That's a picture of legendary bassist Ahmed Abdul-Malik on the cover, and the title of the record hints at the legacy of Sun Ra – both references that should really give you an idea of the spirit of the sound within! The liner notes are by pianist Pat Thomas, who calls for a deeper exploration of the influence of West African Islamic culture on American jazz – but despite that text, and the group's name, the overall feel of the record is very much in the full-voiced sort of improvisation that we've come to love from Thomas in many different settings over the years! The quartet features Seymour Wright on alto, Joel Grip on bass, and Antonin Gerbal on drums – and all players do a great job of playing freely, but also handling the sound in these chunks that are inherently rhythmic, even though they've got a very different feel than standard jazz changes! Wright is especially compelling – with these repeated cries on alto that really give a special voice to the record – and the group performs one long improvisation, recorded at London's Cafe OTO. LP, Vinyl record album
Searing sounds from this excellent duo – Rodrigo Amado on tenor and Chris Corsano on drums – both musicians that have such a clear, tight understanding of each other that they're able to improvised freely in fantastic ways – whether moving at top speed as a duo, or stepping carefully around empty sonic space as they fill things in together! The record is one that really elevates our appreciation of both musicians, and which will have us certainly keeping an ear out for lots more in the future – and Amado especially is really emerging as a bold-toned tenorist with a strong current of soul. Titles include "Don't Take It Too Bad", "Announcement", "We'll Be Here In The Morning", "No Place To Fall", and "Into The Valley". CD
Chicago Underground Quartet —
Good Days ... CD AstralSpirits, 2020. New Copy ...
A fantastic step in the continuing evolution of the "Chicago Underground" project of trumpeter Rob Mazurek and drummer Chad Taylor – soaring out here in a set that's full of spiritual energy and a level of imagination that even surpasses their classic recordings from years ago! Mazurek blows piccolo trumpet, but also adds in some electronics – and Taylor is mindblowing on drums, playing with a style that's open, but always gently swinging – and matched with some synth bass from Josh Johnson, who also plays organ and piano on the set. The mighty guitarist Jeff Parker is the last member of the group – and like Mazurek, he's really come a long way in the past decade, and the quartet work together here at a level that has us falling in love with the Chicago Underground all over again. Moody at times, but never too loose – and titles include "Orgasm", "Good Days", "Batida", "All The Bells", "Unique Spiral", "Lome", "Westview", and "Strange Wing". CD
Slow-building sonic interplay between the clarinets of Jeremiah Cymerman and the guitars and piano of Charlie Looker – used in very open space that really lets both musicians find each others' sound, then unfold with a mode that's quite beautiful overall! There's certainly a nod here to the ECM legacy of the 70s – but there's also very different handling of the sound than Manfred Eicher would have done – and a really nice sense of depth and subtle sounds that keeps things interesting all the way through. Part of the approach might be the way that Cymerman uses pedals, ostensibly to modify the sound of his clarinet – although at times, the instrument has a straightforward acoustic vibe. Titles include "Speaking Of Dust", "The Ecstasy Of Betrayal", "A Horizon Made Of Canvas", "Samson", and "I'll Show You What You Are". CD
(First pressing limited to 500 copies!)
Karl Evangelista/Alexander Hawkins/Louis Moholo-Moholo/Trevor Watts —
Apura ... CD AstralSpirits, 2020. New Copy 2CDs ...
Just Sold Out!
Maybe the first album we've ever heard from guitarist Karl Evangelista as a leader – and a set that marks a very strong statement, right from the very first note! The set is done in tribute to an older British generation of free jazz – the period which included The Blue Notes and Spontaneous Music Ensemble – and, as part of that effort, the whole thing was recorded in London, by Benedic Lamdin, with a group that features Louis Moholo Moholo on drums, Trevor Watts on alto and soprano, and Alexander Hawkins on piano! While the two older British jazz giants are a very welcome presence, some of the album's most compelling sounds might well come from the mix of Evangelista's guitar and Hawkins' piano – both instruments that have a very compelling way of making sharp sounds together, really finding the right pace and tone, with a sense of sympathy that really makes the album shine. There's a heck of a lot of music on the double-length set – and titles include "FDT", "Siyanga Pala", "I Eat Death For Breakfast", "Totoo Yan", "State Of Emergency", "Consummatum Est", "Warriors", and "Player Piano". CD
Nick Fraser/Kris Davis/Tony Malaby —
Zoning ... CD AstralSpirits, 2019. New Copy ...
Just Sold Out!
Drummer Nick Fraser has a great sense of cyclical energy here – a way of playing freely, but elliptically – so that there's this sense of passage and phase in some of the music, even while all the members are improvising with great intensity! The core trio features Fraser on drums, Kris Davis on piano, and Tony Malaby on saxes – the last of whom blows with an angular energy that strikes a great balance between the piano and drums. Half the record also features two more guests – Ingrid Laubrock on tenor and Lina Allemano on trumpet – and titles include "Zoning", "Wells Tower", "Sketch 46", "Coda", "Charismatics", and "Events". CD
A beautiful extended composition for the coronavirus generation – a piece written for cello and percussion in a very minimal way that builds and shifts over time – all to examine the "care and empathy that emerge when two lives share space"! That care is very clear here – as the work is performed by the duo Two-Way Street – which features Ashlee Booth on cello and Adam Lion on percussion – players who certainly have a lot of empathy for each others' strengths, and find them easily as they move between differing passages over the course of the 90 minute performance! The cello has a surprising array of sounds here – emerging as the percussion modes shift – and the whole thing proceeds with a sense of space and slow shift that would have made the early minimalists proud. LP, Vinyl record album
A double-length set that showcases the ever-growing, ever-evolving talents of drummer Quin Kirchner – working here in a variety of settings with help from some other great talents on the Chicago scene! Most of these tunes have a core sense of structure – and even when Quin is improvising more freely, he still finds a way to swing – working here on conventional drums, other percussion instruments, and even a bit of kalimba too – alongside a mix of players that includes Nick Broste on trombone, Nate Lepine on tenor and flute, Nick Mazzarella on alto, Jason Stein on bass clarinet, Greg Ward on alto, Rob Clearfield on piano, and Matt Ulery on bass. Many numbers have a spacious, ambitious vibe – almost spiritual jazz, of a quality that really has us respecting Kirchner more than ever – and the double space of the album is really needed to allow this majestic message the room to unfold properly. Titles include "Ecliptics", "King Korn", "Jupiter Moon", "Horizons", "At This Point In Time", "Bata Chop", "Pathways", "Star Cluster", and "Moon Vision". CD
Kuzu is fast becoming one of the more compelling settings for the saxophone talents of the great Dave Rempis – as the blend of sounds here really sets things apart from other improvised combos, even though the elements are all very familiar! Tashi Dorji has a way of handling the guitar that creates lots of sharp edges and bold moments – much fiercer than the legacy of improvisers like Derek Bailey or Fred Frith – and really full-on at moments when the drums of Tyler Damon take off! Rempis is as deft at these moments as he is in some of the sparer, more open passages – blowing alto, tenor, and baritone on the two long tracks on the record – "It Simply Becomes Jammed" and "Gnash". LP, Vinyl record album
KVL (Quin Kirchner/Daniel Van Duerm/Matthew Lux) —
KVL Volume 1 ... LP AstralSpirits, 2019. New Copy ...
The debut album from a very hip trio – one that features Quin Kirchner on drums and percussion, Daniel Van Duerm on organ and electric piano, and Matt Lux on bass – plus all three members on some sort of electronics! The tunes are instrumental and experimental, but almost always have some sort of structure and rhythmic energy – a quality that maybe nods more towards the work that Lux has done on other sides of the Chicago scene over the years – as he's been one of the most diverse, adaptable, and collaborative bassists we can think of! There's some really great sounds running throughout – a record that's maybe post-jazz, post-rock, and post-improv – with titles that include "North Branch", "Bladewalker", and "Peaceable" – the last of which features guest trumpet from Jaimie Branch. LP, Vinyl record album
A fantastic pairing of players – two Chicago legends, both in the sort of setting that really suits them best! Roscoe Mitchell works here on two long improvisations with drummer Mike Reed – blowing a variety of reed instruments, and really taking us back to the groundbreaking work he did in such formats in the late 60s and 70s – very much in the spirit of his work for both Delmark and Sackville. Reed's a drummer who can present himself in larger arrangements and some very important groups – but a date like this reminds us how great he can be on the kit when improvising freely, with a very sympathetic ear to the still-amazing constant creations of Mitchell on reeds. Mike also brings in a bit of electronics – and titles include "The Ritual" and "The Dance". CD
A fantastic pairing of players – two Chicago legends, both in the sort of setting that really suits them best! Roscoe Mitchell works here on two long improvisations with drummer Mike Reed – blowing a variety of reed instruments, and really taking us back to the groundbreaking work he did in such formats in the late 60s and 70s – very much in the spirit of his work for both Delmark and Sackville. Reed's a drummer who can present himself in larger arrangements and some very important groups – but a date like this reminds us how great he can be on the kit when improvising freely, with a very sympathetic ear to the still-amazing constant creations of Mitchell on reeds. Mike also brings in a bit of electronics – and titles include "The Ritual" and "The Dance". LP, Vinyl record album
Jessica Pavone plays viola and handles the compositions here – with a group that's less an ensemble than a well-matched trio – with Abby Swidler on viola, and Erica Dicker and Angela Morris on violins! The group's a bit like a string quartet, but with an extra viola instead of a cello – but the sound here is much more in the mode of some of the giants of avant jazz violin from years back – some of the careful textures of Leroy Jenkins, mixed with some of the lower sonic ranges of Phil Wachsmann, and an overall execution that has some of the more complex sonic elements as Roscoe Mitchell's orchestrations for strings. The album features four long tracks, all with a very drawn-out, almost minimalist approach – as the quartet slow-builds their way into tunes that have a very spacious vibe. Titles include "Lost & Found", "Nice & Easy", "Rise & Fall", and "Pros & Cons". CD
Two fantastic improvisations from the Chicago scene – both featuring the well-known talents of Dave Rempis on saxes and Tim Daisy on drums – plus the rising genius of Matt Piet on piano! Piet's a name we've only begun to pay attention to – but his bold sense of freedom here really seems to drive the proceedings on even more strongly than we might have guessed – with an urgency that really sets Rempis on fire, who then seems to do the same to the trio – while Daisy balanced beautifully between more sensitive percussion and a full-on attack of the drum kit. Titles include "To Play Is The Thing" and "The Thousand Natural Shocks". CD
Patrick Shiroishi/Vinny Golia/Dylan Fujioka/Alex Cline —
Borasisi ... CD AstralSpirits, 2019. New Copy ...
Two saxophonists and two percussionists – coming together here in a pair of beautiful long-form improvisations! Patrick Shiroishi and Vinny Golia handle the reeds, and Dylan Fujioka and Alex Cline are on drums and percussion – and the album's two extended, improvised tracks have this great sense of space and sympathy – as the musicians are really starting to feel each other out at the start, then find ways to unfurl stronger, bolder aspects of their performance – yet with distinct sonic elements that really keep the individuality of each member. Titles include "Right Eye Sun" and "Left Eye Moon". CD
Amazing sounds from three great improvisers – two of whom we've known and loved for years, one of whom we're just beginning to discover! The trio features Ken Vandermark on tenor and clarinet, Joe McPhee on soprano sax and pocket trumpet, and Susan Alcorn on pedal steel guitar – the last of which is an instrument that's used in very different, very unconventional ways – more like a subtle sonic element, but still with some musical qualities – which then seems to create the same sort of balance in McPhee and Vandermark, both of whom are more fragile, more sensitive here than we've heard them in years! There's still a few more fully-blown passages, but the real beauty of the record lies in the more subtle sonic interplay, which is magical throughout. Titles include "Invitation To A Dream", "The Eyes Of Memory", "Rise & Rise", "Every Season Has Its Reason", and "I Am Because You Are". CD
A great second meeting of a really fantastic group – the kind of combo that shows just the right sort of magic that can happen when you bring together improvisers who really have a strong sense of sympathy for each other! The music here is already way more than the sum of its parts – and it has some really incredible parts – Harris Eisenstadt in the lead on drums, Jeb Bishop on trombone, Tony Malaby on tenor and soprano sax, and Jason Roebke on bass – all musicians who really get each other's strengths, and find a way to make music that's mindblowing, but in surprisingly subtle ways. Roebke's an especially powerful force here – and titles include "Biomass", "Shaded Canopy", "Song With Owen", "Pit & Mound", "Nurse Logs", and "Needles/Seedlings". CD
Phicus (Fages/Revirego/Trilla) —
Solid ... CD AstralSpirits, 2020. New Copy ...
Temporarily Out Of Stock
This Spanish trio has a really amazing blend of guitar, bass, and drums – used in ways that are very different from a conventional jazz combo, and which has this real focus on bottom-end sounds on most of the tracks! The guitar of Ferran Fages has all these unusual tones – not just effects, but weird inflections and other sonic elements that bristle brilliantly alongside the brooding bass of Alex Reiriego, who really sets the tone for most tunes – plumbing a depth that's quickly explored by drummer Vasco Trilla too. Fages has plenty of noise in his guitar, but never hides behind it either – and titles include "Au", "Zn", "Co", "HgCl", "HgO", "Ag", and "HBr". CD
Charles Rumback/Jim Baker/John Tate —
June Holiday ... CD AstralSpirits, 2020. New Copy ...
Temporarily Out Of Stock
A sublime trio set from drummer Charles Rumback – a record that has us really appreciating the special touch the leader can bring to a date, as this album may also be one of the best that we've heard from pianist Jim Baker in years! Baker has this great way of sounding soulful and lyrical, yet also moving towards the freer side of his spectrum too – working with the subtle drums of Rumback and the careful bass of John Tate, all with energy that almost takes us back to the groundbreaking Three Waves album by Steve Kuhn – one of our favorite piano dates of all time, which is a hell of a compliment to Baker! The album has an open feel, but one that's also very careful too – not the spaciousness of an ECM record, and instead more intense, but in a very understated way. Brilliant throughout – with titles that include "Here & Now", "Hard Goodbye", "Foglights", "Burning Daylight", "Huh", and "Portrait Of Lorena". CD
Brandon Seabrook Trio —
Exultations ... CD AstralSpirits, 2020. New Copy ...
Temporarily Out Of Stock
A record that really comes on with a hell of a lot of power – tight, fast drums from Gerald Cleaver – matched with fuzzy, chromatic work on guitar from Brandon Seabrook – all punctuated with work from Cooper Moore on the diddley bow! The drums and guitar are the driving engine of the record, though – and really come on with a full, pulsating sort of vibe – very kinetic in energy, and served up on a range of shorter tracks that maintain a stronger fire than if the trio were working in longer improvisations. Titles include "Dank Esseintes", "Along Comes Diddley", "Absurdities IN Bondage", "Essential Exultations", "Flexing Fetid & Fecund", and "Dark Bogs". CD
Three giants of the Chicago improvised scene, coming together here in an album that recalls the best early recordings from the AACM! There's this open, collaborative spirit going on here – music that moves between structure and freedom, and which stands as a testament to the instant rapport between all three players – trumpet from Wadada Leo Smith, reeds from Douglas Ewart, and drums and percussion from Mike Reed – the last of whom often seems to let his elders set the tone, then find a way to make his own special contributions – at that level that continues to make Reed such a vital part of any group he engages with. Had Delmark issued this album in 1971, it would have gone on to become a classic – but it's an even greater feather in the cap of AstralSpirits – who do a great job here with presentation. Titles include "Super Moon Rising", "Unknown Forces", "Dark Tango", "Constellations & Conjunctional Spaces", and "Sun Beans Of Shimmering Light" CD
Pat Thomas/John Butcher/Stale Liavik Solberg —
Fictional Souvenirs ... CD AstralSpirits, 2019. New Copy ...
Temporarily Out Of Stock
One of the most unusual settings we've ever heard for the always-sharp saxophone work of John Butcher – a set that features lots of moogy moments from Pat Thomas, who uses both a theremini and electronics – alongside much more organic sounds on percussion from Stale Liavik Solberg! Butcher's always had this incredible ear for tones and unusual phrasings, but the trio here really brings out that quality even more than before – so much so, it's almost difficult to tell who's handling what elements at times – which is quite a testament to all three improvisers! Titles include "Dust", "Solution", "Threads", "Keys", "The Effort & A Smile", and "Heartaches". CD
Fantastic interplay between a very free trio – Josh Berman on cornet, Jason Roebke on bass, and Paul Lytton on percussion – really opening up on two side-long improvisations! Berman can work in more arranged settings, but he's very free here – and expressing himself with this amazingly bold sense of phrasing on the cornet – with energy that just builds and builds as the music goes on! Lytton's a joy, as always – with percussive elements that have a crackle that almost reminds us of some of his electronics, too – clearly a sonic sensibility inspired by that side of the spectrum – rounded out by deeper, more soulful sounds from the bass of Roebke. The set features two improvisations – "Padova" and "Trondheim" – one recorded in Italy, the other in Norway. LP, Vinyl record album
This might be the only we've seen with saxophonist Colin Fisher as a leader – but the set's got a quality that will certainly have us looking out for more! The group features Brandon Lopez on bass and Marc Edwards on drums – with both Fisher and Daniel Carter on reeds – the former on tenor and alto, the latter on tenor, alto, soprano, clarinet, and flute (although we'd swear that we hear a trumpet in there somewhere as well!) The open space of the record allows the horns to work together in a loose formation that almost recalls the spirit of the loft jazz scene in the 70s – as does the work of Lopez and Edwards too – long, improvised performances that have a very organic feel – with titles that include "Crescent Moon Furnace", "Valley Spirit", and "Embryonic Breath". CD
Amazing sounds from pianist Burton Greene – a modernist who's been quietly continuing a great legacy of creative music he started in the 60s – still sounding distinct and full of imagination in this well-recorded recent trio performance! The set has Greene working with Damon Smith on bass and Ra Kalam Bob Moses on drums and percussion – both musicians whose overall sense of sound matches the wideness of Burton's scope – which makes the whole thing way way different than any familiar sort of trio recording! Instead, the balance swings easily between each of the three points on the triangle, but with different moments of force that keep things very lively, and very compelling – on titles that include the three part title track "Life's Intense Mystery", plus "Anything That Ain't Yes Get Rid Of It", "Kid Play", and "Perc Waves". CD
Icepick (Nate Wooley/Ingebrigt Haker-Flaten/Chris Corsano) —
Hellraiser ... LP AstralSpirits, 2020. New Copy ...
Out Of Stock
A group that comes on with the sharply pointed force of their name – a really powerful presentation of sounds from Nate Wooley on trumpet, Chris Corsano on drums, and Ingebrigt Haker-Flaten on bass! All three players are fantastic here – leaping right out of the box with an energy that clearly shows an implicit understanding of each others' strengths, and improvising freely in ways that are really wrapped around each other – not the single expressions of the three different egos in the group, but instead this really unified approach that makes the whole thing even more forceful overall! Haker-Flaten is especially impressive – a player who's always great, but whose fast, rumbling presence here really seems to move mountains – on titles that include "El Bound", "Chicago Deader", and "Blue Line" – all references to the Windy City pedigree of the set. LP, Vinyl record album
A mighty debut from Quin Kirchner – a drummer who's poised to become a key figure on the Chicago scene! Quin works here with help from some more familiar names – including Jason Stein on bass clarinet, Matt Ulery on bass, Nate Lepine on tenor and flute, and Nick Broste on trombone – all working at a level that's strongly spiritual – with rhythm patterns that Kirchner builds beautifully on drums, percussion, and kalimba – occasionally augmented by a few samples here and there, but mostly acoustic overall. Lepine's in great form throughout – as is Stein – and their long reed solos add these currents of personality to the record that really sends the whole thing home! Broste gets in a few powerful passages too – especially at some of the moodier moments – and Ben Boye plays piano on one track too. The whole thing's a double album that really needs the full space for expression – and titles include "Together We Can Explore The Furthers Beyond", "Mumbo Jumbo", "The Ritual", "Crossings", "Ripple", "Self-Portrait In Three Colors", "Drums & Tines (part 2)", "Flutter", "Karina", "Wondrous Eyes", and a version of Sun Ra's "Brainville". LP, Vinyl record album
A double-length set that showcases the ever-growing, ever-evolving talents of drummer Quin Kirchner – working here in a variety of settings with help from some other great talents on the Chicago scene! Most of these tunes have a core sense of structure – and even when Quin is improvising more freely, he still finds a way to swing – working here on conventional drums, other percussion instruments, and even a bit of kalimba too – alongside a mix of players that includes Nick Broste on trombone, Nate Lepine on tenor and flute, Nick Mazzarella on alto, Jason Stein on bass clarinet, Greg Ward on alto, Rob Clearfield on piano, and Matt Ulery on bass. Many numbers have a spacious, ambitious vibe – almost spiritual jazz, of a quality that really has us respecting Kirchner more than ever – and the double space of the album is really needed to allow this majestic message the room to unfold properly. Titles include "Ecliptics", "King Korn", "Jupiter Moon", "Horizons", "At This Point In Time", "Bata Chop", "Pathways", "Star Cluster", and "Moon Vision". LP, Vinyl record album
Alto saxophonist Nick Mazzarella has really been setting the Chicago scene on fire of late – and that legacy certainly stands strong within the first few minutes of this recently-recorded live set – a searing trio date that has Mazzarella working at the height of his powers! Nick can spin out flurries of notes one minute, then hit spacious, thoughtful passages the next – energy that's really balanced out by the amazing work of Frank Rosaly on drums, and the strong placement of Anton Hatwich's sounds on the bass – served up at a level that's bold enough to match the fast-thinking creativity of both Rosaly and Nick. Titles include "The Puzzle", "Counterbalance", "Headway"," Innermost", "About Looking", and "Phonetic". LP, Vinyl record album
Luke Stewart is the bassist and the composer here – but the quintet is a powerhouse at every level – with reed work from Ken Vandermark and Ed Wilkerson, piano from Jim Baker, and drums from Avreeayl Ra – a lineup who do tremendous things with Luke's music! The tracks are all long, and build beautifully in a mixture of core ideas and individual improvisations – with a quality that almost evokes Wilkerson's important work in 8 Bold Souls, but an execution that's more flowingly spiritual overall – a richness in Stewart's music that brings out very different qualities in both Ed and Ken. The whole thing's great – the kind of record that will really establish Stewart as a musician to listen for in years to come – and titles include "The Scene", "Harp & Concrete Silhouette", "Awakening The Masters", and "Brown & Gray". LP, Vinyl record album
Three giants of the Chicago improvised scene, coming together here in an album that recalls the best early recordings from the AACM! There's this open, collaborative spirit going on here – music that moves between structure and freedom, and which stands as a testament to the instant rapport between all three players – trumpet from Wadada Leo Smith, reeds from Douglas Ewart, and drums and percussion from Mike Reed – the last of whom often seems to let his elders set the tone, then find a way to make his own special contributions – at that level that continues to make Reed such a vital part of any group he engages with. Had Delmark issued this album in 1971, it would have gone on to become a classic – but it's an even greater feather in the cap of AstralSpirits – who do a great job here with presentation. Titles include "Super Moon Rising", "Unknown Forces", "Dark Tango", "Constellations & Conjunctional Spaces", and "Sun Beans Of Shimmering Light" LP, Vinyl record album
Ken Vandermark works here in musical modes first proposed by Joe McPhee – his famous concept of Po Music – performed here by a group that also features Joe, and a whole host of great players from the Chicago scene! Vandermark and McPhee have influenced each other a lot in the past few decades – but the approach here is to return to Joe's early Hat Art use of the Po concept – especially the way it presents ideas as provocation – which are then turned into improvisational fire by a group that includes Jason Adasiewicz on vibes, Josh Berman on cornet, Jeb Bishop on trombone, Kent Kessler on bass, Dave Rempis on saxes, Tim Daisy on drums, and Fred Lonberg-Holm on cello and electronics. Both Vandermark and McPhee play tenor – and the music has an intensity that's amazing for such a large group of improvisers – further proof that all players are very well-matched. Titles include "Impressions Of Eroc Tinu", "Impressions Of Knox", "Impressions Of AstralSpirits/Age", and "Impressions Of Sweet Dragon". CD
Joe McPhee —
Trinity ... CD Unheard Music Series/Atavistic, 1971. Used ...
Out Of Stock
One of Joe McPhee's strongest early albums – and a real breakthrough from his sound on Nation Time (also issued as part of the Unheard Music Series.) The group here is a trio – with Mike Kull on electric and acoustic piano, and Harold E Smith on percussion – and the lack of a bass player gives the group an incredible sense of freedom, letting them wail away on long tracks with a strong bent for musical and spatial exploration. The two most marked examples of this are "AstralSpirits" and "Delta" – both searching numbers that start with an electric piano/tenor sound that you might have heard on a Joe Henderson album on Milestone from the same time, but which take that sound to unheard of limits, pushing the keys and the sax to full capacity. The album also includes the longer track "Ionization", which is a fiercely jamming number with a slightly straighter bent. CD
(Out of print. Tray card has a crease, barcode has a cutout hole.)