The album's no breakout for the Pointer Sisters, as the trio were already at the top of the charts when the set was released – but the whole thing does find a great way to keep the grooves coming in the group's lasting relationship with producer Richard Perry! There's plenty of 80s elements here – basslines, beats, and keyboards – moving the group way past some of the club and pop modes of the 70s – and keeping them perfectly poised for long-term crossover fame for years to come! Case in point is the album's long-running hit "Jump (For My Love)", nestled alongside other cuts that include "Automatic", "I'm So Excited", "I Need You", "Neutron Dance", "Easy Persuasion", "Baby Come And Get It", "Telegraph Your Love", and "Operator". LP, Vinyl record album

A set that's not nearly as electronic as you might expect – at least not in any sort of cold, computer-styled way – as the record is full of plenty of great analog touches on keyboards, basslines, and other bits – all of which really give the whole thing a very warm glow overall! The tunes are in the best classic keyboard sound library modes – maybe an evolution from Alan Hawkshaw through Piero Umiliani, into territory that's definitely Gianni Safred's own – as it's very hard for us to even begin to link the particular style of these tunes to any other record in the genre! Wonderful work throughout – on tunes that include "Jazz Motion Study", "Planetarium", "Trapdoor", "City Problems", "Mystification", "Bottom Up", "Elastic Points", and "Automatic Age". LP, Vinyl record album

Wonderful sounds from the films of Jacques Tati – a set that overflows with the kind of warmly wistful tunes that really help define the images on the screen! Music is by Francis Lemarque, Francois Rauber, Charles Dumont, and others – and overall, the music is mostly in a small combo mode – with instrumentation that includes piano, vibes, guitar, and accordion – used in very whimsical ways throughout, with a quality that's almost as visual as the images on the screen – almost little cartoons in music, but with that warmer, more sentimental quality that made Tati's films so much more than slapstick. The collection runs much further in time than previous Tati collections – material from films that include Traffic, Play Time, Jour De Fete, Mon Oncle, Parade, and Les Vacances De Monseuir Hulot. Titles include "Paris Circus", "Super Market", "Play It In Time", "Musette", "Tournez Les Maneges", "Bereceuse", "Theme Oriental", "Take My Hand", "La Cours D'Auto", "Tournee Rapide", "Chanson Des Forains", "Voitures Ballet", "Mon Oncle", and "Pianissimo". CD

Heavily grooving Italian jazz from 1960 – featuring the piano of Amedo Tommasi, and the twin-horn team of Cicci Santucci and Enzo Scoppa! Santucci plays trumpet and Scoppa plays tenor, and together, the pair were one of the tightest front lines working south of the Alps. We've stocked sets that include some of their funky work from the 70s – but this little gem is a rare early appearance in a straight bop mode, grooving nicely all the way through with the soulfulness of a rare side on Blue Note or Prestige from the same time! Titles include "Mulatto", "Zamboni 22", "Ballad For Micheline", "Coltrane", and "Auto Strada Del Sole". CD

Melodic psychedelia from 70s Iran – an incredible full scale anthology of recordings by guitarist and vocalist Kourosh Yaghmaei from the pre-revolution years – and an absolute treasure! Kouroush often recorded with his brothers – Kourosh singing lead and playing guitars or bass – with Kamran Yaghmaei on guitars and backing vocals and Kambiz Yaghmaei on keys and backing vocals. Other players contribute drums, bass and occasional additional elements – harmonica or horns on few tracks. The sound is a really wonderful amalgam of western garage, psych and strains of funk with native Iranian modes and tempos. The songs here sink in on an emotional level without us knowing a word of the language – the passionate vocals work wonderfully in that regard – but musically, it's innovative stuff that's nicely tripped out and heavily rhythmic, without compromising the melodic sensibility. The heavy duty 3LP set features 21 tracks in all – in a sweet 6 panel gatefold with a 24 page booklet – featuring extensive notes and photos, with Kourosh's story told in autobiographical detail. Like other recent Now Again packages, it's really beautifully done! Titles include "Gol E Yakh", "Dar Enteha", "Paiz", "Leila", "Del Dareh Pir Misheh", "Shirin Joon", "Ghazal", "Mosafere Shahre Baran", "Saghe", "Niyayesh", "Saraabe Toe", "Baroona", "Khaar", Bachehaye Khoobe Koocheh" and more. LP, Vinyl record album

The title gets this one right – as the album's a dreamy batch of instrumental tunes, the kind we'd love to hear coming out of the speakers in our supermarket! As with the group's other work, this album by the Lindberg Hemmer Foundation takes a retro twist – dipping back into a 60s easy bossa mode, blending organ and electric bass, plus a bit of moog – into simple, yet compelling tunes that recall the glory days of French soundtracks, Brazilian summers, and Italian coffee. A real gem all the way through – and one you'll be storming the Safeway just to get to the masses! Titles include "Frank Of Denmark", "Uhm Snacks", "The Buy Buy Song", "Full Auto", and "Party At Tony's Beach". CD

One of our favorite-ever Miles Davis albums – and a groundbreaking soundtrack that forever changed the way that jazz music was used in film! According to legend, the sounds here were recorded by Miles on a hot Paris night – late in the studio, after a live performance – in a very intimate setting that had he and the combo creating these little poetic passages along with the action in the film! In addition to sublime and moody muted trumpet from Miles – the small group also features tremendous tenor work from the great Barney Wilen – a French modernist who's at the height of his powers – and beautiful bass from Pierre Michelot, whose rich tones really frame the whole proceedings. The rest of the group features bop pianist Rene Urtreger and American drummer Kenny Clarke – but the real charm comes from the interplay between Wilen, Davis, and Michelo. Titles include "Florence Sur Les Champs-Elysees", "L'Assassinat De Carla", "Diner Au Motel", "Evasion De Julien", "Nuit Sur Les Champs-Elysees", "Le Petit Bal", "Au Bar Du Petit Bac" and "Sur L'Autoroute". LP, Vinyl record album

The record where it all really came together for Fairport Convention – the point at which the already-great group really stepped forward to become something totally unique! By this point all the key elements are firmly in place – sublime vocals from the great Sandy Denny, amazing guitar and songwriting from the young Richard Thompson, and an overall approach to the music that was way more than folk – in the way the elements are layered together carefully, and build in these hypnotic lines that are completely amazing – almost modal in conception, but much more subtle – and the quality that really makes their work so unique. Titles include "Genesis Hall", "Autopsy", "Cajun Woman", "Percy's Song", "Million Dollar Bash", and "Who Knows Where The Time Goes". Includes two bonus tracks – "Dear Landlord" and "The Ballad Of Easy Rider". CD

One of the headiest Studio One albums of the 80s – as you might guess from the trippy space-themed cover – a killer set of dee jay work from Lone Ranger, set to rhythms that get nice and heavy! The set's one of those in the best meeting of dub and dee jay modes – reworking both styles to weave together a record of very righteous power – subtle messages in the music from the Ranger, and bassy backings that also feature keyboards from Jackie Mittoo and tenor from Roland Alphonso! Titles include "Three Mile Shank", "Fist Tea", "My Number", "Can't Stand It", "You Too Greedy", "Automatic", and "Plant Up A Vineyard". LP, Vinyl record album

The title's maybe a bit misleading – as most folks think of day-glo as a color associated with some of the most throwaway culture of the 80s – but the brightness of the hue definitely marks the big explosion in styles during the key British year of 1978 – a time when the punk revolution of 1977 opened the door for a big range of modes to follow! It might be said that the post-punk years came immediately after the initial days of punk – and they definitely begin here, as hard and fast modes are mixed with more unusual styles that include mod revival moments, electronic experiments, and even some offbeat pop – expressions of humor, anger, and a shifting political landscape – served up as an amazing document of the creative intensity of the time! As with other Cherry Red boxes, the overall package is great – a huge amount of notes to support the 79 tracks within – a diverse array of music from Blue Steam, The Others, UK Subs, The Jam, Monochrome Set, Wreckless Eric, Spizzoil, Public Image Ltd, 999, The Stranglers, Japan, The Only Ones, Magazine, Alternative TV, Slush, Time Machine, Eater, The Bozos, Tyla Gang, Ed Banger, No Sweat, The VIPs, John Cooper Clarke, Scritti Politti, Penetration, Stiff Little Fingers, Alberto Y Los Trios Paranoias, Teardrops, Coventry Automatics, Menace, Bleach Boys, Jilted John, Zones, Electric Chairs, and many more! CD

Classic jazz for the 21st century – a treasure trove of tunes from Verve Records, all remixed for the modern dancefloor! The set's the second in Verve's Remixed series – and unlike the first, which focused mostly on vocal numbers, this one throws in some instrumental killers that are among some of our favorite in the catalog! The overall groove is much more expanded from the first session – way past the standard of floating vocals, keys, and beats – into a realm of abstract jazz that really gets at the heart of the project! 14 tracks in all – with "Manteca" by Dizzy Gillespie remixed by Funky Lowlives, "Here's That Rainy Day" by Astrud Gilberto remixed by Koop, "Naima's Love Song" by Betty Carter remixed by DJ Spinna, "Fried Neckbones & Some Home Fries" by Willie Bobo remixed by Dan The Automator, "Soul Sauce" by Cal Tjader remixed by Fila Brasillia, "Do What You Wanna" by Ramsey Lewis remixed by Mr Scruff, "Black Is The Color Of My True Love's Hair" by Nina Simone remixed by Jaffa, "Mama" by Hugh Masekela remixed by Metro Area, "Whatever Lola Wants" by Sarah Vaughan remixed by Gotan Project, "Blues For Brother George Jackson" by Archie Shepp remixed by Mondo Grosso, and "Brother Where Are You" by Oscar Brown Jr remixed by Matthew Herbert. CD

A sweet club set from early 80s Chicago – one that follows very nicely in the mode of Starvue and some of the city's stronger uptempo groups! Side one of the set is dominated by the great two part groover "To The Meat" – a track that steps out with great keyboards, jazzy guitar riffs, and a cosmically-infused dancefloor sound that's worth the price of the album alone! The set also features the great mellow ballad "What You Thought (Dissatisfaction & Reflection)", the funky groovers "Pure De Funk" and "Sinister", and the tracks "Don't You Know Heart" and "As The World Turns". LP, Vinyl record album

Amazing small group work from Ralph Burns – a real standout, given the amount of his larger ensemble sessions in the 50s! The album features Burns on piano – overdubbed on some tracks – working with a combo that includes Jimmy Raney on guitar, Clyde Lombardi on bass, and Osie Johnson on drums – all gently modern players who fit perfectly with Ralph's vision for the record. Things aren't as dark or as arch as on some of Burns' bigger dates of the decade – almost a bit warm at times, especially thanks to Ralph's piano lines. Titles include "Autobahn Blues", "Echo Of Spring", "Spring Sequence", "Spring", "Spring Is Here", and "Gina". LP, Vinyl record album

The record where it all really came together for Fairport Convention – the point at which the already-great group really stepped forward to become something totally unique! By this point all the key elements are firmly in place – sublime vocals from the great Sandy Denny, amazing guitar and songwriting from the young Richard Thompson, and an overall approach to the music that was way more than folk – in the way the elements are layered together carefully, and build in these hypnotic lines that are completely amazing – almost modal in conception, but much more subtle – and the quality that really makes their work so unique. Titles include "Genesis Hall", "Autopsy", "Cajun Woman", "Percy's Song", "Million Dollar Bash", and "Who Knows Where The Time Goes". CD

The record where it all really came together for Fairport Convention – the point at which the already-great group really stepped forward to become something totally unique! By this point all the key elements are firmly in place – sublime vocals from the great Sandy Denny, amazing guitar and songwriting from the young Richard Thompson, and an overall approach to the music that was way more than folk – in the way the elements are layered together carefully, and build in these hypnotic lines that are completely amazing – almost modal in conception, but much more subtle – and the quality that really makes their work so unique. Titles include "Genesis Hall", "Autopsy", "Cajun Woman", "Percy's Song", "Million Dollar Bash", and "Who Knows Where The Time Goes". LP, Vinyl record album

Sweet electro funk from The Gap Band – a group who are still grooving strong here, hitting the best of their Total Experience modes! The trio's mighty tight throughout – and their familiar funk is augmented by some electro touches that definitely keep things fresh – and we mean that in the best mid-80s use of the word! A bit of an old school influence comes into the vocals at points – which are spoken as much as sung on some cuts – and as always, The Gap Band really show their strength with the kind of catchy chorus that works great with a bassy groove. Titles include a great ballad reworking of "Going In Circles" – plus the groovers "Lil Red Funkin Hood", "Automatic Brain", "Desire", "Bumpin Gum People", and "I Know We'll Make It". LP, Vinyl record album

Herbie Hancock in his best 80s electric mode – not just working in the style of his electro-influenced hit "Rockit" – but also stretching things out a bit more in a live setting too! The lineup here features all the key elements that made this criss-crossing of cultures such a key point in Herbie's career – with the legendary DST on the turntables, plus Anton Fier and JT Lewis on drums, Bernard Fowler on keyboards and vocals, and Foda Musa Suso on talking drum and percussion! Titles include "Crazy Cuts/Chameleon", "Rockit", "Future Shock", "Autodrive", "Rough", "Stars In Your Eyes", and "Earth Beat". LP, Vinyl record album

An excellent collaboration between two of Verve's best Brazilian artists of the late 60s – the groovy organist Walter Wanderley, and the breezy breathy vocalist Luiz Henrique! The set is a perfect example of the way that Verve took bossa playing and gave it a groovy production twist – turning it into something that was just a little bit different, in a mode that became America's best contribution to the bossa era! The legendary Sivuca puts in a great guest appearance on a few tracks – further enhancing the sound with his "singing" style of accordion work – and the whole thing bounces along in a magical groove that's hardly been duplicated again! Titles include a very unusual funk-based take on "Happy Birthday" – one that has a bit of a break to it – plus "Kee Ka Roo", "Popcorn" (not the Perry-Kingsley hit), "Florianopolis", "In My Automobile", "Dusty Road", and "Blue Island". LP, Vinyl record album

An unusual 70s release of work from Lightnin Hopkins – one with a cryptic photo of Hopkins behind bars! The material is most likely from earlier years, though – and it captures Lightnin at his best folk blues mode – just vocals and acoustic guitar on most numbers, the latter carrying equal duties on rhythm and some great solo inflections that break out between the lyrics! Titles include "Shiny Moon", "Big Mama Jump", "Rollin Woman Blues", "Automobile Blues", "Cairo Blues", and "Bad Whiskey". LP, Vinyl record album

Kanye's tightest, most heavily synth soaked set yet – and possibly the best – a leap ahead for his evolving sound! Graduation gleams and shines more than it bounces on the bottom end, and if his LP titles to date overtly suggest that this caps off a trilogy – it really goes beyond the title – it's POST Graduation! By the end of Late Registration Kanye was dabbling in hip hop symphonies (for the better) with a few too many skits, but this one's all laser beam efficiency with a human heartbeat. Kanye's moved on, well past our expectations anyway, and he better not call the next one Class Reunion. A bunch of these cuts could rule several radio formats, and they sound great in the headphones, too. To tell the truth, any modern hip hop record with a big fat (and surely expensive) Steely Dan sample is going get an automatic recommendation from us, but Graduation works for us for many more reasons than that alone. Well done, Kanye! "Good Morning", "Champion", the Daft Punk-ed hit "Stronger", "I Wonder", "Good Life", "Can't Tell Me Me Nothing", "Barry Bonds" with Lil Wayne, "Drunk And Hot Girls" with Mos Def, "Flashing Lights" with Dwele, "Everything I Am" with DJ Premier, "Homecoming" and "Big Brother". CD

Kanye's tightest, most heavily synth soaked set yet – and possibly the best – a leap ahead for his evolving sound! Graduation gleams and shines more than it bounces on the bottom end, and if his LP titles to date overtly suggest that this caps off a trilogy – it really goes beyond the title – it's POST Graduation! By the end of Late Registration Kanye was dabbling in hip hop symphonies (for the better) with a few too many skits, but this one's all laser beam efficiency with a human heartbeat. Kanye's moved on, well past our expectations anyway, and he better not call the next one Class Reunion. A bunch of these cuts could rule several radio formats, and they sound great in the headphones, too. To tell the truth, any modern hip hop record with a big fat (and surely expensive) Steely Dan sample is going get an automatic recommendation from us, but Graduation works for us for many more reasons than that alone. Well done, Kanye! "Good Morning", "Champion", the Daft Punk-ed hit "Stronger", "I Wonder", "Good Life", "Can't Tell Me Me Nothing", "Barry Bonds" with Lil Wayne, "Drunk And Hot Girls" with Mos Def, "Flashing Lights" with Dwele, "Everything I Am" with DJ Premier, "Homecoming" and "Big Brother". LP, Vinyl record album

A really great little soundtrack – an unusual comedic moment for Ennio Morricone, and scored with this very groovy blend of light orchestrations, gentle rhythms, and even a bit of bossa! Keyboard lines ring out with this spare, resonant feel on some of our favorite numbers – recalling the best Morricone modes at the start of the 70s, but with a slightly different twist – and the overall approach is way more classy and careful than the usual Italian comedy of this vintage – no throwaway disco or too-cheesy cuts – just the kind of careful sense of sound we'd expect from the maestro. CD features 27 tracks in all – with titles that include "Autostrada", "Dance On", "Bianco Rosso E Verdone", and "Un Povero Emigrante". CD

Haunting horror work from the great Bruno Nicolai – an album that's got some wonderfully-crafted themes mixed with some lighter, breezier numbers – almost in a Rosemary's baby sort of mode! Bruno really gets to show off both sides of his talents here – and comes up with some spare and melodic orchestrations that recall his work with Morricone, mixed with other numbers that diverge into sweeter territory and dance along nicely. The set features a total of 24 numbers – nearly all of which are more redemptive than the darker horror plot of the film – and titles include "In Cantina", "Servizio Fotografico", "Minaccia", "Scoperta & Sesto Delitto", "Confronto Finale", "In Automobile", "Ufficio Vuoto", and "Terzo Delitto". LP, Vinyl record album

A London record that bristles strongly with all the best sorts of criss-crossing cultural energy that's been taking place on the city's scene over the past decade or so – jazz mixing with new production modes, soulful vocals reaching cosmic sonic territory, and rhythms unlocked from more familiar modes – all guided strongly by producer Ash Walker in the lead! Walker works plenty as a DJ too, and there's almost a party-like sense of collaboration taking place on the record – as Ash opens the door to a wonderful range of guests – including Yazz Ahmed, Oscar Jerome, Lou Rhodes, Amp Fiddler, Ebi Soda, Sly5thAve, Joe Armon-Jones, and others – coming together in a record that cascades effortlessly from sound to sound, track to track! Titles include "Detroit Velvet Smooth", "Jupiter", "Babylonian Triangle Of Captivity", "Afronaught", "Letting Go", "Automation", "Petrol Head", and "Time Gets Wasted". LP, Vinyl record album

There's nothing folk about the Folklords – and the group are overall maybe more in the best mode of the Sunshine Pop generation, as you'd guess from their dreamy image on the cover! The group features a trio of singers – two guys, one gal – trading leads and harmonies, and coming off with these really easygoing, sparkling sort of glow – supported with a bit of work on guitar, bass, drums, and autoharp – the last of which adds a cool an unique vibe to the record! Titles include "Jennifer Lee", "Don't Hide Your Love From Me", "Child", "Windows", "Pardon Me Judas", "Thank You For Your Kindness", "We'll Love Like Before", "Suzanne Marie", "Don't Look Back", and "The Slave" – plus bonus tracks "Unspoken Love" and "Forty Second River". LP, Vinyl record album

A really great little soundtrack – an unusual comedic moment for Ennio Morricone, and scored with this very groovy blend of light orchestrations, gentle rhythms, and even a bit of bossa! Keyboard lines ring out with this spare, resonant feel on some of our favorite numbers – recalling the best Morricone modes at the start of the 70s, but with a slightly different twist – and the overall approach is way more classy and careful than the usual Italian comedy of this vintage – no throwaway disco or too-cheesy cuts – just the kind of careful sense of sound we'd expect from the maestro. Vinyl version features 20 tracks in all – titles that include "Marcetta Poplare", "Un Povero Emigrante", "Dance On", "Autostrada", and a number of variations on the title. LP, Vinyl record album

A treasure trove of greatness from British folk rock legend John Renbourn – all of his late 60s solo work, done before moving on to greater fame in Pentangle! First up is There You Go – a rare one from singer Dorris Henderson and future Pentangle founder John Rensbourn! Florida born, LA raised singer Dorris Henderson moved to London in 1965 and was soon singing London's folk clubs, where she met Rensbourn. A solid mix of traditionals and then contemporary folk songs – stripped down and honest takes on "Saly Free And Easy", "Cotton Eyed Joe", "Mr Tamborine Man", "Going To Memphis", Something Lonesome", "Mist On The Mountain" and more. This edition includes bonus tracks from a rare 45 – "Hangman" and "Leaves That Are Green". Next is the self-titled John Renbourn from 1965 – a set that would not only establish John's legacy for years to come, but also have a very strong impact upon the role of the guitar on the British scene too! The album's definitely in a mode that owes something to an American folk legacy – but it also really breaks from the past with unusual phrasings and colorings in Renbourn's guitar – certainly with an ear towards ancient English modes, but also at once very fresh and contemporary – a strong precursor to the waves of new acoustic talents that would flow from the UK a few years later, but maybe even more revolutionary – given that John's mostly just working here with his guitar and voice. Bert Jansch adds guitar to a few tracks – and titles include "Song", "Down On The Barge", "Plainsong", "Judy", "Beth's Blues", "Blue Bones", "Train Tune", "Winter Is Gone", and "Noah & Rabbit". Bert & John is a hell of a collaboration between British legends Bert Jansch and John Renbourn – both working here together to completely redefine the sound of their music for the generation to come! This one album may well hold all the sense of subtle power and possibility that was about to flower in the Brit movement often known as "acid folk" – that reworking of older aesthetics with modern conceptions, and doing so mostly with their work on acoustic guitar – quite a feat, given the stripped-down instrumentation of the set! Bert sings a bit – in that incredible style of his – but the real attraction here is the guitar interplay, which is always fresh, never hokey, neither familiar American folk nor forced singer-songwriter backup material. Titles include a wonderful reworking of Charles Mingus' "Goodbye Pork Pie Hat" – plus "Red's Favourite", "Orlando", "Soho", "Piano Tune", "East Wind", "After The Dance", and "The Time Has Come". Another Monday is maybe the most obscure album in the collection – a set that is mostly instrumental, with some completely fantastic work by Renbourn on guitar – but which also features a bit of guest vocals from singer Jacqui McShee – whose warmer presence next to John really makes for a nice pairing. The album's as powerful as it is subtle, really beautiful in its sense of variety – with titles that include "Buffalo", "One For William", "Lost Lover Blues", "Another Monday", "Day At The Seaside", "Nobody's Fault But Mine", and "Waltz". Watch The Stars is another great collaboration with Dorris Henderson – an American singer, but one who moved to London in the 60s – where she cut this rare gem with guitarist John Renbourn! The album's got a righteous vibe that's hipper than the usual folk set – with some traditional tunes and some contemporary material – recorded with that amazing phrasing that made Renbourn's guitar so distinct right from the start, with lots of those jazzy currents we love so much – and which really fit the creative vocal approach of Henderson! Dorris also plays some autoharp, and there's a bit of bass in the backings – although overall the main focus here is on Renbourn's guitar and Henderson's vocals. Titles include "Come Up Horsey", "God Bless The Child", "Watch The Stars", "30 Days In Jail", "Mosaic Patterns", "Tomorrow Is A Long Time", and "There's Anger In This Land". Sir John A Lot Of is perhaps one of the best-known albums from British guitar legend John Renbourn – as it was issued widely in the US, and kept in print for a surprisingly long time over the years! The approach here is slightly different than Renbourn's previous records – a bit in the image presented by the cover, although with maybe not as slavish a sound – as John just uses the whole thing to go a bit more ancient than before, in ways that echo the time travel that the whole British folk scene was taking as the 70s approached. The tunes are done in ways that are really beautiful – still lots of the incredible guitar work that made Renbourn such a standout on the scene – plus flute from jazzman Ray Warleigh, who's very different here than usual – and spare use of finger cymbals, African drums, and glockenspiel by Terry Cox. Titles include "Morgana", "Transfusion", "The Trees They Do Grow High", "Sweet Potato", "Seven Up", and "White Fishes". 6CD box features all records in original artwork sleeves, with a booklet of notes – and bonus tracks that include "Message To Pretty", "The Waggoner's Lad", "Lucky Thirteen", "Blues Run The Game", "The Wildest Pig In Captivity (alt)", "Can't Keep From Crying", "Transfusion (alt)", and "The Leaves Are Green". CD

Wonderful sounds from the films of Jacques Tati – a set that overflows with the kind of warmly wistful tunes that really help define the images on the screen! Music is by Francis Lemarque, Francois Rauber, Charles Dumont, and others – and overall, the music is mostly in a small combo mode – with instrumentation that includes piano, vibes, guitar, and accordion – used in very whimsical ways throughout, with a quality that's almost as visual as the images on the screen – almost little cartoons in music, but with that warmer, more sentimental quality that made Tati's films so much more than slapstick. The collection runs much further in time than previous Tati collections – material from films that include Traffic, Play Time, Jour De Fete, Mon Oncle, Parade, and Les Vacances De Monseuir Hulot. Titles include "Paris Circus", "Super Market", "Play It In Time", "Musette", "Tournez Les Maneges", "Bereceuse", "Theme Oriental", "Take My Hand", "La Cours D'Auto", "Tournee Rapide", "Chanson Des Forains", "Voitures Ballet", "Mon Oncle", and "Pianissimo". LP, Vinyl record album

Melodic psychedelia from 70s Iran – an incredible full scale anthology of recordings by guitarist and vocalist Kourosh Yaghmaei from the pre-revolution years – and an absolute treasure! Kouroush often recorded with his brothers – Kourosh singing lead and playing guitars or bass – with Kamran Yaghmaei on guitars and backing vocals and Kambiz Yaghmaei on keys and backing vocals. Other players contribute drums, bass and occasional additional elements – harmonica or horns on few tracks. The sound is a really wonderful amalgam of western garage, psych and strains of funk with native Iranian modes and tempos. The songs here sink in on an emotional level without us knowing a word of the language – the passionate vocals work wonderfully in that regard – but musically, it's innovative stuff that's nicely tripped out and heavily rhythmic, without compromising the melodic sensibility. The heavy duty 3LP set features 21 tracks in all – in a sweet 6 panel gatefold with a 24 page booklet – featuring extensive notes and photos, with Kourosh's story told in autobiographical detail. Like other recent Now Again packages, it's really beautifully done! Titles include "Gol E Yakh", "Dar Enteha", "Paiz", "Leila", "Del Dareh Pir Misheh", "Shirin Joon", "Ghazal", "Mosafere Shahre Baran", "Saghe", "Niyayesh", "Saraabe Toe", "Baroona", "Khaar", Bachehaye Khoobe Koocheh" and more. LP, Vinyl record album