The first two volumes in this legendary series – back to back in one set! Volume 1 is an amazing collection – and one that really helped completely revise our understanding of Caribbean music! The collection features a fair bit of artists with roots in the West Indies, but who made a huge impact on London's postwar immigrant population – the new rise of non-native residents who were swelling the ranks of the city in the years after the way – bringing with them new cultures, new sounds, and new traditions – with all the requisite ideas and politics that might imply! The work here often has a subtle social agenda – working through themes important to these new Londoners, yet still echoing modes of the homeland as well – often with great musical backings that's heavy on percussion, jazzy instrumentation, and very upbeat rhythms. Titles include "London Is The Place For Me" by Lord Kitchener, "I Was There" by Young Tiger, "Some Girl Something" by The Lion, "No Carnival In Britain" by Mighty Terror, "Jamaica Hurricane" by Lord Beginner, "Birth Of Ghana" by Lord Kitchener, "Victory Test Match" by Lord Beginner, "Spanish Calypso" by The Lion, "Bulldog Don't Bite Me" by Timothy, "My Landlady" by Lord Kitchener, "If You're Not White You're Black" by Lord Kitchener, and "Aguiti" by Lord Invader. Volume 2 compiles the stylistically varied music coming from the emergent West Indian and African communities of 50s and 60s London – far more than just the topical, and often quite whimsical calypso tunes of the era! Calypso is well represented, but the set includes strains of jazz, percussive instrumentals that veer towards native Trinidad and Nigeria, and loads of Caribbean grooves! It's all exceptionally bright – with some lovingly, and knowingly, naive vocals that are as sweet as they are wise. A truly wonderful compilation. Essential! 20 tracks in all: "Calypso Be" by Young Tiger, "Yolanda" by Ambrose Campbell, "Calypso Blues" by Mona Baptiste, "My Wife's Nightie" by Lord Kitchener, "Ominara" by West African Rhythm Brothers, "Gerrard Street" by King Timothy, "ET Mensah's Rolling Ball" by West African Swing Stars, "West Indian Drums" by Russ Henderson, "Gbonimawo" by Rans Boi's Ghana Highlife Band and more! CD

The crowning achievement of the legendary Keith Hudson – a landmark album of instrumental dub that started out in very small circulation, but soon grew to become one of the most important albums of the genre! The sound here is spare, stark, and simple – but in the best way possible – as Hudson takes the music right down to its core, yet seems to create even more powerful flow in the process – revising the 60s Jamaican love of American soul into a more cosmic mode for the next decade – but all with a raw approach that makes each element come across with a great deal of focus. Titles include "Black Heart", "Pick A Dub", "Don't Move", "Blood Brother", "Michael Talbot Affair", "In The Rain", and "Satia". LP, Vinyl record album

The soulful sound of Trojan Records, mixed superbly here by Japanese DJ Holiday – who comes across with a killer blend of cuts from the rocksteady and early reggae years! A number of tracks here are Jamaican remakes of American soul tunes, and they're mixed with originals that really echo the spirit of mellow grooves that were especially strong in the early part of the 70s – served up here on a set of 20 tracks that are all pulled from the farther reaches of the Trojan catalog, including a fair bit of under-discovered nuggets! Titles include "Let's Get It On" by Lloyd Charmers, "Lean On Me" by BB Seaton, "Tears On My Pillow" by Derrick Morgan, "It's You I Love" by Merlene Webster, "Somebody's Baby" by Pat Kelly, "Pain In My Heart" by Derrick & Naomi, "Target" by The Gaytones, "Love Letters" by Phyllis Dillon & Alton Ellis, "Sitting In The Park" by Slim Smith, "Keep It Like It Is" by Louisa Marks, "Emergency Call" by Judy Mowatt, and "Our Day Will Come" by The Heptones. CD

The Houseplant series really takes off with this killer triple-LP set – a massive batch of funk and soul, both old and new – presented here in a really great assortment of modes! There's some great deep tracks from the 70s here, alongside some well-chosen contemporary cuts from the international funk underground – plus a few other assorted surprises along the way – keeping the label's strong reputation for serving up a record that's way different than the standard funk compilation! Titles include "Short Stopping" by Veda Brown, "What's Good For You" by Harvey Scales, "Little Saddy" by Andre Ethier, "The Devastator" by Stormy, "I'm Not Ready For Love" by Promise, "Slide" by Adesse Versions, "Gettin Funky Round Here" by Black Nasty, "Love Theme From Spartacus" by Yusef Lateef, "Town Called Nowhere" by Skip Mahoney & The Casuals, "Blind Alley" by The Emotions, "Blah Blah Blah" by Saun & Starr, "Gotta Let Me Know" by Breakestra, "Jamaica Ska" by Byron Lee & The Dragonaires, "Legend In My Own Mind" by The Stepkids, "Lament 1" by Dustin Laurenzi, "Trouble" by Frederick Knight, "The Echo" by Epsilons, "A Little Bit More Won't Hurt" by Bettye Crutcher, "The Who Who Song" by Jackie Wilson, and "Don't Stop" by The Bar Kays. LP, Vinyl record album

Two rare compilations from Trojan Records – back to back in a single set, with an insane number of bonus tracks too! Both records capture that time when the groove was moving from rocksteady to early reggae – still yet to hit global fame, which makes for a really nice mix of music from an array of lesser-knowns who were getting circulation outside of Jamaica by Trojan. The set really digs deep, way past the bigger tracks and hits – and there's a fair bit of artists here who might be new to anyone but the more serious reggae collectors. Plenty of work here resonated strongly with the growing UK reggae market for reggae at the end of the 60s – and alongside soulful vocals, there's a nicely laidback groove on most numbers – never too overproduced, and filled with plenty of surprises along the way! The set features the full tracks from both records in the title, plus 31 bonus tracks – and most cuts are new to CD – a massive lineup of work from The Slickers, GG All Stars, Maytones, Keeling Backford, Lloyd & Robin, Gladstone & The Followers, Charlie Ace, Trevor & Keith, Vernon Buckley & Alvin Ranglin, and Eric Monty Morris. CD

A classic blend of saxophone and dub – one that shows just how much big the shift in Jamaican production styles was during the 70s! In the previous decade, reedman Tommy McCook was right on top of the mix on most of his performances – echoing the tenors of American R&B and soul musicians of the 50s and 60s – whereas here, he's much more layered down in the grooves – often mixed with a fair bit of echo and effects, so that his horn and the work of The Agrovators is beautifully muddled together – as the best elements of a cocktail can be in the hands of a true mixmaster! Titles include "Creator Of Dub", "A Happy Dub", "A Collie Dub", "The Dub Station", "Inspiring Dub", "Sprinkling Dub", "At The Dub Market", "The Meducia", "The Dub Duke", "The Height Of Dub", "Joh Soy Dub", and "King Tubby Dub". LP, Vinyl record album

Two classic Lloyd Charmers productions – back to back on CD, with lots of bonus tracks too! Delroy Wilson steps up strongly with Sarge – a set that's got an unassuming cover and a very deep vibe – this mellow groove that always seems to work great with Delroy's style – and lets him really push over the top with all sorts of warmly crackling energy, stretching things more than some of his contemporaries who were maybe just content to kick back in the rhythm. The set's definitely one to remind you that Wilson was one of the more soulful Jamaican singers of his time – and titles include "My Conversation", "I'm Still Waiting", "My Cecilia", "Ain't That Loving You", "Everybody Needs Love", "Got A Date", and "The Last Thing On My Mind". On Boothe Unlimited, the great Ken Boothe is featured strongly on vocals, but the set also features a fair bit of instrumentals too – that balance between soulful lyrics and dubby instrumentals that you'd usually find on a 7" single, carried out here as a showcase for some stunning production from the great Lloyd Charmers! Titles include "Ain't No Sunshine", "Look What You've Done For Me", "You've Broken The Guitar", "Out Of Love", "Missing You", "To Get Rhythm", and "Second Chance". CD features 13 tracks on CD for the first time ever – and also includes 12 bonus tracks, all discomixes of titles on the albums! CD

Nice, nice 2 CD set collecting the best work of the great Jamaican crooner Dennis Brown. Working mostly with producer Winston Niney Holness, the pair brought out the best in each other, with Niney coaxing some great performances out of Brown, and Brown getting the best rhythms Niney had to offer. 48 tracks in all, including "He Can't Spell", "Musical Heatwave", "Money In My Pocket (1973)", "Westbound train", "Yagga Yagga (You'll Suffer)", and "Whip Them Jah Jah". CD

The crowning achievement of the legendary Keith Hudson – a landmark album of instrumental dub that started out in very small circulation, but soon grew to become one of the most important albums of the genre! The sound here is spare, stark, and simple – but in the best way possible – as Hudson takes the music right down to its core, yet seems to create even more powerful flow in the process – revising the 60s Jamaican love of American soul into a more cosmic mode for the next decade – but all with a raw approach that makes each element come across with a great deal of focus. Titles include "Black Heart", "Pick A Dub", "Don't Move", "Blood Brother", "Michael Talbot Affair", "In The Rain", and "Satia". Also comes with the bonus related Pick A Vocal album – with vocals by Agustus Pablo, Horace Andy, and Delroy Wilson – alongside some more instrumental tunes. Tracks include "Still Water", "Addis Ababa", "Fight On Fight On", "I'm All Right", "Depth Charge", and "Don't Think About Me". CD

A seminal set from Linton Kwesi Johnson – the kind of well-done early 80s set that had the UK scene showing the Jamaican one how to take some of its best elements and move forward – as the words and knowledge of Linton come into play with heady backings from Dennis Bovell and The Dub Band! Production is relatively straightforward – handled by the pair together, and using the best bassy elements of Bovell's music, while not getting in the way of the messages in Johnson's words – which are many, and very smartly focused at key targets of the time! Titles include "Making History", "Di Great Insohreckshan", "Wat About Di Workin Class","Reggae Fi Radni", "Reggae Fi Dada", "New Craas Massahkah", and "Di Eagle An Di Bear". CD

A well-titled album – given that Taj Mahal's music is always pretty darn rootsy – and this time around, he's also adding in a bit of Jamaican roots too, thanks to production help from Bob Marley and Aston Barrett of The Wailers! The pair help Taj out on a few numbers, mixing in some reggae rhythms with his bluesy lead – another compelling combination of modes that marks the creative apex of Taj Mahal's years on Columbia. Titles include "Johnny Too Bad", "Big Mama", "Cajun Waltz", "Slave Driver", "Blackjack Davey", and "Desperate Lover". LP, Vinyl record album

Soulful contemporary Jamaican grooves from Etana – warm, breezy and beautifully sung numbers rooted in Rastafarian spiritual vibes, and timelessly produced by Dragonaires legend Clive Hunt! Etana's voice is lovely and steeped in soul, and Hunt's production blends classic inspiration and a crisp, contemporary sound, with tight rhythms and breezy horns. Includes "Selassie Is The Chapel", "How Long", "On My Way", "Stepping Out Of Babylon", "I Rise", "Richest Girl", "Love Song", "Passing Thru", "Trigger", "Ward 21 (Stenna's Song)" and "Emancipation (Spoken Soul II)". CD

Some of the deepest, trippiest sounds from the Jamaican scene in the 70s – a classic collection of dubbed-up cuts from Augustus Pablo – who throws in loads of sweet melodica lines to the rhythms, at least in between hits of the pipe he's smoking on the cover! Pablo took the laidback side of dub to a whole new level with a record like this – finding a way to let the rhythms bump out and swirl around themselves in space, then improvise his own keyboard lines with the airy tone of the melodica – itself already a haunting instrument, but taken to very original territory in the hands of Augustus. Titles include "Rockers Dub", "Up Warrika Hill", "Cassava Piece", "Tubby's Dub Song", "Jah Dread", "Brace A Boy", "Thunder Clap", "Park Lane Special", "New Style" and "A P Special". LP, Vinyl record album

American grooves go Kingston – as the set features a wonderful assortment of funk and soul classics, all delivered here in reggae-styled versions! The approach is similar to the material featured in the older Reggae Disco collection from Soul Jazz – but the mix of modes here is much more expansive – so that you'll get some cuts that are very heavy in a New York clubby groove, while others are much more Jamaican in approach – and have an American soul tune bending down towards more reggae-oriented territory. As always with Soul Jazz, the choice of cuts is wonderful – and includes "Move On Up" by Devon Russell, "Caught You In A Lie" by Derrick Harriott, "Young Hearts Run Free" by Hortense Ellis, "Wanna Be Startin Somethin" by Ed Watson & Brass Circle, "For The Love Of You" by Bill Campbell, "Flight To Jamaica" by Crashers, "Fool's Paradise" by Valerie Harrison, "Reasons" by Seventh Extension, "Don't Let Love Get You Down" by Pete Campbell & The Sunshine Girls, "In The Rain" by Webby Jay, and "Just A Groove" by Glen Adams Affair. LP, Vinyl record album

Forget everything you know about ska music from recent years – no Mighty Mighty cliches, no retro-styled clunkers, no two-toned sounds at all – just the real deal, the roots of the style, served up here in classic recordings that go right to the source! These are the cuts that started it all – and which still sound way better to our ears than any of the countless imitations that have been crafted over the years – played with a freshness and a sharp edge that recent recordings can never hope to touch! The music here is the roots of reggae crafted in the soil of Kingston – recorded by the legendary Studio One Records, with all the soulful undercurrents you'd find in the rocksteady generation as well. It's been a few years since Soul Jazz have served up a set of Jamaican grooves this tight – but it's been well worth the wait, given the track selection and always-stellar level of presentation from the label. Titles include "Live Good" by The Ethiopians, "Mr Talkative" by The Wailers, "There's A Reward" by Joe Higgs & Roy Wilson, "Ska La Parisienne" by The Skatalites, "Don't Try To Reach Me" by The Gaylads, "Gumma" by Lee Perry, "Freedom Sounds" by Soul Brothers, "You Won't See Me" by The Clarendonians, and "Old Rocking Chair" by Jakie Opel. LP, Vinyl record album

Fantastic work from the team of Dave Baker and Ansel Collins – one a soulful singer from the Jamaican rocksteady scene, the other a hip keyboardist whose organ lines really make the album shimmer! The pair scored a huge international hit with this album – and the whole thing was a key crossover record in the years before Island Records and some of the bigger reggae artists to come! There's a raw, earthy vibe to the whole thing – and a heck of a groove too – and titles include "Double Barrel", "Wild Bunch", "Monkey Spanner Version", "Secret Weapon", "Impossible Mission", and "Ten To One". LP, Vinyl record album

Early work from Gwen Guthrie – produced by Sly & Robbie, but with a sweet modern soul sound that's got a lot less of their influence than you'd guess! The sound is much more New York than Jamaica – and that's probably due to some great instrumental backing on keyboards by the likes of Harry Whitaker, Bernie Worrell, and Wally Badarou – all massive talents that bring a nice sweet jazzy sound to the best cuts on the record. There's a definite 80s sing-song groove going on – in that not-yet-top-of-the-charts soul sound that you'd hear on the better small urban stations at the time – moving back and forth nicely, in a strong link between the mainstream and the underground clubs! Tracks include "Hopscotch", "Seventh Heaven", "Oh What A Life", "Younger Than Me", and a nice cover of Sly Stone's "Family Affair". CD features 3 bonus tracks too – "Padlock (Larry Levan special mix)", "Hopscotch (Larry Levan rmx inst)", and "Peanut Butter (Larry Levan special mix)". CD

Caribbean styles hit the American scene – then get transformed into something completely different in this huge collection of recordings that span styles that include jazz, Latin, R&B, soul, and blues! In some cases, the Caribbean element comes through in the song structure – which might be lifted directly, then reworked for an American audience. But at other times, the influence is more in the rhythms or instrumentation – used as inspiration to then create something new – a bit in the way that American soul would provide the inspiration for reggae in the 60s. The package has the usual fantastic Fremeaux presentation – with a big booklet of historical notes, in both French and English, to support 66 titles that include "Jamaica Farewell" by Sam Cooke, "Salty Fish Aki Rice" by Ruth Wallis, "Bajan Girl" by Lionel Belasco, "Sly Mongoose" by Sam Manning, "El Gallero" by Dioris Valladares & Angel Viloria, "El Mambo Diablo" by Tito Puente, "Hey Little Girl" by Professor Longhair, "Un Poco Loco" by Bud Powell, "Chee Koo Baby" by Lloyd Price, "Shrinking Up Fast" by Camille Howard, "Ojai" by Joe Lutcher, "Salee Dame" by Albert Nicholas & Baby Dodds, "Inside" by Hector The Ram, "Run Come See Jerusalem"b y Stan Wilson, "I Learn A Merengue" by Robert Mitchum, "Afro Blue" by Cal Tjader, "La Maricutana" by Damiron & Chapuseaux, "Magical Joe" by Herb Jeffries, "Begin The Beguine" by Charlie Parker, "Make It Do" by Slim Gaillard, "Guitarambo" by Mickey Baker, and "Don't Touch Me Nylon" by The Charmer (aka Louis Farrakhan). CD

American grooves go Kingston – as the set features a wonderful assortment of funk and soul classics, all delivered here in reggae-styled versions! The approach is similar to the material featured in the older Reggae Disco collection from Soul Jazz – but the mix of modes here is much more expansive – so that you'll get some cuts that are very heavy in a New York clubby groove, while others are much more Jamaican in approach – and have an American soul tune bending down towards more reggae-oriented territory. As always with Soul Jazz, the choice of cuts is wonderful – and includes "Move On Up" by Devon Russell, "Caught You In A Lie" by Derrick Harriott, "Young Hearts Run Free" by Hortense Ellis, "Wanna Be Startin Somethin" by Ed Watson & Brass Circle, "For The Love Of You" by Bill Campbell, "Flight To Jamaica" by Crashers, "Fool's Paradise" by Valerie Harrison, "Reasons" by Seventh Extension, "Don't Let Love Get You Down" by Pete Campbell & The Sunshine Girls, "In The Rain" by Webby Jay, and "Just A Groove" by Glen Adams Affair. CD

The name Channel One is well known to even the most neophyte aficionados of Jamaican music. One of the cornerstone studios on the Kingston scene, the birthplace of so many classic numbers, any collection is of tracks cut there is going to be heavy. This great set collects both well known hits and some tasty lesser known selections, 36 numbers in all! "I Need A Roof" by the Mighty Diamonds, "Without Love" by Leroy Smart, "CB 200" by Dillinger, "Fade Away" by Junior Byles, "Up Park Camp" by John Holt, "Far East" by Barry Brown, "Things & Time" by the Wailing Souls, "Road Block" by Sammy Dread, "Truly (DJ mix)" by Rankin Trevor, "Dances Are Changes" by Barrington Levy, "Ballistic Affair" by Leroy Smart, "Satisfaction" by John Holt, "Natty Burial" by the Lone Ranger, "Natty Have Credentials" by Don Carlos, "Hard To Confess" by the Tamlins, "MPLA" & "Burial" by Revolutionaries, "I Know Myself" by Ernest Wilson, "Welding" by I Roy, "Smoke Ganja Hard" by Little John, "Babylon" by Sugar Minott, "Worries In The Dance" by Frankie Paul and "Queen Majesty" by Jay & Trevor Rankin. LP, Vinyl record album