A nice little session that's one of Nat's last great vocal albums – thanks to some solid jazz backing by George Shearing. Shearing's group here is a super-hip west coast Latin one, with Emil Richards on vibes, Al Hendrickson on guitar, AlMcKibbon on bass, and Shelly Manne on drums. Most tracks have them augmented by some larger backings by Ralph Carmichael – which creates this dreamy jazzy pillow for Nat to sing over. Cole's voice is still super-sweet and super-sexy, and the record is a good mix of ballads and more jazzy material. Titles include "Lost April", "Azure-Te", "September Song", "Don't Go", "There's A Lull In My Life", and "Serenata". LP, Vinyl record album
(Late 70s UK Music For Pleasure pressing, in a slightly different cover variant. Shrink has a sticker remnant.)
A legendary live set from Dizzy Gillespie – recorded over in Paris, but featuring a very hip large ensemble! The group includes extra trumpet from Dave Burns, trombone from Ted Kelly and William Shepherd, alto from John Brown, tenor from George Nicholas, baritone from Cecil Payne, piano from John Lewis, bass from AlMcKibbon, and drums from Kenny Clarke – plus congas from the great Chano Pozo, and a bit of vocals from Kenny Pancho Hagood! LP, Vinyl record album
(Mid 60s issue in a flip-back cover, with bumped corners, yellowing from age, wide center split in the spine, and torn a bit at the top left edge.)
A legendary live set from Dizzy Gillespie – recorded over in Paris, but featuring a very hip large ensemble! The group includes extra trumpet from Dave Burns, trombone from Ted Kelly and William Shepherd, alto from John Brown, tenor from George Nicholas, baritone from Cecil Payne, piano from John Lewis, bass from AlMcKibbon, and drums from Kenny Clarke – plus congas from the great Chano Pozo, and a bit of vocals from Kenny Pancho Hagood! LP, Vinyl record album
Very late work from the legendary Thelonious Monk – but surprisingly great as well! The session was recorded in London – as you might guess from the title – and although Monk's not working with his regular quartet with Charlie Rouse, he does interact wonderfully with a trio that includes Art Blakey on drums and AlMcKibbon on bass! Blakey's drums have this nice crispness that transforms the Monk experience – and some performances stretch out in a nicely inspired way. CD
(Out of print. Box is solid with a little minor shelf wear and a small rip at the top of the spine, inner contents are in great shape!)
5
Emil Richards —
Yazz Per Favore ... CD Del-Fi/Vampi Soul (Spain), 1961. New Copy ...
$5.9916.99
One of the few albums ever issued under the name of Emil Richards – an important percussionist on the LA scene, and one who played on countless jazz albums and other sessions over the years! This set has Richards working almost exclusively on vibes – as a rare outing for the mostly-rock Del-Fi label, done in a mode that seems to challenge the Latin jazz styles that Cal Tjader was developing at the time on Fantasy Records! And as a bit of a surprise, Emil's working with a similar group to Cal's – one that includes Francisco Aquabella on congas, Cuco Martinez on timbales, and Marcelino Valdez on other percussion instruments – alongside a core trio that features Richards' vibes with AlMcKibbon's bass and Paul Moer's piano. The tunes are filled with lots of great modal moments – and titles include "Little Niles", "Green Dolphin Street", "Friday The 13th", "Oh Very Well", "Half & Half", and "Yazz Per Favore". CD
6
George Shearing Quintet/Dakota Staton —
In The Night ... CD Capitol, 1957. Used ...
$9.99
Wonderful late 50s jazz from the LA scene – not just because singer Dakota Staton is at the best of her youthful prime, but also because the Shearing group on the set is great too! George is working here with one of his best lineups – a group that includes Latin-inflected AlMcKibbon on bass and Percy Brice on drums, but which also has some great guitar work by Toots Thielemans, and wonderful vibes by Emil Richards. The Shearing group plays instrumentally on about half the album, and Dakota joins in on the remaining tracks. Titles include "Pawn Ticket", "In The Night", "Easy", "I Hear Music", "Senor Blues", "Later", and "I'd Love To Make Love To You". CD
The crashing waves of the Pacific coast hardly seem like the serene setting you might want for the vibes of Cal Tjader – but this album works surprisingly well, and offers up Cal's combo in a Monterey live date, before the jazz festival really got going strong! The group's one that matches his best early albums for Fantasy – piano from Lonnie Hewitt, soulful bass from AlMcKibbon, and some great Latin percussion from Mongo Santamaria and Willie Bobo! Paul Horn also joins the group on flute – blowing with lyrical lines that fit the sound wonderfully, adding a whole new dimension to the music. Many tracks are longer than usual for the Fantasy years – and titles include "Walkin With Wally", "Doxie", and "Afro Blue". LP, Vinyl record album
(Blue vinyl stereo pressing. The back cover has aging and light surface wear. Front looks nice!)
One of Cal Tjader's best late 50s dates for Fantasy Records – thanks to some smoking tenor sax from Jose "Chombo" Silva! The album has Cal working in the very comfortable territory of San Francisco's Blackhawk Nightclub – in a combo that also features familiar players Vince Guaraldi on piano, AlMcKibbon on bass, Willie Boby on drums, and Mongo Santamaria on congas – all musicians who'd previously helped Tjader hit some of his best Latin grooves! But the addition of Silva on a few tracks here really makes the set crackle – giving it a gutsy, soulful fee that you don't always get on some of Tjader's other records. Tracks are longish – and titles include the nice original "Bill B", plus jazzy versions of "I Love Paris", "Blue & Sentimental", and "Night In Tunisia". LP, Vinyl record album
(Stereo blue label pressing. Vinyl plays with a click on "Stompin". Cover has as spot of light wear on the top seam, but is great otherwise!)
Notable sidemen include Billy Strayhorn, AlMcKibbon, Sonny Greer, and Emmett Berry – 20 tracks total. CD
10
Thelonious Monk —
Man I Love ... LP Black Lion, 1971. Near Mint- ...
Out Of Stock
Rare late work from Thelonious Monk – recorded in London, with AlMcKibbon on bass and Art Blakey on drums – mostly trio material, but with some piano solos too! LP, Vinyl record album
Monk plays solo piano and is joined on some of the tracks by Art Blakey on drums and AlMcKibbon on bass. The songs are all originals except for "Nice Work If You Can Get It" and they include "Blue Sphere", "Hackensack", "Criss Cross", "Something In Blue", "Evidence", "Jackie-ing", and "Nutty". The album was recorded in London and produced by Alan Bates. LP, Vinyl record album
(US pressing. Cover has a cut corner, a trace of a price sticker, and light wear.)
Killer piano jazz, and some of the greatest modernist work ever recorded by Blue Note! Herbie Nichols deserves every bit of the rare fame he ever got – and it's only the paucity of his recordings that has kept him from achieving the status of Thelonious Monk or Cecil Taylor as an avant garde forefather – which makes this album a really key piece of a too-small jazz puzzle! Nichols is amazing throughout – bristling with new ideas, and a fresh approach to modern jazz that also transforms the presence of the other two members of the trio – Art Blakey on drums and AlMcKibbon on bass, both of whom are clearly following Herbie's lead here. All titles are original – Nichols was a hell of a writer – and titles include "Third World", "Step Tempest", "Dance Line", "Blue Chopsticks", "Shuffle Montgomery", "Brass Rings", "Crisp Day", and "Amoeba's Dance". Single LP version features all material that was originally on the two different 10" LP releases. LP, Vinyl record album
(Part of the Blue Note Classic Vinyl Series!)
13
Herbie Nichols —
Third World ... LP Blue Note, 1956/1975. Near Mint- 2LP Gatefold ...
Out Of Stock
Herbie Nichols was one of the greatest piano players of the 20th Century, and his best work was recorded for Blue Note! You can hear just about every track he recorded for the label in this set (apart from some alternate takes), which is a stunning batch of lively tracks that rank Nichols right up there with Monk, Cecil Taylor, and Randy Weston for sheer modernist inventiveness. The set includes Herbie's first two 10" albums for Blue Note, and his full Herbie Nichols Trio record – with players who include Art Blakey or Max Roach on drums, and Teddy Kotick or AlMcKibbon on bass. Titles include "Step Tempest", "Crisp Day", "2300 Skiddoo", "Query", "Blue Chopsticks", and "Chit Chatting". LP, Vinyl record album
(Includes the Blue Note inner sleeves. Cover has light ringwear and a cutout hole.)
A nice little session that's one of Nat's last great vocal albums – thanks to some solid jazz backing by George Shearing. Shearing's group here is a super-hip west coast Latin one, with Emil Richards on vibes, Al Hendrickson on guitar, AlMcKibbon on bass, and Shelly Manne on drums. Most tracks have them augmented by some larger backings by Ralph Carmichael – which creates this dreamy jazzy pillow for Nat to sing over. Cole's voice is still super-sweet and super-sexy, and the record is a good mix of ballads and more jazzy material. Titles include "Lost April", "Azure-Te", "September Song", "Don't Go", "There's A Lull In My Life", and "Serenata". Plus, the CD includes 3 bonus tracks not on the original album! CD
The title tells the whole tale of the album – as pianist Jackson plays jazzy versions of themes from films that include "Never On A Sunday", "A Summer Place", "From Here To Eternity", "The High & The Mighty", "Exodus", "Return To Peyton Place", and "High Noon". A number of tracks are piano solos, and others feature backings by bassist AlMcKibbon and drummer Frank Capp. LP, Vinyl record album
Killer piano jazz, and some of the greatest modernist work ever recorded by Blue Note! Herbie Nichols deserves every bit of the rare fame he ever got – and it's only the paucity of his recordings that has kept him from achieving the status of Thelonious Monk or Cecil Taylor as an avant garde forefather – which makes this album a really key piece of a too-small jazz puzzle! Nichols is amazing throughout – bristling with new ideas, and a fresh approach to modern jazz that also transforms the presence of the other two members of the trio – Art Blakey on drums and AlMcKibbon on bass, both of whom are clearly following Herbie's lead here. All titles are original – Nichols was a hell of a writer – and titles include "Third World", "Step Tempest", "Dance Line", "Blue Chopsticks", "Shuffle Montgomery", "Brass Rings", "Crisp Day", and "Amoeba's Dance". LP, Vinyl record album
Sunny and swinging – an overlooked Capitol Records treasure from George Shearing – and one with a group that really helped set the sound of groovy jazz in the 60s! The players here are all wonderful – Emil Richards on vibes, Toots Thielemans on guitar, and AlMcKibbon on bass – plus some guest congas from Armando Peraza – an artist we mostly know from Cal Tjader's Latin records! With Richards' vibes, the record really has a great sound – deep-toned, with plenty of jazz and Latin inflections – very similar to the territory that Tjader was exploring in the late 50s. And let's not forget George, too – as his piano has that nicely-blocked feel that really fits the sublime rhythms of the tunes. Titles include "Mambo Inn", "Jordu", "Confirmation", "Some Other Spring", "Drume Negrita", and "Bernie's Tune". CD
20
George Shearing Quintet/Dakota Staton —
In The Night ... LP Capitol, 1957. Very Good+ ...
Out Of Stock
Wonderful late 50s jazz from the LA scene – not just because singer Dakota Staton is at the best of her youthful prime, but also because the Shearing group on the set is great too! George is working here with one of his best lineups – a group that includes Latin-inflected AlMcKibbon on bass and Percy Brice on drums, but which also has some great guitar work by Toots Thielemans, and wonderful vibes by Emil Richards. The Shearing group plays instrumentally on about half the album, and Dakota joins in on the remaining tracks. Titles include "Pawn Ticket", "The Thrill Is Gone", "In The Night", "I Hear Music", "Senor Blues", and "I'd Love To Make Love To You". LP, Vinyl record album
2 live cookers from Cal Tajder – back to back on a single CD! The set begins with Night At The Blackhawk – one of Cal's best late 50s dates for Fantasy Records – thanks to some smoking tenor sax from Jose "Chombo" Silva! The album has Cal working in the very comfortable territory of San Francisco's Blackhawk Nightclub – in a combo that also features familiar players Vince Guaraldi on piano, AlMcKibbon on bass, Willie Boby on drums, and Mongo Santamaria on congas – all musicians who'd previously helped Tjader hit some of his best Latin grooves! But the addition of Silva on a few tracks here really makes the set crackle – giving it a gutsy, soulful fee that you don't always get on some of Tjader's other records. Tracks are longish – and titles include the nice original "Bill B", plus jazzy versions of "I Love Paris", "Blue & Sentimental", and "Night In Tunisia". Live & Direct is great live work from Cal Tjader – one of a number of sets but at his home turf of the Blackhawk Nightclub in San Francisco! The album's nicely laidback, with tracks that stretch out a bit more than Tjader's studio work for Fantasy Records – often hitting a slight Latin groove at times, but with a bit more of a straight jazz vibes feel overall! The great Lonnie Hewitt's on the group on piano, coloring in the tunes with some very soulful notes – and in addition to Cal's vibes, the rest of the lineup includes Victor Venegas on bass, and Willie Bobo on drums. Mongo Santamaria on congas and Rolando Lozano on flute join in on the track "Mambo Terrifico" – and other titles include "Racoon Straits", "Bad & The Beautiful", and "You Stepped Out Of A Dream". Note that the CD omits the track "The Continental" from Live & Direct – due to space restrictions. CD
A great set from George Shearing – recorded live, with a lot more of a tight jazz style than some of his higher-concept sets for Capitol in the late 50s! The group here is wonderful – with vibes from Emil Richards, guitar and harmonica from Toots Thielemans, percussion from Armando Peraza, and bass from AlMcKibbon – all players who manage to make things groove with a bit of an edge, while still respecting that classic Shearing sound! Titles include "Caravan", "Little Niles", "On The Street Where You Live", "Nothing But The Best", and "Little White Lies". LP, Vinyl record album
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