... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

Features "Hamp's Boogie Woogie", "Tempo's Boogie", "Bey Ba Ba Re Bop", "Two Finger Boogie" and more! 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

Missouri State Duck Calling Champion. 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

A masterpiece of spiritual sounds from Japanese drummer Takahashi Miyasaka – one of those sublime 70s records that really carries the Coltrane legacy forward, and finds a whole new channel of inspiration in the universe! The group is led by Miyasaka, but features fantastic horn work from Koichi Matsukaze on alto and tenor, Genji Sawai on soprano and alto, and Hiroshi Itaya on trombone – the last of whom has a wonderfully distinct voice, with these crisp, concise notes that really make the record shine! Pianist Hiromachi Tsugaki is wonderful too – a player we don't know at all, but who ranks right up there with the best Japanese pianists of the decade – and bassist Kagehiro Ohba has a spacious stepping sound that really keeps things in line. All tracks are nice and long – and titles include "Dog's Dance", "Pecker's Blues", "Ballad For Mammoth", and "Animals Garden". LP, Vinyl record album

Soaring piano lines, burning trumpet solos, and soulful tenor sax – all wrapped together beautifully in this obscure Japanese session from the 80s – a date that has all the free-thinking power and unbounded energy of some of our favorite American soul jazz sessions from a decade before! The group's led by bassist Shintaro Nakamura, but features wonderful contributions from trumpeter Shunzo Ohno, tenorist Robert Kenmotsu, and pianist Jeff Jenkins – all of whom get plenty of space to state their case on the album's long and stretched-out tracks. The bass of Nakamura and piano of Jenkins sets up a good modal groove on most numbers – and titles include "Future On You", "Don't Forget Me", "Sweet & Sour Sound", "Evolution", and "A Blind Man". LP, Vinyl record album

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

A fantastic early record from tenor giant Stanley Turrentine – a set that's completely hard-hitting, and which has a very different vibe than the sweeter sets he'd cut later in the 70s! Instead, this record is pure hardbop all the way through – with Turrentine matching labelmate Hank Mobley for depth of tone and freshness of ideas – stretching out on these long, live tracks with a very cool combo that also features Grant Green on guitar and Horace Parlan on piano – both of whom are superb, and hit some real Blue Note heights on the set. Parlan brings this sinister edge to some of the best tunes, and Green's guitar rings out with these fantastically soulful chromes – providing a great balance to the deep runs that Stanley takes on the tenor. Titles on this first volume include a long moody reading of "Yesterdays", plus the hard bop original "Stanley's Time", and the cuts "Broadway" and "But Not For Me". LP, Vinyl record album

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

With Charlie Parker, Max Roach, and more. 78 RPM, Vinyl record

Vocals by Henri Decker & Maryse Dorial. 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

A great new showcase for the legendary keyboard work of Doug Carn – and a set that's very different both from his famous albums for the Black Jazz label, and some of his organ jazz records in more recent years too! The set's maybe got a more pronounced influence from Adrian Younge and Ali Shaheed Muhammad than some of the others in this series – as Carn's Hammond B3 and Fender Rhodes still get center stage, but the grooves are very much in the heavy funk style of Younge's legacy of recent recordings – sharp drums, strong basslines, and horns that are sometimes jazzy, sometimes seemingly touched by currents of Ethiopian work from the past. All tracks are originals, and titles include "Processions", "Dimensions", "Windfall", "Down Deep", "Freedom At Sunset", "Nunca Um Malandro", and "Lion's Walk". LP, Vinyl record album

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

With Joe Williams. 78 RPM, Vinyl record

African rhythms, jazzy instrumentation, rock inspiration, and a motherlode of funky sound library grooves from two of the best British maestros working in the business! The album's an early 70s gem from the KPM catalog – one of the most sought-after records ever issued by the label – and like the rest, never really made for public sale back at the time! Despite that humble origin, though, the grooves here are right up there with the funkiest work coming out from that side of the Atlantic at the time – a brilliant post-colonial blend of acoustic percussion, electric keyboards, and a fair bit of fuzzy guitar – all presented with a stripped-down, no-nonsense approach to the rhythms that's often funkier than work by some of the bigger names in the genre. Titles include "Heavy Water", "Ice Breaker", "Solid Satin", "Punch Bowl", "Frozen Steam", and "Black Light" by Alan Parker – and "Swamp Fever", "Range Rover", "Survival", "Afro Waltz", "Heat Haze", "Rocking Rhino", and "Afro Metropolis" by John Cameron. LP, Vinyl record album

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

Sweet KPM funk from the 70s – a set that features the legendary "Big City Suite" from David Gold, plus 20 other groovers from rare KPM sound library albums of the time! Gold's suite is really great – a hip mix of keyboards, wah wah guitar, and strings – all wrapped together warmly in a portrait of a city from a variety of angles, in a variety of moods. The work's almost an update of 50s city-symphony albums, but is put together here with a much hipper 70s soundtrack mode – lots of subtle elements that really keep things interesting! Other tracks offer up a mix of jazz, soundtrack, and sound library funk – hand-picked from KPM classics like Jazzrock, Synthesis, Sounds Of The Times, Trendsetters, and other legendary albums – really packed in here with a huge amount of cuts that are totally great! Titles include "Good Vibrations" and "Trial Of Strength" by Keith Mansfield, "Testing Time" by David Lindup, "Four O'Clock Earthquake" and "Smokey Joe's Dilemma" by John Cameron, "Watchful Eye" by James Clarke, "Sunshine Special" and "Get Ready Get Set Fly" by Alan Hawkshaw, "Open Roads" by Nick Ingman, "Go Getter" by John Cameron, "City Airscape" and "City Police" by David Gold, and "Lap Of Honour" by Clive Hicks. CD

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

With Arthur Prysock. 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

... 78 RPM, Vinyl record

A long-overdue collection of the brilliant work of German easy composer Berry Lipman! Lipman was the hipster monniker of bandleader Friedel Berlipp – a pseudonymn that Berlipp used for a series of dreamy and groovy easy listening albums in the late 60s and 1970s, records that were a blend of European tropical fantasies with some of the easy grooves that were coming out of American labels like A&M. Lipman's style is heavy on the horns – in a manner that's a bit like Herb Albert and the Tijuana Brass, but with a smoother 70s sound. Imagine the Love Boat soaring through some easy bossa island – trumpet in the lead, groovy TV singers in the background, with soaring strings and the slightest touch of funk from time to time – and you've only got part of the picture! The set's put together with a lot of care – and it includes some English notes and photos of Lipman looking very groovy in the 70s. Titles include "Concerto For Young Lovers", "Night Fever", "Wives & Lovers", "Bonita Carmencita", "Beach Party In Santa Cruz", "Hey Du", "I Like It", "Easy Drummin", "Helicopter Power", "Girl Talk", "The Girl From Ipanema", and "Saludos Amigos". CD

An unimpeachable metal masterpiece! Master Of Puppets is one of the rare cases when the critical and popular consensuses match right up and are both right on the money – there's just no arguing against this being considered one of the greatest, most influential, and surprisingly timeless metal albums of all time – and it built that reputation organically, fan by fan, without radio or music videos to hype it. All the more impressive for the few disarmingly quiet moments and borderline pretty instrumental passages before the heaviness comes walloping back in. All classic songs on this one: "Battery", "Master Of Puppets", "The Thing That Should Not Be", "Welcome Home (Sanitarium)", "Disposable Heroes", "Leper Messiah", "Orion" and "Damage, Inc.". LP, Vinyl record album