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Ben Webster & Oscar Peterson Edit search Phrase match

 
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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
Ray Brown/Ben Webster/Oscar PetersonOne O'Clock Jump 1953 – Jazz At The Philharmonic ... LP
Verve, 1953. Near Mint- ... $4.99
Recorded September 19, 1953 at Carnegie Hall in New York City, with Roy Eldridge, Charlie Shavers, Bill Harris, Benny Carter, Willie Smith, Flip Phillips, Lester Young, Herb Ellis, and JC Heard. LP, Vinyl record album
(80s issue.)
 
Possible matches: 6
Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Ben Webster & Coleman HawkinsTenor Giants ... LP
Verve, 1957/1959. Near Mint- 2LP Gatefold ... Out Of Stock
A late 70s pressing of some classic Verve sides from the 50s, featuring two masters of the tenor, blowing side by side in a couple of small group settings: one with rhythm backing by Oscar Peterson, Herb Ellis, Ray Brown, and Alvin Stoller and the other with Jimmy Jones, Les Spann, Ray Brown and Jo Jones, plus Roy Eldridge and Budd Johnson in the frontline. The best tracks have lots of room – plenty of space so that the tenors aren't butting heads with each other in too close of quarters, with space to express themselves freely. Titles include "Blues For Yolande", "La Rosita", "Shine On Harvest Moon", "You'd Be So Nice To Come Home To", "It Never Entered My Mind", "De-Dar", "Time After Time", "Young Bean" and "In A Mellowtone". LP, Vinyl record album
(Cover has a sticker on the spine and some light wear.)

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Coleman Hawkins & Ben WebsterColeman Hawkins Encounters Ben Webster ... LP
Verve, 1957. Near Mint- ... Out Of Stock
A classic set in the best Verve Records mode – as these two mature giants of the tenor sax get lots of room to open up and solo with a great rhythm section at the core! Both Hawkins and Webster have a fantastic sense of tone and timing – and the space of the record really lets you hear the charms of both in equal measure – with backing from Oscar Peterson on piano, Herb Ellis on guitar, Ray Brown on bass, and Alvin Stoller on drums. The best tracks have lots of room – plenty of space so that the tenors aren't "encountering" each other in too close of quarters, with space to express themselves freely – and titles include "Blues For Yolande", "Rosita", "Shine On Harvest Moon", and "You'd Be So Nice To Come Home To". LP, Vinyl record album
(Early 80s Japanese Polydor pressing, UMV 2532. Cover has a cutout notch, an index label with clear tape on the spine, and initials in marker on back.)

Possible matches4
CD, LP, Vinyl record album cover art
Jazz At The PhilharmonicNorm Granz' Jam Session #8 ... LP
Clef, Early 50s. Very Good- ... $24.99
An early Norm Granz production, before they were issued under the JATP moniker, though basically the same idea. In fact, this set would later get repackaged as a JATP side. As you'd expect, it's an all star cast, with a group that includes Flip Phillips, Lester Young, Illinois Jacquet, Johnny Hodges, Ben Webster, Roy Eldridge, Lionel Hampton, Dizzy Gillespie, Ray Brown, Oscar Peterson and Buddy Rich. Side one is a blowing session entitled "Jam Blues" and side two is the "Ballad Medley" stringing together bits of "Tenderly", "I've Got The World On A String", "What's New", "I Got It Bad & That Ain't Good","Don't Blame Me", "Imagination", "Someone To Watch Over Me", "Body & Soul" and "She's Funny That Way". LP, Vinyl record album
(Black label Clef pressing with trumpeter logo and deep groove. Cover has clear tape along all of the seams and a spot of faded marker in the top right.)

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Charlie Parker & OthersCharlie Parker Sides – Norman Granz Jam Session (Vols 1 & 2) ... LP
Verve, 1952. Near Mint- 2LP Gatefold ... Just Sold Out!
An expanded version of the first album to carry the Jazz At The Philharmonic formula into the studio – and a record that virtually coined the term "jam session" for 50s jazz! Norman Granz repeats the style he'd done so well in a live setting – and brings together a host of all-star players in a very relaxed, open environment – one that gives them all plenty of space to open up and hit some nice long solos. Players include Charlie Parker, Johnny Hodges, and Benny Carter in a three-alto frontline, plus Flip Phillips and Ben Webster on tenor, Barney Kessel on guitar, Oscar Peterson on piano, Ray Brown on bass, and JC Heard on drums. Side one features the original "Jam Blues", and side two features a "Ballad Medley", with each solo star taking one of the tunes in the set. Also features the material from vol 2 – "Funky Blues" and "What Is This Thing Called Love". LP, Vinyl record album
(70s issue. Cover has some ring & edge wear.)

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Coleman HawkinsColeman Hawkins & Confreres (with bonus tracks) ... CD
Verve, 1961. Used ... Temporarily Out Of Stock
An all-star set for Hawk – one that has him blowing with backing from the Oscar Peterson Trio, plus some additional work by Hank Jones, and guest trumpet from Roy Eldridge, and even a bit of additional tenor from Ben Webster! Phew, with all those players on the set, you might expect the album to feature a lot of head-butting – but it's actually one of Hawk's best later sides, and was recorded in a nicely open-ended mode that lets most of the players get in some good moments without having to bump elbows. Titles include "Nabob", "Honey Flower", "Maria", and "Hanid". CD features two bonus tracks "Cocktails For Two" & "Honey Flower (alternate)". CD
(Out of print.)

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ VariousHow Deep Is The Ocean? – The Irving Berlin Songbook ... CD
Verve, 1950s. Used ... Out Of Stock
Includes music from Charlie Shavers, Bob Brookmeyer, Ben Webster & Oscar Peterson, Red Norvo, Oscar Peterson, Flip Phillips, Jimmy Cleveland, Billy Bauer, Gerry Mulligan. Teddy Wilson & more. CD
(Out of print.)
 
 
 



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