly punctuated groove that really sets fire to the piano! Other tunes are equally important jazz standards – like "Body & Soul", "Solar", and "Hot House" – all handled with Tete's amazing approach to the keys. LP, Vinyl record album

A wonderfully focused record from drummer Charles Bobo Shaw – a set that shows the new fire his music had gained in the latter part of the 70s! The lineup still strongly shows Shaw's roots – a creative combo that features Joseph Bowie on trombone, Luther Thomas on alto sax, James Emery on guitar, and John Lindberg on bass – and there's a nice sense of swing amidst the freedom, a rhythmic pulse that comes especially strongly from the bass and drums, and which reminds us of some of Thomas' best moments in this mode. The set's a great example of the way that 70s groups like this could work with a great sense of freedom, but still keep things grooving too – and titles are mostly Shaw originals, with tracks that include "Beyond The New Horizon", "Night Dreamer", "Brown Rock City", "Skiwee", "Junk Trap", "Electric Two", and "Sequence". CD

Sublime early work from Robert Wyatt and crew – a psychedelic accented jazz rock classic that never gets old – and a visionary set that inspired a generation! The heavily fuzzy guitar sound is transcendent on Volume Two – with sudden jazzy changes, augmented by horns, and all done with a sly sense of humour for which the group doesn't get enough credit. The set's broken up into two different "concept" halves – and side one is "Rivmic Melodies" – and includes "Pataphysical Introduction", "A Concise British Alphabet", "Dada Was Here", and "Out Of Tunes". Side two is "Esther's Nose Job" – with the parts "Pig", "Fire Engine Passing With Bells Clanging", "Orange Skin Food", and "A Door Opens & Closes". Wyatt's on vocals and drums; Hugh Hopper is on bass, guitar, and alto; and Mike Ratledge plays some great Lowry and Hammond organ, plus a bit of harpsichord and flute! LP, Vinyl record album