The sound here is wonderful – a combination of elements from players we already love, but in a different way than some of their other records! One of the most distinct elements of the set comes from the work of Per
Texas Johansson – who plays a variety of clarinets throughout, and evokes a sense of postwar modernism, especially as he combines with the vibes of Matthias
Stahl – which are every bit as delightful here as on other records, yet again nicely different. Ingebrigt Haker
Flaten has a lot more space and gentle swing than usual – and we're guessing a lot of credit for the record goes to the work of drummer Konrad
Agnas – whose open style on the kit only seems to increase the sense of late 50s modernist experimentation on the record. Titles include "Slow", "Gone", "Tea", "Foolin", "Skin", "Deep", and "All".