The Blue Note debut of Wilco guitarist Nels Cline – a player who's quite a talent in his own right, and who seems to reach a new sort of height on this album! The record's an ambitious one – and features sublime larger arrangements by Michael Leonhart – who provides a very different setting for some of Cline's moody work on the strings of the guitar – as woodwinds and strings support his sounds in a few different modes – sometimes acoustic, sometimes electric, with a bit of pedal steel and other effects too. Leonhart's work brings a warmth and humanity to the record that Cline doesn't always have – but at a level that doesn't take away Nels' presence, either – and the set mixes classic standards with a range of unique song choices, in a double-length batch of music that includes "Invitation", "Hairpin & Hatbox", "Beautiful Love", "Lady Gabor", "Why Was I Born", "Snare Girl", "The Bond", "The Search For Cat", "Secret Love", "You Noticed", and "I Have Dreamed". CD

The live anthology of punk pioneers The Slits – featuring raucous London recordings from as early as '77 up to their last gig in Paris, 1981! The recording and performance quality from track-to-track may not be representative of the group at it's best. What the set does do, inarguably, is provide a solid snapshot of the Slits' growth over the years from sneering punkers to far more stylistically ambitious dark dub & funk influenced originals. Includes "Vindictive", "A Boring Life", "Slime", "Love & Romance", "Shoplifting", "I Heard It Through The Grapevine", "Typical Girls", "Fade Away" and "In The Beginning". LP, Vinyl record album

Overlooked later genius from Gato Barbieri – a trio of albums served up in one nicely priced package! Gato Para Los Amigos is some of Barbieri's best work of the 80s – an excellent live set from 1981 that's kind of a return to the drawn-out intensity of his years at Impulse! The group's got a good mixture of percussion, keyboards, and guitar – and the tracks on the set are mostly Latin-tinged numbers that offer a perfect foil for Gato's soulful and exploratory blowing – those haunting long lines we first fell in love with on his records for Impulse and Flying Dutchman! Titles include "Bolivia", "Carnavalito", "Brazil", "Viva Emiliano Zapata", and "Latino America". Que Pasa is a surprisingly nice late 90s effort from Gato Barbieri – at the time, his first new album in over a decade – and a set put together with a nicely contemporary feel with help from keyboardist Philippe Saisse! Saisse produced the set, and he really gives the record some of the warmly soulful moments of his own great music – an approach that's somewhat deeper than smooth jazz, and which makes more than enough space for Gato's well-blown saxophone solos. There's a bit of backing vocals on the set, and the approach here is definitely soul-based – but it's got a solid bottom that hearkens back to some of Gato's best R&B-inspired work of the 70s. Titles include "Mystica", "Dancing With Dolphins", "Straight Into The Sunrise", "Indonesia", "The Woman I Remember", and "Cause We've Ended As Lovers". Che Corazon is one of Gato Barbieri's most ambitious albums – a record that mixes core jazzy grooving with some larger orchestral parts – but all at a level that still moves along nicely! Sweet keyboards glide alongside Gato's reed lines – which come out strongly in the lead, with that sharp-cutting sense of soul that we've always loved so much. The overall sound is smoother than the early days, but no less soulful – and titles include a great remake of Marvin Gaye's "I Want You", plus "Eclipse", "The Woman On The Lake", "1812", "Encounter", and "Sweet Glenda". CD