An overlooked gem on Stax Records – one of the only records ever cut by Bettye Crutcher – also a songwriter with the label, but a hell of a singer on her own! Bettye's got a style here that's very unique – still in a Stax mode, but a bit more sophisticated too – with a subtle groove that almost feels like some of the best female soul singers coming out of the Chicago scene at the time! Sir Mack Rice co-wrote most of the tunes with Bettye – and they've got a vibe that's really great – and which has made the record a real standout from Stax over the years – really unified, and really deep – in a way that goes past any easy hit modes or cliches. Titles include the sublime track "Sunday Morning's Gonna Find Us In Love" – plus "Long As You Love Me", "A Little Bit More Won't Hurt", "Passion", "Call Me When All Else Fails", and "Up For A Let Down". CD features lots of bonus tracks too – all previously unissued – including "So Glad To Have You", "Don't You Think It's About Time", "We've Got Love On Our Side", "Make A Joyful Noise", and demo versions of "Walk On To Your New Love" and "I Forgive You". CD

A nice batch of Memphis soul tracks, produced in a sparkling modern vein, with some very nice moments. The title cut's a remake of the Seals & Crofts track "Closer", but the best cuts are the ones written (or co-written) by the great Bettye Crutcher (of Stax fame). These include the great "Can't You See I Love You", plus "Bringing You Love", and "I'm Everything You Need". LP, Vinyl record album

The Houseplant series really takes off with this killer triple-LP set – a massive batch of funk and soul, both old and new – presented here in a really great assortment of modes! There's some great deep tracks from the 70s here, alongside some well-chosen contemporary cuts from the international funk underground – plus a few other assorted surprises along the way – keeping the label's strong reputation for serving up a record that's way different than the standard funk compilation! Titles include "Short Stopping" by Veda Brown, "What's Good For You" by Harvey Scales, "Little Saddy" by Andre Ethier, "The Devastator" by Stormy, "I'm Not Ready For Love" by Promise, "Slide" by Adesse Versions, "Gettin Funky Round Here" by Black Nasty, "Love Theme From Spartacus" by Yusef Lateef, "Town Called Nowhere" by Skip Mahoney & The Casuals, "Blind Alley" by The Emotions, "Blah Blah Blah" by Saun & Starr, "Gotta Let Me Know" by Breakestra, "Jamaica Ska" by Byron Lee & The Dragonaires, "Legend In My Own Mind" by The Stepkids, "Lament 1" by Dustin Laurenzi, "Trouble" by Frederick Knight, "The Echo" by Epsilons, "A Little Bit More Won't Hurt" by Bettye Crutcher, "The Who Who Song" by Jackie Wilson, and "Don't Stop" by The Bar Kays. LP, Vinyl record album

An incredible addition to the rich legacy of Stax Records – a massive collection of 146 tracks, almost all of which appear here for the first time ever – a set that represents recordings done by all the great songwriters who were working for Stax at the time, most of whom were also recording artists on the label! Given that fact, these aren't scratchy recordings performed by hacks who can't sing – as almost all the material features the sort of top-shelf vocalists who made Stax such a deep soul powerhouse in the 60s and 70s – represented here in a style that shows just how much freedom of creative expression the label allowed its best – very different than the way some of the bigger companies would just cram a song down a quickly-booked session in the studio! Plus, these demo tracks are done in a variety of modes – some with very stripped-down instrumentation, some with fuller groups – and together, they offer a key look at the creative process at Stax – one that's very different than the iconic sound of productions in their Memphis studio, and which really shows an even deeper range of expression through the variety of approaches. The 7CD set has a really cool approach – CDs 1, 2, and 3 feature demos by Stax artists singing their own material; CD4 features Stax singer/songwriters working on non-Stax material; and CDs 5, 6, and 7 feature songs by these artists that were never issued at the time! The set includes work by The Staple Singers, William Bell, Carla Thomas, Bettye Crutcher, Homer Banks, Eddie Floyd, Veda Brown, Frederick Knight, Mack Rice, Delaney Bramlett, Jimmy Hughes, and many others – and the package features 146 tracks in all, with copious notes on the material! CD

Think you know Stax Records? Guess again – as this mindblowing collection offers up a whole new side of Stax we've never heard before. Forget the hits, forget the overplayed oldies – this set's brimming full of deep soul gems from the legendary Memphis label – including a fair bit of heartbreaking tracks that go way beyond any southern soul cliches! The music is amazing – proof that Ace still really knows how to put together a compilation – and in addition to some real rarities, there's also some killers appearing here for the first time ever – making the whole thing essential to any fan of Stax – or southern soul in general. A massive amount of music, all of it great – and titles include "Stay Baby Stay" by Johnny Daye, "I've Done It Again" by The Charmells, "Move Over" by Soul Children, "Hold On This Time" by Chuck Brooks, "Groovin' On My Baby's Love" by Freddie Waters, "Make A Joyful Noise" by Bettye Crutcher, "The Fault Is Not In Me" by Sylvia & The Blue Jays, "A Love Affair Theat Bears No Pain" by Shack, "Two Fools" by Willie Singleton, "Let Em Down Baby" by Jimmy Hughes, "Love Changes" by Charlene & The Soul Serenaders, and "Woman Across The River" by Little Milton. CD

A great non-Stax album from Memphis soul singer Shirley Brown – recorded for Arista, but with all the depth and feeling of her indie work! Shirley's wonderfully teamed here with songwriter Bettye Crutcher –one of the best second generation talents at Stax, and writer with a great way of putting over a mature, modern southern soul tune. In addition to contributing most of the tracks, Crutcher also co-produced the record – and helps give it a sound that's hip and focused – without any overdone southern soul cliches. The set's the kind that should have made Brown as big as Millie Jackson in the 70s – and it's filled with great tracks that include "Blessed Is The Woman (With A Man Like Mine)", "When You Really Love Somebody", "Givin' Up", "Midnight Rendezvous", "A Mighty Good Feeling", and "Long On Lovin". LP, Vinyl record album

A deep dive into the vaults of the legendary Stax Records – the Memphis label who helped usher in a whole new sound in soul music during the 60s, and was still going strong in the early part of the 70s! In the final years, Stax was hitting big with a number of stars, but also recording a bit more than they got the chance to issue at the time – all top-quality work, often with the key songwriters and studio talent behind the hits – some of which was lost to the sands of time, due to financial troubles in the label's last few years. Yet those rare gems live again here – as Ace/Kent do a superb job of dipping into the legacy of rare and unreleased material from this period – a good deal of which shows Stax moving the bar even further, by advancing the styles of southern soul with newly sophisticated modes. If you know the last few Soul Children records on Stax, you'll get the vibe here – spun out on a great run of 20 tracks that include "I'm Too Old To Play" by Jimmy Hughes, "How Can I Win Your Love" by Eddie Floyd, "I'm Tired" by Mavis Staples, "Come Get From Me (parts 1 & 2)" by David Porter, "You Need Love" by Chuck Brooks, "Ain't No Way" by Shirley Brown, "Did You Hear Yourself (part 1)" by Randy Brown & Company, "Ain't Nobody Like My Baby" by Lee Sain, "I'll Do Anything For Your Love (single edit)" by William Bell, "Standing In The Safety Zone" by Soul Children, "We've Got Love On Our Side" by Bettye Crutcher, "Guilty Of Loving You" by Veda Brown, "Let's Make A Deal" by Frederick Knight, and "A Smile Can't Hide A Broken Heart" by Ollie & The Nightingales. CD

An incredible addition to the rich legacy of Stax Records – a massive collection of 146 tracks, almost all of which appear here for the first time ever – a set that represents recordings done by all the great songwriters who were working for Stax at the time, most of whom were also recording artists on the label! Given that fact, these aren't scratchy recordings performed by hacks who can't sing – as almost all the material features the sort of top-shelf vocalists who made Stax such a deep soul powerhouse in the 60s and 70s – represented here in a style that shows just how much freedom of creative expression the label allowed its best – very different than the way some of the bigger companies would just cram a song down a quickly-booked session in the studio! Plus, these demo tracks are done in a variety of modes – some with very stripped-down instrumentation, some with fuller groups – and together, they offer a key look at the creative process at Stax – one that's very different than the iconic sound of productions in their Memphis studio, and which really shows an even deeper range of expression through the variety of approaches. The 7CD set has a really cool approach – CDs 1, 2, and 3 feature demos by Stax artists singing their own material; CD4 features Stax singer/songwriters working on non-Stax material; and CDs 5, 6, and 7 feature songs by these artists that were never issued at the time! The set includes work by The Staple Singers, William Bell, Carla Thomas, Bettye Crutcher, Homer Banks, Eddie Floyd, Veda Brown, Frederick Knight, Mack Rice, Delaney Bramlett, Jimmy Hughes, and many others – and the package features 146 tracks in all, with copious notes on the material! CD

A great non-Stax album from Memphis soul singer Shirley Brown – recorded for Arista, but with all the depth and feeling of her indie work! Shirley's wonderfully teamed here with songwriter Bettye Crutcher –one of the best second generation talents at Stax, and writer with a great way of putting over a mature, modern southern soul tune. In addition to contributing most of the tracks, Crutcher also co-produced the record – and helps give it a sound that's hip and focused – without any overdone southern soul cliches. The set's the kind that should have made Brown as big as Millie Jackson in the 70s – and it's filled with great tracks that include "Blessed Is The Woman (With A Man Like Mine)", "When You Really Love Somebody", "Givin' Up", "Midnight Rendezvous", "A Mighty Good Feeling", "Honey Babe", and "Long On Lovin". CD

A deep dive into the vaults of the legendary Stax Records – the Memphis label who helped usher in a whole new sound in soul music during the 60s, and was still going strong in the early part of the 70s! In the final years, Stax was hitting big with a number of stars, but also recording a bit more than they got the chance to issue at the time – all top-quality work, often with the key songwriters and studio talent behind the hits – some of which was lost to the sands of time, due to financial troubles in the label's last few years. Yet those rare gems live again here – as Ace/Kent do a superb job of dipping into the legacy of rare and unreleased material from this period – a good deal of which shows Stax moving the bar even further, by advancing the styles of southern soul with newly sophisticated modes. If you know the last few Soul Children records on Stax, you'll get the vibe here – spun out on a great run of 20 tracks that include "I'm Too Old To Play" by Jimmy Hughes, "How Can I Win Your Love" by Eddie Floyd, "I'm Tired" by Mavis Staples, "Come Get From Me (parts 1 & 2)" by David Porter, "You Need Love" by Chuck Brooks, "Ain't No Way" by Shirley Brown, "Did You Hear Yourself (part 1)" by Randy Brown & Company, "Ain't Nobody Like My Baby" by Lee Sain, "I'll Do Anything For Your Love (single edit)" by William Bell, "Standing In The Safety Zone" by Soul Children, "We've Got Love On Our Side" by Bettye Crutcher, "Guilty Of Loving You" by Veda Brown, "Let's Make A Deal" by Frederick Knight, and "A Smile Can't Hide A Broken Heart" by Ollie & The Nightingales. CD