A Basie tribute, but a really smoking one – thanks to some hard swinging arrangements from Manny Albam, and plenty of heavy Hammond from the great Jimmy McGriff! The tracks are mostly numbers from the Count Basie songbook of the 50s and 60s, but they're strongly reworked here with a swinging 60s vibe – played with lots of strong horn work in the background, all used as a perfect foil for Jimmy's leaner organ solos over the top! The style's quite similar to other big band organ work of the time – particularly records made by Jimmy Smith in collaboration with Oliver Nelson, or Jack McDuff with Benny Golson – and McGriff's organ comes through nice and clean in the mix, with that sharply fluttering sound that really made him one of the true standouts of the 60s. Titles include "Hob Nail Boogie", "Cute", "Every Day", "Blues Go Away", and "Slow But Sure". CD

One of the coolest records in the 60s surf/hotrod/motorcycle years of instrumental sets – an album that's partly sound effects from races, and partly instrumental music! There's no credits as to the players, but we're guessing it's the cream of the crop of LA studio musicians, of the sort who usually worked for Liberty! LP, Vinyl record album

A pretty amazing survey of the Cali art scene of the late 70s – served up here in a book that's half essay, half images – with work from dozens of important artists who include Edward Ruscha, Jim Melchert, Charles Gaines, Joe Goode, Patrick Hogan, The Kipper Kids, Hal Fischer, Judy Chicago, Robert Arneson, Peter D'Agostino, Karen Carson, Robert E Brown, Tony Berland, Terry Fox, Gary Panter, Raymond Pettibon, and even the folks at Survival Research Laboratories! The book offers up large, full-color images of dozens of important art works – and the writing does a great job of contextualizing the material – as part of an exhibition put together by the Museum Of Contemporary Art in Los Angeles. 312 pages, hardcover, and super-heavy! Book

Blazing 60s & 70s string-shredding mastery from Japan's great guitar instrumentals guru Takeshi Terauchi – whose playing matches the greatest 50s & 60s rock guitar gurus in both dexterous ability and pulpy mood setting! Takeshi put his own unique spin on the chugging styles of the period – hard-charging twang, surf and beat in the 60s, and distorted spacey and funky rock later on in the 70s – all of it pretty amazing! Includes "Ganroku Hanami Odori", "Rising Stars", "Sado Okesa", "The Clamour Of The Sun", "South Pier" and "Summer Boogaloo" by Takeshi Terauchi & The Bunnys, plus "Hoshi Eno Tabeji (Journey To The Stars", "Sa No Sa", "Touryanse", "Nambuzaka Yuki No Wakare", "Tsugaru Eleki Bushi" and many more by Takeshi Terauchi & Blue Jeans. 25 tracks on the CDversion. CD

A great set of 50s recordings by gritty rhythm & blues singer Big Mama Thornton – whose most famous for grittier shouters – but there's some surprisingly easygoing numbers here, too! Her famous "Hound Dog" opens this set, and sets the pace strongly – for a batch of tunes that nicely feature big, forceful voice – with some great, top shelf 50s R&B with heavy horns, raw drums and unshakable rhythm – along with some straighter blues numbers that point the way towards Mama's work in the 60s. Other numbers include "I Smell A Rat", "They Call Me Big Mama", "Nightmare", Walking Blues", "Hard Times", "The Big Change", "The Fish", "I've Searched The Whole World Over", "Stop A-Hoppin' On Me", "Now Come", "Nightmare", "My Man Called Me" and more. CD

Blues recorded in St Louis, but with a sound that's much more rural overall – maybe no surprise, given the countless travel by Big Joe Williams on the highways of the south! The setting is lean enough to be recorded out in the field – Big Joe on these wonderfully expressive vocals and his unique nine string guitar – with support from Ransom Knowling on bass, but at a level that really just helps the tunes get this subtle groove – really letting be the shining star up front! In keeping with the title of the record, many of the tunes have themes of travel in the south – titles that include "Overhaul Your Machine", "45 Blues", "Arkansas Woman", "Four Corners Of The World", "Down In The Bottom", and "Blues Left Texas". CD

A definite set of crown jewels from the Big Crown label – especially as most of these gems were only ever around as funky 45s – some now gone forever, and all compiled on this nicely-priced full length set! The package shows the real evolution of Big Crown in recent years – as they have moved from just the funk and soul of their roots into a range of other styles too – including a bit of garage, Latin Soul, and other modes too! Titles here reflect that change in a great way – and titles include "Veolodrome" by Surprise Chef, "The Otherside" by Bobby Oroza, "Grateful" by El Michels Affair & Black Thought, "Joy & Pain (Pete Rock rmx)" by Lady Wray, "So Low" by Synthia, "The Healer" by Bacao Rhythm & Steel Band, "Ain't That The Way" by Holy Hive, "Trip To Japan" by The Shacks, "Awkward (take 2)" by El Michels Affair meets Liam bailey, "Beri Cinta Waktu" by Thee Marloes, and "Love & Flowers" by Les Imprimes. LP, Vinyl record album

A very cool package – one that's shaped like a 7" single, includes a big booklet of notes, and serves up 70 killer tracks from the 70s! The collection was put together in the UK, and has a nicely different take on the decade than American compilations – as it already does a good of featuring titles that are more obscure than big chart hits at the time, even though they are by bigger names in rock – and also comes at things from a perspective that's a very fresh change from the way US label might put together the tracks – showing that even in the mainstream, there's still plenty of great music to discover in the 70s! The collection is way more than guilty pleasures – and there's no guilt at all about the sense of wonder and discover you'll experience – as you make your way through tracks from Pilot, Alessi Brothers, Jim Gilstrap, Starbuck, Cory Wells, Denne & Gold, Browning Bryant, Clout, Doctor Father, Pickettywitch, Dollar, Frankie Valli, Gerry Rafferty, Roger Voudouris, Rupert Holmes, Liverpool Express, Lynsey De Paul, Brian Protheroe, Andrew Fairweather Low, David Essex, and others – many of whom are presented here by tracks that are less familiar than their bigger hits. CD

An obscure session for Big Maybelle, but a great one too – a record that has her moving past the melancholy blues of her earlier work, into a lively gospel-based mode that's surprisingly great for her voice! The sound is quite upbeat and joyous – in a style that really has Maybelle's voice soaring to the skies – supported by arrangements from Alan Lorber and John Jacobs that are a bit like some of the backings Jackie Wilson received at Brunswick, including some additional chorus support. Tunes are a mix of gospel standards and a few secular tracks as well – and titles include "Nobody Knows The Trouble I've Seen", "Do Lord", "Dry Bones", "Down By The Riverside", and "Swing Low Sweet Chariot". LP, Vinyl record album

The amazing first album from Big Star – a set that came out of nowhere, made hardly a ripple on the charts, yet went onto crash in big waves of sound for generations to come! The style here is unlike thing else before – hardly what you'd expect from the group's Memphis roots or Alex Chilton's previous performances – yet the group's music has become a generation-defining sound in the way it blends southern inflections with harder rock influences, and a lean, gritty quality that's arguably in a late 70s space between punk and power pop. Every element is wonderful – guitars that are powerful, but never indulgent – vocals that are moving, but never overly emotive – and a balance between sensitive and searing moments that even The Replacements could never hope to match. A landmark all the way through – with tracks that include "Feel", "Ballad Of El Goodo", "In The Street", "The India Song", "When My Baby's Beside Me", "Give Me Another Chance", "Don't Lie To Me", "Thirteen", "Watch The Sunrise", and "Try Again". LP, Vinyl record album

A great example of why the Swingville label was such a great idea – a perfect setting for older players to have a chance to relax in the studio and really do their thing – hitting the sort of notes they might reach in a late-nite set at a club, without all the pressures to try for a crossover hit or short takes on overdone standards! The tracks here are all quite long – surpassing even Verve material of this nature – and Carter plays both alto and trumpet, Webster his classic tenor, and Bigard clarinet – in a group that also includes Shorty Sherock on trumpet, Jimmy Rowles on piano, and Dave Barbour on guitar. Rhythm's from Leroy Vinnegar on bass and Mel Lewis on drums – so that part of the equation is rock-solid too – and titles include "Opening Blues", "Lula", "When Lights Are Low", and "You Can't Tell The Difference When The Sun Goes Down Blues". LP, Vinyl record album

Great early work from the enigmatic Wayne Cochran – a whiter-than-white cat who's most famous for his late 60s run of surprisingly great funk and soul records for Chess and King – heard here on the complete tracks recorded for a variety of different labels in the runup to those years! Some of these tracks have Cochran coming across with more of the rockabilly style you'd expect from his famous coiffure – but there's also plenty of early strands of soul music too – served up in that special blend that always made Wayne Cochran such a popular live act on a variety of different stages throughout the south! The package does great justice to these early years of Cochran – complete with a huge illustrated booklet of notes and details on the singles – material originally issued on labels that include Gala, Confederate, Bethlehem, and Scottie – plus key material recorded for King and Mercury as well. The 2CD package features 42 tracks in all - and titles include "No Return", "Liza Jane", "Think", "You Left The Water Running", "The Coo", "Harlem Shuffle", "Last Kiss", "Little Orphan Annie", "Dreams", "Linda Lu", "Cindy Marie", "Funny Feeling", "Money", "Lights Out", "A-Ok", "Get Down With It", "Somebody Please", and "To Make Me A Man". CD

In 1994 when everyone seemed to be turning hardcore, Common Sense wasn't having it – and gave the world this superb second album that formed a key part of his soon-to-be huge legacy! The album's very near and dear to our Chicago-born hearts – and is filled with introspective tales of growing up and living on the South Side, given perfect support by the production of No ID – a real overlooked hero of this generation! The album was made with little regard to trends of the time, and that's given it a timeless quality that really holds on over the years – maybe even more so than some of Common's later, bigger records. The set features two guest appearances by Y-Not aka Twilight Tone – and titles include "I Used To Love HER", "Book Of Life", "Chapter 13", "Nuthin' To Do", "In My Own World (Check The Method)", "Maintaining", "Communism", "Watermelon", "Thisisme", and "Sum Sh*t I Wrote". (And bonus trivia – Chicago station WHPK, a breeding ground for Dusty Groove, even gets a mention on the set!). This excellent 2LP deluxe vinyl reissue includes a side featuring 3 bonus tracks – "Resurrection 95", "Resurrection (Large Professor mix)", and "Resurrection (Extra P rmx)". LP, Vinyl record album

An overlooked gem from the Verve bossa years – a session that features the sweet tenor sax work of Stan Getz, alongside some swinging bossa arrangements from the great Gary McFarland! Given the strength of Gary's own work for Verve at the time, it's no surprise that he's a perfect accompanist for Getz on the session – working with just the right amount of space to let Stan stand out from the pack, and really creating a great blend of Brazilian rhythms and some of the modder 60s styles at Verve. Gary contributed a number of originals to the session too – and the three titles are "Manlancolico", "Balanco No Samba", and "Manha De Carnival". 7-inch, Vinyl record

Seminal sides from Herbie Hancock – amazing material recorded for Warner Brothers in the years between his time at Blue Note and his big fame at Columbia Records – all sides that definitely show Hancock as one mighty righteous cat! Herbie's really stretching past his more conventional jazz of earlier years here – working both with a bit more electricity in his keys, and some larger arrangements that have a wonderful sense of flow and funk – a groove that definitely puts Hancock on a par with Quincy Jones at his funky best during the early 70s! The album's filled with great grooves pulled from the Warner Brothers albums by Hancock – including some quite long numbers – titles that include the funky nuggets "Wiggle Waggle", "Lil Brother", and "Tell Me A Bedtime Story" – plus "Sleeping Giant", "Crossings", "Quazar", "Ostinato", and "You'll Know When You Get There". LP, Vinyl record album

Titles include "Slippin & Slidin", "Rip It Up", "Lucille", "Jenny Jenny", "Good Golly Miss Molly", "Long Tall Sally", and "Keep A Knockin". LP, Vinyl record album

One of the greatest albums to come from the New York underground of the early 80s – even if it was a relatively big "hit" on a major label! Laurie Anderson is in perfect form here – drawing on a strong tradition of avant garde performance, but without any of the indulgences that would mire down performance art in years to come. Instead, she's got a clean, clear style that's simply amazing – spoken passages that are poetic and pointed, but which also have a slight undercurrent of wit – a charming quality that never takes itself too seriously, even when the sounds and styles are somewhat dark. Instrumentation includes some great rhythm passages from David Van Tieghem, plus surprising performances from Rufus Harley on bagpipes and George Lewis on trombone. Titles include "From The Air", "Big Science", "O Superman", "Born Never Asked", "Walking & Falling", "Example #22", "Let X = X", and "It Tango". LP, Vinyl record album

An incredible record – and the kind of rare LA bop session that got totally lost because it was never packaged properly! This obscure set was issued by the Crown label under a number of names – both the Conte Candoli All Stars and Vince Guaraldi – and the group includes Conte Candoli, Buddy Collette, Vince Guaraldi, Leroy Vinnegar, and Stan Levey – all playing with a fantastically tight and incredibly soulful bop groove, of the sort you always hear them credited for, but which you can never find on any of their snoozy more famous records. Vince Guaraldi plays some incredibly soulful piano, in a manner that's very different than his Fantasy recordings – and he's playing here with a killer group of LA players who deliver some of their finest recorded work! Trust us, the session's a gem – and it's one of those you can put on and surprise your friends, and yourself! Tracks include "Muggin The Minor", "Mambo Diane", "Macedonia", and "Little David". CD

The movie's something of a comedy, but it gets the same cool soundtrack treatment as some of John Carpenter's creepier films of the 80s – completely with lots of spare keyboard lines and electronics, served up with great collaborative help from Allan Howarth! In fact, the whole thing's got such a subtle, straight approach to the music that you'll really be surprised if you're just trying to judge a record by its cover. CD

Chemical Brothers still riding high at the end of the 90s! In some ways, Surrender scales back on bigger, more boisterous big beat vibe for slightly hipper dancefloor vibe – but there's really a ton of ambitiousness here. Just a glance at the guest appearances is clue of how wild the ride is – a far reaching lot for sure – including Missy Elliot, Bernard Sumner, Hope Sandoval, Bobby Gillespie, Jonathan Donahue of Mercury Rev and more. Includes "Music: Response", "Under The Influence", "Out Of Control", "Orange Wedge", "Let Forever Be", "The Sunshine Underground", "Asleep From Day", "Got Glint?", "Hey Boy Hey Girl", "Surrender" and "Dream On". LP, Vinyl record album

Despite the fact that he's one of the most influential jazz singers of all time (and certainly one with the biggest hit, as the original recording of "I'm In the Mood For Love" probably sold more copies than most other vocalese recordings combined), King Pleasure only ever cut three full albums – and this third one is the hardest to find! The album was recorded for United Artists during the time when Alan Douglas was cutting sides for the label, and it's very much in the same mode as his earlier recordings for Prestige and HiFi, apart from some occasional spare string backing that's added to the small group jazz playing. Pleasure's vocals are wonderful – incomparable, and right at the peak of vocalese sublimity – and the album's filled with great numbers like "That Old Black Magic (Diaper Pin)", "This Is Always", "Jazz Jump", "Don't Get Scared", "Swan Blues", and "Mean To Me", all completely transformed by Pleasure! LP, Vinyl record album

2 jazzy gems from Michel Legrand – back to back on a single CD! Michel Legrand Big Band Plays Richard Rodgers is a pretty wonderful album by Legrand – way better than you'd guess from the title! Sure, the tunes are mostly numbers by Richard Rodgers, but Legrand handles them here with the best of his soundtrack skills – really opening them up with some amazingly deft arrangements, and working with a stellar set of American jazz players to give the tunes a sound that's as jazzy as possible – and swinging them with the inherent lyricism that always makes us love his music! Players are a great lineup – with Clark Terry and Ernie Royal on trumpets, Urbie Green and Bob Brookmeyer on trombones, Paul Gonsalves on tenor, Jerry Dodgion and Phil Woods on alto, Julious Watkins on French horn, Gary Burton on vibes, and Tommy Flanagan and Hank Jones on piano. Titles include "This Can't Be Love", "Falling In Love With Love", "Bali Hai", "Have You Met Miss Jones", "There's A Small Hotel", and "The Lady Is A Tramp". On the second album, Broadway is the beat, but the sound has plenty of Parisian touches, too – thanks to arrangements from the mighty Michel Legrand! Legrand's in a mode here that's somewhere between his earliest soundtracks, and the European-themed records he cut for Columbia in the late 50s – styles that are a bit more warm and sentimental than in later years, with evocative elements designed to coax the Broadway-based listener out on a voyage across the Atlantic! Strings are relatively full, and sometimes used with great dynamic energy – and titles include "Bewitched", "There's A Boat Dat's Leavin Soon For New York", "Old Devil Moon", "With A Little Bit Of Luck", "Smoke Gets In Your Eyes", and "Yesterdays". CD

A fantastic set from vocalist Mark Murphy – easily one of his greatest albums ever! The session was recorded for the MPS label in Germany during the late 60s – at a time when Murphy was recording some excellent work overseas – and the album features backings by a small combo peeled off of the legendary Clark-Boland Big Band, who were also working for MPS at the time! Murphy's vocals get some tremendous backing on the set from a combo that includes Jimmy Deuchar on trumpet, Sahib Shihab on baritone and flute, Derek Humble on alto, and Ronnie Scott on tenor – and the grooves are a mix of modal numbers and straight jazz tunes – almost always dancing together in a lovely way that unlocks a side of Murphy's talents that hadn't been recorded this way before. And in fact, the album's gone onto have a huge influence on the current sound of club jazz – and is a key inspiration for the work of Nicola Conte, Koop, Five Corners Quintet, and others! The vocals are perfect, too – with nary a hint of overindulgence, and always a sweet measured groove that works perfectly with the material – and titles include "My Ship", "I Don't Want Nothin", "Hopeless", "Sconsolato", "Why & How", and "Just Give Me Time". CD

A tremendous little record that has Oscar Peterson really pushing the fuller, stronger sound he started with his trio of Ray Brown and Ed Thigpen – a set that features additional backings by Ernie Wilkins behind the core sound of the piano combo! The mode here is in that "all soul" style of Peterson's huge-selling Verve albums from the time – but the addition of a larger group makes for a mode that's even fresher – because Oscar rarely used any larger backings, so the record's a real standout! Hearing the strength of the tracks, we're a bit surprised that Peterson never made more albums like this – because there seems to be added inspiration from Wilkins' presence, giving Oscar even more focus and drive on his solos. A rare outing, but a great one – with titles that include "Blues For Big Scotia", "Tricotism", "Manteca", "I'm Old Fashioned", "West Coast Blues", "Here's That Rainy Day", and "I Love You". LP, Vinyl record album

A great entry in this wonderful series – a set that's full of rare 7" singles from the late 60s and early 70s, but with a vibe that's very different than other collections of this nature! As with previous volumes, the sound is warm and uplifting – not heavy funk or deep soul, but tunes that soar and glide on soulful energy – showcasing a few early modern soul elements that were years ahead of their time, and often using just the right sort of production and arrangements to really expand the sound of a singer or harmony vocal group! The whole thing's wonderful – fantastic rare soul listening all the way through – and titles include "Standing In The Way" by Charles Williams, "Reason To Survive" by Rance Allen Group, "Consider The Source" by Leon Haywood, "Oh Mama" by CM Lord, "Thank You Girl For Loving Me" by Enchantment, "The Game Is Over" by Brown Sugar, "Get Involved" by George Soule, "Too Late"b y Tavares, and "My Heart Is Closed For The Season" by Bettye Swann. LP, Vinyl record album

One of the greatest albums to come from the New York underground of the early 80s – even if it was a relatively big "hit" on a major label! Laurie Anderson is in perfect form here – drawing on a strong tradition of avant garde performance, but without any of the indulgences that would mire down performance art in years to come. Instead, she's got a clean, clear style that's simply amazing – spoken passages that are poetic and pointed, but which also have a slight undercurrent of wit – a charming quality that never takes itself too seriously, even when the sounds and styles are somewhat dark. Instrumentation includes some great rhythm passages from David Van Tieghem, plus surprising performances from Rufus Harley on bagpipes and George Lewis on trombone. Titles include "From The Air", "Big Science", "O Superman", "Born Never Asked", "Walking & Falling", "Example #22", "Let X = X", and "It Tango". CD

A really cool collection, and one that will definitely blow your mind if you only know the Burt Bacharach/Dionne Warwick collaborations, or some of Burt's solo albums on his own! Bacharach started out young and early, and was effortlessly penning pop songs for singers in a variety of styles – working as part of that songwriting scene in New York that was always hustling, and able to get a surprising amount of songs into the hands of up-and-coming singers of the time! The scope of this set is stunning – as the first 3CDs feature 95 tracks penned by the young Bacharach himself – sung by a variety of artists who include The Exotics, Etta James, Gene McDaniels, Paul Evans, Marlene Dietrich, Tommy Sands, The Drifters, Frankie Avalon, The Four Coins, Marty Robbins, Sonny James, Jack Jones, Jo Stafford, Bob Manny, and many others. CD4 21 more tracks that showcase unusual but important influences on Burt's compositional style – including work by Henry Cowell, Alban Berg, Leonard Bernstein, Gill Evans, and Tadd Dameron. CD

The hazy, hook-heavy debut of Blur! The group's next couple of records would prove to be so influential, it's all too easy to overlook Leisure's strengths nowadays despite the massive popularity of the biggest singles at the time, but it's a real gem – setting a mood as strongly as anything to come! Leisure personifies the moment in Britpop very strongly, like a heavier sounding Stone Roses, but the fuzz-drenched guitar sound here is pretty unique – especially on tunes like "Slow Down" and "Repetition" – more indicative of 60s psych, while hinting at the more ambitious Blur to come. Includes the great early singles "She's So High" and "There's No Other Way", plus "Bad Day", "Sing", "Come Together", "High Cool", "Wear Me Down" and more. Cassette

Obscure 60s work from Rex Allen – recorded for a smaller label than some of his bigger hits, and done in a more laidback style that's mighty nice! There's less of the western themes on the record than you might guess from Rex's look on the cover – and a fair bit of the album has an easygoing approach to honky tonk – with almost echoes of Hank Thompson at times. Titles include "I'll Keep On Loving You", "Down The Wrong Highway", "Sure As Your Name's Kate", "Sixteen Hundred Miles", "Cold Cold War", and "You Don't Care What Happens To Me". CD

A strong debut effort from one of the finer British roots acts – the mighty Aswad, a group who were big on the UK shores, but never got the same sort of international circulation as their peers Steel Pulse! Like many UK groups of the time, Aswad are nicely self-contained, different than the producer-driven aesthetic of Jamaican music – playing and writing their own material, and really coming across with a unified vibe as a result! Vocals and instrumentation are excellent throughout – and titles include "Can't Stand The Pressure", "Ethiopian Rhapsody", "I A Rebel Soul", "Natural Progression", "Red Up" "Ire Woman", and "Back To Africa". Features two bonus tracks – "Three Babylon", and "Three Babylon (dub mix)". LP, Vinyl record album

Badfinger's early 70s win streak continues on Straight Up – a straight up classic set of tuneful 70s rock with big emotions and catchy songs – one that keeps just enough grit underneath those killer melodies! Titles include "Take It All", "Bably Blue", "Name Of The Game", "Perfection", "It's Over", "Sometimes" and more. This might be the group's most consistent batch of songs to date, and it's essential early 70s rock for sure. LP, Vinyl record album

A sprawling anthology of 60s and 70s Joe Barry recordings – a performer who was instrumental, early on, in putting Louisiana on the map for R&B-indebted rockers – even if he never busted out in a big way nationwide! This great 2CD set from Ace sure makes a great case for Mr. Barry. It covers his best recordings he made in the early 60s, plus some rarer stuff from the 70s. The earlier tunes have a great rockin' R&B style to them, while later on are some rare swampy rock & country material that's pretty damn strong! 51 tracks on 2CDs: Includes "I Got A Feeling", "Try Rock 'N' Roll", "You Belong To My Heart", "Beg Your Pardon", "Don't Close That Door", "Yonder Comes A Sucker", "Secret Love", "Any Old Time", "Heartbroken Love", "A Fool Such As I", "I Almost Lost My Mind", "Lucky Morning", "Come What May", "Bouquet Of Roses" and many more! CD

The Black Pumas went from underground status to much bigger fame in just a short span of time – and this smoking second album will definitely continue that nonstop rise to stardom! As before, the group are heavy on older references to funk and soul, but given a lean, contemporary spin in the production – handled by Adrian Quesada, with all the richness he's forged on countless other projects over the years – so that the grooves and instrumentation are right on the money, and augmented by these slight sonic surprises that really keep things interesting! The vocals seem even better than before – raw, raspy, and very powerful – on titles that include "Mrs Postman", "Gemini Sun", "Sauvignon", "Angel", "Hello", "Chronicles Of A Diamond", "Ice Cream", and "More Than A Love Song". CD

The Black Pumas went from underground status to much bigger fame in just a short span of time – and this smoking second album will definitely continue that nonstop rise to stardom! As before, the group are heavy on older references to funk and soul, but given a lean, contemporary spin in the production – handled by Adrian Quesada, with all the richness he's forged on countless other projects over the years – so that the grooves and instrumentation are right on the money, and augmented by these slight sonic surprises that really keep things interesting! The vocals seem even better than before – raw, raspy, and very powerful – on titles that include "Mrs Postman", "Gemini Sun", "Sauvignon", "Angel", "Hello", "Chronicles Of A Diamond", "Ice Cream", and "More Than A Love Song". LP, Vinyl record album

James Brown screams at the beginning of the record – "I'm Back! I'm Back!" – which is his proclamation that he was ready to take on a whole new generation of funk music – grooving with a new sound that was guaranteed to hit as big as it did in earlier years! The approach is a bit more uptempo than previous albums, but still never at all in a disco/club mode – and James really does strike a strong new chord with the groove here – stretching things out and cooking things up nicely. Rhythms are still quite sharp, although possibly not as dynamic as before – and titles include the great title medley of "Get Up Offa That Thing/Release The Pressure", plus "This Feeling", "Home Again", "I Refuse To Lose", and "Can't Take It With You". CD

Seminal work by one of our favorite soul singers of all time! Jerry first came to fame with The Impressions and on his own in the early 60s – singing dark moody easy tunes that well earned him the nickname of "Iceman". In the late 60s, though, he moved onto Mercury where he broke through even bigger with some excellent early production by Gamble & Huff, which took Jerry to a whole new level, and which gave his work a swinging soul groove that worked great with his vocals. This set compiles some of the best moments of the Mercury years – including "Never Give You Up", "Lost", "Moody Woman", "Mr Dream Merchant", "Hey Western Union Man", and "Only The Strong Survive". LP, Vinyl record album

The raw, mesmerizing debut of Nick Cave & The Bad Seeds! On From Her To Eternity, Cave stalks and staggers right along the line between the aggro caterwaul of The Birthday Party and the haunting moodiness of later records with the Bad Seeds – and it's as distinct and exciting as ever after all these years! The looseness of the Bad Seeds sound is big part of what makes it so amazing, with spare backdrops that always carry the promise of noisy menace to come, and it's all the more exciting with it does – and Cave's mournful, angry testifying is in near peak form here. Includes "Avalanche", "Cabin Fever!", "Well Of Misery", "From Here To Eternity", "Saint Huck", "Wings Off Flies" and "A Box For Black Paul". DVD features 5.1 DVD-audio surround mix and bonus videos! CD

Sweet girl group classic stuff from the 50s, most of it recorded for George Goldner's End label. This 18 track set includes many of their big singles like "Prayer", "He's Gone", and "Every Night (I Pray)", but it's also got a number of b-sides and unreleased tracks like "Sure of Love", "Whoever You Are", and "So Real". CD

A really unique record, one that seems to mix some of the spacey sounds of the electronic ambient world of the early 80s underground with more tuneful, song-based modes of the post-punk generation – all at a level that seems to move effortlessly between both sorts of styles! There's certainly plenty of 80s keyboards on the set, and plenty of drum machine percussion – but the mood shifts from upbeat and catchy to more laidback and spacey – sometimes with vocals, sometimes all instrumental with a very cosmic vibe! Titles include "I Wash My Hair With Limes", "Entrance Of The Deacon", "She Dreams Of Golden Gloves Dancing", "Big Buck Meets The Perpendicular Fish", and "The Surface Of The Water". 2LP reissue features a full album of bonus unreleased tracks! LP, Vinyl record album

A 60s album, but one that brings together earlier small combo work from trumpeter Buck Clayton! The set features work from his Big Four combo, with Tiny Grimes on guitar; his Big Eight group with Trummy Young on trombone, George Johnson on alto, and Billy Taylor on piano; and Trummy Young's Big Seven, with Buster Bailey on clarinet and Jimmy Jones on piano! LP, Vinyl record album

A pair of albums from this near-forgotten group – both originally issued by Elektra, and presented here with bonus tracks too! First up is the self-titled Crabby Appleton – a set that's got a surprising sort of late psych vibe at times – almost as if the group were hanging on to some of the modes that first got them started, while also stretching out with some of the new sophistication that the 70s had to offer! That psych touch is maybe no surprise, though, given that the group's singer Michael Fennelly was in The Millennium – and works here with some heavier rockers who were in Stonehenge – all in a surprising mix of modes that really keeps things interesting throughout! Titles include the big single "Go Back", plus "Peace By Peace", "To All My Friends", "Some Madness", "Hunger For Love", "Last Night In Your Sleep Fred", "Some Madness", and "The Other Side". Next is Rotten To The Core, the second and last album from Crabby Appleton, and a record that's got the group picking up some harder edges than before – shedding some of the lighter psych elements for harder modes on the downturning grooves, almost as if the group had some blues inspirations they didn't showcase the first time around! The shift is one that has us almost thinking that the group could have hit the heights of 70s AM rock, had they held the course – with lots of surprising nuggets throughout, in a set list that includes "Makes No Difference", "Lucy", "It's So Hard", "Tomorrow's A New Day", "You Make Me Hot", "Gonna Save You", and "Love Can Change Everything". 2CD set features bonus material – "Go Back (alt mono single)", "Try (alt mono single)", "My Little Lucy (alt mono single)", "Some Madness (mono single)", "Can't Live My Life (alt mono single)", "Grab On", "Tomorrow's A New Day (alt mono single)", and "It's So Hard (alt mono single)". CD

A fantastic array of really cool songs – all written and recorded by Tom Dawes of The Cyrkle – as part of a big career as a jingle writer after his group cut a famous theme song for 7 Up! The music here is great – work from a time when jingles for TV and radio ads were like mini songs in and of themselves – often as catchy as anything on the charts, if not more so – so that the tunes you'd hear for a few short seconds would stick in your head all day long! If you dig sunshine pop, there's plenty to love here – and remember that the great Roger Nichols also gave the world a wonderful tune that was originally designed as a jingle. Some of the tracks here never made it to the TV screen, others are classics – and the set includes songs written for Windex, GI Joe, Alka Seltzer, Calgon, Stridex, Murine, Hartford Insurance, Thom McCann, Life Savers, Timex, Ford, and many others. LP, Vinyl record album

Memphis power pop from Van Duren – insistent and nearly as catchy as the midwest and west coast practitioners of the era – but with a bit more of an elastic, loose limbed, and measured approach to the songwriting! It's tough to get around a Big Star comparison given the Memphis roots, and tougher still given that the closing track was co-authored by Jody Stephens – but Van Duren really does his own thing. It's simply straight up, sharply tuneful stuff that was probably too genuine to make a huge commercial impact at a time when non-punk or post punk guitar pop was becoming fairly insipid. More than worth the while – very nice work! Tracks include "Chemical Fire", "This Love Inside", "Oh Babe", "Waiting", "Grow Yourself Up", "Positive", "New Years Eve", "So Good To Me (For The Time Being)", "Yellow Light", "The Love That I Love" and more. LP, Vinyl record album

Amazing box set – five full albums of material, plus lots of bonus tracks too! First up is Flowers – a soaring classic from The Emotions – thanks to some supreme help from the Earth Wind & Fire side of the soul spectrum! This set has the trio really sounding great – with Kalimba Productions by Maurice White and Charles Stepney – and a good deal of EWF help on the instrumentation as well! The girls break out of the rootsier style used on their earlier Stax recordings, and manage to fit perfectly with the jazzy tinges of the new grooves – and, along with Ramsey Lewis and EWF, the Emotions were part of a hugely successful trinity during the late 70s – one that took the indie soul roots of the Chicago scene and turned it into landmark big business for Columbia Records. The album's got a new approach to female group soul that would go onto shape R&B for years to come – and titles include "Flowers", "I Don't Wanna Lose Your Love", "We Go Through Changes", "Special Part", and "You've Got The Right To Know". Next is Rejoice – a huge hit for both The Emotions and Maurice White – whose Kalimba Productions handled this album in the same hit mode they'd been using for Earth Wind & Fire! There's a polished, soaring bounce her that definitely shows the Earth Wind & Fire touch – and which takes the girls miles from their rougher, rootsier soul of the Stax/Volt years – yet like all the best EWF records of the time, the sound is also plenty soulful, with lots of righteous undercurrents. The album includes the group's wonderful track "Don't Ask My Neighbors", a heavenly tune that builds on a long tradition of sweet female soul from Chicago; the super-huge "Best Of My Love", a hit on dancefloors and radios for years to come – and many other nice numbers like "Blessed", "How'd I Know That Love Would Slip Away", and "Key To My Heart". Sunbeam is great little album from The Emotions – largely because it sounds a lot like prime mid 70s Earth Wind & Fire, with female vocals added over the top – ultimately, pulling away with a soulful charm all its own! Maurice White produced the whole set, and it's got a soaring spacey sound that provides a perfect spiritual edge to the girls vocals – taking them way past the hits, into much more sophisticated soul territory. There's a beautifully righteous vibe going on throughout – a sound that's almost like Minnie Riperton at her 70s Capitol best – and titles include "Love Vibes", "Walking The Line", "Time Is Passing By", "I Wouldn't Lie", "Smile", and "Spirit Of Summer". Come Into Our World has the sweet Emotions at the top of their game – one of the brilliant albums that has the soulful trio working hand in hand with Earth Wind & Fire! The girls were plenty great in their early years, but working with Maurice White and company, they really took off – hitting a whole new level that really unlocked some deeply spiritual power in their vocals! And sure, the approach also yielded the group plenty of hits – but for good reason, too – given the classic quality and all-great nature of a set like this. Maurice White produced, and the lineup is filled with plenty of Earth Wind & Fire players too – working with some great arrangements from Tom Tom 84, Wade Marcus, and others. Tunes are balanced between clubby numbers and some nice midtempo moments – and titles include "Where Is Your Love", "Cause I Love You", "Come Into My World", "On & On", "I Should Be Dancing", "Layed Back", and "Yes I Am". New Affair has The Emotions breaking free a bit from the Earth Wind & Fire influence, and grooving nicely with a sweet 80s feel! The girls' voices are still quite wonderful – some of the deepest harmonies in the female soul world at the time – and the tunes kick it up nicely in a blend of snapping bassy club tracks and mellower cuts that sweetly sway with their great vocals! Loads of wonderful tracks – and an album not to miss! Titles include "Turn It Out", "There'll Never Be Another Moment", "Now That I Know", "Love Lies", "When You Gonna Wake Up", and "Here You Come Again". 3CD set features 8 bonus tracks – including "Boogie Wonderland (12" mix", "Don't Ask My Neighbors (single version)", "I Should Be Dancin (single version)", "My Baby Dance", "Changes", "Where Is Your Love (single version)", and "Flowers (single version)". CD

Earlier Stax work recorded by The Emotions, not issued at the time and packaged together into a pretty great album during the time of the girls' bigger fame on Columbia! The work here is surprisingly great – not really filler at all, and in a style that's almost hipper than any of the material that appeared on the trio's two full albums for the label. There's a definite 70s current running through most of the tracks – soul that's less sweet and more sophisticated than other older sides, and which really shows that the leap from Stax to Columbia wasn't a very big one at all. Titles include a great version of "Put A Little Love Away", plus "Shouting Out Love", "Anyway You Look At It", "Ain't No Sunshine", "Running Back & Forth", and "Baby I'm Through". LP, Vinyl record album

The American debut of The English Beat – aka the UK group The Beat, who'd been making some big waves with import 45s on the 2Tone label, the burst forth on our US market with a slight shift in name, due to another group hogging their original moniker on our side of the Atlantic! That bit of backstory hardly need matter, though – as the group wear their English loud and proud here, setting off a huge ska revival as they blend Jamaican roots with London attitude in the post-punk years – stacking up a set of classics that continue to groove many turntables all these many years later. Titles include "Mirror In The Bathroom", "Hands Off She's Mine", "Twist & Crawl", "Big Shot", "Best Friend", and "Jackpot". LP, Vinyl record album

A never-heard album from this excellent Detroit vocal group – recorded for Motown at the end of the 60s, but appearing here for the first time ever – and compiled with lots of bonus tracks from the vaults! The Fantastic Four never hit the bigger heights of some of the big Motown male groups of the 60s – but in some way, especially at this time in the label's history, they were a much more cohesive, organic ensemble – one that's a bit like The Originals in their strong commitment to great harmonies, and ability to always hold onto their own sort of personality, even amidst the larger Motown production machine. As with most great "lost" projects, we're not sure why this record never saw the light of day – because every aspect is great, from the vocals down through the arrangements and instrumentation – and although a few shorter singles came out over the years the rest of the set is wonderful – and matched here by another 13 rare bonus tracks, including many other unreleased singles! Titles include "A Little Too Much", "We Can Work It Out", "Take Him Back If It Makes You Happy", "You Turn Me Around", "I Feel Like I'm Falling In Love Again", "How Big Is Your Heart", "It Keeps Raining Down Tears", "In A Bad Way", "Fan The Flame", "I Shall Not Be Moved", "Double Cross", and "Loving You Is Hurting Me". CD

An amazing record that stunned the world almost as much as Marvin's previous effort, What's Going On. Like that one, this album's an amazingly unified batch of tracks – with a visionary message about sex and love that is as honest and bracing as the politics and social commentary of his previous record. The record shows a sexy side of Marvin that would stun fans of his 60s work – very adult, very warm, and very preoccupied with desire and love. In a way, this sort of full-on love fest was a big payoff for all the folks who'd hung onto his simpler expressions of affection in the earlier years – sort of like getting let into the bedroom after spending years on the front porch! The record was produced by both Marvin and Ed Townsend – and the arrangements by David Van DePitte, Rene Hall, and Gene Page are smooth and seductive all the way through. Includes slow jam classics like "You Sure Love To Ball", "Distant Lover", and "Let's Get It On" – plus "Come Get To This", "Just to Keep You Satisfied", and "If I Should Die Tonight". LP, Vinyl record album

THE lasting classic from Gloria Gaynor – the record that contains her tremendous hit "I Will Survive", and a great batch of disco grooves overall! The album's got a simple, honest sort of approach, despite its release in an era of overblown dancefloor sets – and arranger Freddie Perren does a great job of balancing all the elements here – hitting strong on the rhythms, but mixing in bits of strings from Gene Page and others – all in a sound that's round, warm, and surprisingly soulful, despite the big crossover fame of the hit on the record. In addition to a nice long take of "I Will Survive", other tracks include "Anybody Wanna Party?", "Please, Be There", "I Said Yes", and "You Can Exit". LP, Vinyl record album

You may not know the name of Barney Bubbles, but you're likely to have seen his artwork – important images that graced key records in the post-punk years – vinyl from Elvis Costello, Ian Dury, Devo, Hawkwind, and dozens of others – all presented here in very vivid color! Bubbles actually got his start in the prog years – and this book goes way back to feature some of the gems from those years, then traces things up through the 70s, to Barney's big explosion in the latter part of the decade and beyond – a surprisingly rich history, all presented with a very strong focus on the images, including some inner record contents, mock-ups, and more! This heavy softcover edition is 240 pages in all – and full color throughout. Book

Funky breaking madness! Nice 12" single of Herbie's big hit cut with Bill Laswell – which sounds surprisingly better today than it did back in 1983. Lots of nice early electro keyboards – and some nice scratching from Grandmaster D St! 12-inch, Vinyl record

The coolest of all the Mad Magazine records from the early days – a set done in collaboration with Big Top Records, as sort of a parody of the rock and roll that label was putting out at the time! Most songs are surprisingly strong rock numbers, but the lyrics are often jokes about the usual themes handled at the time – but given the level of presentation and strength of the overall record, the whole thing maybe just serves to remind us how important novelty records were to the birth of rock and roll! Titles include "She Got A Nose Job", "Let's Do The Pretzel", "Throwing The High School Basketball Game", "Someone Else's Dandruff", "When My Pimples Turned To Dimples", and "Blind Date". LP, Vinyl record album

A rare funk treat from tenor sax jazz legend Joe Houston – working in a far funkier mode than usual for the obscure Big Town label! The lineup and production is heavy with 50s LA R&B names in it – including Ted Butler, Bo Rhambo and Larry Johnson – and sure enough, there's genuine prime era rhythm & blues DNA in some of the material, to say nothing of the incredible chops of all involved – but the overall sound is very modern 70s jazz, with some really funky cuts, too! The highlight is the two-part title track, "Kicking Back", which is a top shelf jazz funk groover – but the whole record is solid, with "T-Bone Disco", "Hawaiian Disco", "Trippin' In", "Mr. Big H", and "Why Don't You Rock Me". CD

Quite an unusual session for trumpeter Freddie Hubbard – a set done during his early run of albums for Blue Note, but one that's got some much darker, more modern qualities than the rest! The music here almost verges on some of the "new thing" material of the period on the label – although is not as far outside as some of the others – and the record features two different groups – both with excellent early work from James Spaulding on alto and flute, and really unique use of euphonium from Kiane Zawadi, whose depth on the instrument really explores the darker currents of sound. In addition to Freddie's trumpet work, the set also features Joe Henderson and Hank Mobley on tenors, Harold Mabern and McCoy Tyner on pianos, and Clifford Jarvis and Pete LaRoca on drums. Big Black also adds in percussion on the cuts "Cunga Black" and "Soul Surge" – and other titles include "Outer Forces", "Blue Spirits", and "Jodo". LP, Vinyl record album

Quite an unusual session for trumpeter Freddie Hubbard – a set done during his early run of albums for Blue Note, but one that's got some much darker, more modern qualities than the rest! The music here almost verges on some of the "new thing" material of the period on the label – although is not as far outside as some of the others – and the record features two different groups – both with excellent early work from James Spaulding on alto and flute, and really unique use of euphonium from Kiane Zawadi, whose depth on the instrument really explores the darker currents of sound. In addition to Freddie's trumpet work, the set also features Joe Henderson and Hank Mobley on tenors, Harold Mabern and McCoy Tyner on pianos, and Clifford Jarvis and Pete LaRoca on drums. Big Black also adds in percussion on the cuts "Cunga Black" and "Soul Surge" – and other titles include "Outer Forces", "Blue Spirits", and "Jodo". CD

The wonderful world of Antonio Carlos Jobim gets a whole lot bigger on this American release from the 60s – thanks to a collaboration with the great Nelson Riddle, the arranger whose work made so many of Frank Sinatra's albums so great! Riddle really understands the jazzy elements at the core of Jobim's tunes – and backs his guitar and vocals with a great 60s California take on the bossa nova – one that's never trying too hard to cross over, and which instead really respects the genius of Jobim at the core! Antonio sings on most tracks – some even with English lyrics that are really great – and titles include "Useless Landscape", "Bonita", "Surfboard", "She's A Carioca", "Aqua De Beber", and "Favela". LP, Vinyl record album

A huge 90s album from Montell Jordan – one that formed a big bridge between the worlds of hip hop and R&B, and which has had some surprisingly strong legs in the years after it was first crafted! Plenty of folks blended hip hop elements with soul, but Montell may well have been one of the few to really knock it out of the park like this – not just with the oft-played title track, but also over the course of the whole record, which blends some more attitude-heavy cuts with others that are emotionally open as well! Montell handled a lot of the production himself, clearly with an ear for his strengths – and titles include the classic "This Is How We Do It", plus "Don't Keep Me Waiting", "Comin Home", "Payback", "Somethin 4 Da Honeyz", "I Wanna", "Gotta Get My Roll On", "Down On My Knees", and "Daddy's Home". CD features bonus tracks – "This Is How We Do It (Puff Daddy radio mix)" and "This Is How We Do It (Funkmaster Flex radio mix)". CD

Wonderful work from Ty Karim – a singer who definitely lives up to the "soul goddess" promised in the title! Ty might not be the biggest name in California soul, but she's a hell of a great talent here – starting out in the 60s with upbeat Northern Soul groovers – then moving into the 70s with material that's even deeper, and a bit more sophisticated – laidback numbers that really show a maturation in style, and which are filled with wonderful twists and turns! Ty's vocals have a burning quality that's quite surprising, given her kittenish look on the cover – and as the themes get hotter, her singing gets even more righteous – making the whole package a really wonderful journey in soul. And although most of these numbers were issued (or recorded, but unissued) by tiny indie labels, they often have a very full, spacious approach to production – one that's really trying to hit the heights of Detroit or New York at the time. A good number of these cuts weren't issued at the time, and together with the rare singles, they really go a long way towards filling in the gaps in Ty's too-short career on record – further illuminated in the detailed notes from Ady Croasdell. Titles include "Lighten Up Baby", "Help Me Get That Feeling Back Again", "Only A Fool", "All At Once", "Lightin Up", "I Ain't Lying", "You Just Don't Know", "Natural Do", "I'm Leavin You", "All In Vain", "After Your Love Has Gone", "Don't Let Me Be Lonely Tonight", and "Don't Make Me Do Wrong". CD

Wonderful work from Kenton – warm and seductive, yet also modern and adventurous, tunes that are familiar, yet inexplicably transformed by the Kentonite approach! The record's got a similar feel to some of the best work coming out of the Kenton school at the time – and players on the set include Lee Kontiz, Frank Rosolino, and Conte Candoli – all of whom get in some good solos on the record. Arrangements are by Bill Russo and Kenton – never too over the top or complicated, but complex enough to please our modern ears, and to make the set much more than a package of big band standards! Titles include "There's A Small Hotel", "Lover Man", "Fascinating Rhythm", "Sophisticated Lady", "Shadow Waltz", and "Pennies From Heaven". LP, Vinyl record album

A tremendous second set of work from the mighty Mike James Kirkland – a west coast soul talent who never fully got his due, but who will forever be legendary for a few key records like this! Mike can give us all the right funky currents when he wants – but this album also displays an almost deeper approach to soul – one that often has the sensuous qualities of mid 70s Marvin Gaye at his best, but delivered with some slightly rougher edges that really keep things interesting – and which keeps the record from sounding anything else like the bigger 70s soul on the charts! Titles include "You Put It On My Mind", "It's Too Late", "Love Insurance", "Oh Me Oh My (I'm A Fool For You)", "Got To Do It Right", "The Only Change", and "Love Is All We Need". LP, Vinyl record album

Music of a very different style than some of Laraaji's other work – more tuneful and song-based – with shorter tracks that show a whole different side of his talents! Laraaji's gotten great acclaim for his homespun spiritual sounds – long tracks that first found a home in Brian Eno's Ambient series, then came out on a variety of self-released records, and have even seen a big new revival in recent years. But the music here is a mixture of echoey vocals and rhythm patterns – songs that almost feel like special prayers of motivation and uplift – a karmic legacy stripped down more for an 80s generation, but still filled with a rich amount of spirit! The man's a surprisingly strong singer, with a trippy quality that really fits his lyrics – and almost gives some of the songs a late 60s sort of LA underground vibe. Titles include "Is This Clear", "Hare Jaya Jaya Rama", "Great Bells", "Laws Of Manifestation", "Cosmic Joe", "We Shall Be Lifted", and "I Can Only Bliss Out". CD

Music of a very different style than some of Laraaji's other work – more tuneful and song-based – with shorter tracks that show a whole different side of his talents! Laraaji's gotten great acclaim for his homespun spiritual sounds – long tracks that first found a home in Brian Eno's Ambient series, then came out on a variety of self-released records, and have even seen a big new revival in recent years. But the music here is a mixture of echoey vocals and rhythm patterns – songs that almost feel like special prayers of motivation and uplift – a karmic legacy stripped down more for an 80s generation, but still filled with a rich amount of spirit! The man's a surprisingly strong singer, with a trippy quality that really fits his lyrics – and almost gives some of the songs a late 60s sort of LA underground vibe. Titles include "Is This Clear", "Hare Jaya Jaya Rama", "Great Bells", "Laws Of Manifestation", "Cosmic Joe", "We Shall Be Lifted", and "I Can Only Bliss Out". LP, Vinyl record album

Tight hard swinging big band set, with really complicated arrangements and some great writing. Not all of the players are names you'll recognize, but Levitt's talent for arrangement and leadership ensure a tight tight band, and the album wails nicely. Tracks include "Stop Those Men!", "Vera Cruz", "Insight", and "The Mayor Of Vermont Village". Levitt's always talked about in hipster musician circles. Get this and find out why. LP, Vinyl record album

One of the biggest jazz albums of the 60s – and a crucial crossover set from the legendary Ramsey Lewis trio! The record's a live one, which gives the group a perfect chance to show off their special genius – not just soulful grooves from Ramsey on piano, but wickedly sharp and playful basslines from the great Eldee Young, and equally inventive work on drums from Redd Holt – both fantastic players who would soon break out on their own as Young Holt Unlimited! There's a surprising mix of modes on the record, too – as Ramsey begins with the group's classic reading of "The In Crowd" – formerly a soul tune, but maybe more of a hit here in their instrumental reading – then runs through material that really showcases the creative depth of the group, on titles that include "Love Theme From Spartacus", "Felicidade", "Come Sunday", and "You Been Talkin Bout Me Baby". CD features 2 non-LP bonus tracks! LP, Vinyl record album

After hitting big success with Paul Simon's Graceland album in the mid 80s, Warners kind of had a little burst of renewed activity in recording the sorts of artists they paid attention to more in the glory days of the late 60s/early 70s record industry boom. Fortunately, Miriam Makeba benefitted from that surge of activity, and was able to cut this excellent album in a style that was far rootsier than any she'd used in years! The record has a pretty spare feel overall, and most tracks only feature vocals and percussion – with some occasional extra instrumentation, and production that's very much in the Ladysmith Black Mambazo mode from the time. titles include "Sabumoya", "Congo", "Icala", "Ihoyiya", and "Embahaceni". LP, Vinyl record album

Nice 60s crime jazz from Mancini! Although Mancini's fame was made in the late 50s for his work on the classic Peter Gunn TV show, it's less known that he also did the score for the less-than-successful Peter Gunn film. Directed in 1967 by Blake Edwards, the film was a weak attempt to transfer the Gunn image to the big screen – but Mancini remained above the fray, as his solid scoring is just about the only thing we remember about the film today. The tracks include 60's remakes of some nice themes from the original show, plus a few other nice numbers thrown in for good measure. Recorded (as usual) in LA, with players like Bud Shank, Ray Brown, Plas Johnson, and Shelly Mann – and a set list that includes "Dreamsville", "Sky Watch", "A Bluish Bag", and "The Monkey Farm". LP, Vinyl record album

Herbie Mann rides his Memphis Underground approach over to London – where he grooves nicely in a similar jazz funk take on that scene's biggest tunes of the time! The set was recorded in the UK, and features hip help from an assortment of rockers – including Mick Taylor and Albert Lee on guitars, Ian MacDonald on alto sax, and Aynsley Dunbar on drums – plus Herbie's frequent partner Pat Rebillot on keyboards. The sound is surprisingly laidback at times – warmly soulful, and a lot less rockish than you might guess for an album with two guitarists in the mix – and titles include "Bitch", "Spin Ball", "Mellow Yellow", "Paper Sun", "Layla", and Herbie's original "Memphis Spoon Bread & Dover Sole" – plus a great Fender Rhodes-heavy take on "You Never Give Me Your Money". LP, Vinyl record album

The title track's a mighty big hit for The Marketts – and it's also a great way to describe the group's talent for pushing past their boundaries at the time! The sound is surf instrumental at the core – but really stretches out to space themes, soundtrack areas, and more – thanks to inventive arrangements from Ray Pohlman, who pushes these guys farther than the usual groups of the time – while still keeping that guitar instrumental style that made them so great overall! There's a lot more variety to the tunes than you'd hear on a Ventures album, for example – and beautiful Bones Howe engineering makes sure that the sound is top-shelf throughout! Titles include the group's big hit reading of "Out Of Limits", plus "Bell Star", "Saturn", "Re-Entry", "Other Limits", "Twilight City", and "Limits Beyond". LP, Vinyl record album

A lasting classic from the funky female foursome who were one of the biggest acts on Motown in the mid-80s – working here with super tight production and arrangements from Rick James – who also wrote all the songs on the record too! The girls' look is a bit dated, but their sound has surprisingly strong staying power – partly because of Rick's crossover version of funk in the rhythms, but also because of the way the vocal interplay still stays nice and catchy! The album's definitely commercial, but doesn't have that clunk that makes other efforts of this time from the time fall flat – and titles include "In My House", "I Betcha", "Girlfriend", Wild & Crazy Love", "Shadow Lover", "Break It Up", and "Lonely For You". LP, Vinyl record album